Top 345 Metaphors Quotes & Sayings - Page 5

When people realize that in the long run you may be turning off the audiences more, even though they will look temporarily--in the end they turn away, we really need to develop other metaphors and not talk about two sides, but talk about all sides.

Joy Rains has a gift. A gift for explaining abstract concepts like meditation through clever analogies and metaphors. FOR THE FIRST TIME in my hectic, harried life I actually UNDERSTAND how meditation is supposed to work and WHY I should give it a TRY!

And as hearbes and trees are bettered and fortified by being transplanted, so formes of speach are embellished and graced by variation.... As in our ordinary language, we shall sometimes meete with excellent phrases, and quaint metaphors, whose blithnesse fadeth through age, and colour is tarnish by to common using them.

I did write more mainstream stuff with DK. But you could always tell the records that I wrote in contrast with everybody else's because the format was a bit different. The harmonies were used in a different type of way. Way more metaphors in the mix.

I know that to personalize the Earth System as Gaia, as I have often done and continue to do in this book, irritates the scientifically correct, but I am unrepentant because metaphors are more than ever needed for a widespread comprehension of the true nature of the Earth and an understanding of the lethal dangers that lie ahead.

The fundamentals of hip-hop still play an important role, cause it's about those similes, those metaphors, those parallels. And to some people it's just about, "Man, I'm really relating to the lifestyle."

But there are a thousand ways to look at it: maybe the strings break, or maybe our ship s sink, or maybe we're grass--our roots so interdependent that no one is dead as long as someone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters.

[M]ilitary metaphors have more and more come to infuse all aspects of the description of the medical situation. Disease is seen as an invasion of alien organisms, to which the body responds by its own military operations, such as the mobilizing of immunological "defenses", and medicine is "aggressive" as in the language of most chemotherapies.

Perhaps things are not things but words: metaphors, words for other things.

SF is an opportunity to have an intense relationship with your own imagination. It's a kind of drive-by poetry, trashy and addictive; it's fun. After that, for me, it's an opportunity to explore that kind of imaginative artifact from inside, and use a little camped-up contemporary science as a way of generating new metaphors around my typical obsessions.

Cancer's life is a recapitulation of the body's life, its existence a pathological mirror of our own. Susan Sontag warned against overburdening an illness with metaphors. But this is not a metaphor. Down to their innate molecular core, cancer cells are hyperactive, survival-endowed, scrappy, fecund, inventive copies of ourselves.

The earliest impetuses for writing, for me, were simply the strange things I happened to notice in my everyday life, stuff I read about in the grocery store tabloids my mom bought, situations that struck me as compelling, anecdotes I'd heard, images, words, metaphors.

What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants.

I do keep up at night. I try not to let my mind go to extremes in the middle of the night because it would be better to turn all that stuff into dreams; it would be better if I was sleeping, because dreams become good metaphors for what's really going on inside of you.

No one made a decision to militarize the police in America. The change has come slowly, the result of a generation of politicians and public officials fanning and exploiting public fears by declaring war on abstractions like crime, drug use, and terrorism. The resulting policies have made those war metaphors increasingly real.

Bradbury would have said his plots are myths and metaphors that tell stories about the human condition. That's what sets him apart from other science-fiction writers: He doesn't write about technology, but about the human heart and psyche.

Code is not like other how-computers-work books. It doesn't have big color illustrations of disk drives with arrows showing how the data sweeps into the computer. Code has no drawings of trains carrying a cargo of zeros and ones. Metaphors and similes are wonderful literary devices but they do nothing but obscure the beauty of technology.

The fairy tale emanates from specific struggles to humanize bestial and barbaric forces, which have terrorized our minds and communities in concrete ways, threatening to destroy free will and human compassion. The fairy tale sets out to conquer this concrete terror through metaphors.

Bodies count, of course - they count more than we're willing to admit - but we don't fall in love with bodies, we fall in love with each other. We all know that, but the moment we go beyond a catalogue of surface qualities and appearances, words begin to fail us, to crumble apart in mystical confusions and cloudy, unsubstantial metaphors.

I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect.

If you add up all the promises any politician makes, the math doesn't work. Hillary Clinton's math doesn't work; Donald's math probably doesn't work. I think you have to listen to their campaign pitches more as symbolic, more as metaphors.

A living system continually re-creates itself. But how this occurs in social systems such as global institutions depends on our level of awareness, both individually and collectively... As long as our thinking is governed by industrial, "machine age" metaphors such as control, predicatbility, and "faster is better", we will continue to re-create institutions as we have, despite their increasing disharmony with the larger world.

I am not writing in metaphors. I am writing about catastrophes.

My pictures are not really about the children that I photograph. They're more like actors in a film. I think you can always recognize the children, but they are alienated from their real appearance and become more like metaphors.

Wit invents; inspiration reveals. The inventions of wit are conceits - metaphors and paradoxes - that discover the secret correspondences that unite beings and things among and with themselves; inspiration is condemned to dissipate its revelations - unless a form can be found to contain them.

metaphors for God drawn from human experience can easily be literalized. While we are immediately aware that the personal God is not really a rock or a mother eagle, it is easy enough to imagine that God is really a king or a father.

Comic strips introduced me to metaphors. They are pure metaphor, so you learn how to tell a story with symbols, which is a very valuable thing to learn. And I learned that from motion pictures, too, and from poetry. Poetry is mainly metaphor. If it doesn't have a metaphor, it doesn't work.

... I still wish to contend that some metaphors enable us to see aspects of reality that the metaphor's production helps to constitute. But that is no longer surprising if one believes that the world is necessarily a world under a certain description - or a world seen from a certain perspective.

Walt Kelly was much more interested in allegory and politics, and I'm much more interested in metaphors and myth.

Certainly, writing a book was challenging. It took me a long time to learn how to do it. It took me seven years to get a sense of how to wean myself off the process and trickery of songwriting. You realize that giant metaphors work in songs because you have so few words. Standing alone on a page, they threaten to be overblown in a hurry.

Well, [bluntness in songwriting]'s a lot cheaper than therapy.... There's been a lot of things going on for the past 10 years that I just never really confronted, or used metaphors to do so. This time out I wanted to make sure that everyone knows what I'm talking about and where I'm coming from.

What on earth is modern exegesis up to? Oh, little lazy one! Some red wine and up! Off you go, brandishing your fork, stripped of Ophelia's useless ornaments, fire in your large nostrils, out to rake the muck of metaphors.

Don't use metaphors in fantasy; your readers will take them literally. Or they may take them figuratively - but if so, they'll also take your magics and transformations figuratively. Either way, you're in trouble.

I'm not the 'rappity-rapper' type dude. All my music is really true. I can't just rap about nothing, just metaphors and putting words together. I can't just smash out material like other guys. I just want my albums to be crazy every time I drop one.

Science is a victim of its own reductive metaphors: 'Big Bang,' 'selfish gene' and so on. Richard Dawkins' selfish gene fitted with the Thatcherite politics of the time. It should actually be the 'altruistic gene,' but he'd never have sold as many books with a title like that.

Catastrophe Theory is-quite likely-the first coherent attempt (since Aristotelian logic) to give a theory on analogy. When narrow-minded scientists object to Catastrophe Theory that it gives no more than analogies, or metaphors, they do not realise that they are stating the proper aim of Catastrophe Theory, which is to classify all possible types of analogous situations.

About the fearful sphere which we inhabit, whose centre may be calculated and whose circumference is physically established, there spin metaphors whose centre is everywhere and whose circumference shows itself only through holes in the dark.

Since the journey is a metaphor - the most ambiguous and seductive of metaphors, we tell ourselves - it can also be born of immobility. There is no need to drag our bodies around so much, all dressed up. It's hot, there are flies, diseases. It is enough to close our eyes, seated on a chair in the shade, to float on the waves of imagination. Isn't that what books are there for?

Fire is a symbol for so much. It's a symbol for change. It's a symbol for destruction. Out of the ashes of that comes an opportunity to start over. It's one of the greatest metaphors in nature that you can possibly lean on, especially as a songwriter. You're trying to describe either something coming to a complete and utter end or something that is in flux, or something that's on the verge of becoming something else.

I use a lot of similes and metaphors when I work, simply because it's my best way of describing a building or a scene. I'm terrible at describing landscapes - trees, buildings. The inanimate things don't interest me: I always think, "Oh, no, here comes another building I have to describe." So I usually use a simile or metaphor.

Cinema is a visual language, and you're always looking for visual metaphors for things. You know, if I was writing a play about Howard Hughes, I could have him give a monologue about how he's terrified to touch a doorknob. But on screen, you know, working with Marty Scorsese in 'The Aviator,' that became the series of images that told a story.

I wake up in the morning and I lie in bed, and it's the time I call "the theater of morning." All these thoughts run around in my head, between my ears when I'm waking up. It's not a dream state, but it's not completely awake either. So all these metaphors run around and then I pick one and I get out of bed and I do it. I'm very lucky.

Mortal City was really influenced by geography. [The song] "The Ocean" is the Pacific Northwest. Southern California and New York also figure into songs, and Iowa. "February" is very much about New England. "Mortal City" is Philadelphia. The whole album is this anthropomorphized landscape where the metaphors live in this geography.

Writing books for me is anyway much like a military campaign. I confess to fighting my way through with military metaphors. There is a strategy, an overall concept, and there are tactics along the way…Tradition would say I was a 'child of Mars.'

Religion is a huge part of our consciousness. I grew up in the Bible Belt, so it's our mythology. Those are the stories we learn as little kids at Sunday school. I'm not afraid to use the metaphors, because I think the stories are beautiful.

Of course we as Labour Party members must all be free to criticise and oppose injustice and abuse wherever we find it. But as today's Report recommends, can we please leave Hitler and Nazi metaphors alone (especially in the context of Israel). Why? Because the Shoah is still in people's family experience.

Literally, the Bible is a gigantic myth, a narrative extending over the whole of time from creation to apocalypse, unified by a body of recurring imagery that "freezes" into a single metaphor cluster, the metaphors all being identified with the body of the Messiah, the man who is all men, the totality logoi who is one Logos, the grain of sand that is the world.

My favorite monster has always been the zombie. They are so much fun. They can be scary, pathetic, sad, funny, tragic, even heroic. They are the most elastic monster because, even with all of that, they don't interfere with telling stories about the humans. They serve as threats and metaphors, but they allow the story to be about people.

The idea of getting old and dying, falling apart, does not sound fun at all to me, but it's an observation that I'm sure I'm not the first one to express. There're thousands of year of history attest to the same thing. Maybe it's the way I'm personally dealing with that inevitable transition. So I'm making metaphors out of the work possibly to think about that and try to get comfortable with the idea.

If you want to relate me to the newer cats, let's go. Let's go line for line and bar for bar. If it's all about spitting and metaphors and MCing and lyrics and entendres, I will eat 99 percent of you dudes up.

I am primarily a comedian. Sometimes I also do comedy about my cats. Now unless you find metaphors in cats, there is nothing political about those and I love doing such jokes as much as I love doing political content.

I just wanted to make good music that people related to me and said 'Yo that guy makes good music. When he gives us an effort, it's good music behind it. It's great lyrics, it's witty punchlines, it's great metaphors.'

The Greek tragic mask is one of my main metaphors for the role of the poet. The eyes of the tragic mask are always open to witness even the worst, and the mouth is always open to make poetry from it. Neither ever close.

The poet, being an imitator like a painter or any other artist, must of necessity imitate one of three objects - things as they were or are, things as they are said or thought to be, or things as they ought to be. The vehicle of expression is language - either current terms or, it may be, rare words or metaphors.

The 20th century saw far greater catastrophes than September 11th, as bad as it was, and they didn't render literature or art or music irrelevant. In fact, I think that literature and art help us to understand - sometimes they provide narratives and metaphors for understanding history, for understanding recent catastrophes.

I didn't have the patience for the research, or anything like that. I just like how it sets the imagination off. It's just an area that's very fertile for great words. Great metaphors, potentially.

I have frequently noticed in myself a tendency to a diffuse style; a disposition to push my metaphors too far, employing a multitude of words to heighten the patness of the image, and so making of it a conceit rather than a metaphor, a fault copiously illustrated in the poetry of Cowley, Waller, Donne, and others of that ilk.

Analogies and metaphors have often proved pivotal in expanding our thoughts both within and without science, and so one should not discourage the attempt to synthesize apparent opposites. However, citizens of the New Age often forget that, when they involve science, analogies should be tempered by experiment and calculation.

Many smart folks seem to think that if you just get your metaphors and messages right, you'll win. That if you start describing what you favor as a 'moral value' - 'affordable health care is a moral value' etc., - then you'll appeal to red-state voters.

I believe that a work of art, like metaphors in language, can ask the most serious, difficult questions in a way which really makes the readers answer for themselves; that the work of art far more than an essay or a tract involves the reader, challenges him directly and brings him into the argument.