Top 1200 Method Actor Quotes & Sayings - Page 17

I didn't have a huge amount of on-camera experience before 'Fleabag.' It has definitely changed me as an actor. I remember the actor I was before; I felt stifled by the industry and the boxes people tried to put me in.

You're not actually being a good actor all the time. But people refer to me as a good actor because they read it someplace, not because they've made up their own mind. So I'm very lucky!

You've got to do the big studio movies to get your name, but as an actor and for your own well-being you kind of need to step back from that occasionally and do the smaller films. In the end, that's what helps you learn and makes you a better actor.

There's work for everybody, and I believe every actor gets what he/she deserves. Honestly, I just want to work as long as I can and do great films and act with every good actor around.

Denzel's all about the work. He's all about the acting. He's an actor. He'll tell you himself, 'I'm not a movie star, celebrity, something else. I'm an actor.' He steps on a set, that's what he is, and that's what he gives you. He gives his heart.

I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?'

There is a bit of a once a soap actor always a soap actor thing, but I do think people still recognise talent. If youre good at something, then people have no choice but to accept it.

Shah Rukh is always experimental with his role as an actor. He is the same actor who did a film like 'Kabhi Haan Kabhi Naa,' 'Asoka,' 'Chak De! India' and 'Swades' and other so-called commercially successful films.

The only thing that I know how to do as an actor, as a trained actor, is you can't villainize the character you're playing. Whether it's a fictional character or a real character. Because then you operate from that sort of negative point of view, and you can't humanize him.

I'm certainly a young actor. I'm certainly those two things. Actually, I'm not even young anymore; I'm 29. So, I'm an actor.

Now that was one thing, but from an actor's point of view, this poor young man, crying from the moment I opened the door to the moment he left. Now if an actor did that they would say he's over-acting.

I was working in Chicago, in theater and in commercials and anything that anybody would let me do. When I moved to L.A., I had made a choice to be a character actor, meaning that I wanted to become somebody else. That's what attracted me to becoming an actor in the first place.

I never started out to be an action actor. I was an ensemble actor. "Rocky" was an ensemble film. "F.I.S.T." was an ensemble. "Paradise Alley" was an ensemble.

You're an actor who's Irish, not an Irish actor. And you shouldn't be limited by your extraction.

Asim has done English theatre with Naseeruddin Shah and his group, Hindi theatre with Makarand Deshpande, and Marathi theatre with me. He is a hardworking actor - I am not saying this just because he is my son but as an actor and spectator.

I think it’s really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you’re going to do.

Any role that big is going to be a challenge for any actor, but for an actor of a young age, it's going to be even tougher.

It's funny, in a way the actor is a writer. It's not like the two things are so separate as to be like apples and oranges. The writer and the actor are one.

What motivates every other decision artistically or technically is the acting. This is what motivates everything. Never can a camera move be incompatible with the emotion of the actor at that moment. The movement, the style, the atmosphere, everything is dictated by the actor.

When I was in college, I did sort of want to be a journalist. Being an actor, you kind of have the same interest. You go into a story, and you tell it from your point of view for people who aren't there. That's what an actor does with a character. But the real life is more more interesting.

In this day and age, if you're aspiring to be an actor, and you're putting all your eggs in one basket, you could be disappointed. I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first 8 to 10 scripts were pretty horrendous, but I stayed at it until I eventually found a voice and a subject that people were interested in. So, I recommend that you go out and try to be as versatile as possible: writer, actor, producer and especially director.

Quite honestly I never had a desire to be an actor. I tell people, 'I did not choose acting; acting chose me.' I never grew up wanting to be an actor. I wanted to play football.

I think maybe I was instrumental in taking the stereotype out of the Southern actor is some ways. I would hope my legacy would be as a serious actor who told the truth and did parts based on the quality of part and not necessarily the money.

As a kid, I was going to be a marine biologist or an actor. When I became successful as an actor, I said, 'Well, maybe I can lend a voice to this with an equal passion.' You realize how lucky we are and how destructive we've been and what little regard we have for the natural world.

I was a guy who needed to go to class, because I had some raw talent that I thought was identifiable, when I finally made a decision to be an actor. And yet I wanted to learn how to really do the stuff. You know, 'How do I get to be a serious actor?

The joy of my career is I've been very blessed to be able to be an actor in major films, television, theater, and also British radio. In fact, my dream as an actor when I started out was to be able to work in all the media. Thankfully, that's what I'm being given to do.

The western has always been, for me, the bread and butter. It's the easiest place for an identifiable Native American to be able to work. But I do yearn to be known as an actor rather than a 'Native American actor.'

Somebody saw me on 'Cheers' and thought that I was an actor playing a part as opposed to a guy just doing what he knew. And they gave me 'Night Court.' And by the time they realized I wasn't an actor, I had already signed a five-year contract.

I am happy being an actor. Donning the hat of a producer was a tough job and a different experience, as it involved watching the crew's requirements, keeping track of the finances, and also perfecting my role as an actor. But it was a tremendous learning experience.

I shoot people in a way that makes the audience feel equal to them. And it's hard to express and it's hard to execute but I think it works on every level - the choice of the material the choice of the actor, my relationship with the actor, and so on.

A good actor always sets you straight. If you've written a false moment and thought it was probably pretty great, the actor's gonna show you when he gets to that moment. They're the great test of the validity of the material.

[Ryan Reynolds] is my favorite [ on Top Gear] - I think he's the most hilarious actor who just has not been able to catch a break in terms of being known as the most hilarious actor.

I've always been an actor, a lowly actor without power, so I've never been corrupted. I've never even directed.

I still consider myself a young actor, I'm 34; I still view it as the beginning of my career. You can get infatuated with acting in a way that makes you less an actor than an acting appreciator.

I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me

If you're a leading actor you don't work with another actor. You work with a lady.

In the scenes I try to be a giver as much as possible, giving the other actor something to work with. When not in the scenes I will stand in for eye lines to help the other actor with delivery and hopefully performance.

'Transformers' was important and defining for me because it taught me about what kinds of movies I want to make and the kind of actor I want to be, and I have a long way to go before I become that actor.

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far.

I'm not necessarily a good actor, but once people start saying you are, you are. And I know that that's a truism, and there's obviously nothing important in that particular statement, but it's really about the fact that people create you as a good actor.

I've always been an actor. I've always approached all my comedy as an actor.

I don't know. You know, when I'm not acting, I'm not an actor. I'm just a person. That's how I go through life. I'd rather not - you know, like a lot of actors, you know, they spend their whole 24 hours a day being an actor.

I know I'm a black actor, but really, I'm an actor who happens to be black.

It was inevitable at some point that I would bump into one of my father's plays. The reality of the situation is that I'm a jobbing actor, and any actor would give their eye-teeth to have one of those roles. It's a no-brainer! I'm pleased the stars have aligned around 'Arcadia.'

Superstars come and go. I want to make sure I am always a producer's actor. I may be refused to be called a great actor but I have never troubled any of my producers in my life. Honesty always catches the camera, and that is what my strength is.

I think it's really, really important to mix it up as an actor, to try to get as much kind of varied experience as you can, not only for your own personal growth as an actor but for the audience to keep them guessing about what you're going to do.

Theatre is the principal job of an actor. An actor's job is to tell a story to someone in a room. TV and film can be great and I really love doing it, but it is a different way of telling a story.

I dont want to be just considered a breakout comedic supporting actor. I want to be a breakout actor in anything thats a lead.

It was never my intention to be an actor, and I don't know if I'll ever call myself an actor because I've always said that would be a slap in the face to proper actors, but it's fun, and thankfully, I've had the luxury in my adult life that anything I've done has been fun.

It's funny because, if you're not an actor, people always tend to say, 'How do you memorize all those lines? Is that really hard?' I'm always like, 'That's just a small part of it. I have to seek my craft and my emotions' - you know, all this gross, actor-y stuff.

There's nothing I dislike more than being in a photo shoot where they say, 'Be yourself.' That's not why I became an actress. That's what I find so funny: that you become an actor, and all of a sudden, everyone wants to know about you. But I didn't become an actor so I could show you me.

I don't think of an actor. I think in the character, and then I search for the actor. Usually I'm thinking without names, because they will change my idea. No big egos. If I want egos - just mine. That is enough.

The inner life of the [imagination], and not the personal and tiny experiential resources of the actor, should be elaborated on the stage and shown to the audience. This life is rich and revealing for the audience as well as for the actor himself.

I had to learn how to become a real actor, I had to suffer and be rejected and face that 100 times just like every actor. It wasn't like someone handed it to me.

Being an actor only came about because Arnaud Desplechin, the guy who did 'Kings and Queen', had this curious idea to think that I could be an actor, but I had never acted before, and I was supposed to direct my own film!

Each actor, every single time you work with an actor, you have to come up with the language that's going to serve them. And that's what allows them to give the performance that you want to nurture inside of them and what you think they're capable of giving.

There is a vast difference in the pay package of every actor. Actors are also exploited at various levels, but when we are established, we get paid fairly well. But at times, if an actor asks for a hike, he/she may even get boycotted.

You get into these executive offices, and people say, 'Oh, we have this project. Wait a minute, guys, we need diversity - let's choose a black actor for this; let's choose a Hispanic actor for this,' instead of saying, 'That's not diverse, that's just normal. That's what makes up America.'

I believe singing should be like being an actor. People shouldn't have any problem buying an actor being in a comedy or a drama or a horror film. That should be the same way with music.

I have, like, two best friends, one that I grew up with who's not an actor, and one that is an actor that lives near me in Wales, and they're my friends. I don't have any other friends, really, in the industry. I have acquaintances and people that I will go out for coffee with.