Me and my dad used to go to these jam sessions and open mic nights, but I was always scared of singing on stage. It felt different to rapping - more pressured.
I'm all about showing people what I can really do in country music. Give me a mic and let me perform, and I'll prove it to you.
I can always improve in the ring; I can improve on the mic. I can consistently keep improving.
I'm a news junkie. I generally ad lib it. I find a story I want to key off on, open the mic, drag it in the Dropbox, and they pull it out the next morning.
My dad played in different clubs and open mic nights. But he mostly walked dogs. A lot of dogs.
R&b, poetry, I'd like to do everything. But I'm an entertainer and entertaining is not just music. I can do comedy; I'm one of those guys, I can stand up there with a mic. I'm not gonna freeze.
I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
I go to more open mic nights than open mikers.
My job to make sure that thing is kick-ass - takes the mold, jumps on it, throws glitter all over it, smashes it, kicks it around, and drops the mic. If we don't do that, then we deserve not to have a hit.
I actually like taking a mic and plugging it into an amp and giving it to a kid to see what they do, 'cause they flip out. They're way more in touch with their voices than we give them credit for.
It's nice to work with people who know how to mic drums right and how to record properly. But there's something to be said for doing it yourself.
Any take, anything that's recorded while the mic is on, that could be the final take.
Raging and having good feelings and having fun is something I plan on doing and spreading across the world. I just need air and a mic.
Are you tired of lyrical liars, passing fliers,
Wannabe MC's, but really good triers,
Tripping over mic cords, getting you bored,
A total fraud, this kind of thing I can't afford!
It's an absolute blast to be a voice actor, but also kinda scary that the vocal baby you just birthed out at a mic is then taken by other folks and becomes something else.
Anybody with a sharp brain and a mic can become a comedian, but there's a need to move beyond it. The audience wants to witness the marriage of theatre, comedy and something more.
The song of the blues, the song of the music, was something a lot of people missed out on. They thought they had to swagger a certain way or bark at the mic, and you don't have to do that.
The WWE has the largest amount of eyes on it and is the biggest wrestling company in the world. It would be a huge honor for myself to work there, but am I going to be given the same 'Villain' mic time?
I love the energy that comes when I get on the mic. It keeps me creative and I love to hear what the fans want, what they love or hate about it.
Ladies love me when I spray the mic
But there aint no "I" in snuggling
Aint no "U" in "Stay the night"
I was 18 when I started. I was hanging out with some friends and they asked if I had tried stand-up before. I hadn't, but I thought: 'What the hell?' So I went to an open mic night, and I liked it.
Honestly, I'd love to be remembered as one of the best to ever pick up a mic, but if I'm doing my part to lessen some racial tension I feel good about what I'm doing.
Who knew, when you were watching the Verizon ad and the guy said, 'Can you hear me now,' that was really just a mic check for the Obama administration.
All day long you write little ideas on the piano and the guitar, but sometimes all you have to do is come in, set up the mic, press record and start the process.
What we do every day onstage, there's lights, there's lots of other musicians, there's an audience, there's a microphone and mic stands - layers of the onion we have to kind of hide behind.
Before I had a record deal, I was living in New York and playing anywhere I could, from somebody's house to an open mic to coffeeshops.
I'm nervous ahead of every gig. I feel like running away three seconds before I'm due on stage. But I'm all right as soon as I get the mic in my hand.
All I need is one mic . All I need is one life, one try, one breath, I'm one man.
I smoke on the mic like Smokin' Joe Frazier,
The hell raiser, raisin' hell with the flavor.
Singing is something I do every day - not every other month. When I touch the mic, the same thing happens every time.
Technology means the kind of music you can make on your own if you've got an imagination is amazing. It's crazy that I can sit with a Mac and a keyboard and a mic and create a symphony.
Live audiences love me because I'm singing and actually am able to f**k with people live over the mic.
I am awesome. I'm the most must-see WWE superstar: I'm proven inside the ring and outside the ring. I'm the best on the mic; I get the ratings.
I don't want to be on the mic, man. I want to stay producing.
I should have blown this mic like I said I might
Got the force of 20 men like a Jedi Knight.
Even though I only get a few days off, I do not stop, whether it's getting some stage time at an open mic or flying to L.A. to watch a ton of stand-up shows.
I remember feeling the energy of people. That stuck with me. Understanding that I could stand behind a mic and captivate people. I was always obsessed with that.
I don't think most guys can handle a mic even close to what I do if I'm honest and I say that with no ego, that's the honest truth. I know what I do and I'm self aware.
I spent two years playing open mic nights in Brighton, and I heard more and more people saying, You should give it a go in London.
Cena is awesome on the mic. When it comes to wrestling in the ring and the technical aspect, I feel as if I blow him away. I feel like I'm more of an athlete.
Enterprising law-enforcement officers with a warrant can flick a distant switch and turn a standard mobile phone into a roving mic or eavesdrop on occupants of cars equipped with travel assistance systems.
It's funny: when the press knows someone's gonna say something stupid, they're quick to pass them a mic and put a camera on them, and everybody talk about it.
As an artist, I want it to be so simple that anyone can understand it. No matter what age you are, you're going to feel it because it's real. I don't like to sugar coat. There's not too many artists that can tell stories and be vulnerable on the mic.
I wrote my first song, 'Conversion', to this little hip-hop instrumental. I went to an open-mic, plugged my iPod into the P.A., and sang over the beat.
I remember being on a red carpet and they put the mic to us and asked 'are you feminists?' and we panicked. We were so terrified to speak back then.
I couldn't help but think, This car is taking me to a mental hospital and my mother is treating it like open-mic night at a Greenwich Village café.
I don't even start singing anything until the mic is on and recording, because my first ideas are usually my best ones. So I'll just press record; I'll freestyle a whole three minutes.
Everyone was wearing jeans, so I started wearing slacks. I'd walk on, and people would laugh before I got to the mic because I looked stupid.
I spent two years playing open mic nights in Brighton, and I heard more and more people saying, 'You should give it a go in London.'
I do have a little setup at home. I use Pro Tools and a Neumann mic. Neumann's are my favorite.
I'm looking forward to a long, fruitful career now behind the mic, staying around the sport I love so much and the sport that changed my life for the better.
I feel like when you call me inspirational, it takes away from the success that I've actually had. Would you say that to any other comic that just ripped the mic for an hour?
When I performed at 'Open Mic U.K.' I had this connection with the audience that I'd never felt before, and I loved it. It was my first big thing, and looking out into the crowd... was just amazing.
You get a different respect when you can handle things on the behind the scenes end as well as in front of the camera or in front of the mic.
'Cause I'll rip the mic, rip the stage, rip the system
I was born to rage against 'em
We don't live in an ancient era. Today, collaboration doesn't mean two singers standing next to each other at the mic to sing together.
Obviously, wrestling is a lot of fun, and I love it. But on the mic is where I have the most fun.
As soon as it's behind computers and machines, which the majority of the planet loves, I find it cold. I need to hear breathing. I like the idea of the mic being a captation of everything that's happening around.
I like messing up the song, doing some improvisation. And I like running around the room with the mic.
There was an open mic night when I was about 11 years old and I went and I played the songs that I'd written in my bedroom and it was the first night where I felt like I was myself at school.
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