Top 263 Midwest Quotes & Sayings - Page 4

Chicago still remains a Mecca of the Midwest - people from both coasts are kind of amazed how good life is in Chicago and what a good culture we've got. You can have a pretty wonderful artistic life and never leave Chicago.

They started saying stuff like 'Should we cut the movie? Is it too this, too that?' It got drastic. It got heated. I said, 'Wait a minute, folks. I didn't make 'Smokey' for big-city audiences. I made it for the South, the Midwest and Northwest. Those are my people.'

I grew up in the Midwest. I grew up in South Dakota.

It is critical to develop a biofuel industry powered by feedstocks produced in every corner of the country, in addition to the Midwest. That is why USDA has established five regional research centers working on science necessary to ensure profitable biofuels can be produced from a diverse range of feedstocks.

I don't think any other holiday embraces the food of the Midwest quite like Thanksgiving. There's roasted meat and mashed potatoes. But being here is also about heritage. Cleveland is really a giant melting pot - not only is my family a melting pot, but so is the city.

Books set in Brooklyn and L.A. are often about people who are rootless, who want to go somewhere else. In the Midwest, though, the stories are about people who want to stay where they are - who like where they are.

I did all of California from north to south. I did Florida from north to south. I went to the Midwest. I spent time discovering the culture because I thought I was going to stay in America for only two years. Then I decided to come to New York.

Friends in the Midwest often ask me what it's like to raise a family in Los Angeles. I say it's just like where they are, but warmer and with more traffic. I also tell them people here seem a bit more tolerant of those who are different.

I was never that kid who grew up in New York and was always at the arthouse watching important films. I was the kid who grew up in the Midwest where there weren't any art films, and I watched TV. And that was really the medium that affected me and that I fell in love with.

I myself was born beside a river - the Avon in Sarum. So when I first encountered New York's great harbor and the Hudson River as a teenager, and came to understand their historic canal and railroad links to the vast spaces of the Midwest, I felt both the thrill of a new adventure and a deep sense of homecoming.

When you have an American mother from the Midwest and an Egyptian father, you travel back and forth and see such completely different stories in the news about the exact same events. It makes you think, 'How is anybody able to understand or even have a dialogue when the basis of information is just so completely different?'

You need to make a trip to Des Moines in August, because the Iowa State Fair really is a sight to see. The Iowa Fairgrounds are usually packed for those 11 days, and you get a real sense of what a classic Midwest fair is all about.

I liked dark, urban stories like 'Peter Gunn,' which was a detective series on network TV when I was a little boy. I grew up in a farmtown in the Midwest where not much exciting happened. I liked the idea of lives lived at night and the shadowy characters who lived in that demi-monde.

There was [ in New York] - some of it was this perception of the Midwest that I realized in this multicultural city that - and I don't think it's as true as it was - but everyone was kind of like, what, are you Jewish? Are you Italian? What are you? You know, are you black? Are you da-da-da? Are you Puerto Rican? And so I ended up - my ethnic identity was Midwestern, was white bread. And so it informed a lot of my stand-up.

The West Coast blew me up years ago. Ten years ago, I was already selling out five or six shows in a row in the West. Then all of a sudden, the Midwest, Chicago, Illinois, just embraced me so well.

I go back to a very specific aspect of the Midwest - small towns surrounded by farmland. They make a good stage for what I like to write about, i.e., roads and houses, bridges and rivers and weather and woods, and people to whom strange or interesting things happen, causing problems they must overcome.

I don't get a lot of "Hey, Harvard!" stuff. I think a lot of people who don't know me would be surprised to think that I went there. But no, I don't. You know, I'm from the Midwest, man - that shapes my personality much more than having gone to Harvard.

The Midwest isn't somewhere you mix with those from the performing arts. But my mum and dad would go off to Chicago every so often to see shows. They would bring back the albums and the movies, those little eight metres, and we would all watch. I think that was when I fell in love with acting.

People always want you to look pretty. I would like to live in the Midwest in a small town and never put makeup on. But they won't let you do that. Once I went through a period when I did do that, wore no makeup, wore my hair any which way, and people looked at me like I was a bum.

I had been plunged into a different world. I found myself spending half my time answering weird questions on book tours in the Midwest. People would stand up and explain to me the situation in their office and ask me whether they should resign or not.

I pitched the idea to FX that there's this larger 'Fargo' universe where there's true crime in the upper Midwest, and I can tell stories from any era of that. Maybe they connect to the first season or the movie, or maybe they don't. It's just a style of storytelling. We're under the auspices of being a true story that isn't true.

When candidate Donald Trump ran for the highest office in the land, he promised to fight for forgotten Americans. In the presidential election of 2016, the forgotten Americans of the Upper Midwest and the coal country of Kentucky and West Virginia, many of them life-long Democrats, delivered a decisive win for this first-time Republican candidate.

I'm a little bit shy and from the Midwest, so to be so open and honest with millions of people is pretty difficult. To have people constantly having an eye on you and very interested in what you're doing at all times - it can be a little stressful at times.

I grew up in the Midwest, and I was a short, fat, little Jewish kid... but it was just different. People didn't understand, so I had to deal with it. One day, I physically dealt with it, and it never happened again. I'm not saying that's the way to do it, but you have to stand up for yourself, period, end of story.

At the end of the day, natural-gas peakers sit back there and get financed so that the Midwest corridor can have a huge [period] of four to five days of no wind. The peakers are running big time to make that up, because that is the swing piece that can always be turned on.

Coming from the Midwest, I didn't know about stand-up as an art. I just thought stand-up comedians were old men in suits talking about their wives.

Chicago still remains a Mecca of the Midwest - people from both coasts are kind of amazed how good life is in Chicago, and what a good culture we've got. You can have a pretty wonderful artistic life and never leave Chicago.

I was miserable in West Side Story. They really miscast me. I came from the Midwest; what they really needed was a guy that was street smart. The first time I saw the movie, I had to walk out. I looked like the biggest fruit that ever walked on to film. My character was so weak.

I'm sure that growing up in the Midwest played a role in my chronic escapism. In fact, before I lived in France, I lived in Japan, England, and Bulgaria. I was determined to experience other places and cultures, particularly because I had the perception that I'd been cut off from these experiences as a child.

When you're from the East Coast or you're from the South, people expect you to sound a certain way. So if you don't sound that way, people won't label you as that type of artist. For me, I had a whole new lane to create for myself being from Pittsburgh and being a Midwest artist.

I had an unusually large-sized head, though this was not uncommon for a baby in the Midwest. The craniums in our part of the country were designed to leave a little extra room for the brain to grow in case one day we found ourselves exposed to something we didn't understand, like a foreign language, or a salad.

I was born in Chicago, then I spent most of my youth in Joliet, Illinois which is about thirty minutes south, and I went to a military academy for high school in Wisconsin. Then I went to college, on a basketball scholarship to a small school in Iowa, so I'm like Mr. Midwest.

I never wanted to return to Hollywood because Hollywood people and the fakeness - very artificial and not dear to my heart. After I lived in the Midwest, and I learned what sincere, real people were all about, I never wanted to go back.

She comes from the Midwest. She had me at a very young age and raised me on her own. She's a very hard worker.

I think about what movie I would like to see. I don't think of them as a correction or palliative. I certainly am irritated by anything that's shot in the Midwest and filled with these noble people. "Oh, they're so good, and they're so honest..." I'm not interested in that. I just think of what's right for a movie.

I grew up in the Midwest, so I have sort of an honorable moral code. But I moved to a city and joined a sort of fast crowd. A lot of people who grew up in the city sort of arent aware of manners and other ways of life and common decency.

There are a lot of regulations that are really just crushing jobs. Look at the coal miners in the Rust Belt that are getting out of work. Look at the - look at the loggers and the timber workers and the paper mills in the West Coast. Look at the ranchers or farmers in the Midwest with regulations.

I'm the one not caring. I'm the one pretending the Earth isn't shattering all around me because I don't want it to be. I don't want to know there was an earthquake in Missouri. I don't want to know the Midwest can die, also, that what's going on isn't just tides and tsunamis. I don't want to have any more to be afraid of. I didn't start this diary for it to be a record of death.

When I meet gay fans out and about, they're so great to talk to - and I'm big on hugging, because I'm from the Midwest. They're just so energetic and loving. I'm proud to have those fans, and their support means a lot to me. I don't want just girls coming to my movies; I want guys to come, too!

Place is so important to me. The Midwest is like a ghost in my life. It's present as I look out the window now. I see Texas, but if I close my eyes and look out the same window, I'm back in my hometown in Worthington, Minnesota, and I cherish those values and that diction.

I grew up in the Midwest, so I have sort of an honorable moral code. But I moved to a city and joined a sort of fast crowd. A lot of people who grew up in the city sort of aren't aware of manners and other ways of life and 'common decency.'

Although he moved away from the Midwest for good at the age of thirteen, Ray Bradbury is a prairie writer. The prairie is in his voice, and it is his moral compass. It is his years spent in Waukegan, Illinois - later rechristened by Ray as 'Green Town' in many books and stories - that forever shaped him.

I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.

I had accidentally gotten a laugh on a line in a play I was in during high school. I got hooked, but I had no idea I would ever be able to support myself by acting. I knew no one in the business. I was from the Midwest. No one within a radius of a thousand miles was doing anything like that.

As we see dislocation and disruption in certain parts of the country, from rural areas to my home in the industrial Midwest, and in the economy, this leads to a kind of disorientation and loss of community and identity. That void can be filled through constructive and positive things, like community involvement or family.

Because I was from the Midwest and untrained, I was completely open and ready to try anything. Many of my classmates were cynical and jaded; some already had conservatory training, and they were there simply to get that Yale stamp of approval, which they saw as a career stepping-stone.

When I turned about 14, I developed a friendship with this guy whose mom was the secretary to Ernest Angley, the faith healer, who's very popular in the Midwest. He had a television show, and he was sort of like Liberace mixed with Jerry Falwell - very glitzy, very high-tech.

I still miss the Midwest feel with the weather, people overall and food. Sometimes I feel like I need the cold again just to get that chip on my shoulder again. There's nothing like going outside and being cold.

My mother was raised very, very strict Catholic in the Midwest. There was so much fear and intimidation [in the faith]. So, growing up, I was always looking for my connection. I've found myself praying before meals, before bed; there's always been this gratitude for things that are bigger than me.

I can support co-ops if they want to do it as we've known co-ops in America for 150 years - where they serve the purposes of the consuming public, whether it's health care or whether it's co-ops as we know them in the Midwest, providing electricity or to sell supplies to farmer.

Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it.

I grew up in the Midwest, quite far from any ocean or any beach, a million miles. I think for kids who grew up where I did, the idea of California, surfing and beach life was so exotic and glamorous.

The thing about Chicago is that it really isn't like any other place. The architecture and the layout of the city are the best. I'm from the Midwest, and consider myself a Midwesterner. I feel most at home there. I love California. I have great friends in California. I just have always considered Illinois to be home.

In any democratic, civilized - even non-democratic nations, if you are a nation, it means to say that in our case, if there's a hurricane in Louisiana, the people of Vermont are there for them. If there's a tornado in the Midwest, we are there for them. If there's flooding in the East Coast, the people in California are there for us.

The midwest is great because it hasn't been entirely claimed. There's more room to write about it; it's harder to write about New York, because even if you've never been there, you think you know what it's like. To do it in any sort of fresh way is trickier.

If we could figure out the big economic question - which really is how do we get wealth out of the coasts and into the industrial Midwest and start creating real jobs by the hundreds, if not by the thousands - in places like I represent, that's a game changer for me.

I had been blogging for a few years when Jonah Straus, my now-literary agent, reached out to see if I'd consider writing a cookbook. At the time, I didn't feel ready; I was still getting adjusted to life in the upper Midwest, and I was still finding my recipe voice.

I was a huge theater geek growing up, and that was not the easiest thing in the world, especially growing up in Chicago, where sports are really the norm. I was always off to the theater at night, from 7 years old on. Friends there in the Midwest who could talk to you about the idiosyncrasies of 'Pippin' were few and far between.

I don't mean to make a generalization, but I do at the same time, from what I know about people from the Midwest, it seems like their families would talk about money openly in front of them when they were kids. They'd say stuff like, 'We're broke! We're gonna lose the house!'

The fact is that I write under duress, often in my bed, often at the last minute. I'm kind of a binge writer I would say, which I don't support. I was always kind of that way. Probably the time I was the most regular as a writer was college. It was like, what else is there to do when you're living in the Midwest studying creative writing?