Top 319 Miller Quotes & Sayings - Page 4

Frank Miller is more of a visionary than any director I've ever worked with, and he achieves that vision better than anyone I've ever worked with.

The important information you need at the beginning of an issue. Like way they did the old Frank Miller Daredevil issues in the first five pages he always had to state his origins and how he got his powers.

Judas sold his soul for thirty pieces of silver; Faust sold his for some extra years of youth; Marilyn Monroe deserted Jesus Christ for Arthur Miller.

We [Rodriguez and Frank Miller] wanted to take the movies and turn them into a graphic novel, so that people wouldn't even know what they were looking at. It's still visual storytelling, but it's approached completely different. The two mediums don't have to be separate mediums. They can be one and the same.

I wasn't trying to be an outlaw writer. I never heard of that term; somebody else made it up. But we were all outside the law: Kerouac, Miller, Burroughs, Ginsberg, Kesey; I didn't have a gauge as to who was the worst outlaw. I just recognized allies: my people.

In this way, writers are indeed, as Henry Miller suggested, traitors to the human race. We may turn a light on inequity, injustice, and oppression from time to time, but we regularly kill what we love in insidious fashion.

I don't believe in burning holy books, but I am organizing a protest. I'll be burning all my Dennis Miller VHS cassettes as a special protest. I don't want to hear the introduction 'you may have seen our next comedian on the Hannity show'.

I remember when I was doing 'The Crucible' on Broadway with Laura Linney, and Arthur Miller had been in rehearsal with us and was on stage on opening night. She turned to me during the curtain call and said, 'Let's make sure we remember this.'

Being on 'Nashville' and working with some incredible people like T-Bone Burnett and Buddy Miller - so many wonderful, incredible musicians that I've been blessed to play with and observe - that has continued to shape the process of arranging music, writing music.

Roger Miller opened a lot of people's eyes to the possibilities of country music, and it's making more impact now because it's earthy material: stories and things that happen to everyday people. I call it 'people music.'

I'm stunned at some of the stuff Johnny Miller comes out with sometimes. He is very harsh and frankly I find some of the stuff he sees very disrespectful.

Unilever, Nestle and SAB Miller are all taking a long-term approach to investing in sustainable resource consumption. Each is driving through better resource management, which is expected to yield positive returns in the future.

And sometimes you're not noticing a little eye movement that's hilarious. So it all kind of gets figured out in post. And that guy you were watching was this guy Murray Miller, who's actually not an actor, he's a writer that Rodney and I are friends with. He's just crazily funny, especially when hitting on people.

Henry Miller is a famous writer whose work has fallen out of fashion, but I strongly recommend that readers who don't know his work pick up a book and experience this writer's zealous, crazy, inventive, funny, sexy, often delirious prose.

According to Miller, Pharisee Judaism is not a religion at all, but a secret society posing as a religion, a "sect with Judaism as a rite." She cites Moses Mendelssohn who wrote "Judaism is not a religion but a Law religionized."

What I look at is, do you represent the values of the state of Alaska? Do you represent the people here in terms of what it is that they need, they hope for, what they hope for their future? And Joe Miller simply does not represent that.

I was always looking at footage of dancers from Nicholas Brothers to Ralph Brown to Sand Man to Miller Brothers and Lois, and I grew up looking at old footage.

I loved playing against the Pacers and Reggie Miller. Reggie was a great competitor, and I enjoyed playing against competitors.

And it was the idea that you can do a play - like a Shakespeare play, or any well-written play, Arthur Miller, whatever - and say things you could never imagine saying, never imagine thinking in your own life.

It took three years from talking about it, to meeting with Wendie Wilson-Miller from 'Gifted Journeys' Surrogacy, to finding the right doctor, to doing the egg retrieval and finding the right surrogate.

Yeah, handsome, great big guy, seven feet tall! Name is Rick Miller - Portland, Oregon. And he started a business. Of course you know it was in basketball. But it wasn't in basketball! I mean, I figured he had to be in sport, but he wasn't in sport.

I would push for more production and Steve Miller would say, "Why do you want to have more production when you have real songs? You don't want to cover up the song."

There's a long tradition - certainly with country, but in all kinds of genres of music - to have humorous lyrics. Certainly with Frank Zappa and the Mothers of Invention and, if you look at country, Roger Miller and Jim Stafford.

The greatest set shooter ever? Larry Joe Bird. Period. The best coming off screen? Reginald Miller. And the best off the dribble? Steph Curry.

I came across 'The Song of Achilles' by Madeline Miller in one of the most romantic ways one can find a story. I was digging through a pile of used books at my local library when my hand gravitated toward its brilliant teal and glistening gold cover.

I've grown environmentally. I'm far more cautious, although I always have been; but more now. And I have grown a lot professionally by working with George Miller.

If American literature has a few heroes, Miller is one of them. He refused to name names at the McCarthy hearings, and his play 'The Crucible' analysed the hearings in the context of a previous American mass psychosis, the Salem witch trials.

I've had quite a wide spread of a career. But it's not like I've had to negotiate what Sienna Miller has had to negotiate, or even Felicity Jones, for example.

My D'Angelico is a jazz archtop guitar. That guitar was made for Glenn Miller's guitar player in 1939. It's a '39 D'Angelico New Yorker.

I sat in the barber's chair in David Miller's makeup shop, hours and hours of trial and error. While David poked at me with his crusty brushes, I grew more and more profane. That's how I started to find the voice of Freddy.

Unfortunately, I'm not a history buff. I don't read biographies, except of some of those writers whom I've collected over the years - particularly Samuel Beckett and Henry Miller, people like Charles Bukowski and John Fante and David Foster Wallace.

I remember Glenn Miller coming to me once, before he had his own band, saying, How do you do it? How do you get started? It's so difficult. I told him, I don't know but whatever you do don't stop. Just keep on going.

In 1986, I was asked by the then-Dean of Science at the University of British Columbia, Dr. R.C. Miller, Jr., to establish a new interdisciplinary institute, the Biotechnology Laboratory. I decided that it was time for me to start paying back for the thirty years of fun that I had been able to have in research.

When I was in the 9th or 10th grade, Cheryl was All-American, and she was getting all the pub. I thought to myself, 'Why isn't anyone paying any attention to me?' I used to wish that I wasn't Reggie Miller, that I was Reggie Smith or Reggie Jackson.

There was a play that was written by who I think is America's greatest playwright, and he wrote a small part in it for me. It was going to open in Chicago, and then go to New York. But then, he died. It was Arthur Miller. That was the reason I turned Lost down.

It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.

I come from the theatre where there are no boundaries to the style you're doing; you're doing Molière, then you're doing Chekhov and then you're doing Arthur Miller in a season and no-one bats an eye.

There's a right thing to do," Holden said. "You don't have a right thing, friend," Miller said. "You've got a whole plateful of maybe a little less wrong.

The blogs have been great and everything, but I think, for me, it's better to have a central place on the Internet for all my fans to go and show their friends my YouTube, Twitter, and social networking sites. To have that spread all on its own and have a central station to get everything Mac Miller.

I didn't react visually. This girl came up and knelt over the body and let out a God-awful scream that made me click the camera. (On photographing Mary Vecchio with slain student Jeffery Miller during the shootings of students at Kent State, April, 1970.)

When I was an adolescent in England, at school we had to read 'Death of a Salesman.' I remember feeling incredibly moved by the portrayal of these people and the idea with which Miller broached the whole subject of failure or failed systems, or the way that people are crushed by a system in which they find themselves.

Who would have thought that a tap-dancing penguin would outpoint James Bond at the box office? And deserve to? Not that there's anything wrong with 'Casino Royale.' But 'Happy Feet' - written and directed by George Miller - is a complete charmer, even if, in the way of most family fare, it can't resist straying into the Inspirational.

And then, all of a sudden, you're like, all that's great and fun, but Arthur Miller's in my dressing room. This is the third night he's been here and he sits in my dressing room for an hour after each show, and talks to me for an hour. So I'm pretty spoiled right now.

'Twenty One Pilots' is a play by Arthur Miller, who also wrote 'All My Sons.' It's about a guy who's creating and developing parts for airplanes in war time, when it comes to his attention that some of these parts were faulty.

When I owned the theater, I had the Glen Miller Orchestra. I had 20 girls singing and dancing. I had a cast of characters. It was a big group production, as well as ushers, ticket takers.

Arthur Miller once payed me a great compliment saying that my plays were 'necessary.' I will go one step further and say that Arthur's plays are 'essential'

The 'Backlisted' podcast describes itself as 'giving new life to old books'. In each episode, John Mitchinson and Andy Miller are joined by a guest from the world of books who brings along some overlooked gem to enthuse about.

I would have to say 'The Crucible' stands out because it was one of the best experiences I've ever had, but, you know, Arthur Miller being present on the set - which was wonderful and incredible - but, to have him in your eye line is quite intimidating. It's such a beautiful language he created, so that was challenging but exciting.

The rest of the songs on the album [Mortal City ] have spare arrangements on them. Steve [Miller], really loved that. He'd just come off of a project with someone who basically had to mask the fact that there were no songs there with production. He said, "Oh, my God, you have real songs here!"

In real life, T. J. Miller is one of my best friends, and I'll maybe see him for two or three days in a row, and then I won't see him for four months. That's just how our lives are.

Tim Miller's idea of Colossus was to be bigger and stronger than everyone else, so for the motion capture, they needed an extremely tall man. I'm 6-foot-4, but he wanted Colossus to be over 7 feet, so they used a stunt double to recreate his height, and he did very good job there.

I was brought up with beautiful music - Nat King Cole and Glen Miller from my dad, and my mum loved Judy Garland and Doris Day - brilliant stuff. Through my brothers and sisters I heard David Bowie and The Specials, The Carpenters, Meatloaf and The Rolling Stones.

Whenever I Google for clothes, I always look at what Angelina Jolie is wearing. I love Sienna Miller, and I really like Rihanna's style, too. There's the edgy girl, classy girl, and the Bohemian chic girl. I guess I'm all of that combined into one.

Maybe the memory does play tricks. Increasingly, I'm thinking, 'What was their name? I knew that name yesterday.' I think that's what happens. At some point, I'll forget that I ever worked with Peter Cook, I suppose, and Alan Bennett and Jonathan Miller.

The Dain Curse [Tom Fink] was a great job. I was in New York, and I was young - I think I'm 28 years old in that - and I got to work with James Coburn and Jean Simmons and Jason Miller. Plus, it was a Dashiell Hammett story, and I had a great character. It was fantastic to shoot.

Artistically I like to do short-term things. Like I do a lot of commercials, I have the Miller commercial out where I play the Devil in Hell, where Hell is frozen.

Hmm, limelight... No, I'm not Sienna Miller or Angelina Jolie. I'm very lucky and happy, but I still find it very difficult to get good scripts and good roles. It's really a jungle out there.

'What doesn't kill you makes you stronger' not only applies to the deeply personal subject matter of 'To the Bone' but to simply getting a film about people with eating disorders made. Without the brilliant Julie Lynn, Bonnie Curtis, and Karina Miller producing, there's no way this project would be coming to fruition.

I remember when I was doing The Crucible on Broadway with Laura Linney, and Arthur Miller had been in rehearsal with us and was on stage on opening night. She turned to me during the curtain call and said, Lets make sure we remember this.

I did work with John McCain. I did work with Jeff Miller over in the House. And we put together not the bill that I wanted, but probably the most comprehensive V.A. health care bill in the modern history of this country.