Top 99 Minimalist Quotes & Sayings - Page 2

Rome is a city where in every corner you have a reminder of the sacred world. That's why I have sacred music, minimalist sacred music, which is also music I like, because at the end of the day, that's what I want to do.

I'm a minimalist. I like things to look very clean, I like clean lines. I like everything to be tidy and have space.

Any time someone doesn't like one on the first run, I hope they will give it another shot. At least we'll get another chance. But I do feel, in my approach, I am not really a minimalist. I don't like to leave out ideas that I think could add something to the story. Sometimes, you can't quite pick up on all of it in one sitting. It's not by design. But maybe it's a side effect of my approach.

'The Beatles' did whatever they wanted. They were a collection of influences adapted to songs they wanted to write. George Harrison was instrumental in bringing in Indian music. Paul McCartney was a huge Little Richard fan. John Lennon was into minimalist aggressive rock.

I always liked the visuals to be choice and at the same time minimalist. And, I love black boxes. After all, that's what theatre is, it's an empty space, and it's both limited and unlimited because the space is the space, but what you can do with people's imaginations is really endless.

I think the biggest problem with 'industrial' architecture is that it's lost its sense of humanity. Minimalist stuff drains all the humanity out of it. That idea works great for the money thing, but it doesn't work great for the feeling thing.

If I have ideas, I want to put them in the movie. It's not a minimalist approach at all but I feel like it's for the audience. It's about seeing how much texture we can give it and seeing how many things are there for people to latch on to... I just want to do it the way I want and I feel like it won't be helpful for me if I start worrying about that. I just have to follow my instincts. Everyone is going to respond differently to it and everybody's right - that's their point of view. That's how the story intersects with their lives.

To be able to impress, you have to get to this middle ground where you're not too advanced so it goes over people's heads, and you're not too minimalist where people think you're just trying to rob the game and not stretch out.

Black and white is a very minimalist art form and unlike color photographs does not pretend to mimic the world in a manner similar to the way the human eye might perceive... Black and white is essentially an abstract way to interpret and transform what one might refer to as reality.

My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.

Most films and directors lose their nerve and want to indicate [emotions] a bit more, to show that their story is clear. I'm not saying that's a good thing; as an actor its anathema to good acting, but to have someone with the confidence to say that should I be utterly natural and minimalist is great.

I make work that tries to sort of connect with something really, really familiar. I don't try to make work that's original. I try to make work that's quintessential. That's what I mean about the familiar. It operates with stuff that people already know or information that they already have and I try to just use that. Quintessential means like the perfect minimalist sculptor.

'Perfect Sense' is a film about love and catastrophe, which I hope is a powerfully romantic and emotional take on the apocalyptic sub-genre. Its aim is to be a minimalist concept movie - where seismic events occur in simple ways that ask the audience to use their imagination.

I like sparseness. There's something about that minimalist feel that can make something have an immediate impact and make it unique. I'll probably always work with that formula; I just don't know how.

Theater definitely prepared me for Cyborg in the best way possible. All of the green screen definitely takes me to my minimalist theater days.

One project I am pretty excited about is 'Autonomy Cube.' These are basically minimalist sculptures that create a free and open Wi-Fi network wherever you install them, and they are routed over Tor, which basically anonymizes the traffic of everybody using it.

People constantly describe me as a formalist or even a minimalist, but I'm not really bothered with the rules of painting or the history of painting. My approach is that everything is mine. I take what I can use from wherever, and then I forget where I've taken it from. But there is no point me making anything that looks like anyone else's.

I've always been the king of silence. I've always been a minimalist comedian. I've taken my influence from Jack Benny, who was the king of that I've always done 'less is more.'

It is easy to be inspired by history when you're living in a part of it and allow that to seep into your writing: having said that, a minimalist room with no distractions is often better; the most exciting visions should already be in your head.

I love playing instruments that I don't know how to play or am not familiar with. I like the idea of danger and innocence that comes from it. As an artist, I feel I should be able to do something with anything I get my hands on. The music becomes minimalist because of my limited knowledge.

Gertrude Stein, all courage and will, is a soldier of minimalism. Her work, unlike the resonating silences in the art of Samuel Beckett, embodies in its loquacity and verbosity the curious paradox of the minimalist form. This art of the nuance in repetition and placement she shares with the orchestral compositions of Philip Glass.

I wasn't always a minimalist. I used to buy a lot of things, believing that all those possessions would increase my self-worth and lead to a happier life. I loved collecting a lot of useless stuff, and I couldn't throw anything away.

I've always been the king of silence. I've always been a minimalist comedian. I've taken my influence from Jack Benny, who was the king of that... I've always done 'less is more.'

'Dirtbag' is just the term we use, like a 'gnarly dude' in surfing. Within the climbing culture, it means being a committed lifer: someone who has embraced a minimalist ethic in order to rock climb. It basically means you're a homeless person by choice.

When I say that there's commonality, I mean more in terms of the sort of techniques by which we perceive Baroque and minimalist music rather than the techniques used to compose them. I know that's being sort of overly complicated.

I always have separated myself from my critiques of collections. My judgment is not about whether I would wear it - but how the collection stands in the lexicon of an established designer. As I am a maximalist, not a minimalist, I don't wear Armani or Celine - but I so appreciate what they have achieved.

The seven white notes on the piano - each section of the piece (there are 12 sections) is five of those seven white notes. If you calculate it, there are 21 groups of five notes in any group of seven notes. And although there are 12 sections, this piece actually uses nine of those groups because some of the sections repeat earlier ones. So that's the formula. It's very simple as a way of generating something. It's my inner minimalist.

Whereas a lot of Buddhism concerns itself with stages of enlightenment, various precepts and moral codes, and even power structures and hierarchies, Zen is just like, 'Shut up, sit down, and observe your thoughts - oh, and by the way, what you perceive as you' doesn't actually exist.' I loved the minimalist approach of it.

Beautiful and minimalist, the traditional Japanese art of ikebana - arranging bouquets of cut flowers and leaves using very few elements - ideally corresponded to a form of expression I could transpose in a perfume. The smell of a rose early in the morning, damp, sprinkled with dew, delicate and light.

I became obsessed with the true stuff, and that led to shaping 'The Way Back' screenplay somewhat toward a minimalist style, to avoid free-hanging moments, and to hold the music back, so it would never lead you to an emotion, and to try to make the emotions as real as I could.

I like Modernism. I grew up around these sort of eclectic, heavily carved, baroque, rococo, highly ornamented styles that were in my life from the time that I was a child until now in my business life. So I like clean, straight, minimalist lines.

The stoic drama 'A Somewhat Gentle Man' is photographed in a palate of steel gray tones that match Stellan Skarsgard's complexion. It's a low-blood-pressure version of the kind of thing James M. Cain used to do in his sleep, and its filmmaking accomplishment is as minimalist as its narrative ambition is minimal.

The concept of minimalism is to relax. Like a Zen monk in training, it is something that brings equilibrium to the heart. I don't necessarily think it has any problems, but if I were to force myself to name one, I would say that since the minimalist feeling already includes its own universe, I think it might kill the drive that we would otherwise have to commit the physically impossible and attempt to travel into outer space.

I knew I could never be accepted as a straight-ahead jazz musician, nor would Iaccept myself as that. I would never be accepted as a minimalist. I wouldn't be adowntown composer. Because I find all orthodoxies, all doctrines to be ultimatelybanal.

I'm a minimalist kind of person: only one pair of boots, one pair of pants, and if I could, only one shirt.

But that kind of falls in line; when you think about it, James Brown was a funk minimalist. All of those parts create a sum that's larger than than the individual parts.

I want to change things with everything I do, not for the sake of changing things, but for the sake of taking greater and greater risks, or how minimalist I might be able to be, or how I can involve elements or ingredients in music videos that are not musical, for instance.

When in doubt, I always, always buy clear vases. You really can't go wrong with minimalist clear vases, especially when you're sending someone flowers. The flowers are the star of the show and need to shine!

Why not take a science fiction comic and put the characters in a small town to gain their particular perspective? A lot of that comes from me growing up in a small town on a farm, so that's what I know and what I'm comfortable with. My drawing style is also very sparse and minimalist, so a rural setting complements that.