Top 1200 Minor Characters Quotes & Sayings

Sometimes it's cool to play major third and minor third diads back-to-back, or a minor third followed by a root/fifth diad - whatever combo sounds good.

There's no shortage of orphans in 19th-century literature, but it's hard to find a single happy, communicative, functional parental relationship in the whole of 'Great Expectations,' even among the minor characters.

Often the starting point for characters, for me, is finding a little, most minor detail, and I'll go from there.

Nothing is a hobby - each discipline is its own world with its own high standards. Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.'

In real life, people are integrated into society. That's what happens in my books as well. Minor characters don't just walk in and spout lines, they interact and have an effect on the events. It's not an isolated universe.

To be honest, I don't think of any of my characters as minor characters - they're all the main characters in a story that I don't necessarily get to tell.

I do have a huge fascination for science, and I love to hear what my dad has to say. He used to take me into minor surgeries when I was a kid and let me watch, so I definitely have a passion for it, but it's not as big a passion as I have for acting and creating characters.

According to current Florida law you can get a gun, follow an unarmed minor, call the police, have them explicitly tell you to stop following [the minor] and choose to ignore that, keep following the minor, get into a confrontation with them, and if at any point during that process you get scared you can shoot the minor to death, and the state of Florida will say, 'Well, look: you did what you could.'

I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.

I had played many gay characters before, but they were finite - guest characters in TV shows or characters in plays.

I have minor characters who are Asian-American, and I've been using them throughout my career, but they've never taken center stage, they've never been really powerful, they've never expressed some of the experiences I had growing up in the U.S. Johnny Tam is the first one.

If I've got one thing that I really believe about fiction and life, it's that there are no minor characters.

I am a sad person. In this world there are people who like major notes and minor notes. I like minor notes.

People like stories that are bigger than life, about characters with unusual powers. And when you get all the characters in the zodiac, it's so colorful, and it's so rich in different attitudes that the characters have.

What is enthralling and illuminating about The Metaphysical Club is its portraits of individuals and their milieus. Menand is wonderfully deft at evoking a climate of ideas or a cultural sensibility, embodying it in a character, and moving his characters into and out of one another's lives. What might have been a jumble of intellectual movements and colorful minor figures (...) is instead a subtle weave of entertaining narrative and astute interpretation.

I had a minor back surgery, as minor as it's going to get.

The third note in a chord is what depicts whether it's major or minor. Rhythm and Blues hardly ever uses it because it means that the melody is free to move between major and minor because you're not clashing with the third being depicted one way or the other.

To convert college sports into professional sports would be tantamount to converting it into minor league sports. And we know that in the U.S., minor league sports aren’t very successful either for fan support or for the fan experience.

I used to have costumed characters come out, like SpongeBob. It's just fun to make it into this minor event, just to surprise people and experiment and be weird and just have fun with it. I've done just the hour stand-up, and that's fun, but the other stuff makes it fun for me and gives me something to react to and bounce off of.

Sometimes minor characters are based on people I know, on friends of mine. But I'm not writing a thinly veiled version of my own life.

The Turkish Government began and ruthlessly carried out the infamous massacre and deportation of Armenians in Asia Minor. The clearance of the race from Asia Minor was about as complete as such an act, on a scale so great, could well be.

'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.

Where would David Copperfield be if Dickens had gone to writing classes? Probably about seventy minor characters short, is where. (Did you know that Dickens is estimated to have invented thirteen thousand characters? Thirteen thousand! The population of a small town!)

I'm fortunate in that I'm what you call a utility player, in that I can take a scene, if there's five or six minor characters in a scene, that need voice and personality [and] I can supply those characters.

When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.

Respect your characters, even the ­minor ones. In art, as in life, everyone is the hero of their own particular story; it is worth thinking about what your minor characters' stories are, even though they may intersect only slightly with your protagonist's.

...the characters in my books all resemble each other. They live, with minor variations, the same moments, the same perils, and when I speak of them, my language, which is inspired by them, repeats the same poems in the same tone.

Minor vices lead to major ones, but minor virtues stay put.

I talk about Breaking Bad being the most brilliant show ever, and even minor characters have subtle nuances and are fully drawn.

Asmodeus! You don’t see her, do you hear me? (Jericho) Completely blind, Minor Master. Hearing is intact. Is there anyone here besides the two of us? No? Good. I’m leaving now unless Minor Master has another preferably nonpainful task for me. (Asmodeus) You're dismissed. (Jericho) Cool beaners. (Asmodeus)

I've long been interested in the role of 'minor characters' in major events. This has been the focus of a lot of the fiction and nonfiction I've written.

Of course, every artist has 'minor works' that they do, but I don't think I have any 'minor disciplines.' Each discipline I approach as a major undertaking that I put my whole self into.

In the old days, people would pick up the phone and complain or they'd write a letter. But now they go to Ofcom and they must be sick to death of all of this. Any minor outrage that anyone's got, they go to Ofcom. They must be inundated with minor complaints.

When I was a minor league player, my goal was to be a major leaguer. It's no different as a minor league manager.

You'd chosen to be an upright biped on the surface of a small planet of a minor sun on the edge of a minor galaxy of one of the multiple trillions of universes. That's OK. It doesn't matter what form you take.

I don't like using fourths and fifths. Instead, I'll come up with a harmony line made up of major and minor thirds above the melody, then I'll drop it down an octave so that the melody is on top and the harmony line is major and minor sixths below it.

When it comes to fertility, there are so may things that have to go right. In any one individual, there might be one major problem and two minor ones or no major ones and seven minor ones. Throw in another person's physiology, and it's complicated. I try to give people the knowledge that they can make as many changes as they want.

I'm portraying out characters, I'm portraying femme characters, characters that are really outside of the box. I never thought I would get that opportunity to portray those characters at all, much less have a career that I have.

The nature of acting is that one is many characters and jumps from one skin to another as a way of life. Sometimes it's hard to know exactly what all of your characters think at the same time. Sometimes one of my characters overrules one of my other characters. I'm trying to get them all to harmonize. It's a hell of a job. It's like driving a coach.

If there is anything I have learned about men and women, it is that there is a deeper spirit of altruism than is ever evident. Just as the rivers we see are minor compared to the underground streams, so, too, the idealism that is visible is minor compared to what people carry in their hearts unreleased or scarcely released.

For an author, the nice characters aren't much fun. What you want are the screwed up characters. You know, the characters that are constantly wondering if what they are doing is the right thing, characters that are not only screwed up but are self-tapping screws. They're doing it for themselves.

I am certainly proud to add 'Korra' to the pantheon of TV characters, which is perpetually sorely lacking in multifaceted female characters who aren't sidekicks, subordinates or mere trophies for male characters.

I think it's definitely beneficial for these characters to have good acting voices behind them and it affects the characters in a way that people can feel like they're part of the game and that they know these characters.

I don't know quite how a story develops in my head. It is a bit chaotic. If I am working on a series, one of the main characters at least is already in existence as well as some setting and minor characters. Finding the other main character can be a challenge. Sometimes this character already exists in a minor role in another book.

Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail.

One never knows enough about characters in real life to put them into novels. One gets started and then, suddenly, one can not remember what toothpaste they use; what are their views on interior decoration, and one is stuck utterly. No, major characters emerge; minor ones may be photographed.

Minor sports in the community is fun and recreation for everyone, not just the elite. I think back to my days in minor hockey and those are my fondest memories, having fun.

I've always been a fan of the 19th century novel, of the novel that is plotted, character-driven, and where the passage of time is almost as central to the novel as a major minor character, the passage of time and its effect on the characters in the story.

A criminal trial is like a Russian novel: it starts with exasperating slowness as the characters are introduced to a jury, then there are complications in the form of minor witnesses, the protagonist finally appears and contradictions arise to produce drama, and finally as both jury and spectators grow weary and confused the pace quickens, reaching its climax in passionate final argument.

Most men have no purpose but to exist, Abraham; to pass quietly through history as minor characters upon a stage they cannot even see

All that matters to me as a reader are characters. I want characters to be real, authentic, and rounded. I will be digging into characters for at least a month. Who they are. What they are like. Outside of the story.

The idea is to use minor events that are believed to be related to a terrorist organization, so graffiti is one of them, banners and leaflets are others, but also a lot of minor crimes if you can connect them with the group - credit card fraud, thefts - these types of things have been used to support them.

I'm an actor. I have to play weird characters, quirky characters, strange characters, sometimes characters I don't understand.

It is being stated that Modi was a minor at the time of his marriage, which is a big lie. There is evidence to prove that when he got married, he was not a minor but had grown up.

Seriously, I do not know what to say of this book [ Absalom, Absalom!] except that it seem to point to the final blowup of what was once a remarkable, if minor, talent… this is a penny dreadful tricked up in fancy language and given a specious depth by the expert manipulation of a series of eccentric technical tricks. The characters have no magnitude and no meaning because they have no more reality than a mince-pie nightmare.

Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.

I love the tradition of Dickens, where even the most minor walk-on characters are twitching and particular and alive.

I'm always trying to get my characters to the point of complete rebelliousness. I like that attitude that characters feel when they own their lives. There's something beautiful in the moments when characters disobey.

We have characters in Western television shows who are in full health with shiny hair and shiny teeth, and they go about their lives having minor problems.

A Rook is of the value of five Pawns and a fraction, and may be exchanged for a minor Piece and two Pawns. Two Rooks may be exchanged for three minor Pieces.