Top 1200 Minor Characters Quotes & Sayings - Page 16

I'm very conditioned by my surroundings, by the influences of social media, by the television I watch. And I always found, growing up, that even inspiring female characters or complex female characters in television and film, I often found that their complexity was actually just another facet of their sexuality.

If you are used to going five innings and then go six or seven, you won't have your good stuff. They need to start that from the minor leagues and give pitchers strong arms.

I love everything. I love being the empathetic characters. I love being the villains. I think it's like when we're kids, we like to play all kinds of crazy characters and dress up.

It's something I'd find rather distracting in a historical piece, looking at characters that have obviously just gotten off their Ab Blaster. You see a piece set in the 1300s or the 1800s, and you've got characters who have perfect abs and are incredibly well-groomed, not a hair out of place, and it just doesn't make sense.

In my introductory course, Anthropology 160, the Forms of Folklore, I try to show the students what the major and minor genres of folklore are, and how they can be analyzed.

There's this whole grey area seemingly every time it's talked about animators and who takes ultimate responsibility for the characters [of the Planet of the apes] but without question and I'll go down saying this year after year, these characters are authored by what we do on set. They are not authored by animators.

I have made 34 pictures, 10 of them for Disney, and none of them for Disney were really bad characters. So I think that recently I have kind of begun to hide behind certain actor's devices in order to make a dividing line between what I used to do and the characters I have been asked to do today.

I have a lot of real life experience that I can draw on. And I think that shows in the characters that I play because I'm always trying to find somebody - or find characters to play that I can identify with on a personal level or relate to. And I think it makes for a little bit more of an honest portrayal.

What you do is take the power [popularity] gives you - which is very temporary and minor but significant - and use it. The danger is that you use it on a vanity project that no one wants to watch.

I started playing for the Flames at 19 but even in minor hockey I remember traveling to Calgary for tournaments, from St. Albert, and I imagined playing in the Saddledome.

I think that in some ways 'Climax' is easier to digest than my other movies because the characters are easier to identify with. You love them because they're young, they're great dancers, they're beautiful, and they are willing to construct something. They're not losers like most of the characters of my previous movies.

Interesting characters are troubled characters. The only problem I've had in my business is very few people - unfortunately, very vocal - confusing the difficult role that I play with me. I play these guys, but I'm not like them. I've been accused of being difficult to work with.

I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films.

There's a great need to convene at the table with family and friends. People are feeling it and wanting it. For me to be a minor player in helping with that, it makes me so happy.

We're going to have more kids playing, and we're going to have a better chance of finding those players Minor sports in a community is for fun and recreation. For everyone.

I think architectural appreciation would be a minor occupation after a nuclear war. People would just be happy to have something to eat.

I don't know where people got the idea that characters in books are supposed to be likable. Books are not in the business of creating merely likeable characters with whom you can have some simple identification with. Books are in the business of creating great stories that make you're brain go ahhbdgbdmerhbergurhbudgerbudbaaarr.

I look at all of world mythology and folklore as my toy to play with. There are just so many characters and creatures there I want to put on paper. It's a really exciting thing for me to take material that I really love and put a new coat of paint on it and present it to this audience. And I don't have to make up any of the characters. I can just pull a book of mythology off the shelf and say, "I'll use this guy." I also hate making up names for fantasy characters. I'll just flip through these books and say, "Wow, this is way crazier than anything I could make up".

Can compromise be an art? Yes--but a minor art.

I double majored in English education and theater with a musical theater minor. Teaching is the only thing that makes me as happy as performing.

I've always liked shows that have a strong cast of secondary characters. One of the greatest examples ever I would say is 'The Simpsons.' If you think about it, you could name 100 characters recognizable from that show. I think 'Scrubs' has done a good job of having a strong team coming off the bench.

The thing I found in correlation with my studies as a history major was that experience taught me you have to figure out your background, where you come from, who you are, and what you want. All of that propelled me into following acting because I had to develop characters as well as develop characters' history which is most important.

It's important for people of colour to have the opportunities to play characters that are as nuanced - as three-dimensional, as human - as the characters who we traditionally see getting to play the protagonist. The good guys and the bad guys. The reason that is important is because it's a better reflection of the reality of the world we live in.

Television is a lot more fast-paced, where with films, you really have the ability to get to know your characters. When I was doing guest star roles, I was only one, like, one episode of a thirty minute to an hour show, so you don't really have time to get to know my characters.

The international limit on mobile texting, or SMS, is 160 characters. We wanted Twitter to be entirely readable and writable on every single one of the over five billion mobile phones on this planet, because they all have SMS built in. So we said it has to be within 160 characters, all the tweets.

If I love the story, and if I really connect with my character, I'm willing to do it. I'm willing to try new characters, to be someone that I'm not like. I like trying new emotions and being new characters. That's the thing about acting: You can be so many things!

But to be perfectly frank, this childish idea that the author of a novel has some special insight into the characters in the novel ... it's ridiculous. That novel was composed of scratches on a page, dear. The characters inhabiting it have no life outside of those scratches. What happened to them? They all ceased to exist the moment the novel ended.

Any time you're in the coaching business or managing in the minor leagues, when you see a player who has made it to the major leagues, you get a thrill out of that.

In addition, the bill passed by the House requires a person performing an abortion on a minor from a different state to notify one parent in the home state.

A radio play actually ended up being the first acting job I ever had. A lot of times when I'm on camera, I'm playing characters that are more like myself, and I don't get to do a lot of real character work. But when you're doing animation, you are the very epitome of colorful characters. I think I'm just really into make believe.

For a country to have a great writer is like having a second government. That is why no regime has ever loved great writers, only minor ones.

Human beings "belong" to some minor comity or enclave of faith at the expense of the clarity and autarkia of their intelligence and conscience, of course. "Belonging" is another way of saying: "capitulating to."

I'd say I'm drawn to characters that ring true to me. Adolescence is a troubled time for everyone, so a lot of those characters have been troubled, tortured people. It's been a great way to navigate my adolescence by having these more troubled kids as an outlet.

It is clear from all these data that the interests of teenagers are not focused around studies, and that scholastic achievement is at most of minor importance in giving status or prestige to an adolescent in the eyes of other adolescents.

That's something Mary Lou Williams used to tell me: If you're not feeling right about what you're doing and you play a minor tune it all comes back, falls into place. I don't know if that's true, but I do it.

We are just an advanced breed of monkeys on a minor planet of a very average star. But we can understand the Universe. That makes us something very special.

In terms of the characters, I definitely do look for somebody that I think people can learn from and I can learn from too. In one way or another, by the fact that they are a role or by that fact that they aren't a role model. I feel like I was attracted to the past few characters that I've played, because they have an element that really touched my heart.

When you're training as an actor, a lot of the big work you're learning is to treat fictional characters like real people. You don't have the problem of discovering a backstory with real people, but there's always a mystery which is common to both fictional and factual characters. They are never quite the person you think they are.

I went to college for a reason, and that was to skip the minor leagues. I spent a year in the minors and got my at-bats in, and then I felt like I was ready for the big leagues.

Hemingway was a prisoner of his style. No one can talk like the characters in Hemingway except the characters in Hemingway. His style in the wildest sense finally killed him.

At the minor-league and major-league level, you know how important your coaching staff is, but in a big market it becomes absolutely huge.

I find myself speaking through the other characters, putting ideas in their voices and heads. Writing almost becomes a splitting of myself into multiple personalities. But I don't write to make an argument on behalf of any of the characters, or to prove anything about a character. I think that's important that I be serving the story first and not my own point of view.

in a world where only a minor portion of the land is really well suited to agriculture, man is using much of the best land with dubious efficiency.

A big part of filmmaking, and a big part of the power of filmmaking, is creating characters that people fall in love with. So, those things, like the bloopers, create more reality and dimension, and the sense that these are not drawings or shadows, but they are living, breathing, thinking characters. That's the illusion.

I look at actors like Johnny Depp, Sean Penn, and Benicio Del Toro, and they play all these different characters. I'm hoping that, in my lifetime, I'll be able to look back and say, 'You know what? I did all these different characters, and I enjoyed every single film I did.'

I can't imagine writing a book without some strong female characters, unless that was a demand of the setting. I actually tend to suspect that in real life, there have always been very strong female characters, but at certain stages of society, they've been asked to cool it.

The person you are (in total, at that moment in time) is what creates the story you're writing. It's infused in every piece of punctuation, in the plot, in the most minor character who crosses the page. It's all your voice.

What's so cool about movies is once you're done with the movie, you put it away and come up with a whole new different idea with different characters and a different world. But in TV, you build these characters, and you build this world, and then you're there for however long you do the show.

In the minor leagues, previous to 2008, I took a lot of pitches. I prided myself on on-base percentage. I made sure that I made the pitcher work.

Kids don't fight in minor hockey anymore. There's very few fights in junior and college hockey. So growing up, all these guys are not fighting.

To have had fame, even very minor fame, and to have lost it, got older and maybe put on a little weight is a kind of living death.

I do believe that characters in novels belong to their writers and their readers pretty equally. I've learned a lot of things about the characters I write from people who read about them. Readers expand them in ways I don't think of and take them to places I can't go.

My daughter was a toddler. I had no idea there was anything wrong with kids' media.I started watching little preschool shows with her or G-rated videos or whatever; I couldn't believe what I was seeing, that there seemed to be far more male characters than female characters in what we make for little kids. It was just a shock.

The quality of ideas seems to play a minor role in mass movement leadership. What counts is the arrogant gesture, the complete disregard of the opinion of others, the singlehanded defiance of the world.

Over the years your bodies become walking autobiographies, telling friends and strangers alike of the minor and major stresses of your lives.

I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.

We seek to craft characters who inspire empathy: characters our audience will care for and, as a result, will care about what happens to them and thus will share the journey we have charted. A story, after all, is the character's journey.

I'd always assumed I was the central character in my own story, but now it occured to me I might in fact be only a minor character in someone else's.

I think about my dad and how tough he had it. They treated us a lot better in our minor league system, especially with the food. But the bus rides were no joke.

When I was in my 20s it did occur to me that there was something perverted about an attitude that thought that killing somebody was a minor offence compared to kissing somebody.