Top 9 Mobster Quotes & Sayings

Mobster stories are always a harder sell for me. I don't romanticize organize crime the way others do, though I can be swayed.

Bugsy Siegel. The mobster with the beautiful blue eyes.

Four fifty-four for gas... because we have nobody that calls up OPEC... and say, [mobster voice] 'That. Price. Better. Get. Lower. And it better. Get. Lower. Fast.'

I've been hooked on films ever since I can remember renting VHS tapes. But who got me hooked? I think life did. There wasn't a person or a mentor that got me hooked. I think it was the films themselves that influenced me. A specific memory that comes to mind is watching 'Goodfellas' when I was 12 and thought Robert De Niro looked so cool sitting at the bar smoking a cigarette and contemplating his next "move". I actually would copy his faces gestures and try and get into his mind frame. I would borrow mad dad's clothes and pretend I was a Mobster. So I guess I have to thank Robert DeNiro.

I think, because of my background, which is slightly more exotic than the average British actor, I think, I sort of occupied this little niche quite early on of playing the foreign guy. It started way back at drama school, I played an Eastern European heavy, I played the Russian mobster. And I have done all those different ethnic roles, and I think it's partly because of my look, I think I've got an adaptable sort of nondescript ethnicity, which you can't quite pin down, but it's enough to kind of get a flavor of something.

'The Sopranos' gets praised as novelistic, but it follows the most banal of life patterns, showing the sheer tedium of being a mobster. It has dead spots, boring plotlines, weak episodes. Characters develop slowly, or don't. Like viewers, a gangster might get bored, fade out of the action, then come back to find none of his debts forgotten.

I didn't try to be a tough guy. I didn't try to be a big mobster. I was who I was. I didn't stop doing what I normally did. I worked out. I lifted weights. I ran. That's what I usually did.

The great thing about Europe is that things have not been represented [as much]. If you open the door of a bar in Brooklyn in a film you know exactly who is the mobster, who is the nice guy, who is the drunk, who's the waitress, who's the lonely heart. If you push open the door to a bar in Antwerp or Lisbon or Rotterdam, people will talk five different languages. You don't know who's who. You don't know if that guy is a banker or a mobster.

I definitely would like to do something serious. Not like a love story, but serious like maybe a gangster or a mobster. A gang or a mob movie would be great.