Top 1200 Mockingjay Book Quotes & Sayings - Page 12

When me and my sister were toddlers, it was 'The Jungle Book' literally every day. If it was lunchtime, it was 'Jungle Book' time.

'Catcher In The Rye' was my favorite book, honestly. I read it when I was thirteen, and the book was a bit of a family heirloom because it was passed down from my grandfather to my father to my older brother and then to me.

I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.

Book ideas are like planes, lined up to approach the runway. Some never leave the gate, but others move quickly to the front of the line. It was like that with The Four Purposes. Honestly, I cannot remember the moment I had the idea for the book; perhaps because it emerged like a green shoot emerging from the soil of my subconscious. But it seemed important enough to begin the flow of words that eventually shaped themselves into this new book.

When I think of my best days as husband, I find I was doing what Regi said in this book. What Radical Husbands Do is a practical book I can safely give any man who is struggling in his marriage.

This book will take you two days to read. Did you even see the cover? It’s mostly pink. If you’re reading this book every night for months, something is not right.

I'd much rather have a book that a few people love intensely than a book that a lot of people like okay.

Every time you hear someone read your book and liked your book, you're never sure whether that's going to follow with a similar remark from someone else. Perhaps I have low expectations, but whenever I hear someone say, 'I liked your book,' I don't know if it's going to happen again.

The book of nature is the book of fate. She turns the gigantic pages, leaf after leaf never returning one.

I remember the first time I held my book, my first book in my hands. I cannot tell you how it moved me.

I think every book is a reaction to everything you're written before, and most immediately to the book you wrote just before.

In my book, The Sins of Scripture, I traced the development of tribal religion, which included ideas like God's killing the Egyptians because they hated the chosen people. Then a God of love finally appears in the Book of Hosea, about the 8th century. A God of justice appears in the Book of Amos in the late 8th century or early 7th century.

I predict that this will be the greatest book ever and it will sell more than any other book in history

You need me as much as I need you. That makes us equal partners in my book. Well, your book is just wrong.

What sells a book sells a book, same in traditional or self-publishing . You gotta shake your tail feathers.

When I wrote 'Silver Linings,' I thought I was writing a book about the Philadelphia Eagles and male bonding, but when the book came out, it was surprising to me that the mental health community embraced it.

A mom reads you like a book, and wherever she goes, people read you like a glowing book review.

For me, every translation is a new book, with the translator inevitably broadening the meaning of the original book in any translation.

You have to surrender to a book. If you do, when something in it seems to be going askew, you are wounded. The more you have surrendered to a book, the more jarring its errors appear.

Any alphabet book for children where 'P is for Patti' Smith and 'X is for the women whose names we don't know' is something I can recommend, especially when the book is as well written, representationa lly diverse and vividly illustrated as this one.

I don't write a book so that it will be the final word; I write a book so that other books are possible, not necessarily written by me.

I really strive to bring something new to each book. I don't want to write the same book over and over again.

The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.

Angus Deaton has written a wonderful book, The Great Escape: Health, Wealth, and the Origins of Inequality. . . . Deaton's book is a magisterial overview of health, income, and wealth from the industrial revolution to the present, taking in countries poor and rich. Not just jargon-free but equation-free, the book is written with a beautifully lucid style. . . . [P]owerfully argued and convincing.

Great nations write their autobiographies in three manuscripts the book of their deeds, the book of their words, and the book of their art. Not one of these books can be understood unless we read the two others; but of the three, the only quite trustworthy one is the last. The acts of a nation may be triumphant by its good fortune; and its words mighty by the genius of a few of its children: but its art, only by the general gifts and common sympathies of the race.

I often read nonfiction with a pencil in hand. I love the feel, the smell, the design, the weight of a book, but I also enjoy the convenience of my Kindle - for travel and for procuring a book in seconds.

Is the prestige conferred by the Man Booker prize for the book or me? I would prefer it on the book and for me to be treated ordinarily.

I don't know if I've ever derived such an immediate sense of calm and well-being from any book as I did from 'Right Ho, Jeeves.' It was like I was Pac-Man and the book was a power-up.

A beginning idea for a book might be: a boy emerges from a hole in the ground. He enters a house. The book will take place in the first ten minutes following his arrival.

I was a massive Tolkien fan. 'The Hobbit' was... my favorite book as a little girl, and the Silvan Elves were my favorite characters in the book.

She closed the book and put her cheek against it. There was still an odor of a library on it, of dust, leather, binding glue, and old paper, one book carrying the smell of hundreds.

In a badly designed book, the letters mill and stand like starving horses in a field. In a book designed by rote, they sit like stale bread and mutton on the page. In a well-made book, where designer, compositor and printer have all done their jobs, no matter how many thousands of lines and pages, the letters are alive. They dance in their seats. Sometimes they rise and dance in the margins and aisles.

My first book of poems was published privately in 1949. That was my mother. The book was '25 Poems.' It cost 200 dollars.

I re-read The History of White People by Nell Irvin Painter. It's a book every one should read, particularly Americans, as the USA is her primary focus. Her book demonstrates that white is not universal, that white is not neutral, that it has a history, which she eloquently delineates. It's not often you finish a book understanding how the world operates better than before you read it.

I am very bad at remembering the books I've read and so recently I had a wonderful experience. I decided I wanted to teach Toni Morrison's The Bluest Eye. I hadn't read it in twenty-five years. I was surprised to find how much I drew from that book. Stole from that book, learned from that book about writing. I had forgotten and there it was. Morrison has called that text faulted. I cannot see how.

Many adults feel that every children's book has to teach them something.... My theory is a children's book... can be just for fun.

When I write a book, I write a book for myself; the reaction is up to the reader. It's not my business whether people like or dislike it.

Any time anyone makes a comic book into a movie, in some way, I think they have to kill the comic book.

To be honest, I wrote so many drafts of this book [ The Nightingale ] and changed the characters so many times; the real surprise is that I finished the book at all.

You have to write the book that wants to be written. And if the book will be too difficult for grown-ups, then you write it for children.

The more I like a book, the more slowly I read. this spontaneous talking back to a book is one of the things that makes reading so valuable.

I like reading Ball Tongue lyrics and all that stuff. And they published a book, and I wouldn't give my lyrics, and it's all wrong in the book, and I giggle. It's funny.

I cheat on my books a lot, which is not a good thing because it's good to stick with one book and get to the end of it, but I'm a book philanderer.

Some day I'll write a book and call it 'How I Got the Nickname Pumpsie' and sell it for one dollar, and if everybody who ever asked me that question buys the book, I'll be a millionaire.

Book culture has also become something that's kind of incredible to younger people now, because of the Internet. If you go to any of the book fairs - PS1 or the MOCA Book Fair - none of the people are over the age of 40 years old there, and they trade and buy books, because they're almost antiquities at this point. They're not really important, in a way, because the Internet is how information is taken in.

For eighteen centuries every engine of destruction that human science, philosophy, wit, reasoning or brutality could bring to bear against a book has been brought to bear against that book to stamp it out of the world, but it has a mightier hold on the world today than ever before. If that were man's book it would have been annihilated and forgotten hundreds of years ago.

For most people, what is so painful about reading is that you read something and you don't have anybody to share it with. In part what the book club opens up is that people can read a book and then have someone else to talk about it with. Then they see that a book can lead to the pleasure of conversation, that the solitary act of reading can actually be a part of the path to communion and community.

A book is quite a beautiful thing, even more so learning. Together, however, all they amount to is called book-learning.

When I was really little, my favorite book was 'The BFG'. I read it - my teacher in, like, first grade read it to us. I love that book.

The instant you say All Quiet On The Western Front people remember that great 20th century classic book on war, a book about a school boy turned into a soldier overnight.

I'm in a comic book fan. I have long boxes at home. I'm a comic book collector; I'm not joking. It's just the coolest thing ever.

If you read, your book is kind of your friend, because it's like the book is telling you its story and you're being the listener.

I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.

Don't be afraid to fail. I fail every day. I failed thousands of times writing The Book Thief, and that book now means everything to me. I had many doubts and fears about that book, but some of what I feel are the best ideas in it came to me when I was working away for apparently no result. Failure has been my best friend as a writer. It tests you, to see if you have what it takes to see it through.

You always hope a book's going to be a success. I don't think I've ever written a book thinking, 'This will be bad and no-one will like it!'

I've never gone back to the stacks after my book's expiration at the front of the store. Not because I'm above it or anything, but I'd be mortified if someone caught me looking for my own book.

Keep at it! The one talent that's indispensable to a writer is persistence. You must write the book, else there is no book. It will not finish itself. Do not try to commit art. Just tell the damned story.

In the case of 'The Book Thief,' my research was hearing the stories of my parents when I was a child. But I started changing the stories when I began moulding the book.

It helps when 1 can send the children off to their fathers so I can support my new book with a national publicity tour. I started writing the book when my daughter was 5. It took me almost four years.

My work looks like a comic book in form, but it's not a typical comic book in content. I write autobiographical stuff.