Top 1200 Mockingjay Book Quotes & Sayings - Page 17

When I was twelve, I decided to become a chef. I stole a book from the library about the greatest restaurants in France. I'd flip the pages and dream. I should return that book to the library some day.

I think what gets you through a small writing project, is just one burst of inspiration. A book, especially a longer book, it's a different kind of force that pushes you through it. It's a vision of the whole thing.

I came into book publishing without any particular impulse to be in book publishing.

I've been campaigning like anything for restoring these changes. For 27 years. I wrote a book about it, well, a portion of the book was devoted to these scenes and why they should have been in the movie.

Often the adult book is not for you, not yet, or will only be for you when you're ready. But sometimes you will read it anyway, and you will take from it whatever you can. Then, perhaps, you will come back to it when you're older, and you will find the book has changed because you have changed as well, and the book is wiser, or more foolish, because you are wiser or more foolish than you were as a child.

If you are making a script based on a book it can be frustrating going back to the source novel, because you're turning the story into a totally different thing; the narrative of film is different from that of a book.

Electronic distribution is more of a fall-back strategy for putting out a book that isn't deemed profitable enough to print. You hardly make any money publishing an electronic book.

The best self promotion is your next book. And the book after that and after that.

Kanye [West] just says the funniest analogies that are so random. I should start keeping a book - in 20 years, I'll have a big book of analogies.They always make me laugh.

As long as a film stays unmade, the book is entirely yours, it belongs to the writer. As soon as you make it into a film, suddenly more people see it than have ever read the book.

'Deadpool Bad Blood' is a book that long-term fans of Wade Wilson can appreciate it along with newcomers and movie fans. We gave this book everything we had, and I think it shows.

I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.

The Soul of Money is an inspired and utterly fascinating book. It will change the way you think about money. ... It is a book for everyone who would like to make the world a better place.

Liberals pretend to believe that when two random hoodlums kill a gay man in Oklahoma, it's evidence of a national trend, but when a million people buy a book, it proves absolutely nothing about the book-buying public.

The first person you should think of pleasing, in writing a book, is yourself. If you can amuse yourself for the length of time it takes to write a book, the publisher and the readers can and will come later.

I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.

I love the way that each book -- any book -- is its own journey. You open it, and off you go. You are changed in some way, large or small, by having traveled with those characters.

In fact I have a full page warning, right in the front of the book, that no one under the age of eighteen should read this book and no one should even turn the pages if they are sexually conservative or erotically deprived.

Well, we think that time "passes," flows past us, but what if it is we who move forward, from past to future, always discovering the new? It would be a little like reading a book, you see. The book is all there, all at once, between its covers. But if you want to read the story and understand it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book, and we would be very small readers.

I have read every book in the 'Dune' series and every Anne Rice book.

TV's not the problem, and I'm tired of it being posed as this antithesis to creativity and productivity. If TV's getting in your way of writing a book, then you don't want to write a book bad enough.

My greatest wish — other than salvation — was to have a book. A long book with a never-ending story. One I could read again and again, with new eyes and a fresh understanding each time.

But the animation has become very good, and I think that a movie is not a book, and a book is not a movie.

The first time I read an excellent book, it is to me just as if I had gained a new friend. When I read a book over I have perused before, it resembles the meeting with an old one.

There was a table laid with jellies and trifles, with a party hat beside each place, and a birthday cake with seven candles on it in the center of the table. The cake had a book drawn on it, in icing. My mother, who had organized the party, told me that the lady at the bakery said that they had never put a book on a birthday cake before, and that mostly for boys it was footballs or spaceships. I was their first book.

A book tour is not a good opportunity to let your mind wander. You have to pay attention, remember salespeople's and interviewers' names, succinctly summarize your book in a 'selling' way, and so on.

When I'm writing a book - say I'm going to write a parenting book. I'll go out and buy the 100 top parenting books and I will read those, not so I can copy them for sure.

There are certain things that I'll hear about and that I think will make a great book and I put it in a file. Sometimes it's a situation that interests me, and I don't even realize what I'm trying to say about it until I get closer to it. Sometimes the book after that I've written 125 pages of, and I can tell you what the book is after that. I just sort of have a linear progression, but more than anything, the topics land in your lap. I don't feel that I go out searching for them.

I don't think it is enough appreciated how much an outdoor book the Bible is. It is a "hypaethral book," such as Thoreau talked about - a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better. Or that has been my experience of it. Passages that within walls seem improbable or incredible, outdoors seem merely natural. This is because outdoors we are confronted everywhere with wonders; we see that the miraculous is not extraordinary but the common mode of existence. It is our daily bread.

Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.

The God in whose hands are all our days and ways, did cast into my hand (one day) a book of Martin Luther's ; it was his Comment on the Galatians! ... I found my condition in his experience so largely and profoundly handled, as if his book had been written out of my heart ... I do prefer this book of Martin Luther upon the Galatians, excepting the Holy Bible, before all the books that ever I have seen, as most fit for a wounded conscience.

Life is a book that never ends. Chapters close, but not the book itself. The end of one physical incarnation is like the end of a chapter, on some level setting up the beginning of another.

I love a book that makes me ask questions about what I think or how I see the world or how I feel, so I hope that 'Goodbye, Stranger' is that kind of book for some people.

I'm never ashamed to read a book twice or as many times as I want. We never expect to drink a glass of water just once in our lives. A book can be that essential, too.

Some people don't like my fiction, because they prefer the nonfiction. But moving around keeps the work fresh for me and, hopefully, for my one or two readers who follow me from book to book!

You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom's Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.

I'm not allowed to buy advertising for my book '50 Things Liberals Love to Hate' on Facebook because, according to their representative, they have received complaints about the word 'hate' in my book title.

I always want readers to lose themselves completely in a story and feel something, whatever the book invites them to feel. That experience is the best takeaway any book can offer.

When I am working on an epic-length book, the writing process is fairly long. It takes from four to five years to get through all the drafts. The book is done when I am exhausted.

I come up with a blurb at the beginning, but the book will always be completely different by the time it's finished. They say, 'Where's the book you were going to write?' And I say, 'Forget about it. It doesn't exist.'

When we want a book exactly like the one we just finished reading, what we really want is to recreate that pleasurable experience--the headlong rush to the last page, the falling into a character's life, the deeper understanding we've gotten of a place or a time, or the feeling of reading words that are put together in a way that causes us to look at the world differently. We need to start thinking about what it is about a book that draws us in, rather than what the book is about.

About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.

Harry: This book belongs to Harry Potter. Ron: Shared by Ron Weasley, because his fell apart. Hermione: Why don't you buy a new one then? Ron: Write on your own book, Hermione. Hermione: You bought all those dungbombs on Saturday. You could have bought a new book instead. Ron: Dungbombs rule.

There's this book that I love called 'Eleanor & Park.' It's an incredible story about these two misfit kids who fall in love. I've loved that book for years and I'd be so thrilled if I got to be in an adaptation of that.

If you wrote a page a day, at the end of the year you would have a book. Whether it's any good or not is beside the point, but you would have a book, instead of just talking about it all the time.

In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.

When I do research, I cast my net very widely and then snatch what feels right out of that. Occasionally I'll read a specific book for a specific book, but usually I'm trying to increase my general understanding.

It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.

I love the book. I love the feel of a book in my hands, the compactness of it, the shape, the size. I love the feel of paper. The sound it makes when I turn a page. I love the beauty of print on paper, the patterns, the shapes, the fonts. I am astonished by the versatility and practicality of The Book. It is so simple. It is so fit for its purpose. It may give me mere content, but no e-reader will ever give me that sort of added pleasure.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

'Pastoralia' by George Saunders. Possibly my favorite book. It's one of the weirdest books I've ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.

There's a little book I'm thinking of writing - "Swan Song" is what I shall call it. The song of the dying. And my book will be incense burnt at the deathbed of this society, damned with the damnation of its own impotence.

I always want to live long enough to finish the book I'm working on and see it published. But then I start another book before the previous one is in the stores, so I always have a reason to go on.

I write abundantly. And then my next step is to struggle to reduce the ornament, to reduce the abundance-to prune the book, in other words, the way one prunes a tree-so it can grow. This is my idea of a book.

By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.

You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.

My favorite book is my next one. I’m always hoping to make my next book my best one.

Libraries are my passion in life. Before I became mayor (of Los Angeles), I used to sneak out here during lunchtime...and I'd go to a corner and take a book-any book almost-and read it for a while, and then feel rejuvenated.

The characters in a children's book must reach into the heart of the reader on page one. Emotional content is the main reason a child and a parent will go back to a book again and again.

The minimum I need is six months to allow for dithering, procrastination and the research. The research times varies from book to book; some are faster because they're based off resources I have at my disposal.