Top 1200 Modern English Quotes & Sayings - Page 2

It's very hard to be a practicing Christian in the 21st-century world if you set things up as, 'Everyone is against us. You can't believe modern science, modern media or modern political institutions because they're all conspiring against Christians.'

I notice that you use plain, simple language, short words and brief sentences. That is the way to write English - it is the modern way and the best way. Stick to it; don't let fluff and flowers and verbosity creep in.

I wish I could adjust my voice, but it's just what's happened to me. It's because I've lived abroad for a long time, and my wife is English and my kids all have English accents, and every voice I hear is English. I've never intentionally changed my accent at all.

At every point I wished that I was born English. They need to make it colder in here. You could hang meat in this room. But, yeah...I grew up in a very English household. My folks were from Liverpool. I've said this before, but there is nothing more English than an Englishman that no longer lives in England.

I just write like a grown man, because that's what I listen to. I'm not even speaking complicated English... I don't do five-syllable words, I don't do four-syllable words. This is English. Rudimentary English.

The great misfortune of the modern English is not at all that they are more boastful than other people (they are not); it is that they are boastful about those particular things which nobody can boast of without losing them.

The characteristic merit of the English constitutions is, that its dignified parts are very complicated and somewhat imposing, very old and rather venerable, while its efficient part, at least when in great and critical action, is decidedly simple and modern.

A lot of times, people think of Asian culture as some mythical world instead of modern people with modern occupations with modern problems, modern tools. Like, we're not all just talking Taoism and kung fu - some people are just trying to get over their breakup with their boyfriend, and they're Facebook-stalking.

Even when I speak English to my parents, I'll say an English word differently to my Chinese parents and friends than I do to my English-speaking friends - you know, I'll pronounce 'McDonald's' differently, because it feels right, and that's what I'm used to.

When people come to see you, they know what you do. That's what they want. They want it to be quite English; they don't want to watch an English bloke trying to fit in. They want it to be quintessentially English in the way that Ricky Gervais is rude to people at the Golden Globes.

That mainstream English is essential to our self-preservation is indisputable . . . but it is not necessary to abandon Spoken Soul to master Standard English, any more than it is necessary to abandon English to learn French or to deprecate jazz to appreciate classical music.

It's more than usually possible that I won't do a play again. But Skylight is one of the great plays in the English language. I was lucky enough to be a part of it at one point in its life, and it's a timely thing to deliver it again in the modern world.

On the one hand, there is no question that English - frequently bad English - has become the universal language of scholarship. It is clearly a tremendous handicap for people outside of the United States, Britain, and Australia and a few other countries because few of them are native speakers, but we demand that they present and publish in English.

The past is discredited because it is not modern. Not to be modern is the great sin. So, perhaps, it is. But every one has, in his day, been modern. And surely even modernity is a poor thing beside immortality. Since we must all die, is it not perhaps better to be a dead lion than a living dog?

People say my music is English. I don't know what it is. Maybe it's not me writing English music, but that English music is becoming more like me.

I have a funny story to tell about English and how I came to fall in love with the language. I was desperate to fit in and spoke English all the time. Trouble was, in my household it was a no-no to speak English because somehow it is disrespectful to call parents and grandparents "you" - impersonal pronouns are offensive in Vietnamese.

When you objectively observe the most spiritual area to which modern people devote themselves, the religions, ask yourself if the basis of modern culture, particularly in religion, is not human self-interest. It is typical of modern sermons that the preacher criticizes people for their selfishness.

Few words in any language carry such a load of meaning as 'honor.' It is an old word, unchanged even in its spelling from classical Latin to modern English. Spoken or written, it does not seem to require much explanation; most people think they know what it means.

I think Lucy Ferry, now Birley, is absolutely beautiful. She's a modern girl, but she moves beautifully. Amanda [Harlech] moves beautifully when she's not working. All those English leftover society girls.

English is the largest of human tongues, with several times the vocabulary of the second largest language -- this alone made it inevitable that English would eventually become, as it did, the lingua franca of this planet, for it is thereby the richest and most flexible -- despite its barbaric accretions . . . or, I should say, because of its barbaric accretions. English swallows up anything that comes its way, makes English out of it.

There is a certain ancient civility about tailors that is welcome - especially in modern London, which is now very much an international city, not an English city. They're still a little vessel of Englishness in what is otherwise a pretty rambunctious place.

I understand English; I read and write English perfectly, but the accent won't go away.

I was at university and I was studying modern drama and studying English, and I just was like, 'I don't wanna be in this place. I wanna be acting.'

Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.

Through my youth, there was imposed on us a culture relentlessly English. English books were all you could buy; English television filled our screens, and in consequence, England seemed to matter in a way that our world didn't.

Malcolm Bradbury made the point, and I don't know whether it's a valid one or not, that the real English at the moment is not the English spoken in England or in America or even in Canada or Australia or New Zealand. The real English is the English which is a second language, so that it's rather like Latin in the days of the Roman Empire when people had their own languages, but had Latin in order to communicate.

Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.

This African American Vernacular English shares most of its grammar and vocabulary with other dialects of English. But it is distinct in many ways, and it is more different from standard English than any other dialect spoken in continental North America.

Some stories I write in Swedish, some in English. Short stories I've almost exclusively written in English lately, mostly because there's such a small market for them in Sweden and it doesn't really pay either. So, the translation goes both ways. What also factors in is that I have a different voice in English, which means that a straight translation wouldn't be the same as if I'd written it in English originally.

The fact is, I loved being English. I was very happy to be turned into an English schoolboy.

I want to speak English perfectly. In fact, I want to speak English just like I fight, and, until that moment, I find it very hard to do an interview solely in English.

I'm really interested in modern history, but to fulfill a History degree at Brown you have to do modern and pre-modern.

He would not mind hearing Petrus's story one day. But preferably not reduced to English. More and more he is convinced that English is an unfit medium for the truth of South Africa. Stretches of English code whole sentences long have thickened, lost their articulations, their articulateness, their articulatedness. Like a dinosaur expiring and settling in the mud, the language has stiffened. Pressed into the mold of English, Petrus's story would come out arthritic, bygone"(117).

I think of science fiction as being part of the great river of imaginative fiction that has flowed through English literature, probably for 400 or 500 years, well predating modern science.

There is a future for English films. Don't we all talk, breathe, and think in English? If we can talk and think in English, we can also make films in English.

All of which suggested literary translation, and Korean seemed a good bet - barely anything available in English, yet it was a modern, developed country, so the work had to be out there, plus the rarity would make it both easier to secure a student grant and more of a niche when it came to work.

You know what's crazy about Yao? He speaks perfect English. A lot of people don't know that. Perfect English. When I was over there, I called him. He's like, 'Whassup big fella?' Perfect English!

I believe it is imperative to see modern English grammar as a rich and diverse linguistic system deposited on our [England's] shores 1,500 years ago, and left with us unweakened, though substantially changed by the social and political events of the intervening period.

Although the Irish language is connected with the many recollections that twine around the hearts of Irishmen, yet the superior utility of the English tongue, as the medium of all modern communication, is so great that I can witness without a sigh the gradual decline of the Irish language.

I have a funny relationship to language. When I came to California when I was three I spoke Urdu fluently and I didn't speak a word of English. Within a few months I lost all my Urdu and spoke only English and then I learned Urdu all over again when I was nine. Urdu is my first language but it's not as good as my English and it's sort of become my third language. English is my best language but was the second language I learned.

I'm used to shifting languages because my father used to speak to us, to my brother and I, he used to speak in English. He wanted us to be quite fluent in English, especially when he was trying to correct our behavior; he would do that in English.

Neither you nor I speak English, but there are some things that can be said only in English.

The divide between me and the modern world is growing further because I to a larger degree manage to rid myself of my dependence on the modern world. If the modern world collapsed tomorrow I would be fine, and I see so many others who would not be.

In a couple of Ahdaf Soueif's novels, she gets at the certain kind of English that's being spoken by Egyptians. It's a beautiful, expressive English but it is non-standard, "broken" English that happens to be efficient, eloquent, and communicates perfectly well even if it is breaking rules.

I was never particularly academic, so it was no great surprise when I failed my 11-plus and consequently went to Wibsey Secondary Modern. I did all right in English, history and music, which were the subjects that most interested me.

Having an interview in English is difficult for me, but acting in English is much harder. Because when I'm acting in English, if someone points out bad pronunciation or accent, I cannot focus on my emotions anymore, so it was very hard.

English has always been my musical language. When I started writing songs when I was 13 or 14, I started writing in English because it's the language in between. I speak Finnish, I speak French, so I'll write songs in English because that's the music I listen to. I learned so much poetry and the poetic way of expressing myself is in English.

You could imagine a language exactly like English except it doesn't have connectives like 'and' that allow you to make longer expressions. An infant learning truncated English would have no idea about this: They would just pick it up as they would standard English.

Absolutely, but let me qualify that - I consider myself an authentic feminist. Not as defined by the modern movement. And, let me clarify that a little bit more. I was an English major, so break it down: -ist means one who celebrates. As a feminist, I celebrate my femininity.

We need to evolve and articulate a global ethics for a global civilization that integrates and evolves the passionate truths of every great system of knowledge - pre-modern, modern, and post-modern.

I'm always fighting either to have a house work with us or to head a house. It's a lifestyle I can totally see: the future, modern Versailles, modern Versace, modern Calabasas, paparazzi, celebrity language. I just want to build a collection that's around me and my wife and my kids.

I don't find English restrictive, but it brings a level of discipline to my writing that I wouldn't have in Bulgarian. My control of English, however you define it, my ability to work in English, is more limited than in Bulgarian. That means out of necessity I have to develop a style that goes for clarity of expression which I may not have done otherwise.

Even modern English people are imperious, superior, ridden by class. All of the hypocrisy and the difficulties that are endemic in being British also make it an incredibly fertile place culturally. A brilliant place to live. Sad but true.

The complaint about modern steel furniture, modern glass houses, modern red bars and modern streamlined trains and cars is that all these objets modernize, while adequate and amusing in themselves, tend to make the people who use them look dated. It is an honest criticism. The human race has done nothing much about changing its own appearance to conform to the form and texture of its appurtenances.

I do believe that our modern English usage has become way too clipped and austere. I have been reading excerpts from the journals of 18th-century seafarers lately, and even the lowliest press-ganged deck-swabber turns a finer phrase than I do most days.

I'm trying to talk to my kids in Japanese, because I'm not a pro English speaker. My wife speaks to them in English. That's her first language. I don't want my kids to feel the same as me when I was studying English. It was so frustrating.

If you do not learn English in this country, you cannot get anywhere. We are in America. We are not in Mexico, we are not in China, we are not in Saudi Arabia - we speak English in this country! And what bilingual education does, is keep them from learning English, so they are doomed to be second-class citizens.

I think most of the world would like to be Scottish. All the Americans who come here never look for English blood or Welsh, only for Scottish and Irish. It's understandable. The Scots effectively created the face of the modern world: the railways, the bridges, the tunnels.

For whatever reason, we relate to anything godlike with an English accent. The English are very proud of that. And with anything Roman or gladiators, they have an English accent. For an audience, it is an easy trick to hook people in.

Men must speak English who can write Sanskrit; they must speak a modern language who write, perchance, an ancient and universal one.