Top 1200 Modern Literature Quotes & Sayings - Page 7

The most striking about modern industry is that it requires so much and accomplishes so little. Modern industry seems to be inefficient to a degree that surpasses one's ordinary powers of imagination. Its inefficiency therefore remains unnoticed.

...if you think of modern art like sex in all its forms - heterosexual, bisexual, homosexual, multipartnered, bestial, whatever, with absolutely no holds barred and with everything available and permissible - that would be modern art.

Nearly all literature, in one sense, is made up of guide-books. Old ones tell us the ways our fathers went, through the thoroughfares and courts of old; but how few of those former places can their posterity trace, amid avenues of modern erections; to how few is the old guide-book now a clew! Every age makes its own guide-books, and the old ones are used for waste paper.

There's a difference between children's literature and all-ages literature. One is written expressly for children. The other is written for everyone, including children. And the difference usually manifests in not talking down to kids.

Today's man of the world proclaims that sin, and his enterprising in sin, are a part of modern living, but it is not modern. It goes back to Adam and Eve - to desire and the temptation to know - to experience evil.

I don't know much about modern art, but I guess I am modern art.

Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet.

Using modern guitar techniques and modern methods on an early instrument is not a very clever thing to do, because it is the authentic spirit of the instrument that should dictate the quality and characteristic of the sound.

The Constitution is more than literature, but as literature, it is primarily a work of the imagination. It imagined a country: fantastic. More fantastic still, it imagined a country full of people imagining themselves.

Paul Davies takes us on a logically and rhetorically compelling modern search for human agency. This outstanding analysis, well informed by naturalistic views of our evolved affective nature, is the kind of philosophical work that is essential for a field to move forward when ever-increasing findings from modern science are inconsistent with traditional philosophical arguments. This book is for all who wish to immerse themselves in the modern search for free will. It is steeped in the rich liqueur of current scientific and philosophical perspectives and delusions.

The use of literature is to afford us a platform whence we may command a view of our present life, a purchase by which we may move it....we see literature best from the midst of wild nature, or from the din of affairs, or from a high religion. The field cannot be well seen from within the field.

But I don't think there has ever been anything written on the nature of violent man as deep and as thorough as Shakespeare's Titus. I think it puts all modern movies and modern exploitations of violence to shame.

The tendency of modern scientific teaching is to neglect the great books, to lay far too much stress upon relatively unimportant modern work, and to present masses of detail of doubtful truth and questionable weight in such a way as to obscure principles.

Everybody has a different idea of when those good old days were, but everyone is convinced that there was a time when literature really mattered and that it doesn't now. They also tend to believe that it really matters someplace else - in very improbable places often. Russia is someone's idea of a place where literature really counts.

The 20th century saw far greater catastrophes than September 11th, as bad as it was, and they didn't render literature or art or music irrelevant. In fact, I think that literature and art help us to understand - sometimes they provide narratives and metaphors for understanding history, for understanding recent catastrophes.

The Lord's Prayer is 66 words, the Gettysburg Address is 286 words, there are 1.322 words in the Declaration of Independence, but government regulations on the sale of cabbage total 26.911 words. The difference between literature and journalism is that journalism is unreadable and literature is not read.

The basic idea which runs right through modern history and modern liberalism is that the public has got to be marginalized. The general public are viewed as no more than ignorant and meddlesome outsiders, a bewildered herd.

If we think today the way TV is ordering us to think, we think of Einstein as someone modern. Stravinsky is modern music, but it came at the time of Birth of a Nation, which is an old movie.

I did Call of Duty Modern Warfare as Gaz, then I did Ghost in Modern Warfare 2, which has become one of the most iconic figures in the history of computer games.

Instead of educating the I.Q., we need to educate the H.Q., the heart quotient, the matters of truth, love, justice, and compassion. There are two ways to do this. One is through the read life experiences and the other is through literature. Literature has the power to take us outside ourselves and returns to ourselves a changed self.

Above all, we must awaken to and overcome the great hidden anthropocentric projection that has virtually defined the modern mind: the pervasive projection of soullessness onto the cosmos by the modern self's own will to power.

No idea is so antiquitated that it was not once modern. No idea is so modern that it will not some day be antiquitated . . . to seize the flying thought before it escapes us is our only touch with reality.

It is often said that in today's modern and postmodern world that the forces of darkness are upon us. But I think not; in the Dark and the Deep there are truths that can always heal. It is not the forces of darkness but of shallowness that everywhere threaten the true, and the good, and the beautiful, and that ironically announce themselves as deep and profound. It is an exuberant and fearess shallowness that everywhere is the modern danger, the modern threat, and that everywhere nonetheless calls to us as savior.

That love is a conflict seems to me obvious and natural. There isn't a single worthwhile work in world literature based on love that is only about the conquest of happiness, the effort to arrive at what we call love. It's the struggle that has always interested those who produce works of art - literature, cinema or poetry.

Literature is memory written down. All literature is memory.

What is modern art but the attempt to pinpoint vague, incorporeal, inexpressible sensations? What is modern art, I would add, but the most solemn pile of nonsense that ever appeared on Earth?

In Tharoor's hands [the story of modern India] is transformed into Mahabharata magic.... Endlessly inventive, irreverent, wise, ingenious,... it takes on at one level or another the entire panorama of modern India....Energetic and eventful.

To subvert is not the aim of literature, its value lies in discovering and revealing what is rarely known, little known, thought to be known but in fact not very well known of the truth of the human world. It would seem that truth is the unassailable and most basic quality of literature.

Literature is about telling stories. Now, the gift of literature is that, in some lucky cases, reading a novel or a story makes the reader more curious, more open-minded. It may open a third eye in the middle of the reader's forehead.

I did 'Call of Duty Modern Warfare' as Gaz, then I did Ghost in 'Modern Warfare 2,' which has become one of the most iconic figures in the history of computer games.

Someone has described the modern American as a person who drives a bank financed car over a bond financed highway on credit card gas to open a charge account at a department store so he can fill his savings and loan financed home with installment purchased furniture. may this also be a description of many modern professed Christians? And may this not be one reason why modern Christians have so little time to pray? Importunity combined with perfect faith in unconquerable!

Be young. Keep yourself young by having a good, sporty car like a Corvette. It keeps you on your toes. It keeps you young. It keeps you thinking young. It keeps you thinking modern and good things. Corvette is a modern, modern automobile.

In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.

Actor training should be broadly humanistic, involving the study not just of dramatic literature and theatre history, but of languages, literature, and history generally, and should be centered on acting in plays rather than just exercises, improvisations, monologues, or even scenes.

I believe in a kind of literature which makes clear that, at a deeper level, below the surface, we are tied together through invisible but existing threads. A kind of literature which talks about a lively, ever-changing world of unity, of which we are a small, but not insignificant part.

I've always had a massive fascination with the modern day cowboys. Modern day outlaws or going against the system, and that's always been very intriguing to me.

I have another aspect of my career where I'm a scholar of Yiddish and Hebrew literature, and I'll say that when you study Yiddish literature, you know a whole lot about forgotten writers. Most of the books on my shelves were literally saved from the garbage. I am sort of very aware of what it means to be a forgotten artist in that sense.

Expediency of literature, reason of literature, lawfulness of writing down a thought, is questioned; much is to say on both sides,and, while the fight waxes hot, thou, dearest scholar, stick to thy foolish task, add a line every hour, and between whiles add a line.

It is only through literature that one can put oneself in someone else’s shoes and understand the other’s different and contradictory sides and refrain from becoming too ruthless. Outside the sphere of literature only one aspect of individuals is revealed. But if you understand their different dimensions you cannot easily murder them.

Writers throughout the ages have one weapon, which is literature, but they also have their responsibilities as a citizen when literature does not seem to suffice. I mean, they are not mutually exclusive. One continues to write anyway but if you are called out to demonstrate, if people are being killed in the streets, it's hardly the moment to go for your pen and paper, you know, help in one way or the other.

Literature exists inside the language. It's made of words. It's not made of ideas and it's not made of concepts, of psychological analysis. It's made of words. In the same way in which music is made of notes and a painting is made of lines of colors, the matter of literature are words.

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions.

In France, we have laïcité, which means that atheism is almost our state religion. But I think a very important part of Western culture is in the centuries when Christianism was dominant and was present in almost all works of art - not only liturgical works, but also literature and music. Yes, it's important to have that in our present. It doesn't mean that people have to adhere to a dogma or practice a religion, but it's part of our heritage, and you have to at least try to understand it. Otherwise you can't be a modern person.

As I grew up, I was interested in other areas, too, especially literature. It became a major love of mine. Later, it became a difficult choice for me as to whether to major in music or literature. It wasn't until my 30s that I began a profession in music.

I think Bob Dylan showed us that songs can rise to the level of literature, and he proved it over and over again. That's why they keep trying to get him a Nobel Prize for literature: because there is no Nobel Prize for songwriting.

Painting is literature in colors. Literature is painting in language.

A third ideal that has made its way in the modern world is reliance on reason, especially reason disciplined and enriched by modern science. An eternal basis of human intercommunication is reason.

. . . the example given by the Nazi regime as to the ability of a modern state to destroy human lives with the same techniques used by modern industry, employing the bureaucratic apparatus readily available to any modern state, is one that can hardly be ignored. Because although history may not repeat itself, it is rare that anything introduced to human history is not used again. Whether the Holocaust was unique or not in terms of its precedents is one question; whether it will remain so is quite another.

Modern technique has made it possible for leisure, within limits, to be not the prerogative of small privileged classes, but a right evenly distributed throughout the community. The morality of work is the morality of slaves, and the modern world has no need of slavery.

The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world - in other words - expressing the energy , the motion and the other inner forces ... the modern artist is working with space and time , and expressing his feelings rather than illustrating.

From semantics to shipbuilding, from dream theory to propositional logic, any specialist ... is invariably astonished to discover that modern knowledge was foreshadowed at the time. ... Should we not replace these foreshadowings by the study of the influences of Hellenistic thought on modern thought?

I'm a big believer in pairing classics with contemporary literature, so students have the opportunity to see that literature is not a cold, dead thing that happened once but instead a vibrant mode of storytelling that's been with us a long time - and will be with us, I hope, for a long time to come.

Into the cultural and technological system of the modern world, the patriotic spirit fits like dust in the eyes and sand in the bearings. Its net contribution to the outcome is obscuration, distrust, and retardation at every point where it touches the fortunes of modern mankind.

In America there is really very little knowledge of the literature of the rest of the world. Of the literature of Latin America, yes, But that's not all that different in inspiration from that of America, or of Europe. One must go further. You don't even have to go too far in terms of geography - you can start with the Native Americans and listen to their poetry.

It's a different world: when I'm writing 'Toast,' I've got one foot in 1974 and one foot in the modern day, because the modern day is nowhere near as funny or interesting.

We get to the point then with modern science where you could almost say that modern science is the art of describing those systems so crude in their structure that they are not subject to temporal variables.

Great literature has always been written in a like spirit, and is, indeed, the Forgiveness of Sin, and when we find it becoming the Accusation of Sin, as in George Eliot, who plucks her Tito in pieces with as much assurance as if he had been clockwork, literature has begun to change into something else.

A seventeenth-century painting can be "modern" because the living eye finds it fresh and new. A "modern" painting can be outdated because it was a product of the moment and not of time.

Forcing modern speakers of English to not - whoops, not to split an infinitive because it isn't done in Latin makes about as much sense as forcing modern residents of England to wear laurels and togas.

Some literature is knowledge, some is just data. But if I can get a "happy" ending - which is when for the characters I'm writing about, something happens that they move from wherever they are in the beginning to knowledge or wisdom, they know something they never would have acknowledged or realized if it hadn't been for my book - that for me is what literature does.