Top 1200 Modern Music Quotes & Sayings - Page 20

I don't hate on the whole EDM thing happening in America because, although the music is not of my taste - a little bit brash for me - I think it's also introducing a lot of young people to dance music, and then they're discovering better dance music through it.

Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting someone through.

Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.

You know when I started playing music as a young man I felt the need to be noticed and to prove myself. My motivation is much different now but what's still left is the love of music and the joy of entertaining people- the feeling that I make a difference, giving something back rather than just taking. Every year or two I come out with new music, or new arrangements of old music which keeps my show fresh.

I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls.

For music, I always just played music myself - and, I had rock bands and wrote songs and put bands together that were loud, but not especially good. That was sort of the place music had in my career.

Music should be healing, music should uplift the soul, music should inspire; then there is no better way of getting closer to God, of rising higher towards the spirit, of attaining spiritual perfection, only if it is rightly understood.

Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.

It's always the music first for me. But if the music isn't selling, there isn't gonna be no business. So you gotta make sure music is always the first priority.

And whether you're drawn to gospel music or church music or honky-tonk music, it informs your character and it informs your talent.

Now there’s us, staking out our piece of cinematic turf (might be small but it’s ours). And the music has to fit the vision as specifically as it did for [Star Wars and The Matrix.] OUR music comes from THEIR music, this scrappled bunch. It is spare, intimate, mournful and indefatigable.

I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.

I was listening to Ministry and Garth Brooks and Charlie Pride and Wynton Marsalis, and then I would listen to Juvenile or Lil Wayne. It's just that I'm a big fan of music. I'm a student of music. And I just want to learn and keep enhancing my education about the music.

I would say that 'Creed' has a lot more music in it. It's 60 minutes of music, while 'Fruitvale' had about a fourth of that at best. There's a bigger focus in 'Creed' because I had to make music for training montages.

I naturally make commercial music: it's never been a calculated decision to make pop music. I'm a genuine pop music fan.

When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.

I used to download a lot of music, and I understand it in this economy, but personally I buy my music. It feels good to be able to support a band you like. Plus, it'd be really hypocritical if I were still doing that, since I really hope people are buying and experiencing my music.

In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.

If your whole world of a band or music is taking place in a digital realm or on technological devices, it's all mediated through those things. That takes away from the experiential and sensual nature of music. That's a lot less exciting for me to think about. It's not my ideal way of living with music.

When I was between seven and 13, I hated music. I wasn't interested in music at all. I'd tried to listen to it just because all my friends were getting into pop music and everything, and I remember I just wasn't interested at all. I liked drawing and science.

Today’s milestone is human madness. Politics is a part of it, particularly in its lethal outbursts. Politics is not, as it was for Hannah Arendt, the field where human freedom is unfurled. The modern world, the world of world war, the Third World, the underground world of death that acts upon us, do not have the civilized splendor of the Greek city state. The modern political domain is massively, in totalitarian fashion, social, leveling, exhausting. Hence madness is a space of antisocial, apolitical, and paradoxically free individuation

I have crazy, different influences in my songs. I want rap music, I want Congolese rumba, I want salsa, I want dance music, I want hip-hop music, all mixed into one!

I don't sing country music because I'm not capable of singing other kinds of music; I sing it because I think it's the most beautiful kind of music there is.

I ain't makin' music for the media. I make music for the people in the streets - that want a street level of entertainment. I'm makin' music because I have the streets to feed.

I don't sing country music because I'm not capable of singing other kinds of music; I sing it because I think it's the most beautiful kind of music there is

I don't only like rock music. There are other forms of music that I find interesting. I would want to do everything, every kind of music. I wouldn't want to be limited to like playing heavy metal or whatever.

What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"

Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.

This has not changed: always like the first time, very, very nervous. But when the music begins, you are in the music, it's a sort of transformation. Your feeling for the music is greater and has nothing to do with your nerves. You go out of yourself.

Walking with someone through grief, or through the process of reconciliation, requires patience, presence, and a willingness to wander, to take the scenic route. But the modern-day church doesn't like to wander or wait. The modern-day church likes results. Convinced the gospel is a product we've got to sell to an increasingly shrinking market, we like our people to function as walking advertisements: happy, put-together, finished - proof that this Jesus stuff WORKS!

The sense of waking up in the morning and knowing that there is music ahead of me in the day is such an incredible feeling. The more I engage with music the more days I wake up and know that that's what's going to be there, and the things that come with music.

When real music comes to me - the music of the spheres, the music that surpasses understanding - that has nothing to do with me, cause I'm just the channel. The only joy for me is for it to be given to me, and to transcribe it like a medium... those moments are what I live for.

Trying to be really dark and alienating just felt exhausting to me, so I started going back to the music that I grew up with, whether it was African music or pop music. It took me away from being overly self-conscious about what I was doing.

Folks out in the country couldn't afford to pay for anybody else to make music. They had to make their own. So the peasantry had their music, and it was about a hundred years ago given the name "Folk music".

Music can be a distraction and an escape. Sometimes a welcome escape. You need it. But music can also serve a very important social function because music can do things that mere prose, mere ordinary political agitation can't do.

Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.

My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.

Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.

You don't pigeonhole yourself, people pigeonhole you. If the world is not at a place yet where it can just be like, "This music is gay and it's music," then it's not my fault that it gets pigeonholed, it's not the people in the band's fault, it's because people won't just let music be music, people who need to put a name on something or to critique something.

Music, I find, gets you out of a trap [when screenwriting], because it speaks to your emotions directly, it's an abstract thing, it's not concerned with plot or story. And so music really helps - often I'll listen to the music and just write anything, just to get through.

... coming to a place like Nashville, which is just music music music, it's always been such an influence on me. And there are so many interesting songwriters out there, and it's such a crazy business and so many people are trying to do it, and it's all right there in Nashville.

What inspires me is the desire to be on. The desire to be successful. The desire to reach people through my music and make a living off it and never have to do anything else. Being able to do music full time and travel the world and share this music with everybody. That's the dream.

I don't think there is anyone I've ever met who has been more passionate about music than me, but rock 'n' roll has never been about just music. It is music, attitude, personality, persona, myth, legend.

The thought about changing my genre of music does cross my mind, but then I remember why I started making music in the first place or why people started liking my kind of music.

It's too easy now to find music, and it's therefore too easy to dismiss music, particularly music that doesn't hit you the first time you hear it.

When it comes to the music, the traits you got to have in order to make lit music, club music, to have the swag with it, to have the lingo - I got those traits, you know what I mean?

I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.

When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.

A good dancer is one who listens to the musicWe dance the music not the steps. Anyone who aspires to dance never thinks about what he is going to do. What he cares about is that he follows the music. You see, we are painters. We paint the music with our feet.

You need to make the music strong, and the philosophy behind the music has to be solid. What the music exudes, what it emits, has to be very strong. It's your thinking that brings you things in life. Part of my philosophy to exceed starts right there.

I think it's like music for the sake of music, and a lot of the words stem from liking music a lot, wanting to be a good band and having a good sense of humour, and living in a situation where we're free to pretty much do what we want.

This is show business, and there's room for the shows and the personalities. But I think there's also room for music, for people to play music, and there seems to be an audience developing that's willing to go listen to music again, rather than just be blown away by drum machines and choreography.

When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.

I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'

I was born and trained to communicate music, just as the sons were born and trained to hunt, and I was lucky to have grown up in Hungary, a country that lives and breathes music-that has a passionate belief in the power of music as a celebration of life.

Imogen Poots loves music to death and can literally name 300 bands that she listens to, that you've never heard. She's so heavy into the underground music scene. When she's speaking on music, she means it.

The Medicine Man occupied the honored role of priest and physician to his tribe. They understood that healing was done by the intercession of celestial spirits. Music was used as the bridge between these planes. Thus we see why music was religious in nature, and music was looked upon as a sacred art.

My earliest memories about music are connected with going to church and listening to organ music. I am not from a musical family, actually, and I remember my first musical fascination to be for organ music. I wanted to become an organist and not a pianist.

All my life, I had loved music and been in choir, and I have a degree in music, but I never planned on doing it as a job. I had a realistic perspective on that. I thought maybe work at a church or be a teacher if you wanted to work in music.

Where I've been hasn't influenced my music. It's more what I listen to. You can find music everywhere, so moving hasn't really influenced my music, more me as a person.