Top 21 Monterey Quotes & Sayings

Explore popular Monterey quotes.
Last updated on September 19, 2024.
Cannery Row in Monterey in California is a poem, a stink, a grating noise, a quality of light, a tone, a habit, a nostalgia, a dream.
He remembered his mentor, Lou Kline, telling him in the nineties that rock and roll had peaked at Monterey Pop. They'd been in Lou's house in LA with its waterfalls, the pretty girls Lou always had, his car collection out front, and Bennie had looked into his idol's famous face and thought, You're finished. Nostalgia was the end - everyone knew that.
Don't eat shrimp - it's one of the most unsustainable fish. For every pound that's caught, 10 or 20 pounds of other stuff is killed and dumped back overboard. It's the number one killer of juvenile sea turtles in Mexico. Two good sustainable seafood guides that I'd recommend are from the Monterey Bay Aquarium and the Blue Ocean Institute.
The history of jazz for the last 45 years has come through the Monterey Jazz Festival stages. I think there's developed a legacy and an aura around the festival.
They still talk about the night that Augie Pabst, a fresh-faced heir to the brewing fortune, drove a rented Falcon into the swimming pool of the Mark Thomas Inn in Monterey, California. His reviews were so good that he repeated the act at a Howard Johnson's outside Denver.
My fourth birthday, I was given a violin, and my fifth birthday, a guitar. I didn't start to play until I saw Hendrix on TV. They showed him setting his guitar on fire and burning it for the Monterey Pop Festival.
Monterey was the Maraschino cherry on top of the Sundae that was the '60s. It was totally unprecedented, and the audience was unprecedented in their joy.
We can bring crews in from other areas, too. If Monterey is hard hit and Bakersfield, for example, is not, we can bring crews in from there.
I attended TED in 2007 and 2008, the last two years the conference was held in Monterey. — © Maria Semple
I attended TED in 2007 and 2008, the last two years the conference was held in Monterey.
Monterey, I remember, but I seem to remember the Fillmore West, that we played the week before Monterey. That was much more memorable for me. The first time in San Francisco. They were good gigs.
It wasn't the ghetto here or anything like that. But it got rough. I'll put it this way. I always knew where I lived. I always knew I was in Seaside. That wasn't plush. I wasn't in Monterey. I wasn't in Carmel. I was in Seaside. I knew what that meant.
Lindsay Hatton's novel 'Monterey Bay' so beautifully evokes the landscape of the titular locale, you'll feel transported to Northern California even if you're reading it on the bus on your morning commute.
I went to UC Santa Cruz, overlooking the Bay of Monterey and Santa Cruz, in 1969. Back then, the city was part-hippie, part-surfer, but mostly retired chicken farmer.
I was born in Pascagoula, Mississippi, lived there a couple of times. My dad was in the Navy. So, we lived in Mississippi and South Carolina until I was 11, and then I moved to California, went to, you know, high school there in the Monterey Bay area.
I grew up right in Santa Cruz, right across the bay from Monterey. I would go to Monterey all the time. — © Adam Scott
I grew up right in Santa Cruz, right across the bay from Monterey. I would go to Monterey all the time.
Delphine Seyrig is a very proper woman, from high society. She's from the Ferdinand de Saussure family, the structuralist. Old money. Swiss. Protestant. They were that type of well-educated people who could recognize a good artist before others, and she was like that. Even if it was against something inside her. Tell me one actress in 1972 in France, except Delphine, at her level, who would love Hôtel Monterey. No one.
I really want to dive in the kelp forests of Monterey Bay in California. I hear it's like floating through a forest.
I was admired by all these hippies, and it was wonderful playing at Monterey and Woodstock, performing for half a million people.
And it may be that a crowd at a particular moment of history creates the object to justify its gathering, as it did at the first Human Be-In and Monterey Pop and Woodstock. Or it may be that two generations of war and surveillance had left people craving the embodiment of their own unease in the form of a lone, unsteady man on a slide guitar.
And as part of my activity there, he had indicated he wanted me to work with him on that and conduct the various technical tests. And so a few months later I moved from Southern California up to the Monterey Peninsula where I still live today.
I was living in Monterey, a place where the classic photographers - the Westons, Wynn Bullock and Ansel Adams - came for a privileged view of nature. But my daily life very rarely took me to Point Lobos or Yosemite; it took me to shopping centers, and gas stations and all the other unhealthy growth that flourished beside the highway. It was a landscape that no one else had much interest in looking at. Other than me.
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