Top 339 Moore Quotes & Sayings - Page 5

It's Moore's Law, everything will be obsolete in 10 years - I'll be obsolete in 10 years!

I want people to read good work. If I see someone reading a book by Lorrie Moore or Jennifer Egan, I'm psyched. If I see them reading X Latin American Writer Who Sucks, I'm not psyched. But in terms of news, I do think that's important.

They wanted to jump on their own bandwagon. Bobby Charlton had never made it as a manager. Bobby Moore hadn't either. I think they never stopped trying to put me in the same category. That was the road they went down with me.

There are so many books I love for different reasons. For superhero stuff, I always go back to Alan Moore's 'Watchmen' or his 'Swamp Thing' run. Those are my two favorites, and there are indie books that I really love, like Eddie Campbell's 'Alec' books and 'From Hell.'

There are loads of actresses that modelled. They just weren't famous. There weren't a lot that were really known as models that became actresses, but there are hordes of them that did modelling before such as Anjelica Huston, Jessica Lange, Sharon Stone, Demi Moore and Geena Davis. There are loads of 'em.

I would point out is that most of the change over the past 5,000 years has been arithmetic, and it now logarithmic. Digitization, the whole Moore's law thing where it doubles every 18 months - that is a speed that is faster than most people are used to.

Alan Moore's first choice to be the Comedian... was Burt Reynolds. But I never saw myself as Burt Reynolds; I saw myself as Edward Blake.

That is to say, the inspiration, the interpretive richness of the text is what Elie [Wiesel] does publicly, and his interest in history is his private reserve; he knows that he is not an expert in dissecting the text the way Frank [Moore Cross] does.

In 1985, I went to work for MTM Records, Mary Tyler Moore's Nashville record label, and stayed three years. After that, I spent two years as an independent promoter, then worked for MCA Nashville Records, DreamWorks Nashville, and Universal Music Nashville.

But then a daring evasion by a leading conveyancer, known as the Lease and Release, received judicial sanction; and commenced a successful career of more than 200 years. The Lease and Release, attributed to Serjeant Moore, was based on the fact that the Statute of Inrolments did not apply to terms of years.

We have a text before us, an ancient text, a living text, and we try to enter it, not only to decipher it, but to penetrate it, to become part of it, similar to the way every student becomes part of a teacher's texture. That's how I see our [with Frank Moore Cross] two differing approaches.

Listen to the great guitarists of the Fifties. They didn't do that nasty sort of industrial distortion. They played musical compositions as solos - Scotty Moore, Cliff Gallup, Django Reinhardt. There wasn't a bad note in any of those solos. I listened to that and stayed with those rules.

With the Michael Moore movie, certain conservative talk show hosts call him un-American. Him and anybody else who says anything about the war... To question your country's policy, especially in a war that kills people, is definitely not un-American. It's probably the most patriotic thing you can do.

If you have one good series, you know, it's a blessing. Two good series is unusual. Three is a phenomenon, but right now, I'm working with these wonderful women on 'Hot in Cleveland,' and Valerie Bertinelli, and Wendy Malick and Jane Leeves are like, it's like the buddy-ship we had on 'Golden Girls' and 'Mary Tyler Moore.'

I've been into Sonic Youth since junior high school. I think I kind of have ADD, so it's good music for ADD because it just throws you in different directions all the time. I really like Kim Gordon's voice and Thurston Moore's voice, and I like the guitars going off on tangents.

I don't see myself as a 'black actor,' I'm just Shemar Moore the actor. I'm very proud to be black, but I'm just as much black as I am white.

My whole thing is I want to affect history in a positive way. I want the timeline to be, 100 years from now, when we look back, it's going to be like, the world was like this, and then Shameik Moore hit the world, and everything changed for the better. It was a new light. Something special.

I love Twitter, and my little corner of it is heavily weighted in favour of women, many of them writers: Caitlin Moran, India Knight, Lauren Laverne, Grace Dent, Deborah Orr, Marina Hyde, Suzanne Moore. I look at that list of names and think, 'Here comes the fun - fun that knows its way around a dictionary.'

'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.

'The Kids Are All Right' is amazing. The performances are insanely good. Julianne Moore is going to wreck you. This is the best I've ever seen her, and I've seen everything she's ever done. I like the story, and I think it's a great alternative to the big summer popcorn blockbusters.

Some of my favorite actresses are Cate Blanchett, I love her. I love Zoe Saldana, and Julianne Moore is one of my favorites. I like women who choose diverse roles and have that strength, which I think all women have but some women embrace it, present it, and live in it.

The only real difference between a wise man and a fool, Moore knew, was that the wise man tended to make more serious mistakes—and only because no one trusted a fool with really crucial decisions; only the wise had the opportunity to lose battles, or nations.

I think psychologically [Margaret Thatcher] is really worth studying. I am reading Charles Moore's biography of her, and he has gotten us right there with a woman who lived the unexamined life, and lived it deliberately, and who has contempt for history, even her own.

Baltimore was like a small town when I got there - the Colts, the Orioles, guys like Frank Robinson, we all knew and respected each other. Everyone would cross paths at one point at Lenny Moore's Sportsman's Lounge, trading stories and having some fun.

Clearly the human story is one of acceleration. There has been a Moore curve in terms of the number of people alive on the planet, our technological ability, and our ability to understand ourselves. We have had this extraordinary, explosive growth in our ingenuity.

The blues appealed to me, but so did rock. The early rockabilly guitarists like Cliff Gallup and Scotty Moore were just as important to me as the blues guitarists.

I love fiction. I like reading short stories. Cupcakes, pop songs, Polaroids, and short stories. They all raise and answer questions in a short space. I like Lorrie Moore. Amy Hempel. Tim O'Brien. Raymond Carver. All the heartbreakers.

We [with Frank Moore Cross] have the same fervor, the same passion when in front of us is a page, a unique page - every page is unique - of the Pentateuch.

Alan Moore does have a sheen of class. He's a smart guy, and I'm sure there was a metaphoric level, I'm not denying that, but let's face it. the main reason he was doing a super-hero comic was because he was working for a super-hero comic book company.

Manye chapeleyns arn chaste, ac charite is aweye; Are none hardere than hii whan hii ben avaunced: Unkynde to hire kyn and to alle Cristene, Chewen hire charite and chiden after moore - Swich chastite withouten charite worth cheyned in helle.

Scotty Moore plays one of the first really amazing riffs in rock history on Heartbreak Hotel with Elvis Presley ... it was dangerous, it scared everybodys parents, which was part of the attraction then - as it still is now... it totally blindsided me and made me want to get a guitar and do that.

I hope everyone can give the audience that real, true experience. But Mandy [Moore] and I, we definitely jump decades, and I think trying to find a base look, so that I can go back to the Eighties, I can jump to the Nineties, it was like, "All right, Milo, you're living in a moustache for a little while." Which I'm perfectly fine with.

Some of the most successful, talented actresses of our generation, be it Julianne Moore, or Charlize Theron, or Charlotte Gainsbourg, or Isabella Rossellini, if you know your cinema history, have taken their clothes off. There's nothing wrong with nudity, per se, if it's part of the storytelling and it's eloquent and it says something about the raw humanity of the story.

I think Michael Moore is an amazing man - an amazing, brave man. And I think people are probably going to start saying, 'Don't associate with Cindy Sheehan.' People who speak truth to power somehow are marginalized in this country.

I remember, once I was going through Nice airport with Roger Moore, and these kids came up and asked for our autographs. Afterwards, Roger said, 'It must be very strange for you. I'm an actor, and signing autographs is part of what I do. But you're a public figure who people don't really know.' He was right.

I've been influenced by so many great people , like Sam Moore, Wilson Pickett, Otis Redding, John Lee Hooker, B.B. King, so many great blues and soul artists that I completely revere. So it's strange for me, actually, to hear somebody say, 'Oh, I was deeply influenced by your music.'

Some of the writers I admire who seem very, very funny and very emotional to me can develop a closeness with the reader without giving too much of themselves away. Lorrie Moore comes to mind, as does David Sedaris. When they write, the reader thinks that they're being trusted as a friend.

I have had lots of friends who've been affected by Aids and a very good friend of mine, Oscar Moore, died of Aids and I was with him in his last year quite a bit. And of course he was a man living in a very rich culture with a wealthy family who was able to afford health care.

In 1967, London Weekend Television asked me to head up their sports coverage. I got to work with guys like Brian Moore and Dickie Davies. We were the first ones to come up with the idea of the pundits' panel. Although, since I was one of the pundits, it's debatable how good an idea that was.

'The Mary Tyler Moore Show' was the best television, the best cast, the best-written television show ever.

Frank Moore Cross is also a leading Dead Sea Scrolls scholar, which he's been since they were discovered more than 50 years ago. He's just completing an edition of one of the most significant scrolls for Biblical studies, the Book of Samuel from the Dead Sea Scrolls.

An example I love: Diwata auditioned for the school play by doing a big number from Once Upon A Mattress. I went home and my boyfriend plunked out the notes for me, and I had to learn and prepare that song just so I could learn and know how that feels. I've never had that kind of detail in a rehearsal process. Jason Moore is absolutely unbelievable.

Moore's Law is really a thing about human activity, it's about vision, it's about what you're allowed to believe. Because people are really limited by their beliefs, they limit themselves by what they allow themselves to believe about what is possible.

The careers that I admire and actually try to emulate are those of Julianne Moore and Annette Bening. Those women, to me, make amazing choices. They're sexy, beautiful women, but that doesn't dictate their choices.

Europeans hate the way Americans talk. They think we're loud and uncouth and they don't like our jokes, except for Michael Moore. Plus, they resent the fact that they've had to learn our language because if they didn't we wouldn't buy their stupid metric widgets or visit their overpriced ruins.

Mary Tyler Moore was a working woman whose story lines were not always about dating and men. They were about work friendships and relationships, which is what I feel my adult life has mostly been about.

When I was first starting out in the music industry, I was always coupled in the same sentence with Jessica Simpson, Britney Spears and Christina Aguilera - and I was probably the worst of them. I think a lot of people back then thought, 'Mandy Moore... she'll probably go back to where she came from in a year.'

I'm a physicist, and we have something called Moore's Law, which says computer power doubles every 18 months. So every Christmas, we more or less assume that our toys and appliances are more or less twice as powerful as the previous Christmas.

There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.

By definition, the Singularity means that machines would be smarter than us, and, in their wisdom, they can innovate new technologies. The innovations would come so quickly, and increasingly quickly, that the innovation would make Moore's Law seem as antiquated as Hammurabi's Code.

I really don't teach the way Professor [Frank Moore] Cross does. I don't teach the text the same way he does. I teach Biblical themes, Biblical events.

In Naples, Fla., I met a self-made man, a multimillionaire, whose round penthouse apartment is home to Pierre-Auguste Renoir, Claude Monet, Henry Moore, and Mickey Mantle. He had purchased the most coveted items auctioned by the Mantle family at Madison Square Garden in December 2003.

I watched a lot of old television growing up - a lot of Nick at Nite. I watched 'Rhoda', 'Mary Tyler Moore', and 'I Love Lucy.' Growing up, I loved 'My So Called Life' and was devastated when that went off the air.

THE WICKED + THE DIVINE is unlike True Detective as: it features women who do things. THE WICKED + THE DIVINE is like True Detective as: we shamelessly rip off huge chunks of stuff from Alan Moore.

You can be Michael Moore and make 'Fahrenheit 9/11,' but that's hitting people over the head, and a lot of Americans don't like to be hit over the head. I want to make films that make people walk out and say, 'Wow, I really question if this is all right.'

I sense that what you two [Elie Wiesel and Frank Moore Cross] share is that you each have a public relationship to the Biblical text and a somewhat private relationship to the Biblical text.

I don't know whether I see it as slipping inside the villains, but part of what makes Ralph Nader and Michael Moore such effective speakers and communicators is that they know how corporate culture works, how our lawmaking bodies really work, and where the bones are buried.

Stop seeing socialists and anti-Americans as Democrats. When a Michael Moore compares beheaders to our own Minutemen and laments that too many Democrats were in the World Trade Center, he deserves no platform alongside Wesley Clark or a seat next to Jimmy Carter or praise for his pseudo-dramas from high Democrats.

Michael Moore didn't have to worry that anyone would misinterpret the title of his film, 'Capitalism: A Love Story,' because in Hollywood, no one loves capitalism. That's too bad, because Hollywood is one of capitalism's greatest successes.

I would acknowledge that [Paul] Ryan has some really good ideas about things, and I think they'll get together, like taxes. Larry Kudlow, Stephen Moore, they've been supportive of Ryan's tax view and now they're very supportive of [Donald] Trump's. So I think that's got potential.