Top 230 Moss Quotes & Sayings - Page 4

There is sweet music here that softer falls Than petals from blown roses on the grass, Or night-dews on still waters between walls Of shadowy granite, in a gleaming pass; Music that gentlier on the spirit lies, Than tir'd eyelids upon tir'd eyes; Music that brings sweet sleep down from the blissful skies. Here are cool mosses deep, And thro' the moss the ivies creep, And in the stream the long-leaved flowers weep, And from the craggy ledge the poppy hangs in sleep.

This, at last, was where things were as they ought to be. Everything was in its place -- the tree, the earth underneath, the rock, the moss. In autumn, it would be right; in winter under the snow, it would be perfect in its wintriness. Spring would come again and miracle within miracle would unfold, each at its special pace, some things having died off, some sprouting in their first spring, but all of equal and utter rightness.

Kate Moss is too skinny. She also looks like she's 11. It's practically illegal to look at her picture. God bless Kate Dillon, but size 14 is just a little too big. Look at me talking, I just lost 28 pounds, so I should have more sympathy, but I don't.

I died for beauty but was scarce Adjusted in the tomb, When one who died for truth was lain In an adjoining room. He questioned softly why I failed? "For beauty," I replied. "And I for truth, the two are one; We brethren are," he said. And so, as kinsmen met a night, We talked between the rooms, Until the moss had reached our lips, And covered up our names.

I think Ugg went out of being something that Kate Moss and Sienna Miller were wearing in high fashion circles and then they were embraced by everyone. Once something reaches that tipping point of mass popularity then suddenly the fashion world is a bit like, "Wah." As you say, you see them less kind of everywhere now so maybe it's time to bring them back.

When I see Kate Moss out and about, I think she looks more beautiful than when her hairdresser and make-up artist try and make her look like something else. And I remember when Madonna first asked Versace to book me to shoot a campaign with her, she came to see me wearing hardly any make-up, and she looked incredible.

As for myself, I do not believe in loggers, I believe in trees. I do not believe in fishermen, I believe in fish. I do not believe in miners, I believe in the rocks beneath my feet. I do not believe in pie in the sky spirituality, I believe in rainbows, rivers, mountains, and moss. I do not believe in environmentalists, I believe in the environment. I am a proud traitor to my species in alliance with my mother the Earth in opposition to those who would destroy her, those parasites who believe the Earth is here to serve human interests.

Kate Moss. She looks good in anything. She would look good in one of your t-shirts, in her t-shirt, in a man's suit, in a huge gown. She looks amazing naked. She even makes nude look stylish. That, to me, is a style icon. She could put a barrel on and it would be some sort of statement.

In a split second of eternity, everything is changed, transfigured. A few bars of music, rising from an unfamiliar place, a touch of perfection in the flow of human dealings - I lean my head slowly to one side, reflect on the camellia on the moss on the temple, reflect on a cup of tea, while outside the wind is rustling foliage, the forward rush of life is crystalized in a brilliant jewel of a moment that knows neither projects nor future, human destiny is rescued from the pale succession of days, glows with light at last and, surpassing time, warms my tranquil heart.

The hidden village was something we found when we went to research in China we climbed a mountain in the Sichuan province where the panda sanctuary is based, and we climbed to this beautiful, mist-covered, almost primordial place and when we turned these corners these moss covered old buildings would come into view, revealing themselves and it was so beautiful and so unlike anything we'd seen that we literally took those moments and put them into the film [Kung Fu Panda 3].

Once in those very early days my brother brought into the nursery the lid of a biscuit tin which he had covered with moss and garnished with twigs and flowers so as to make it a toy garden or a toy forest. That was the first beauty I ever knew. What the real garden had failed to do, the toy garden did. It made me aware of nature-not, indeed, as a storehouse of forms and colors but as something cool, dewy, fresh, exuberant....As long as I live my imagination of Paradise will retain something of my brother's toy garden.

Most marvelous and enviable is that fecundity of fancy which can adorn whatever it touches, which can invest naked fact and dry reasoning with unlooked-for beauty, make flowers bloom even on the brow of the precipice, and, when nothing better can be had, can turn the very substance of rock itself into moss and lichens. This faculty is uncomparingly the most important for the vivid and attractive exhibition of truth to the minds of men.

We changed the name from Sex Gang Children to Culture Club because Jon Moss, our drummer, went to L.A. on holiday and took some demo tapes with him. -Everyone loved the music but nobody liked the name. I -remember getting a postcard from Jon from L.A. saying, "I don't think America's ready for the Sex Gang Children."

There are few gardens that can be left alone. A few years of neglect and only the skeleton of a garden can be traced. . . . Japanese artists working with a few stones and sand four hundred years ago achieved strangely lasting compositions. However there, too, but for the hands that have piously raked the white sand into patterns and controlled the spread of moss and lichens, little would remain.

And yet ... But what if ... I want to do something impossible. Something astounding and unheard of. I want to scrub the moss off the Space Shuttle and fly Julie to the moon and colonise it, or float a capsized cruise ship to some distant island where no one will protest us, or just harness the magic that brings me into the brains of the Living and use it to bring Julie into mine, because it's warm in here, it's quiet and lovely, and in here we aren't an absurd juxtaposition, we are perfect.

The dawn came - not the flaming sky that promises storm, but a golden dawn of infinite promise. The birds came flying up out of the east in wedge-shaped formation, and the mist lifted in soft wreaths of sun-shot silver. Colour came back to the world. The grass glowed with a green so vivid that it seemed pulsing, like flame, from some hidden fire in the earth, the distant woods took on all the amazing deep crimsons and purples of their winter colouring, the banks were studded with their jewels of lichens and bright moss, and above the wet hedges shone with sun-shot orbs of light.

They walked for a while, all silent in their thoughts, until they reached the car and Alec drew a fine telescope from his shirt and handed it to Milo. "Carry this with you on your journey," he said softly, "for there is much worth noticing that often escapes the eye. Through it you can see everything from the tender moss in a sidewalk crack to the glow of the farthest star — and, most important of all, you can see things as they really are, not just as they seem to be. It's my gift to you.

In fact, when the fires of empire get hidden, they still stay burning underneath the moss, seething away. This is true with a lot of the countries with really difficult, impenetrable nationalist movements - countries that once had a big empire, like Turkey, England, or even in Italy, with the fascists in the middle of the last century. People who had empires, unfortunately, want them back eventually, somehow, someway.

Thousands of experts study overbought indicators, oversold indicators, head-and-shoulder patterns, put-call ratios, the Fed's policy on money supply, foreign investment, the movement of the constellations through the heavens, and the moss on oak trees, and they can't predict markets with any useful consistency, any more than the gizzard squeezers could tell the Roman emperors when the Huns would attack.

A tree is alive, and thus it is always more than you can see. Roots to leaves, yes-those you can, in part, see. But it is more-it is the lichens and moss and ferns that grow on its bark, the life too small to see that lives among its roots, a community we know of, but do not think on. It is every fly and bee and beetle that uses it for shelter or food, every bird that nests in its branches. Every one an individual, and yet every one part of the tree, and the tree part of every one.

I'll never forget the first time Elisabeth Moss kissed me on screen. It was season one of the West Wing and she had to pin me up against a wall in the lobby of the White House. We didn't rehearse it at all and when we did it, she sure enough laid one on me, boy. I was like, "Well, ok, this is going to work out just fine."

From its fountains In the mountains, Its rills and its gills; Through moss and through brake, It runs and it creeps For awhile till it sleeps In its own little Lake. And thence at departing, Awakening and starting, It runs through the reeds And away it proceeds, Through meadow and glade, In sun and in shade, And through the wood-shelter, Among crags in its flurry, Helter-skelter, Hurry-scurry.

The one thing you have to address with Randy Moss is not a conditioning thing. It's not an age thing. It needs to be addressed. I believe it's the elephant in the room. It's that thing called quit. And Randy, not like any other superstar I've met, he has more quit in him than any of those other players.

Moss grows where nothing else can grow. It grows on bricks. It grows on tree bark and roofing slate. It grows in the Arctic Circle and in the balmiest tropics; it also grows on the fur of sloths, on the backs of snails, on decaying human bones. ... It is a resurrection engine. A single clump of mosses can lie dormant and dry for forty years at a stretch, and then vault back again into life with a mere soaking of water.

Where there is a woman there is magic. If there is a moon falling from her mouth, she is a woman who knows her magic, who can share or not share her powers. A woman with a moon falling from her mouth, roses between her legs and tiaras of Spanish moss, this woman is a consort of the spirits.

To a naturalist nothing is indifferent; the humble moss that creeps upon the stone is equally interesting as the lofty pine which so beautifully adorns the valley or the mountain: but to a naturalist who is reading in the face of the rocks the annals of a former world, the mossy covering which obstructs his view, and renders indistinguishable the different species of stone, is no less than a serious subject of regret.

Bastian had climbed a dune of purplish-red sand and all around him he saw nothing but hill after hill of every imaginable color. Each hill revealed a shade or tint that occured in no other. The nearest was cobalt blue, another was saffron yellow, then came crimson red, then indigo, apple green, sky blue, orange, peach, mauve, turquoise blue, lilac, moss green, ruby red, burnt umber, Indian yellow, vermillion, lapis lazuli, and so on from horizon to horizon. And between the hill, separating color from color, flowed streams of gold and silver sand.

The trees bathed their great heads in the waves of the morning, while their roots were planted deep in gloom; save where on the borders of the sunshine broke against their stems, or swept in long streams through their avenues, washing with brighter hue all the leaves over which it flowed; revealing the rich brown of the dacayed leaves and fallen pine-cones, and the delicate greens of the long grasses and tiny forests of moss that covered the channel over which it passed in the motionless rivers of light.

Climb the steep Cold Mountain way Roads to Cold Mountain are many and never ending The valleys are long and deep, the peaks piled high The streams are wide, the grass is thick The moss is slippery though there is no rain The pines sigh though there is no wind Who can escape the snares of the world And come to sit with me among the white clouds?

The snow has left the cottage top; The thatch moss grows in brighter green; And eaves in quick succession drop, Where grinning icicles have been, Pit-patting with a pleasant noise In tubs set by the cottage door; While duck and geese, with happy joys, Plunge in the yard pond brimming over. The sun peeps through the window pane: Which children mark with laughing eye, And in the wet street steal again To tell each other spring is night.

Oh, he was just angry, we tell ourselves when someone blurts out something he later apologizes for. But a word, once spoken, lingers forever; to keep peace we pretend to forget, but we never do. Strange that a spoken word can have such lasting power when words carved on stone monuments vanish in spite of all our efforts to preserve them. What we would lose persists, lodged in our minds, and what we would keep is lost to water, moths, moss.

Um, Bella? You've got a huge cut on your forehead, and it's gushing blood," he informed me. I clapped my hand over my head. Sure enough, it was wet and sticky. I could smell nothing but the damp moss on my face, and that held off the nausea. Oh, I'm so sorry, Jacob." I pushed hard against the gash, as if I could force the blood back inside my head. Why are you apologizing for bleeding?" he wondered as he wrapped a long arm around my waist and and pulled me to my feet.

This is the forest primeval. The murmuring pines and the hemlocks, Bearded with moss, and in garments green, indistinct in the twilight, Stand like Druids of eld, with voices sad and prophetic, Stand like harpers hoar, with beards that rest on their bosoms. Loud from its rocky caverns, the deep-voiced neighboring ocean Speaks, and in accents disconsolate answers the wail of the forest.

And you want to know why track and field is dying in this country? Kids today can watch Kobe Bryant go end-to-end and Randy Moss run a down-and-out and Ichiro Suzuki go from first to third and they will see it start to finish, in real time, the outcome happening before their eyes. But the men's 400 relay finals at the world championships? On your mark, get set . . . we'll show it to you in four hours on another network.

I can remember years ago, when Kate Moss first came around and there were so many articles. Everyone was saying that it was heroin chic - that she was a waif, that she was anorexic. But Kate would eat just as much as anybody I knew - the media had just turned her into this thing. It must be really, really hard when you're the object of that.

How hard to realize that every camp of men or beast has this glorious starry firmament for a roof! In such places standing alone on the mountain-top it is easy to realize that whatever special nests we make - leaves and moss like the marmots and birds, or tents or piled stone - we all dwell in a house of one room - the world with the firmament for its roof - and are sailing the celestial spaces without leaving any track.

I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours.

Season of mists and mellow fruitfulness, Close bosom-friend of the maturing sun; Conspiring with him how to load and bless With fruit the vines that round the thatch-eves run; To bend with apples the moss’d cottage-trees, And fill all fruit with ripeness to the core; To swell the gourd, and plump the hazel shells With a sweet kernel; to set budding more, And still more, later flowers for the bees, Until they think warm days will never cease, For Summer has o’er-brimm’d their clammy cells.

What's wrong with men?" Tenar inquired cautiously. As cautiously, lowering her voice, Moss replied, "I don't know, my dearie. I've thought on it. Often I've thought on it. The best I can say it is like this. A man's in his skin, see, like a nut in its shell." She held up her long, bent, wet fingers as if holding a walnut. "It's hard and strong, that shell, and it's all full of him. Full of grand man-meat, man-self. And that's all. That's all there is. It's all him and nothing else, inside.

We must in imagination sweep off the drifted matter that clogs the surface of the ground; we must suppose all the covering of moss and heath and wood to be torn away from the sides of the mountains, and the green mantle that lies near their feet to be lifted up; we may then see the muscular integuments, and sinews, and bones of our mother Earth, and so judge of the part played by each of them during those old convulsive movements whereby her limbs were contorted and drawn up into their present posture.

For my part, I feel that with regard to Nature I live a sort of border life, on the confines of a world, into which I make occasional and transient forays only, and my patriotism and allegiance to the state into whose territories I seem to retreat are those of a moss-trooper. Unto a life which I call natural I would gladly follow even a will-o'-the-wisp through bogs and sloughs unimaginable, but no moon nor fire-fly has shown me the cause-way to it. Nature is a personality so vast and universal that we have never seen one of her features.

Knowing is a veneer out minds create and lay over the landscape like a painter's drop cloth set upon a forest floor. Its uniformity protects us from the pine needles and beetles, but it also obscures them, as well as the soft moss, fragrant soil, and the teeming complexity of nature's bed. In moments, however, we catch glints and feel the breezes of something more direct, something outside that self system.

We only came close to dying six or seven times, which I thought was pretty good. Once, I lost my grip and found myself dangling by one hand from a ledge fifty feet above the rocky surf. But I found another handhold and kept climbing. A minute later Annabeth hit a slippery patch of moss and her foot slipped. Fortunately, she found something else to put it against. Unfortunately, that something was my face. "Sorry," she murrmured. "S'okay," I grunted, though I'd never really wanted to know what Annabeth's sneaker tasted like.

Enough! we're tired, my heart and I. We sit beside the headstone thus, And wish that name were carved for us. The moss reprints more tenderly The hard types of the mason's knife, As Heaven's sweet life renews earth's life With which we're tired, my heart and I .... In this abundant earth no doubt Is little room for things worn out: Disdain them, break them, throw them by! And if before the days grew rough We once were loved, used, - well enough, I think, we've fared, my heart and I.

Can man be so age-stricken that no faintest sunshine of his youth may re visit him once a year? It is impossible. The moss on our time-worn mansion brightens into beauty; and the good old pastor, who once dwelt here, renewed his prime and regained his boyhood in the genial breeze of his ninetieth spring. Alas for the worn and heavy soul, if, whether in youth or age, it has outlived its privilege of springtime sprightliness!

Once upon a time there lived in Berlin, Germany, a man called Albinus. He was rich, respectable, happy; one day he abandoned his wife for the sake of a youthful mistress; he loved; was not loved; and his life ended in disaster. This is the whole of the story and we might have left it at that had there not been profit and pleasure in the telling; and although there is plenty of space on a gravestone to contain, bound in moss, the abridged version of a man's life, detail is always welcome.

I do have a treadmill desk in my office, and for a while, I would walk on it while checking email and going through jokes. I haven't walked on it in probably four months. Now it's more of an upright dining table for me. At some point, moss will grow over it, birds will build nests, and nature will reclaim the treadmill as its own.

The child had indeed shut up but all the questions that had accumulated on his tongue circulated in his mouth, moved through the passages of his nose and climbed up from there to tickle into his teardrop ducts, so in his moss green pupils, curious, insistent, accusing sparks of questions continued to light up and fade away like fireflies flitting about on summer nights.

I like fat girls. A woman can never be too poor or too fat. I'd take a poor fat girl over a rich thin girl like Kate Moss.

Once there were brook trout in the streams in the mountains. You could see them standing in the amber current where the white edges of their fins wimpled softly in the flow. They smelled of moss in your hand. Polished and muscular and torsional. On their backs were vermiculate patterns that were maps of the world in its becoming. Maps and mazes. Of a thing which could not be put back. Not be made right again. In the deep glens where they lived all things were older than man and they hummed of mystery.