Top 1200 Mother Day Poems Quotes & Sayings

There is a specific kind of day when I feel like writing poems. My senses become really sharp. This day is when I feel as if I am drowning into the abandonment of death.

And every day that I spend as Charlotte and Aiden's mother, I think about my own mother, my wonderful, thoughtful, hilarious mother.

I hate Mother's Day. If anything, it's an affront to all women who think full-time moms have never worked a day in their lives. Which reminds me of a good joke: What do you call an angry feminist on Mother's Day? You don't.

In my time, Mother's Day wasn't celebrated the way it is now. In fact, there used to be no Mother's Day for a long time.

Mother's Day is a torment if your mother is dead. Valentine's Day is a torment if you don't got one. And at some point in our lives, we will be tormented by Valentine's Day even if we're relatively lucky in love.

My first book of poems was published privately in 1949. That was my mother. The book was '25 Poems.' It cost 200 dollars.

The poem in Where Good Swimmers Drown are love poems. But love poems that defy the divisions between emotion and intellect, private and public, life and art, writer and reader. To read Elbe's poems is to discover not only what it means to be in love, but what it means to be alive.

My obsessions tend to cluster, so I often have families of poems in which only a couple of them make it to the book. It can be satisfying to banish poems to my "crappy poems" file.

We thought: we're poor, we have nothing, but when we started losing one after the other so each day became remembrance day, we started composing poems about God's great generosity and our former riches.

The world's beginning is its mother. To have found the mother is also to know the children. Although you know the children, cling to the mother. Until your last day you will not be harmed.

When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small.

I don't think all poems need to be written in conversational language - those are often great poems but there should also be poems of incoherent bewilderment and muddled mystery.

I have to make myself write, sometimes. In the space between poems, you somehow forget how to do it, where to begin. It was good to be task - based for a while. I just came downstairs each day, picked the one I was going to do that day, and wrote.

I think if you put something in a file that says "war poems" or "love poems" that you already restrict the way in which the poem might move.

There's a Mother's Day and there's a Father's Day, but there's no Children's Day. It would mean a lot. World peace.

Poems don't have to rhyme... Poems are about beauty and emotion; in other words poems are about feelings.

These are crystalline - oftentimes incandescent - translations of Juarroz's powerful metaphysical poems where eternity and silence jut up against a world where “writing infects the landscape” and there are “more letters than leaves” - The kind of match one hopes for where both the translator and the poet are in luck; new poems which don't leak and yet old poems in which the original passion shines.

It's true, there aren't many explicit references to Canada in my book. And not many explicit references to the U.S., either. I try to fill my poems with enough real, observed detail that the poems create a believable world - but I don't write poems for the sake of telling my own story. My life is not important or interesting enough to warrant that kind of documentary. Instead I try to use my experience as a way of understanding situations that are common to many people. I want readers to project their own lives onto my poems.

The most exhilarating for the writer and the reader, are gift-things-poems which arrive on their own energy, poems that in William Shakespeare's term "slip" from you.

I believe in creative failing - to contine to write poems that fail and fail and fail until a day comes when you've got a thousand poems behind you and you're relaxed and you finally write a good poem.

When you begin to write poems because you love language, because you love poetry. Something happens that makes you write poems. And the writing of poems is incredibly pleasurable and addictive.

Stop this day and night with me and you shall possess the origin of all poems

Southern poets are still writing narrative poems, poems in forms, dramatic poems.

I've been writing poems since I was in the Navy - to Rosalynn. I found I could say things in poems that I never could in prose. Deeper, more personal things. I could write a poem about my mother that I could never tell my mother. Or feelings about being on a submarine that I would have been too embarrassed to share with fellow submariners.

When you think of things that influenced your life, Mother Goose influenced more people than almost any other thing, the rhythms of those poems. Everything after that was a bare imitation of some of those mysterious and materialistic poems.

I had written here and there about my mother in my poems. There are poems for her in my first and second books.

There are definitely connections between poems, but I wanted each to stand on its own. I guess it goes back to the idea of trying to zoom in and out, and to modulate, so there are different ways of looking at any experience for the reader. Even having short poems and long poems - there has to be some kind of variation in the experience of reading as a whole.

My days are filled with work I love - reading poems, writing poems, talking with people about poems, teaching, directing a writing program, hosting readings, etc.

The day after the president Trump election, I remember feeling like it was 1984 again. It was in the air somehow. That ownership of bigotry. I hadn't seen it since I was a kid. It made me want to change the kinds of poems I was writing, but I'm terrible at writing overtly political poems.

I think that the casual reader and the lyric and confession are trickily tied up together. I mean often when I read my students' poems my first impulse is to say, "O, the subject of this pronoun, this 'I,' is whatever kid wrote this poem." The audience for lyric poems is "confessionalized" to some extent. And I think this audience tends to find long narrative poems, for instance, kind of bewildering.

I don't think I did write any poems to fill narrative gaps. Not consciously, anyway. As much as possible, I try to discover my poems' subject matter through the act of writing, instead of deciding ahead of time what my poems will be about.

With my poems, I finally won even my mother. The longest wooing of my life.

My poems please the brave: My poems, short and sincere, Have the force of steel Which forges swords.

There are many poets that use as my models. In my first book of poems, I had several for the "Sleepwalkers," I had several poems that were apprentice poems like this in which I take a walk with a poet who is no longer alive.

I love chapbooks. They're in some ways the ideal form in which to publish and read poems. You can read 19 poems in a way you can't sit down and read 60 to 70 pages of poems.

I think that, when you play a mother, whether you play a bad mother or a not so great mother or an amazing mother, being a mother is already so complicated. It's already three-dimensional, automatically, no matter what the role is, because you're playing a mother.

I've reached a point in life where it would be easy to let down my guard and write simple imagistic poems. But I don't want to write poems that aren't necessary. I want to write poems that matter, that have an interesting point of view.

There is nothing “still” in the remarkably visceral poems of Alexander Long's third collection, Still Life, and nothing is at rest in these restless and edgy poems. Conversational and kinetic, these poems chart the traces left by the shifting overlays of the templates of literature, rock-and-roll, and contemporary culture. As each poem in Still Life attempts to fix a focus upon a scene or subject, the protean natures under view draw the poet into the eddies and complexities of reflection. This is a powerful and moving collection of poems.

Very often, people talk about mothers, and they think that mother has to lose her sexuality. Mother has to be plain. Mothers cannot be exciting. Mother should not be up on what's going on; she shouldn't know the jargon of the day. And I just find that so old-fashioned!

In 'Mother's Day,' which is directed by legendary director Garry Marshall, I play a mother figure to the character played by Jason Sudeikis from 'Saturday Night Live.' He's a widower, and I'm a mother who's helping him to get over the loss of his wife.

Poems are taught as though the poet has put a secret key in his words and it is the reader's job to find it. Poems are not mystery novels.

As a child, I learned hundreds of poems by heart, which I can recite to this day.

If poems very different from my own bring pleasure to a group of readers, who am I to say that the poems should have been written differently?

My childhood was all about going to church, singing in church. And later on, after I got a little older, my mother taught me how to do poems for Easter and Mother's Day, recitals and so on. I got attached to that, so as I got older and older, I began to recite poetry.

I consider all women as mother. I compose poems for any female considering her as mother.

What does it mean to be a used white wife, a mother, a tragic girl writing poems? Sandra Simonds gets into these messy words and then tears them apart. Sometimes with the words of others. And sometimes with poems made from scratch. They aren't all bad, these words. But they aren't all good either. And that is where Mother was a Tragic Girl gets its power. You will at moments be laughing but then you will also at moments just as much be crying. If Antigone was alive and decided to write some poems about the nuclear family, she would write them like Sandra Simonds. These are tough.

I loved my mother very much, but she was not a good cook. Most turkeys taste better the day after; my mother's tasted better the day before. In our house Thanksgiving was a time for sorrow.

I also like poems that are haunted by a structure or a narrative, or poems that frisk flirtatiously at the boundary of sense.

Mother’s Day really was in its origin an antiwar day, an antiwar statement. Julia Ward Howe was sickened by what had happened during the Civil War, the loss of life, the carnage, and she created Mother’s Day as a call for women all over the world to come together and create ways of protesting war, of making a kind of alternate government that could finally do away with war as an acceptable way of solving conflict.

If you want to write poetry, you must have poems that deeply move you. Poems you can't live without. I think of a poem as the blood in a blood transfusion, given from the heart of the poet to the heart of the reader. Seek after poems that live inside you, poems that move through your veins.

I guess that would have been 1968. I was a freshman in college and I wasn't writing good poems, but I was at least trying to write poems then.

Mother, I am young. Mother, I am just eighteen. I am strong. I will work hard, Mother. But I do not want this child to grow up just to work hard. What must I do, mother, what must I do to make a different world for her? How do I start?" "The secret lies in the reading and the writing. You are able to read. Every day you must read one page from some good book to your child. Every day this must be until the child learns to read. Then she must read every day, I know this is the secret

I do bring my teaching together with my writing. I make students write in class, and do the same prompts I give them. I'm always on the lookout for teaching poems - poems that inspire me and my students to write poems in response.

I wrote those poems for myself, as a way of being a soldier here in this country. I didn't know the poems would travel. I didn't go to Lebanon until two years ago, but people told me that many Arabs had memorized these poems and translated them into Arabic.

For me, it makes sense to address shocking experiences through poems because of the way poems also have that effect on the reader.

I have to thank my mother for this. When I was a little boy she used to teach me poems. I would go in church and tell the poems in church for the Easter program, and again for Mother's Day and any occasion she felt would fit. I was very energetic with delivery at that time as a boy, so it stuck with me.

The day of the Nativity of the Mother of God is a day of universal joy, because through the Mother of God, the entire human race was renewed, and the sorrow of the first mother, Eve, was transformed into joy.

What I love most about Mother's Day is that I am acknowledged and honored for being a mother.

I love celebrating Mother's Day. Since I was a kid, it was a special day to tell my mother and grandmother how much I love them. Now that I'm a mom, it is a special day to spend with my children.

I like to read a lot of books and poems. Even though poems are short, I enjoy the emotions that come with them.