Top 1200 Motion Picture Quotes & Sayings - Page 4

In my off-time, I do record. Once in a while, I'll just go into the studio if there's a really good song that I have in my head and want to do. I think, as artists, you're constantly in creative motion. If I stopped writing songs, then that's a part of me that would stop in my life, and I need constant motion.

I never know if my picture is a good picture or a bad picture, because I'm not making pictures thinking of the public, I'm making pictures to realize myself.

A journalist gathers information for a media outlet that disseminates the information through a broadly defined 'medium' - including newspaper, nonfiction book, wire service, magazine, news Web site, television, radio or motion picture - for public use. This broad definition covers every form of legitimate journalism.

I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'

I see the experience of pictures as a kind of cycle, a kind of circular motion in which you're in the world, then you enter the picture and you're in a different world (it's not the same as the one you live in, but recognizable as one you might live in). And then you're returned to your world with an enlarged sense of its possibilities.

I feel like the quality of privacy and respect of people's personal space has been completely disintegrated. You can ask to take the picture. I will be so glad to take the picture and pose and look good for the picture.

You'll always see me doing things that I have no business doing. Whether it's directing a major motion picture or meeting with the most important people in government and dealing with the biggest subjects on Earth. The story of the millennia. These are things I aspire to tackle. It doesn't mean I'm going to win on all of them, but God damn, it looks like I've got a pretty good shot at it.

We've managed to motion-track the silkworm's movement as it is building its cocoon. Our aim was to translate the motion-capture data into a 3D printer connected to a robotic arm in order to study the biological structure in larger scales.

Santa Sangre is the picture I love the best, myself, because El Topo and The Holy Mountain I made with my head, and Santa Sangre I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.

'Santa Sangre' is the picture I love the best, myself, because 'El Topo' and 'The Holy Mountain' I made with my head, and 'Santa Sangre' I made with my feelings, with my heart. It's an emotional picture. And it's more real for me, that picture.

The feeling we experience while we look at a picture is not to be distinguished from the picture or from ourselves. the feeling, picture, and ourselves are united in one mystery.

Before you start a business, careful planning is in order to obtain to where you ought to be. The biggest part is to ensure that, once you might have created your own plan, that you simply take motion. Without motion, you are unable to succeed.

We seem to know when to 'tap the heart.' Others have hit the intellect. We can hit them in all emotional way. Those who appeal to the intellect only appeal to a very limited group. The real thing behind this is: we are in the motion picture business, only we are drawing them instead of photographing them.

I lived through being pooh-poohed by fine art galleries, saying, "Digital is going to destroy the meaning behind photos." The motion side, the moment all of the cameras come alive with that motion, it was like a dream come true. It enables people to economically experiment with film.

'Jaws' was the first A-list picture that was released like an exploitation picture. They made a lot of money with that picture because they could save a lot of money on advertising. Instead of having a full-page ad in 'The New York Times' for one theater, they had it for 100 theaters.

I observed certain animalcules, within whole bodies I saw so quick a motion as to exceed belief; they were about the size of a large grain of sand, and their bodies being transparent, that the internal motion could plainly be seen. Among other things, I saw in the body of one of these animalcules a bright and round corpuscle, placed near the head, and in which a very wonderful swift motion was to be seen, consisting of an alternate extension and contraction. This particle I concluded to be the heart.

Will, without reason, is a blind man's motion; will, against reason, is a madman's motion.

I almost always remember a picture I took with someone. If they said, 'Hey, here's a picture of us from five years ago,' and if I look at the picture, I almost always remember that specific time.

There's always a time in any series of work where you get to a certain point and your work is going steadily and each picture is better than the next, and then you sort of level off and that's when you realize that it's not that each picture is better then the next, it's that each picture up's the ante. And that every time you take one good picture, the next one has got to be better.

Long ago, Sir Isaac Newton gave us three laws of motion, which were the work of genius. But Sir Isaac's talents didn't extend to investing: He lost a bundle in the South Sea Bubble, explaining later, 'I can calculate the movement of the stars, but not the madness of men.' If he had not been traumatized by this loss, Sir Isaac might well have gone on to discover the Fourth Law of Motion: For investors as a whole, returns decrease as motion increases.

Gravity may put the planets into motion, but without the divine Power, it could never put them into such a circulating motion as they have about the Sun; and therefore, for this as well as other reasons, I am compelled to ascribe the frame of this System to an intelligent Agent.

Just as the system of the sun, planets and comets is put in motion by the forces of gravity, and its parts persist in their motions, so the smaller systems of bodies also seem to be set in motion by other forces and their particles to be variously moved in relation to each other and, especially, by the electric force.

I'm 53, and it's hard to get to the gym every day. If I know on Friday I'm going to be wrestling, then I don't want to look bad, so it gives me motivation. Plus, once you're in motion, it's a lot easier to stay in motion.

The primary and most beautiful of Nature's qualities is motion, which agitates her at all times, but this motion is simply a perpetual consequence of crimes, she conserves it by means of crimes only.

Exotic novelty. My statement to [people] is always, well, set this picture in your home town, is it still an interesting picture? Or is it just exotic? Would I care about this same picture minus its exoticism?

I made a circular motion with my finger around my temple to indicate I thought this guy was crazy, forgetting that there was no one in the room to see this circular motion except him. He saw it and frowned.

You don't want to be like the motion picture exec who had so many people at his funeral, but they were there just make sure he was dead. Or how about the guy who, at his funeral, the priest said, "Won't anyone stand up and say anything nice for the deceased?" and finally someone said, "Well, his brother was worse."

The high-definition picture is still a perspective picture. That's the real problem, the perspective picture.

After 50 years in the motion picture business, I'm still learning my trade. This recent shoot of 'Mandie and the Secret Tunnel' was a revelation. The two young directors, Joy Chapman and Owen Smith, represent a group of actors, directors, and cinematographers all over the country that never show up in New York or Hollywood.

It's not Comic Con any more. It's this huge marketplace for the motion picture and television industry. And the toy manufacturer's and the game people. One of the problems with International Comic Con is that tickets go on sale for the next year's event and the place is full of thousands and thousands of kids who have scraped together every dime to get admittance because they want to get all the freebies.

No one person can take credit for the success of a motion picture. It's strictly a team effort. From the time the story is written to the time the final release print comes off the printer, hundreds of people are involved - each one doing a job - each job contributing to the final product.

I don't think that people generally realize what the motion picture industry has done to the American Indian, as a matter of fact, all ethnic groups. All minorities. All non-whites. People just simply don't realize. They take it for granted that that's the way people are going to be presented and that these cliches are just going to be perpetuated.

Stop-motion has limitations, any form of filmmaking does, but stop-motion has a lot of limitations.

My business is only to keep myself in motion, whilst motion pleases me; I only walk for the walk's sake.

I work out every morning for an hour while in front of the news channel or business channels, then I'll ride for four, five hours a day. So I'm on the move all the time, and I think that's the key. A body in motion tends to stay in motion. That's the law of physics.

Karen rowed for what the venerable American shell builder George Pocock called `the symphony of motion.' As dawn breaks over the river, the shell is lifted from its rack out into the morning. On another rack the oars hang ready to be greased and slipped into the locks. Then, awakened to the river and the feel of the oars, the oarsmen blend in fulfillment of the shell. The symphony is not of competition. It is the synchronous motion over water, the harmonic flexing of wood and muscle, where each piece of equipment and every oarsman is both essential to, and the limit of motion itself.

I read a column by George Will that SCARFACE should be rated X because parents were taking their children to see it. So what? Why should the motion-picture industry be responsible for our morality? Dad says to Mom, `SCARFACE is in town.' `What's it about?' `Human scum who kill each other over cocaine deals.' `Sounds great! Let's take the kids!'

For when a ship is floating calmly along, the sailors see its motion mirrored in everything outside, while on the other hand they suppose that they are stationary, together with everything on board. In the same way, the motion of the earth can unquestionably produce the impression that the entire universe is rotating.

As long as I stared at the clock, at least the world remained in motion. Not a very consequential world, but in motion nonetheless. And as long as I knew the world was still in motion, I knew I existed. Not a very consequential existence, but an existence nonetheless. It struck me as wanting that someone should confirm his own existence only by the hands of an electric wall clock. There had to be a more cognitive means of confirmation. But try as I might, nothing less facile came to mind.

An automobile goes nowhere efficiently unless it has a quick, hot spark to ignite things, to set the cogs of the machine in motion. So I try to make every player on my team feel he's the spark keeping our machine in motion.

Quantum physics presents a new and exciting worldview that challenges old concepts, such as deterministic trajectories of motion and causal continuity. If initial conditions do not forever determine an object's motion, if instead, every time we observe, there is a new beginning, then the world is creative at the base level.

All of a sudden it hit me - if there was such a thing as composing music, there could be such a thing as composing motion. After all, there are melodic figures, why can't there be figures of motion?

You can't teach anyone. You can't tell anyone. That's the thing you have to sit down and experience in order for it to mean anything. You can't intellectualize it. It's like why movies are cool. It's a combination of pictures and design and acting and music can create an experience that is outside of the experience that you can actually have in reality, which gets to my motion picture philosophy. People are like, 'aren't you trying to make the movies as real as you can?'

Most of the time the ones who dislike the pictures the most confirm to me that the picture has hit home and is probably truer than I know. Nobody minds a boring picture, they mind a picture that has gotten to the soft core.

I would not give my rotating field discovery for a thousand inventions, however valuable... A thousand years hence, the telephone and the motion picture camera may be obsolete, but the principle of the rotating magnetic field will remain a vital, living thing for all time to come.

Here I shall add that the concept of change, and with it the concept of motion, as change of place, is possible only through and in the representation of time. & Motion, for example, presupposes the perception of something movable. But space considered in itself contains nothing movable; consequently motion must be something which is found in space only through experience -in other words, is an empirical datum.

When buyers see the pride of ownership - when they come in, and they're impressed by how clean the place is - they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they'll pay more money, too.

However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.

He's very alive in a scene. He's a very good actor to act with. Even though through most of the picture he's blind, there are many places early in the picture I got to be with him before he was blind. Like convincing him in the office to do the picture.

What makes 'Pootie Tang' the motion picture enjoyable is its no-brow ambitions; it's a joke action film. It slides through enough African-American pop culture signifiers to raise laughs out of those who will appreciate the references; it revels in more cheese per square inch than a soul food diner.

Free societies...are societies in motion, and with motion comes tension, dissent, friction. Free people strike sparks, and those sparks are the best evidence of freedom's existence.

Formulate and stamp indelibly on your mind a mental picture of yourself as succeeding. Hold this picture tenaciously. Never permit it to fade. Your mind will seek to develop the picture... Do not build up obstacles in your imagination.

I think stop-motion has always been semi-obsolete. And stop-motion animators - people like myself - love it so much that we're always going to be looking for new ways to make our films.

The Sensorium Galaxy Planet of Motion is the future. We are memorizing dance because dance will exist in a virtual world forever. The Planet of Motion is a game changer and I'm happy to be involved in this collaboration.

When I'm building my dome in my chapel, and I had a vision - I've worked on perpetual motion and I haven't never give it up yet. I still think it could be done, perpetual motion. I had a vision of a un resist able windmill.

Motion or change, and identity or rest, are the first and second secrets of nature: Motion and Rest. The whole code of her laws may be written on the thumbnail, or the signet of a ring.

If it's just brushstrokes wrestling around, it isn't much of a picture book, is it? There still has to be a picture. And maybe it needs to be a picture of a dog named Daisy or a little girl riding a bike. So I have to be careful before I get too carried away in the manner itself.

It's very difficult to know when you're crossing the boundary. I hate the word boundary because I never think about it when taking a picture. Very often it doesn't mean anything because it depends on who's looking at the picture more than the content of the picture itself.

Fact is, awards shows were never really about recognizing achievement. They were a publicity ploy cooked up in the late 1920s by MGM topper Louie Mayer and his newly formed Academy of Motion Picture Arts and Sciences which was itself, back in the day, nothing but a front organization to discourage unionizing.

The sense that the meaning of the universe had evaporated was what seemed to escape those who welcomed Darwin as a benefactor of mankind. Nietzsche considered that evolution presented a correct picture of the world, but that it was a disastrous picture. His philosophy was an attempt to produce a new world-picture which took Darwinism into account but was not nullified by it.