Top 391 Motivational Speakers Quotes & Sayings - Page 6

My first epiphany that this might work came on my first day, when I went into biofeedback. They hooked me up to computers through electrodes, put me in a comfortable lounge chair, put an eye pillow over my face, slipped speakers onto my head and played an audio guided visualization.

Sometimes it's the mistakes that end up leading you into new territory .. like the guitar solo on 'Peelin' Taters' - I had some speaker problems, but the tone ended up sounding better than if I had new speakers .. it's a 60's Nashville, 'uptown' thing

The problems of society will also be the problems of the predominant language of that society. It is the carrier of its perceptions, its attitudes, and its goals, for through it, the speakers absorb entrenched attitudes. The guilt of English then must be recognized and appreciated before its continued use can be advocated.

The terms of copyright last far too long: either the life of the author plus 70 years after death for a personal work or 95 years for a corporate work. That length doesn't encourage more authorship - it merely limits the speakers who could share powerful speeches, books, and films.

All living languages are promiscuous. We promiscuous speakers shamelessly shoplift words, plucking bons mots and phrases from any tempting language. We wear these words when we wish to be more formal, more elegant, more mysterious, worldly, precise, vague.

In 2009, I edited, under the aegis of the Library of America, an anthology called 'Becoming Americans: Immigrants Tell Their Stories from Jamestown to Today.' It featured immigrants from different backgrounds, from black slaves like Phillis Wheatley to Yiddish-language speakers like Henry Roth.

If America is destroyed, it may be by Americans who salute the flag, sing the national anthem, march in patriotic parades, cheer Fourth of July speakers - normally good Americans, but Americans who fail to comprehend what is required to keep our country strong and free, Americans who have been lulled away into a false security.

Is there anything in the world better than words on the page? Magic signs, the voices of the dead, building blocks to make wonderful worlds better than this one, comforters, companions in loneliness. Keepers of secrets, speakers of the truth...all those glorious words.

Serial tasking is hard because switching tasks is hard, even when the tasks are easy and similar. In some experiments, bilingual speakers are asked to read out numbers, first in one language and then midway in another language. They often stumble at the switch, taking many tries before they hit their stride again.

It is said that courage isn’t the absence of fear but the fortitude to confront fear. And as long as homophobia continues to be an accepted element of the locker room culture and homophobic language a coach’s motivational tool, we can never dismiss the courage it takes for an athlete-on any level-to be openly gay. Bobby Blair may not be a household name, but his journey-from frightened collegiate athlete to empowered advocate-is one that has an important lesson for anyone who believes in the unifying power of sports.

Why do we idolise Christian singers and speakers? We go from glorifying musicians in the world to glorifying Christian musicians. It's all idolatry!Satan is getting a great victory as we seem to worship these ministers on tapes and records and clammer to get their autographs in churches and concert halls from coast to coast.

When my dad went to college to get his master's from Loyola, he was playing Debussy and Chopin and Beethoven. But he played all that New Orleans stuff, too. I would go with my dad to gigs, pick up the piano and the speakers, and I would be like his roadie.

I didn't want a pickup with mud tires. I wanted an old blazer with as many speakers in the back as I could afford. I would even steal them out of my brother's car and pack them in there. I remember sitting in a parking lot and turning my radio up and walking down the street to see how far you could feel it.

We'd lie on the floor, turn the lights out, put two speakers on either side of our ears, and try to blow our minds with music. I know that I want to make a record that does that yet a record that, if it was played on the radio at twelve in the afternoon, the guy making the wall - the guy cleaning the motorway - he's got a melody to hang on.

I can't stand those people, speakers in a room, they say this all the time, "If I can just help one person in this room, I've done my job." You have an audience of 500 people and your standard of success is one person? That's terrible. If you help one person in the room, you're an abject failure. You have to change something.

... ideals, standards, aspirations,--those are chameleon words, and take color from their speakers,--often false tints. A scholarly man of my acquaintance once told me that he traveled a thousand miles into the desert to get away from the word uplift, and it was the first word he heard after he reached his destination.

Basically, asking me what kind of music I like is like asking what kind of food I like: 'Anything that tastes good,' is the answer. I'm the kind of guy who spends three times as much on his speakers as he does on his television.

Mounting those red stairs [in Cannes] is something I've done with a very different intention many times. So it's interesting any time you witness those shifts of perspective. The beach scenes were also fun. It felt very strange and very theatrical to kind of commandeer it and have La Mer booming over the speakers.

The dictionary has been in the making for several decades, and the result is well worth the wait. MacLean and those who worked with her have consulted with Iñupiaq speakers from across Alaska's North Slope to compile a comprehensive collection of word stems, along with postbases, grammatical endings, and an array of other valuable material. . . . This dictionary will prove fascinating for anyone interested in the Iñupiat and their language.

Music as background to me becomes like a mosquito, an insect. In the studio we have big speakers, and to me that's the way music should be listened to. When I listen to music, I want to just listen to music.

We did tons of research. We went to visit a prison. We had speakers. We have read tons of supplementary material, books and articles. We are constantly emailing articles around the writers' room. We have dipped ourselves in prison culture and lore and media, and the experience and the people. We really want to be as informed as possible.

You'll go into a fancy hotel and you'll hear this track where someone has sampled 30 seconds of a really good song. Your ear picks it up and you get excited but then it goes into some monotone thing. The Buddha Bar stuff annoys me. I don't need to be on a beach and hear this stuff through little speakers, but people think it creates a "cool vibe".

It is like sitting in a traffic jam on the San Diego Freeway with your windows rolled up and Portuguese music booming out of the surround-sound speakers while animals gnaw on your neck and diseased bill collectors hammer on your doors with golf clubs.

The more of my readers I encounter who say, often apologetically, that they are actually listeners, the more I write for the ear rather than the eye. Small things like identifying speakers in dialogue rather than relying on paragraphing to mark the shifts.

I decided I would open this little actors' workshop I always told actors to look for. That gave me something to do on Wednesday nights, and after about a year of that, I realized that some of the things I was saying to actors probably had broader application. I ran into a magazine called 'Speakers For Free.'

There can be no more ancient and traditional American value than ignorance. English-only speakers brought it with them to this country three centuries ago, and they quickly imposed it on the Africans--who were not allowed to learn to read and write--and on the Native Americans, who were simply not allowed.

The 'trap' sound is a sound from the city. We've always liked music with bass. We've always liked old schools with big speakers in the trunks. We like our music loud. We've always had a nightlife scene in Atlanta.

President Clinton is going to embrace President Obama, as he should. They are working together. They're different kinds of people. Obama is cool, Clinton is a schmoozer. Both are great speakers. It's a great merging of the party.

I have some speakers up here, thank God, because last night I didn't have them and I was telling jokes and I had no idea which joke I was telling. So I told jokes twice. I even told that one twice.

I don't get pat down, you know what's on the waist, I don't mean Jazz when I say I "count base." Fly Louis sneakers, Purple Tape coming out the speakers, Bumped into my high school teachers, They said I wouldn't be nothing, sitting on the bleachers. Now I'm sitting in the Phantom, trynna figure out the features. I'm a big fish now, I watch for the leeches.

George Bernard Shaw of England stopped over just long enough to make one speech in Bombay, India, started a war and 100 Indians killed each other. That's what I call good speech-making. The only enthusiasm any of our speakers can rouse is a demand to kill the speaker.

On the one hand, there is no question that English - frequently bad English - has become the universal language of scholarship. It is clearly a tremendous handicap for people outside of the United States, Britain, and Australia and a few other countries because few of them are native speakers, but we demand that they present and publish in English.

James Joyce's English was based on the rhythm of the Irish language. He wrote things that shocked English language speakers but he was thinking in Gaelic. I've sung songs that if they were in English, would have been banned too. The psyche of the Irish language is completely different to the English-speaking world.

I would go on the record with my respect for Mike Madigan, which will probably upset a lot of friends. He's enormously skillful at what he does. The only speakers of any House who survive are the ones who can keep their majority and keep everyone going largely in the same direction. Mike Madigan is superb at that.

Sadly, today there are only a few remaining speakers of kakadu or gagadju. The work, then, is concerned with my feelings about this place, its landscape, its change of seasons, its dry season and its wet, its cycle of life and death the melodic material in Kakadu, as in much of my recent music, was suggested by the contours and rhythms of Aboriginal chant.

Surrogate fathers and other male figures stepped in to give guidance after my dad died. Businessmen taught me to honor my commitments; others gave me opportunities beyond my wildest imaginations. Authors and speakers set good, solid examples of high standards and lofty goals for me; mature, committed Christians nurtured and instructed me.

Actually, I've taught creative writing in Turkey, at an English language university, where the students were native Turkish speakers, but they were writing their essays in English, and they were very interesting - even the sense of structure, the conventions of writing, the different styles of writing.

I grew up in a highly Hispanic neighborhood. It was very rare to find any race other than Mexicans. I feel very comfortable around Spanish speakers and people from Mexico and people who don't always feel comfortable living in the U.S. because they are in fear of being deported.

We're very aggressive speakers. I remember when I was with one of my roommates in New York - and she's Portuguese, too - and we were in an Apple store talking about a computer in Portuguese. Some guy comes up to us and goes, "Hey, hey! Peace, peace! Stop arguing." It's not arguing. This is really just how we talk.

Conferences are really like parties, and an A-list party is one where A-list people are in attendance. You figure out who are the really important people to invite and get them to show up as speakers or as guests. Then everybody wants to be there. If you don't know who the important people are, you shouldn't be doing a conference.

The show is coming from the music. I get on the stage with the band, and I communicate with my musicians, and the music that we create and all that is coming out of us. The music is making the show and the music is creating the atmosphere, so if you close your eyes and listen and feel what it is that's coming out of the speakers, that's the whole point.

Ladies and gentleman," he said over the speakers, "welcome aboard this recently liberated Gulfstream V. If I could have your attention for just a few moments, I'd like to go over the safety features of this aircraft. It has an engine, to make us go, and wings, to keep us in the air. There are seatbelts, which won't do you an awful lot of good if we fly into the side of a mountain.

The narrators get into trouble and make fools of themselves with their perversely impulsive fondlings of the language. These people have retreated from the world, in which they keep falling short, and into language, where they fall even shorter. The narrators aggrandize their every plaint and lurid insight into verbal formations that betray their fatuity as speakers and even as hosts of their own bodies and souls.

Speakers who have grown up in the American community unconsciously know its rules about taking turns in conversations-in the same way that they know the rules of grammar and the rules about appropriate speech in various situations.

Quite often in history action has been the echo of words. An era of talk was followed by an era of events. The new barbarism of the twentieth century is the echo of words bandied about by brilliant speakers and writers in the second half of the nineteenth.

George Bush, Dick Cheney, every one of the speakers praised John Kerry's war record. No one said he was unfit. They said he has terrible judgment, and that's his record as a senator. Nobody questioned his military record.

I can say without a doubt that being a mom is the ultimate test of my multi-tasking skills. I spend my day meeting startup after startup, helping our portfolio companies, bringing in speakers, and soon gearing up for Demo Day for our accelerator program.

I'm a nature lover, I want at any given time to be able to bring lots of plants into my house, have lots of light flooding in, have lots of natural elements. Reclaimed lumbers, actual live edge slab tables. I do love technology, but I want the TV to be hidden away a little, I want the speakers to be up on the ceiling.

With the Road King amp, you're able to switch power tubes and speakers and do all these different things. And I didn't want to have five different heads in my rack. And there's something about, when you do the type of setup that I have, unless you have a dedicated amp to a dedicated speaker and you're actually switching, you have to use the same power section of the main head that you're using.

People ask me a lot of questions and I don't always have the time to stop and talk, but I do a lot of email mentorship with college students. So if I meet a college kid during a motivational speech or something like that I'll stop and say, "I see you need help in this area. Here's my email. Let me help." So, it's just my way of giving back.

I've noticed that most authors who are pastors or speakers write books whose message is derived from a sermon series they did at their church. I guess my process is similar except that instead of a sermon, the genesis of the idea is found in the form of a three-minute song. And many of my songs have been inspired by the true stories and testimonies of people who've written to me from all over the world.

We are truth-speakers, we men of Gondor. We boast seldom, and then perform, or die in the attempt. "Not if I found it on the highway would I take it," I said. Even if I were such a man as to desire this thing, and even though I knew not clearly what this thing was when I spoke, still I should take those words as a vow, and be held by them.

Vinyl, CDs or laptops, it doesn't matter - you should use whatever you're comfortable with. If you're on the dancefloor and there's good music coming out of the speakers, that should be enough. If you're standing there storing your chin going: 'This would sound better if it was on vinyl', yes it might do, but at the end of the day, people want to go to a party.

Speakers' nerves affect them in various ways. Some tremble, some become frenzied. I lose all confidence, and suffer from a leaden oppression that makes me wonder why I ever agreed to speak at all; the Tomb and the Conqueror Worm seem preferable to delivering the stupid and piffling speech I have so carefully prepared.

Style-wise, Valle Nevado is what can only be described as 'hip international.' Brazilians, Chileans and Europeans make the place seem like an electronic music festival transported to an remote Andean valley. Huge speakers blare out thumping, bass-heavy music, while promotoras stalk the staircases selling everything from Red Bull to mobile phones.

After doing some research with my agent, we found out Klipsch was an official Colts partner, and they were based in Indianapolis, which only added to my esteem for the company. I also have a passion for design and technology that developed while I was at Stanford and appreciate the quality of Klipsch's speakers and headphones.

For us as writers, it's really important to have songs we believe in - even before sometimes we shoot a scene. If we have a song that's so perfectly designed for a scene on 'Rescue Me,' we'll play it on loud speakers during the shooting. It helps the cameraman and it helps the director, and it helps the actors know what the feel is.

All music done, as I said, through low res mp3 and $5 earbuds and so I think as a producer or a band you want your music to sound good in that medium. Sometimes when I'm doing a mix I'll listen to it on my laptop, on the crappy speakers on my laptop. It lets me know what the tracks gonna sound like if someone else listens to it that way.

Don't have conversations taking place in empty space. Weave in background details of where the action (dialogue is a form of "action") is taking place. Don't have invisible people talking, either. Let the reader see them as they speak - their facial expressions and gestures. And by all means "cue" the speeches to the speakers.

I wanted to write a book about what it's like to be 50 and trying to reinvent yourself - that struggle. There are all these books and inspirational speakers talking about being a lifelong learner, and it's so great to reinvent yourself, the brand of you. And I wanted to say, you know, it's not like that. It's actually really painful.