Top 1200 Movie Making Quotes & Sayings - Page 4

I didn't want to go down the route of spending a year of my life making a movie that would never be seen. I may as well go down a route making a film that a lot of people will see, which is the whole idea behind cinema.

Every time I design clothes, I'm making a movie.

Just making a good movie is hard to do.

I do enjoy the puzzle-solving aspect of making a movie.

I think the thing about acting and making music is that it's easy to do both. I'll shoot a movie for three months, and then I won't have to work for however long I want to. So, I can do a movie for a couple of months and then come and do music for a couple. But whatever's hot at the moment is what I'll gravitate toward.

The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.

You have to listen to the movie while you're making it. I think that's important.

When you're making a movie, it's a very interiorised world.

That's the joy of making a movie: watching all the elements come together.

For me, storytelling is the most interesting part of movie making.

Instead of making Friday The 13th, Part VIII or whatever, I was making the girl-meets-boy, girl-meets-girl-dressed-as-boy movie. It was fun. I liked it. It's goofy. I look back at myself and think, "What the hell was I doing?"

I know nothing about making a movie.

Making a movie is trying to capture moments of true reality.

You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.

Making a movie really frees up the way you think.

There's a certain time in the core of making a movie from pre-production to halfway through post-production I don't read any project, my agent will tell people that "he's not reading." And then when I know how the movie's probably gonna work halfway into post-production, I'll come along.

You want to enjoy making a movie - it's a wonderful, collaborative thing.

The more people involved in making a movie, the worse it is, generally.

I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.

When I go into making a movie, personally, I don't try to bring other pieces of movies with me. I think that finding a character, relating to her and making her as real as possible means forgetting all of that stuff and just trying to find the truth, in that particular character's words.

A movie is a movie is a movie. But it has to have an adjective in front of it if it's not a white guy's movie.

Relative to the power that movie stars have, and producers and directors, I would say that even the most respected screenwriters have very little power in Hollywood. I don't think it's in the nature of the writer's profession to go after that power. Writers spend their time alone, hallucinating, writing, making these things up, while these other people are out schmoozing, making connections, meeting each other. They are trotting the corridors of power and making sure they've put their own imprints in it. And they're promoting themselves and their images, as they should.

I met my husband while I was making a movie.

Making a movie: It's so hard. It's the hardest of all the things I do.

If nothing else, I'm making a movie that I'll enjoy.

I would have been content with still playing Inmate #1. I worked on every prison movie made, from 1985 to 1991. I would go from movie to movie to movie.

This is a universal, unique movie, it has potential to cross barriers. But we never thought about that on set, when we were doing the film. We knew that in making a silent movie, we were doing something a little bit under the wire, a bit interdit. It's a pastiche, but for the French taste, you would have thought.

It's rare when you're actually making a movie and it feels like you're watching a movie in the theater. You feel like a surfer in a wave, catching the wave, going for it every time, there's electricity in the room, it doesn't feel like acting, you ride the wave.

'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.

There is nothing as fun as making a cultural splash with a movie. Sometimes the splash happens, like with 'Swingers,' where it sort of slowly ripples out, yet everybody could quote it. Or it could be something like 'Elf,' where you just make a big splash right off the bat when the movie comes out.

When I attended the University, I daydreamed about being a movie star. I would do my dressing room in Early American and give lovely presents to my make-up man and hairdresser for making me look so lovely, and so on. When I got my contract at 20th I was in seventh heaven, but I found out that a movie career is mostly hard work laced with disappointments.

I don't see you making a movie about Bob Arum.

Making a movie, under any circumstances, is a highly stressful occupation.

You can't make a movie about making movies - it's boring.

Making a movie with Lindsay Lohan is not for the faint of heart.

Whether people are making narrative cinema or experimental cinematic movie experiences, they all want the biggest screen possible and the quietest room and the most attention to every nuance and detail. Obviously, most people will not see the movie that way, but I can still hope for it, and I'd like to think we will be able to pull it off this time.

If there's a cutaway, you need to get it then because it's only going to last [a few moments]. You have to edit the movie as you're shooting it in your head and communicate with your crew about how it's going to work. While making a movie, you have the luxury of storyboards and a script and a bigger crew and actors. I mean, it's so much easier.

In the Making Of book ["300"] there's a guy named Victor Davis Hanson who is a a frickin genius. He's a Greek historian and we showed him the movie because I wanted him to write a forward to the Making Of book. I was a little nervous to be honest, because I wasn't sure how he'd react.

I love the idea of making a movie for kids but it's got to be that, with my take on it.

Making a movie is a weird combination of planning and the absolutely unexpected.

The thing that I think a director has to have in order to make a movie really work, and to certainly make a film that feels personal, is that you have to have a sense of the feeling that you want to create in people, the tone which you want to tell the story, and the basic themes you want to come out. You can't compromise on those because you are then not making the movie that you are going to be good at telling.

The only time you do not get nervous is when you are making your first film. At that time, just the joy of making a movie is so high that you do not care; you are happy to have finally made it. It is only later that you want your film to be seen and appreciated by people.

'The A-Team' compared to making 'Narc' was a breeze. There's a whole other skill set and whole other kind of bone structure that goes into making a movie like 'Narc' versus 'The A-Team.'

Given that most movies are bad, and that there are whole categories and sub-categories of badness - the sequel, the Madonna Movie, the Friday 13th Series, or Movies Starring John Travolta Before Pulp Fiction - it is almost impossible to choose a single film for worst movie of all time. But strangely, I do have a nomination and I believe it is actually the worst movie ever made. It is Boxing Helena. The director is David Lynch's daughter, and the film comes with the almost insane-making faults that the family connection might imply.

Making a movie is a lot of problem solving.

I think of making a movie in such a romantic way.

Certainly there's pressure while your making the movie.

I admire Ridley Scott, and I'm thrilled to be making a movie for him.

Whenever you're making a movie, especially when you're writing, you always have self-doubts.

I have so much to grapple with, I don't think too much about me. People call it the "dance of a thousand egos" when you make a movie. If only I had time to worry when I was making a movie about what the hell I was doing. It's sort of a marathon every day. And then at the end of it, you beg the producers for five more marathons.

One of the great things is, you're never a producer unless you're making a movie.

I'm very focused when I'm making a movie, but I'm also a fantastic multitasker.

We had no interest in making a traditional sports movie.

Movie-making is a very creative medium of expression.

On 'Edge of Tomorrow,' we discovered that movie while we were making it.

You have to think of each stage of the movie and how it progresses, get into the state of mind of the character, and then match the camera to that, and keep making it tighter and tighter and crazier and crazier so people don't get bored. You know you cannot do a similar shot that you did at the beginning of the movie at the end.

You usually never know what you're going to do when you're making a movie.

I'd rather be playing bridge than making a bad movie.

Craftsmanship and logic is key to any movie-making.

I think mostly it's the adventure that I will have in making the movie. That's what I look for.