Top 1200 Movie Sets Quotes & Sayings - Page 17

Explore popular Movie Sets quotes.
Last updated on November 20, 2024.
We didn't want to make a movie that excluded any fans. 'Venom' fans actually are of all ages, and so we wanted to be inclusive to all the fans that were excited about the movie.
The idea right now - and it may evolve - would be a live-action movie where some of his characters would be animated. To me, this movie is very much about the creative process.
I do not proactively approach Hollywood, but also I do not always turn down offers. But since I'm living as a movie director, I have a desire to shoot something like 'This is a Hollywood movie!' at least once in my lifetime.
I really like 'Passion of the Christ.' I like that movie. I also like 'We Were Soldiers,' and 'Braveheart.' And 'Napoleon Dynamite' - that movie was funny.
It's such a huge endeavor putting a full movie together, especially an independent movie. I tend to kind of do them when they come my way more than something than I go out and actively pursue.
I painted sets before I ever performed.
I scored a movie called 'Endangered Species'. I worked on another movie called 'Staying Alive'. A German film called 'Fire and Ice'.
For me when I watch 'The Shining,' it's like watching a home movie. I understand how it scares people. I think it's an entertaining movie, don't get me wrong. But I look back on it with so many memories.
I swear to God, that movie comes up more in my life than any other movie. Someone says 'Bowfinger' once every month or two to me. And how many years ago did that come out?
I did an ABC Family movie called 'Cyberbully' a couple years ago, and it was unlike any movie I'd ever done before. I remember just reading the script and thinking, 'OK, she cries in every scene.'
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.' — © Tom Hanks
At the end of the day it's got to be a good movie, it's got to be a funny movie, and it's got to make people think, 'Hey, I couldn't have spent my time any better.'
The machine enslaves, the hand sets free.
We excuse movies like 'Independence Day' that really lack logic and say, 'It doesn't make any sense, but it's a ride.' I thought a movie was a movie and a ride was a ride.
That movie 'Hellraiser 2' - to me, that was the most evilest display of evil I've ever seen. I watched that movie ten times because I couldn't believe that each character became more evil than the other.
Catterick' was originally a movie. That was what we intended for it and we had the money for it and everything. But we couldn't be bothered - I know that sounds terrible, but it's the truth. At a later stage we went back, split it up and made it into the TV series. But, yeah that was supposed to be a movie and we just didn't bother.
I know a lot of actors picture themselves winning Academy Awards. I really just wanted to do a Christmas movie because it's the kind of movie that I really love to watch. I'm a sucker for the holidays.
I mean, this whole digital revolution is really eroding the director's importance on a movie because, number one, just from a practical standpoint, with floppy disks and the ability to put all of the film onto a disk, more people have access to the movie.
In a traditional TV show or movie, your hero is always where the action is. But in real life, at the end of the movie 'Fargo,' when Bill Macy is arrested, Marge is nowhere to be found because it's a different jurisdiction, and she wouldn't be there. I took that to heart.
The movie is so fun. I've done period pieces before but nothing with this twist. And the movie is just full of such wonderful people, such young actors - people like Matt Smith that I've been friends with for a while.
The first movie I ever cried at was when I was 10 years old and saw 'The Notebook' in theaters. I was like, 'Whoa, so weird. Crying at a movie? I'm not supposed to do that. So weird.' I didn't know that art could make you do that.
People always ask me if I hate the nuns. Do I make my movies extra dirty to piss them off? I always say no, that's not the point. To a Catholic, a movie is only dirty if it makes you want to have sex more. If it makes you feel sick, disgusted, ashamed of your own body, then it's not a dirty movie at all. It's a Catholic movie. And I make very Catholic movies.
I have to understand how we are going to market the movie. We view marketing as an extension of content creation... Every time a consumer sees our movie, in whatever form, our obligation is to entertain the audience.
The sun looks different from when it rises to when it sets. — © Connor Franta
The sun looks different from when it rises to when it sets.
One loving heart sets another on fire.
Embrace what you have in common, celebrate what sets you apart.
Gratitude is the attitude that sets the altitude for living.
It really has been a blessing because you can go and look at our other movies we've done in a studio system. We didn't get to make the movie that we wanted to make. We made the movie that someone else wanted us to make. That can be a little disheartening, a lot disheartening. While there have been struggles, it doesn't matter which table you're at because you're going to have obstacles, but I kind of like being able to make the movie that you want to make.
Whether it's a movie I'm in or not, if there's a good movie, and it's low budget, and you know everyone's done it just because they were passionate about it and they cared for it, if it has any kind of audience, it's just a wonderful outcome.
Every couple of years we'll watch the movie and it's like watching home movies, seeing the ranch on-screen. But that movie Heaven's Gate, people are appreciating it more and more as time goes on.
Along with loving the script, the reason I did 'Aeon Flux' was because I needed the job, and I couldn't find $5 million to make a movie independently - after making a fairly successful movie for a million dollars.
Let's face it: Sadness and evil are always more believable than happiness and love. When a movie reviewer calls a film "realistic," everyone knows what that means--it means the movie has an unhappy ending.
If it's a huge tentpole movie, for instance with a movie like 'Tintin,' a year and a half, almost two years in advance, we were developing a videogame campaign and massive consumer products campaign.
I never get tired of talking about 'Galaxy Quest.' I am so proud of that movie. Our only fear was that we were having so much fun making the movie we got concerned it might not be as good as we thought it was going to be.
I never considered myself a movie star, and I didn't want to become a movie star, because as soon as you do, you throw away that possibility of playing character. You really do. All of a sudden you're just an entity, you know?
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life. — © Sydney Pollack
I personally have never made a movie in Hollywood, because I don't want to get up in my own bed and then go to the movie set, and then come home at night to my real life.
Sometimes I feel like I have walked into the middle of a movie. Maybe I can make my own movie. The film will be the story of my life. No, not my life, but of this experience. I'll call it what the lady who is the prosecutor called me. MONSTER.
A lot of what is famous about film making are the movie stars and what is considered a movie star is a lot of great acting, but also a lot of physical beauty.
But I think once the word gets out that the movie is funny - funny is transcendent - it will traverse all demographic barriers if people embrace it as a funny movie.
My background is a small town with no movie theater. So... I always pictured myself onstage. I went to acting school and learned all the skills. I left early because I did my first movie and discovered that I really loved the minimalistic work with the camera.
A lot of times I think people, when they're doing a movie that's a family movie, they're worried about this being too esoteric or too dark or too weird.
The script is so key to making a good movie. But everything is against you when you're making a movie: the logistics of putting a crew out where you need to go, whether the light is fading; if the weather's not right, something's wrong.
I would like to perform more in English. But there have to be many good things gathered for me to be willing to do a movie. I watch trailers of every new American movie and I'm, like, 'OK, I'm not missing anything!'
You could go out with a camcorder tomorrow and make a movie with virtually no money, but promoting a tiny low-budget movie costs $20 million. And the money they spend on the big movies is astronomical.
The only limitations man has are the ones he sets for himself.
I don't prepare for any role. I go on the sets and do it.
I'm used to the two tight-end sets. — © Donovan McNabb
I'm used to the two tight-end sets.
It doesn't matter if you're doing a studio movie or you're doing an independent movie. When you get to set and you're doing a scene, it's always going to be the same job.
Well, when Kathy Kennedy, who is the president of Lucasfilm, came to me to ask if I'd be interested in working on this "Star Wars" movie, we talked about a young woman at the center of the story from the outset. And it was something that was always an important part of this movie.
Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.
The worst thing ever for me is go see a movie, and the next day I go, 'What did I do last night? I have no memory of this $300 million movie I watched because I felt nothing.'
I read the script [ of 'Steve Jobs' movie ], and it was very, very good. I wasn't sure they would want me to be in the movie, but I auditioned for it. Which I hadn't done in a few years. But I had auditioned in the previous few years for another movie that I did not get the part. And so my track record wasn't good. But I really wanted to audition because I was worried that I was going to blow it, and I wanted it to be on them for choosing me.
Hollywood parties not only confuse me, but they often disillusion me. The disillusion comes when I meet a movie star I’ve been admiring since childhood. I always thought that movie stars were exciting and talented people full of special personality. Meeting one of them at a party I discover usually that he (or she) is colorless and even frightened. I’ve often stood silent at a party for hours listening to my movie idols turn into dull and little people.
I wouldn't exactly describe 'Detention' as a horror movie. I mean, it does have horror elements in it, but it's got a lot more to it, and it's not a typical horror movie.
There are only seven movie stars in the world whose name alone will induce American bankers to lend money for movie productions, and the only woman on the list is Ingrid Bergman.
I did Our Winning Season movie that Joe Roth produced, and Joe Ruben, who did Sleeping With The Enemy. He's a really cool director. That's where I met husband Dennis Quaid. Dennis and I met on location in Georgia, and I always thought that was a really great movie. That movie should be included, because it's a really terrific. It's a trite saying, but it's a real, great coming-of-age piece, and all the actors are wonderful.
Everybody sets out to do something, and everybody does something, but no one does what he sets out to do.
For the movie 'Bhaskar Oru Rascal' I had to let go of a part of my agreed salary and in fact, had to lend money to the producer when he couldn't meet his financial obligations at the time of the movie's release.
The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
I think 3D is a great innovation for the film business. But I hope it's not the thing that kills the golden egg because what's happening now is every movie there's pressure from the studio to turn it into a 3D movie.
I still haven't gotten over this thing of walking down the street and somebody recognizing you because you've been in a movie. There's this illusion that movie stars only exist in the movies. And to see one live is like seeing a leopard let out of the zoo.
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