Top 1200 Movie Stars Quotes & Sayings - Page 14

The golden age of Hollywood was the conceit of the movie and the style of the movie.

It's my responsibility to make the movie work with the schedule and money we have. It's my job to get the best movie we can do in the time we have.

I love Child's Play 2! That movie has a great theme: You better listen to children. That's why I wanted to do it. I was scared to do a horror movie - a blatant, studio horror movie - but I liked the script, and I thought that was such an important theme, because I don't think adults listen to children enough.

I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.

I'd rather have one good scene in a movie by a great director than a small role in a mediocre movie.

I really want to make something that makes people think. I love that movie 'Tiny Furniture' that Lena Dunham made. I just love that movie, and I laugh at that movie a lot, but I also felt a lot too. I'm just inspired by people like that.

My grandfather was a movie producer, and so I grew up on movie sets.

The movie that really 'did it for me' was 'All About Eve.' The backstage feeling, the authenticity, the passion those people had for their lives in the theater. I must say, the movie 'All About Eve,' what a great movie! 'All About Eve' had a profound effect on my life.

The only lie I really remember from my adolescence was when I was in sixth grade and I was dropped off with a couple of friends at the movie theater to go see a movie, I can't remember which one it was, and we went to go see this movie instead that was rated R. That was sort of a defining moment, that was probably the first time I had ever lied to my parents about something.

Francis Ford Coppola did this early on. You tape a movie, like a radio show, and you have the narrator read all the stage directions. And then you go back like a few days later and then you listen to the movie. And it sort of plays in your mind like a film, like a first rough cut of a movie.

One movie is only one movie. I want to have a lifetime of making films.

After a period in which technocrats attempted to become stars and stars to become politicians, the political void has been occupied by the force of mediocrity, which can easily master enough of the star techniques to produce inoffensive personalities and enough of the rational vocabulary to create the sounds of competence.

Just because you have teenagers in a movie doesn't make it a teen movie.

'All Stars' is a weird game. The rules are weird. However, I think 'All Stars' mirrors the real industry much more closely than normal seasons of 'Drag Race' do. In the real world of entertainment, it really is about the impressions you leave on your brothers and sisters in the room, and that's kind of what it is about.

I put in all the dirty words. It works really well. The thing that we found with 'Drive Angry,' more than anything else is that we wrote the movie that we wanted to see. I've done that before. I've wanted to see 'Jason X'. It did not become the movie that I thought it would be. That happens. It's happened with every movie I've ever done.

I've always wanted to do a movie, and I really feel the urge to do it.I'm in Hollywood - I have no business not being in the movie industry.

It is said that a wise man rules over the stars, but this does not mean that he rules over the influences which come from the stars in the sky. It means that he rules over the powers which exist in his own constitution.

The energy of the stars becomes us. We become the energy of the stars. Stardust and spirit unite and we begin: one with the universe, whole and holy. From one source, endless creative energy, bursting forth, kinetic, elemental; we, the earth, air, water and fire-source of nearly fifteen billion years of cosmic spiraling.

I always have to presume that each movie is my last movie because I never know if I'll get money again.

I think, for me, I'm always more interested in the process of making the movie than the movie itself

When the movie comes to an end, you are not totally the same person you are when you started the movie.

I've always had the luck or blessing that someone would say, 'I liked what you did in that movie. I'd like you to be in my movie.'

When you gaze at stars and think about planets, the places it takes your imagination are amazing! You look up the sky, and you know the stars have always been here; they were referenced in biblical times and have always been present. They are somewhere up there in the future, and they guide you; they make you feel safe.

I've always spent a lot of time in movie theaters, kind of absorbing anything I can. I just love sitting in the dark, and watching the flickering image up there. Just sitting in a movie theater alone is inspiring to me. It takes a pretty bad movie to drain the magic out of that - but Lord knows, those movies exist.

The way a film can change over the generations... You watch a movie when you're 20 years old, and you see the same movie when you're 35 years old or 40 years old, and something happens. The movie changes because we change as individuals.

I did the movie [Valley of Violence] from two perspectives. You're with Ethan [Hawke] the whole movie, but for the first half, you're really with Ethan. For the second half, you're with him, but also you're with the bad guys because he kind of becomes the bad guy. No one's really good in the movie.

I felt like I lived my movie, my 'Rocky' movie. So that was cool.

See I think we are nervous about every movie before it's release, irrespective of who has directed the movie.

Being a little bit of a movie buff, the fact that I'm working in the middle of movie history is incredible.

I love that experience of seeing a bad movie or a movie that you don't even know, and then experiencing it with your friend.

I wanted to make a movie that was kind of a tribute to the way I feel when I watch a John Hughes movie.

I'm going to go talk to some people to see if you could be in the movie because you should be in the movie.

Night, in which everything was lost, went reaching out, beyond stars and sun. Stars and sun, a few bright grains, went spiraling round for terror, and holding each other in embrace, there in a darkness that outpassed them all, and left them tiny and daunted. So much, and himself, infinitesimal, at the core of nothingness, and yet not nothing.

I believe if you come out of a movie and the first thing you say is, 'The cinematography was beautiful,' it's a bad movie.

It's unfortunate that it's not realistic that you can get people to come to a movie theater not knowing anything about the movie.

When you're relegated to go from movie to movie, so much of what you're doing is out of your control beyond creating the product.

If you're lucky, you go from being a movie fan to a movie maker.

When I choose a movie, I'll ask myself: 'Is this a movie I want to see?'

It's a mistake to just go make a movie where the whole thing is talking down to the kids like, "Ok, we gotta bring the IQ of this movie down because it's a kids movie" You don't have to do that, kids can laugh and parents can laugh at different parts and that's fun, and you see that with all of the great kids movies.

I think a movie released is better than a movie stuck.

Most teams have one All-Star, whether that guy made it this year or earlier in his career, and some teams have two All-Stars. What theyre showing is that a group of five guys that play together and play hard will always beat a team with two All-Stars and three average players.

As a reader and as a viewer, usually when I watch a movie, I'm caught up enough in the movie that I'm not breaking it down to the details anyway.

His gaze wandered from the windows to the stars, as if he would have read in them something that was hidden from him. Many of us would, if we could; but none of us so much as know our letters in the stars yet - or seem likely to do it, in this state of existence - and few languages can be read until their alphabets are mastered.

The morning stars sang together. And a person of delicate ear and nice judgment discussed the singing at length, and showed how and wherein one star differed from another, and which was great and which was not. And still the morning stars sang together.

It doesn't seem weird to me, at all. I'm in Baton Rouge getting ready to direct a movie for Sony, and I'm in the movie and I'm directing it. I know it's kind of this thing where some people find it difficult. I just finished a movie with Mario Van Peebles and he acted and directed as well too. I think we all feel similar that it just kind of seems natural.

The look of the movie and the music, which was by Jack Nitzsche, is what really stands out to me. I don't know if the movie succeeds as a political, cultural comment on the times and the war in Vietnam, and the capitalists versus the everyday guy that gets sent off to fight corporate wars. I don't know if the movie ever succeeded in that range. But it was a wonderful part in the Cutter's Way.

My first movie was 'Diner.' My second movie was 'Tender Mercies.' I did really good work.

Africans sensed in their hearts that Jesus did not mock their respect for the sacred or their clamor for an invincible Savior, so they beat their sacred drums for him until the stars skipped and danced in the skies. After that dance the stars weren't little anymore. Christianity helped Africans to become renewed Africans, not remade Europeans.

The first movie I ever saw was a blaxploitation movie. It was called 'Monkey Hustle.' Like I said, just listen to the name. That's a blaxploitation movie. It had these incredible, bigger-than-life images of people who looked like I did. Or who looked like I wanted to look like.

Telltale signs that your movie is going to go bad is, one, the producer of the movie flees the country.

Actually, there was one sequence but Liv didn't put this in but at the end of the movie, we ran out of money. Literally, ran out. And I couldn't make payroll. So I emptied all our accounts to make payroll. We were kinda like, "What do we do?" Then out of the blue, we were saved by Gucci. So it's always been like, you just gotta reach for the stars and hopefully the moon will catch you.

I can see my songs in a movie as long as it's a movie no one will watch.

I wanna do movies that in ten years time people will respect me for, as an actor. So if I do take two years off or three years off, the next movie I have that comes out you want people to go 'ooh, that's Frankie Muniz's new movie, it's gonna be a good movie cause he's in it.'

It was great. We knew we were going back when we finished the movie. It was such a big movie [Star Wars].

I'm not sure that 'Iron Man' is a superhero movie. I think towards the end of the movie, Iron Man pretends to be a superhero - he's entertained by that notion. I think 'X-Men' is a sci-fi movie.

I felt that I shouldn't be an actor who just makes movie after movie in a quest for prestige and money.

Of course I think it's a movie for everybody [Insane Farting Corpse], but that's probably just because it's a movie for me.

Just as Bowie, Zeppelin, etc., became rock stars by remaking themselves in the image of the California girls, the Go-Gos became rock stars by pretending to be the Buzzcocks and the Sex Pistols. Jane Wiedlin always said her biggest influence was growing up in L.A. as a Bowie girl.

Every time I do a movie, especially an animated movie, I just seem to scream and shout and hyperventilate for money.

If we incline our wills in true earnest singleness to God, then we go with Christ out of this world, out from the stars and elements, and enter into God; for in the will of reason we are children of the stars and elements, and the spirit of this world ruleth over us.