Top 1200 Movie Stars Quotes & Sayings - Page 18

I have no rules. For me, it's a full, full experience to make a movie. It takes a lot of time, and I want there to be a lot of stuff in it. You're looking for every shot in the movie to have resonance and want it to be something you can see a second time, and then I'd like it to be something you can see 10 years later, and it becomes a different movie, because you're a different person. So that means I want it to be deep, not in a pretentious way, but I guess I can say I am pretentious in that I pretend. I have aspirations that the movie should trigger off a lot of complex responses.

In making a movie, you're part of a big machine. Even in a small movie there are still so many people involved in the process, and it costs so much money to make.

I've done one movie. And it's not a movie I want to stand on as far as acting ability goes. I mean, I'm not going to win an Oscar anytime soon. I'm not Meryl Streep.

Since, then, there is no objection to the mobility of the Earth, I think it must now be considered whether several motions are appropriate for it, so that it can be regarded as one of the wandering stars. For the fact that it is not the centre of all revolutions is made clear by the apparent irregular motion of the wandering stars, and their variable distances from the Earth, which cannot be understood in a circle having the same centre as the Earth.

I also care that the public are getting their 12 dollars worth when they go to a movie, and that they're not coming out not wanting to ever see a movie with me in it again.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

It is unlikely that we will ever see a star being born. Stars are like animals in the wild. We may see the very young, but never their actual birth, which is a veiled and secret event. Stars are born inside thick clouds of dust and gas in the spiral arms of the galaxy, so thick that visible light cannot penetrate them.

Yeah, I definitely wanted to do a kids' movie because I have a kid. I want to do things that my daughter can see soon - when she is old enough to know what a movie is.

When you make a movie, you really have to be clever and smart, find something new for the worldwide audience because you aren't making a movie for just France or Germany; it's for everyone in the world.

When you go to the movie theater and the opening of this movie and you see the kids just cracking up with a character you are giving your voice to, you get goose bumps. It's so beautiful.

As much as I can, as much as I can afford, I keep ticket prices down. Rock 'n' roll was developed as the people's voice, the people's art, it was grassroots. I don't believe that the people should be estranged from their rock stars. They're not kings and queens - all rock stars are those who are able to give back a bit of culture to other people. It's people's heritage.

When I first saw a Fellini movie, I came out of the movie theatre and decided to become a lawyer! I thought to myself, it's impossible to make something so beautiful!

But we all have experiences of having a truly good time after watching a movie that is not thought-provoking, don't we? I do too and I've been wishing to do that kind of movie. I think 'Collectors' is exactly that.

In regards to The Haunting, people compared it to the old movie, which is unfair. We didn't have the rights to the movie. I couldn't duplicate a single thing because that would have been legal infringement.

Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.

I would like to have a movie under my own control sometime, and see what could be done with it. Who knows? Maybe Hollywood will make an improvisational movie someday.

'The Fugitive Kind,' 'Rope,' 'Who's Afraid of Virginia Woolf?' - I watched all these as a way of reminding myself that you can do a movie based on a play. You can do a movie that stays in one place for a long stretch.

The last Christmas movie I really liked was 'It's a Wonderful Life,' probably. It's sort of a schmaltzy movie, but it's not without its dark moments. It still gets to me every year.

But lack of evidence, if indeed evidence is lacking, is no grounds for atheism. No one thinks there is good evidence for the proposition that there are an even number of stars; but also, no one thinks the right conclusion to draw is that there are an uneven number of stars. The right conclusion would instead be agnosticism.

You can take a handful of dollars, a good story, and people with passion and make a movie that will stand up against any $70 million movie.

I never expect anything. I am always amazed at why anybody goes to any movie or why anybody doesn't go to any movie. Any movie you make, you make it because you're hoping somebody wants to see it, but you never know.

I'm seeing more and more interesting horror come my way. More and more interesting thrillers and genre films are coming my way from the studio level, and they're financed and they have movie stars attached and all of that. But a lot of times, the storytelling just doesn't speak to me. It feels like it's still oftentimes coming out of a kind of prescribed notion of normalcy, prescribed notion of gender roles. There's not a lot of "new" seeming to be happening.

You don't put your personal viewpoints in a good movie. A movie should only be concerned with characters, not some big moral, although it's always underneath.

What I want to know is this: Are the stars gold paper or is the gold paper stars?

Making a movie about one group of people isolates the larger majority. That's what I require of the projects that I'm involved with. I would not ever make a movie strictly for Latinos.

A great many film stars perched on unstable ravine edges in the canyon systems of Los Angeles will, like the cemeteries there, eventually slide down to join their unfortunate fellows in the canyon floors, with mud, cars, and embalmed or living film stars in one glorious muddy mass. We should not lend our talents to creating such spectacular catastrophes.

Will nodded slowly, then looked up at tha black sky. "The stars", he said. "I have never seen them so bright. The wind has blown off the fog, I think." Magnus thought of the joy on Will's face as he had stood bleeding in Camille's living room, clutching the demon tooth in his hand. Somehow I don't think it's the stars that have changed.

Reality' is a movie generated by our brains. Because we don't realize this, we are far too confident that the stuff appearing in the movie is actually 'out there' in the world when, in fact, it's not.

The western will always be here. And it just depends on how good you make one. And one movie doesn't kill it. And one movie doesn't preserve it. It's storytelling. It's a very American thing. I'll continue to do it.

I'll look as if I'm dead, and that won't be true.' I said nothing. 'You understand. It's too far. I can't take this body with me. It's too heavy.' I said nothing. 'But it'll be like an old abandoned shell. There's nothing sad about an old shell...' I said nothing. 'It'll be nice, you know. I'll be looking at the stars, too. All the stars will be wells with a rusty pulley. All the stars will pour out water for me to drink...' I said nothing. 'And it'll be fun! You'll have five-hundred million little bells; I'll have five-hundred million springs of fresh water...' And he, too, said nothing more.

I'm trying to develop an approach to putting out a movie in wide release that makes some kind of economic sense for the filmmakers and the people that have a participation in the movie.

I actually liked Rise of the Planet of the Apes. I remember just watching it and being pleasantly surprised with that movie. I didn't think it would be as good as it was, so I love that movie.

I love the game of basketball. I guess it started with 'Space Jam.' Right after that movie, I went out there to my little Flight hoop and tried to do every dunk in the movie.

I've ended up as a filmmaker who really loves the movie part of movies. That time in my life was a big influence on the kind of movies that I ended up making. I always think I'm going to make a movie that's gritty and real, but then I make a movie that's like an opera. I fight it at first and then that's just the way it is.

I'm sure I can make a movie that doesn't feel like a seventies movie! But the truth is, that's my favorite era in American filmmaking. To me, those were the great years.

The tragedy of life doesn't lie in not reaching your goal. The tragedy lies in having no goal to reach. It isn't a calamity to die with dreams unfulfilled, but it is a calamity not to dream...It is not a disgrace not to reach the stars, but it is a disgrace to have no stars to reach for. Not failure, but low aim is sin.

The first thing I ever thought of when I thought of Buffy , the movie, was the little...blonde girl who goes into a dark alley and gets killed, in every horror movie. The idea of Buffy was to subvert that idea, that image, and create someone who was a hero where she had always been a victim. That element of surprise ... genre-busting is very much at the heart of both the movie and the series.

I spent nine days in the Downtown Los Angeles City Jail. The judge gave me a suspended sentence and I went to work that night - wailed just like nothing happened. What strucked me funny though - I laughed real loud when several movie stars came up to the bandstand while we played a dance set and told me, when they heard about me getting caught with marijuana, they thought marijuana was a chick. Woo boy - that really fractured me!

As a little kid watching horror movies, if you only got to see the monster for the last two minutes of the movie, I thought that movie pretty much sucked.

I remember Tetro was a big deal to me at that time. It was going from zero to one: Never having been in a movie, a person who had no relationship to any of that, and that was my first movie.

I think of you often. Especially in the evenings, when I am on the balcony and it’s too dark to write or to do anything but wait for the stars. A time I love. One feels half disembodied, sitting like a shadow at the door of one’s being while the dark tide rises. Then comes the moon, marvellously serene, and small stars, very merry for some reason of their own. It is so easy to forget, in a worldly life, to attend to these miracles.

When I hear the name Michael Jackson, I think of brilliance, of dazzling stars, lasers and deep emotions. I think he is one of the world's biggest and greatest stars, and it just so happens that he is one of the most gifted music makers the world has ever known. I think he is one of the finest people to hit this planet, and, in my estimation, he is the true King of Pop, Rock, and Soul. I love you Michael.

Rigel, Betelgeuse, and Orion. There was no finer church, no finer choir, than the stars speaking in silence to the many consumptives silently condemned, a legion upon the dark rooftops. The wind came down from the north like a runner in lacrosse, violent and hard, to batter every living thing. They were there, each one alone in conversation with the stars, mining ephemeral love from cold and distant light.

Of all the jaw-droppingly beautiful women who've become genuine movie stars, none has had a longer film career (62 years), has been filmed in Technicolor more often (34 times), has had a more versatile group of leading men (from John Wayne to John Candy) or has spent more time held captive on a pirate ship than our TCM Star of the Month for July, the magnificent red-headed Maureen O'Hara.

Shoot for the stars. You may not get the stars-but you may get the moon.

I read the book and I think, "Well, this is the movie we're going to make," and then someone else reads it, and they take a completely different movie from it. And both are valid.

A hundred years ago, Auguste Compte, ... a great philosopher, said that humans will never be able to visit the stars, that we will never know what stars are made out of, that that's the one thing that science will never ever understand, because they're so far away. And then, just a few years later, scientists took starlight, ran it through a prism, looked at the rainbow coming from the starlight, and said: "Hydrogen!" Just a few years after this very rational, very reasonable, very scientific prediction was made, that we'll never know what stars are made of.

You never know how stylish a movie is going to be and I think this movie has a great sense of style. The way that it is shot and our costumes and everything, it was just terrific.

With my horror movies or with this movie [Valley of Violence], same thing. The subtext of this movie is what to take away from it. Plot is never something that's been my driving force as a filmmaker.

Rob Lowe, who I thought was really good in the movie [ Bad Influence], had his performance overshadowed by this sort of tabloid approach to him and the movie.

I had such a good time doing that movie [Sister Act 2]. My daughter's in that movie. It was a fun film to do. And it shocked a lot of people, because they loved it, and they take it with them.

Actually, it was first a movie called Gale Force, which was a hurricane movie. That script never came together, and then the same deal was replaced with Cliffhanger.

I always want to work on things that really scare me and interest me at the same time, and you know, I definitely had some projects in the past that did that, but the stars never aligned in getting them up. So 'Lion' was another project that really interested me, and the stars did align on this one. It just happened to be my first film!

You can skim those stage directions and go right to the dialogue. You can almost read the movie in the same amount of time it will take you to see the movie.

I don't think it's a mistake to put every great idea into the first movie, because I've always said there won't be a second movie if you go 'we'll hold back these ideas for another one.

A good horror movie should have peaks and valleys, a good horror movie should move you emotionally; a good horror movie should be exciting to watch and energizing in a weird kind of way.

My number one horror movie is the '60s British version of 'Ten Little Indians.' This movie scared me to death when I was a kid - I still dream about it.

I've been in movies where so much of the conversation was about, 'Well, after this movie, you're gonna be the biggest movie star.' I sort of have learned that you never really can predict any of that.

I have met a lot of top chefs around the world during my travels. Each one of them has said 'Ratatouille' is their favorite movie and the only movie that truly captures what they do.

I think if the movie has resonance and stimulates the viewer to talk about it, you can have as large an audience as you want. The most important thing for me is that the movie exists. And that's success enough already.