Top 1200 Movies And Music Quotes & Sayings - Page 5

Even from a really young age I was a huge movie buff - five, six, seven, eight. Just loved movies, but in a more in-depth way than most kids that loved movies at that time. I'd find a filmmaker or something and want to see all his movies.

Depending on the time I get, I do my share of social networking, listen to music, or play a video game. I love watching movies in theatres.

I feel like part of my journey as a filmmaker is to tell different stories, whether they are just a black perspective on things that aren't necessarily hood movies, or Tyler Perry movies or Ava DuVernay movies. Love all those people, but that whole thing has been sowed up already.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. Although I do like 'The Last House on the Left,' and things like that, I do like these ridiculous monster movies.

During the season, I'm not really on too many other things - I'm just focused on basketball. But I'm a big lover of music and I watch a lot of movies.

When I'm on the road making a movie in another city, on my day off, I always go to the movies. I love going to the movies. You get a ticket and sit there, and it's very interesting to be around people who aren't personally invested in you, in any way. They're just going to the movies.

I love Hitchcock movies. I took a Hitchcock class in college, so I saw all his movies. I wrote papers on his movies.

I really hope everyone who saw 'Twilight' sees 'Warm Bodies,' but at the same time... I don't resent the comparison on a level of quality because I don't judge other movies like that. Now that I make movies, I see how hard it is to do everything. I pretty much love all movies.

I like Madonna's music but not her movies. She should stick to what she is good at.

I love doing live action movies, but there's a great job in doing animation, especially one with music.

Actually, it's the beauty of independent music that the artist can feature in his own videos and be the face of it. It is unlike Bollywood movies, where one does playback singing.

You just never know with movies how they'll be seen in a few years. You have no idea. Like, movies that were super popular when they came out have been forgotten. And other movies - and I put 'Sarah Marshall' in this - kind of weirdly stand the test of time a little bit.

Pretty early on in making the first movie I realized that this is what I wanted to do. I felt like by that time I just found my niche, like this is what I was supposed to be doing. So I completely submerged myself into the world of watching movies, making my own movies, buying video cameras and lights. When I wasn't making a movie, I was making my own movies. When I wasn't making movies, I was watching movies. I was going back and studying film and looking back at guys that were perceived as great guys that I can identify with. It just became my life.

I'm a big golfer, so in the offseason, that's all I do - golf and play basketball. But during the season, I like to go bowling, watch movies. I love going to the movies. I go to the movies in every city we go. And when I'm at home I play video games all day.

I don't have a favourite romantic scene, but I enjoy romantic movies like 'Ghost' and 'Music and Lyrics.'

I never thought, in my lifetime, that you'd be able to watch movies, read books and listen to music from a phone, but I guess the technology of tomorrow is here today.

The people who do the scoring and the music for movies are very talented, really special people.

I think action movies on the whole have moved more and more into large spectacle, even leaving out super hero movies that seem to me to be more a fantastic science fiction than they are action movies.

When I was growing up, music was music and there were no genres. We didn't look at it as country music. Popular music in Tuskegee was country music. So I didn't know it in categories. It was the radio.

I like that part of the culture of 'MST3K' is this constant dialog on what movies could be done and what movies should be done. I've seen plenty of bad movies and walked out afterward thinking 'That would have been perfect for 'MST3K.''

I started off making backyard movies. I think it began in fifth grade - I'd get the friends together and we'd make little home movies. I always wanted to make movies but I didn't know how. It was always something really fun to do.

There have been so many instances in my life where movies, music, or literature has made my life tangibly better.

It seems crazy moving from making little movies to making like literally movies with Marvel, which are like the biggest movies that they make.

There are so many moments and works that influence us in what we do. Movies, music, TV and, most importantly, the profound everydayness of our lives.

As a singer-turned-actor, you will already have a fan base. However, if you don't do well in the movies, your career in music is also at risk.

When you look at other good-bad movies like 'Sharknado' and 'Birdemic,' those movies know that they're B movies, know that they're silly and over the top, as opposed to 'The Room,' where Tommy Wiseau, the guy at the centre of it all, he attempted to make a very earnest drama.

If you want to be in Hollywood, and if you want to make big international movies, you have to be able to make movies that don't have anything to do with social status or politics. To limit yourself to just do these little small movies and call it black cinema itself is a mistake to me.

I'm a cinephile. I love movies, I love film at every level. I'm a student of it. It informs me as does all art in my music, because there's stories, there's acts, there's moods, there's dynamics, there's moodiness, emotion. All of those things that play into a film. I think that could equally be said about music. It definitely informs me. Beats is stories.

I love movies, of course. 'Terminator 3' and 'Bad Boys II' - lots of action. Sports movies, action movies, comedies - I'll go to those, but not 'las de amor.' Not romance. It's not that I don't like love, but on the screen it bores me.

To me, Godard did to movies what Bob Dylan did to music: they both revolutionized their forms.

There's only four things we do better than anyone else: music movies microcode (software) high-speed pizza delivery

Just doing movies after movies after movies, you're never alone.

There's a tremendous audience out there for popular music. It's a bigger audience than for movies.

Yeah, when you work with somebody that famous everybody wants to know what are they like or - but I know some of the movies that I know because they're more like NOBODY'S FOOL or like that, because I don't really watch the big R movies, I haven't really seen them so much. I loved him [Bruce Willis] from his TV show and some of the smaller movies he's done. The bigger movies I start to space out in, like, there just so, I don't really watch those kind of movies so much.

I love movies to death. I spent my entire youth in front of a TV watching old movies and as soon as I was able to get a subway pass when I was 14 I joined the Museum of Modern Art and was there all weekend watching old movies.

I've been making movies for a long time. The Japanese way of making movies has become second nature to me. To get away from that, I really try to surround myself with younger staff and approach making movies not like a veteran of the industry but always as a beginner and a rookie.

In the history of comics and movies and music too, it's always when things are at their bottomed-out, either creatively or financially, there's more chance-taking going on.

I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole

I don't know why people have to categorize things in music under music. It's music and it's music and it's music. When you start putting genres on things, I think it's completely ridiculous, and I hate that.

Disney movies have had a tradition of excellent music since the beginning. Some of my favorites are 'Fantasia,' 'Dumbo,' 'The Lion King' and 'Toy Story.'

I'll probably pursue doing more movies, but not horror or movies with killers in them. I'll try to stick to happy movies. I want to act and direct like Jodie Foster. I admire her because she went to college and she's still doing the same thing.

I had always wanted to compose music for movies, but had never been given the opportunity.

Because all the movies that we tell ourselves we can't make - ballets, westerns, dramas, everything that are the hardest things to make - those are the movies that are not only winning awards which is fantastic, but also those movies that are commercial. We won't see a fascinating season like this for a while.

I used to love those movies, back in the day, like 'A Nightmare on Elm Street,' 'Friday the 13th,' 'Rosemary's Baby' and 'The Shining.' I really liked those kind of movies, and I wanted to be a part of one of those kinds of movies.

I just got an iPhone, which is cool, but I don't download movies, I don't watch Hulu, I don't have Netflix. I don't do any of that. But I do geek out to music.

I used to like to set different film clips to classical music, not even my own songs, but make little movies.

Duke Ellington's career traces the entire history of jazz. The repertoire associated with him contains the most important elements in the music and provides concrete examples of some of the best ways to present the music in the widest variety of settings-radio, TV, recordings, movies, concert halls, festivals, solo, small ensemble, big band, symphony orchestra, opera, Broadway shows.... You name it, he did it!

I like action movies, even though I think action movies are kind of derided now. But there is something extraordinary about action movies, which is absolutely linked to the invention of cinema and what cinema is and why we love it.

I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday that's something that really means a lot to me, and I know I'll have the chance to do it one day.

I guess you get pigeon-holed in Hollywood, but I'm ok with that because I've been able to do a lot. I started in the theater, then I went to stand-up comedy, and then when I went into the movies to do comedy and drama and big movies and small movies.

Since Star Wars, that film's success led to bigger budgets, more hardware, that the great movies like the ones I did, which were studio movies, are now independent movies. They range from half a million to several million, and a lot of those have very interesting roles.

I'll look at the script and I'll try to find as many books, movies, and pieces of music that I think are going to feed each scene or the character as a whole.

I think great movies do promote conversation, great movies are honest, and great movies are sometimes polarizing.

I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.

I was going to make movies. I was the one in the family who was always rolling the video camera, making movies of my brothers around town, and then screening them for my parents. I still would love to make movies someday... that's something that really means a lot to me, and I know I'll have the chance to do it one day.

It gets harder and harder to make movies about human beings. These movies are like an endangered species. Everything is 'simplify, simplify' now. How many movies have sub-plots anymore?

Even some of us who make movies underestimate their influence abroad. American movies sell American culture. Foreigners want to see American movies. But that's also why so many foreign governments and groups object to them.

The Seydoux-Schlumberger industrial empire won't make $100 million movies. Hollywood does that much better. But you don't make movies because of their budgets, you make movies because you believe in them. Setting limits doesn't matter to me.

Self-portraits have been done in painting, but never in music or literature. It has no meaning, it makes no sense. And in movies I was wondering if it could. And how.

Music has been so healing in my life, so the fact that my music could be that for someone else is the best gift of my whole career. People have told me that they got married to my music, divorced to my music, and played my music while they were having their baby.