Top 1200 Moving Parts Quotes & Sayings - Page 4

It is theoretically possible to warp spacetime itself, so you're not actually moving faster than the speed of light, but it's actually space that's moving.

I'm not really sure which parts of myself are real and which parts are things I've gotten from books.

We do not choose our own parts in life, and have nothing to do with those parts. Our duty is confined to playing them well.

Righteousness and faith certainly are instrumental in moving mountains - if moving mountains accomplishes God's purposes and is in accordance with His will.

For hundreds of years Iranians have been migrating to many parts of the world. They took Islamic culture to other parts of the world and established it there.

I've got a great support group, real and true friends and I'm moving forward with my life. I was sad and wanted to make things work but I'm completely fine now. I'm moving on.

When you turn 60, the key is to not stop moving. Once you start to stop moving, you rust. You got to just keep going.

I think if a character appeals to you, there are certain parts of yourself will come to the fore and other parts that will play down.

Are you moving forward, or just moving?

Anyone can believe when God is already moving. But real faith is when you step out when it seems that God is not moving.

Science is moving closer to weaponry, and Art is moving closer to commercialism. And never the twain shall meet.

Nothing can be divided into more parts than it can possibly be constituted of. But matter (i.e. finite) cannot be constituted of infinite parts.

Keeping stationary drains your brain, but moving around shows you new things, new inspiration, and keeps the blood moving.

I daydream about things I want to happen, but none of it is more complicated, most of the time, than just really hoping that the good parts and the well-written parts are the ones that turn up on my doorstep.

Common sense steps in here and says: Separate the parts you want to be mobile from the parts you want to be inert. You have seen the result, and I know many have the skill to apply it.

Love, I thought to myself abstractedly. Not 'This is love' or 'Is this love?' Not a sentence, not a certainty, not a thought with moving parts or direction. Just love, all of it, as it is. Whether it's enough or not. Wthether it's real or we're making it up. However shoddy it gets, or bent out of shape. It's still extraordinary. However foolish, however vain. However badly it ends. Love.

I think the practical experience and the relationships that I developed over the last 16 years, the president-elect [Donald Trump] sees it as an asset to moving his agenda and moving the country forward.

By nature, I keep moving, man. My theory is, be the shark. You've just got to keep moving. You can't stop.

You can do bad parts in good pictures or good parts in bad pictures and maybe get a little personal satisfaction. But the key to it all is good parts in good pictures.

I've found in my life that the parts that you're right for are the parts that you get. It's really usually quite easy because you're kind of right.

What do you want from me? Fine writing? Or do you want to see the sales curve stop moving down and start moving up?

But that kind of falls in line; when you think about it, James Brown was a funk minimalist. All of those parts create a sum that's larger than than the individual parts.

If my life is a movie - in the movie, there's always the bad part. There's also the parts where you're down and out, and there are parts where everything's amazing.

They say an actor is only as good as his parts. Well, my parts have done me pretty well, darling.

I guess my guitar parts are usually precise, but the execution of those parts is downright treacherous, since I'm not very good on guitar.

I used to think that animation was about moving stuff. In order to make it really great, you bounce it, squash it, stretch it, make the eyes go big. But, as time went on, I started loving animating a character who had a kind of burning passion in her heart. Suddenly, animation became for me not so much about moving stuff as it was about moving the audience.

Let sannyas be the turning point. That's what sannyas is all about: a return journey. One starts moving inwards rather than moving outwards.

I actually see a lot of the pain and destruction, like Black Lives Matter, in the long-term as positive because it shows that we're moving forward; we're evolving and moving and challenging the frontiers.

I think you have every right to cherry-pick when it comes to moving your spirit and finding peace in God. You take whatever works from wherever you can find it, and you keep moving toward the light.

We're all moving, moving, moving. Isn't it nice?

Modern physics has taught us that the nature of any system cannot be discovered by dividing it into its component parts and studying each part by itself... We must keep our attention fixed on the whole and on the interconnection between the parts. The same is true of our intellectual life. It is impossible to make a clear cut between science, religion, and art. The whole is never equal simply to the sum of its various parts.

The way I look at it, every day that I'm moving forward is a day I'm not moving backward. Just the fact that I'm in the race at all is a miracle.

I was very insecure approaching the idea of directing a feature film. I told myself I would not move until I felt I was moving in power rather than moving in desperation to make a movie.

I've always been fascinated by dialects and accents. In fact, I've rarely played straight English parts. I play character parts - and always will.

Information is moving - you know, nightly news is one way, of course, but it's also moving through the blogosphere and through the Internets.

I don't really do scales... I mean, I play parts of them, but then I bail and start playing parts of other things. The term 'scale' feels very scripted to me because I'm an improv player.

Everybody accuses me of moving fast when I direct a picture. I don't move fast, but I just keep moving.

Moving on is not closure. It's not neat, and it's not about turning the page. It is about moving on, but it doesn't mean that you've left something behind.

There's a universal inside of me. So if I tell my story, you're going to see parts of your story in it. I don't know which parts, but we all overlap. We're all very much alike.

I find that America is moving toward a certain type of government that everybody else is moving away from, and I find that very upsetting to me.

I want them [people] to feel open and comfortable to share the messy, dirty, shameful parts of themselves. Those are the parts I wanna see. And that eating disorders aren't just about "being thin."

We must be able to identify all the parts in a system and allow them to speak. All the parts in a group, even those we do not like or believe to be useless, must be present and supported.

People are coming to you at their most vulnerable; they're showing you the parts of themselves that they're afraid to show: the parts that they're not so sure about, not so secure in. And so it's a really holy profession I think, teaching. If you do it right, it can change somebody's life.

There's always the cliche of the choir shouting and clapping. OK, you have to do that, but there's also introspective parts, parts where you just follow someone that's preaching. There's lots of different emotions and moods that a service requires.

The clothing is moving, the external version is moving. Whether the internal version is moving or not it is a different matter. It is good to practice Ayurveda, it is good to worship the Gods and Goddesses, it is good to do bhajans. Of course, depending on what your own personal development is, that will determine how, in what way and how well you will be able to connect to that tradition and bring it to life inside yourself.

Good parts should always scare you a little bit, and good parts... you might not get advice to do them.

On the robot kit, I can choose very boring parts or I can choose exciting and interesting parts. That is a reflection of my personality and the kinds of things I am interested in.

When human men hold an object that makes a powerful noise, or has moving parts, or spins around fast, or has a button they can push (which either screws or nails something) they become Gods in their own heads.They can do anything: they can eat through walls and bring buildings together to form mighty empires.They can build floating cities and flying tin cans.But they still can't make their own beds.

A woman's life is nine parts mess to one part magic, you'll learn that soon enough...and the parts that look like magic turn out to be the messiest of all.

I'm very keen that we have this debate about the good parts of inequality and the bad parts of inequality. It's not a one-sided thing.

The biggest parts of healing and making myself whole is to accept all of the many parts of myself.

In real life, that's how we're moving around. We look at things while we're walking and moving and turning around. We stare at objects in the world.

I've added to my abilities since moving to Bournemouth. You are always having to re-learn how to be a centre-forward as the game is moving forward.

When I auditioned actors I never make them act. I choose a long symphony, then I tell them to sit down and I play the symphony for them. Then I sit and I look at them. I always pick a piece of music that has up and downs, very dramatic parts, very quiet parts and really sensitive parts so that it can produce different emotions.

Understanding has very specific component parts. These component parts are affinity, reality and communication.

If the structure that serves as a template (the gene or virus molecule) consists of, say, two parts, which are themselves complementary In structure, then each of these parts can serve as the mould for the production of a replica of the other part, and the complex of two complementary parts thus can serve as the mould for the production of duplicates of itself.

I think you get the parts that people are comfortable with seeing you play. I get that. And I don't shy away from those parts.

'Twenty One Pilots' is a play by Arthur Miller, who also wrote 'All My Sons.' It's about a guy who's creating and developing parts for airplanes in war time, when it comes to his attention that some of these parts were faulty.

The integers of language are sentences, and their organs are the parts of speech. Linguistic organization, then, consists in the differentiation of the parts of speech and the integration of the sentence.

People latch on to characters who are rude or naughty or bad. Look at JR in 'Dallas' or Angie in 'EastEnders.' They're the best parts, the parts people want to be like.