Top 1200 Mp3 Players Quotes & Sayings - Page 2

Players alone don't win championships. It takes an entire organization. Someone has to acquire the players. Someone has to coach them. Someone has to generate revenue to pay them. But at the end of the day, the players are the ones who put their minds and bodies on the line to win.

I'm not stupid, I realise selling it is not as important as it used to be that way, I think it's more important to get your music out there and if people want to hear it an mp3 form or whatever I'm fine with that, I just don't enjoy the sound of it at home for personal taste.

Players who have more great games than other players are the great players.

There's rule changes every year. I do wish, however, that the NFL did have a voice from the players' side, whether it's our players' union president, or team captains, or our executive committee on the players' side. Because we're the guys that realize the risk; we're the guys on the field.

Liverpool has always had speculation about managers, players, players coming, players going and it's the same as managers. That's part of being part of a big club, you always have that type of thing.

I think there are always a lot of rumours about players from Ajax. We develop great players, not only in Amsterdam but hopefully also in Cape Town, and there is interest in a lot of our players, but we like to keep them for as long as possible.

In every team, there are players that don't seem important, but in the end, they prove to be one of the most important players. These players are quiet but can play in every position. They help the manager and their team-mates and are always available. They fight for every ball.

I hate to say it's not a Laker but Michael Jordan. He's been the greatest player I've ever seen. And I'm probably a harsh judge of talent in the sense that I admire players that are really good defensive players and really good offensive players.

You see great players, Hall of Fame players that didn't stay with their team.

I hope to have my players in good physical condition, all players, and then to face all competitions.

It's always good to have your players with you, it makes you feel great. That is just it. The coach and the players understand one another but people outside don't understand. But it's good to see him, it's good to see all the players.

I use computers for email, staying current with my own website as well as finding important information through other websites. I also use it for creating MP3 files of new music I'm working on.

Different players play you different ways. Some players might be slow-footed so they got to backup. Some players might push you up. You've got to have a go-to that's a mix for both of them.

The players are out here to help win games and to improve, not to make a movie. They're not actors. They're players.

I spend a lot of time copying saxophone players and trumpet players.

I'm into it, I'm into MP3's; I think there's no way you're ever going to be able to legislate people having to buy a record in order to listen to it. You have to look at it as a means of promotion, and if the music is good enough, promotion is a good thing.

I think average players are able to play well now and again, or they'll play very, very well. Good players or great players, nine times out of ten, they have good games.

Young players are more hungry because they have not achieved what some of the older players have.

There are some players I always watched, various players who I knew hit the ball well.

I love to get music sent as an MP3 attachment because that way I can preview the song in my e-mail, without even having to download it to my iTunes. I prefer that over having to go to MySpace, Facebook or YouTube.

The manager and the fitness staff condition every training session. They plan it out week by week on what players need. If players need a rest, they will do that; if players need to work hard, they will do that as well.

I think it's bad in a way for junior players and college players to feel they must be number one.

Why should we bother making a super high-quality, expensive album if nobody is going to pay for it anyway and will just download it for free as an MP3 that has no depth whatsoever because of the small file size?

As the players get younger and younger, and the teams value younger players, the players' best years are when they're being paid the least.

When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.

I always like the players to be within 10 to 15 metres of each other. When the attacking players try what I am asking them to do, and it breaks down, there are players close enough to then go and win the ball back and counter press the game.

When people downloading records for free you start to think, "Is it worth spending all this money to make a record sound good, especially if it's going to end up as an mp3?" But I can't drive myself too crazy thinking about that. On one level, being involved in art is all a quixotic thing to begin with.

The owner or president is the person who controls the club. The coach's job is to keep him happy. But the key to success, as a manager, is your relationship with the players. Important clubs and important players succeed when the environment is correct. The players must enjoy their work and feel free to express their talents.

Sometimes recruiters and scouts are missing on players. Going after the guys who are really hyped, five-star players and guys that are playing in grassroots and are seen all the time. Then there are the players that developed internally. They go to small schools and they continue to work on their games and they blow up later.

I won't be chasing down players who have retired. I only want players who are 100% committed to Scotland.

For me it was just about staying the course, staying true to who I believe that I am, being open, being honest, being transparent with the players, being firm with the players but at the same time listening to the players.

You have to put all the criticism of this club down to jealousy. United have produced more players who have played for their country, more world-class players and more players who have won European Footballer of the Year than any other team in this country, so we must be doing something right.

Players come and go, good friends, players who performed well. You can't control that.

We don't get the Tony gift basket anymore. You used to get incredible swag - there was like $5,000 worth of stuff. I remember getting an MP3 player, gift certificates to restaurants, a three-year gym membership.

In tournaments, players typically raise when they enter the pot. In cash games, though, players are more likely to limp in before the flop. That's because cash games are usually deeper-stacked, meaning that players will have a higher ratio of chips in relation to the blinds than they would in a tournament.

It's strange but I suppose I'm one of those senior players now and I'll be helping the young players as much as I can.

Some of the money from the senior players goes to helping out the younger kids. It is from the players' pool, the fines for being late and so on. Some will go to something like the tsunami appeal and some to helping out young players.

I keep saying, and I've said it to the players, what happens in a dressing room stays in a dressing room, whether that's with me and a player, whether it's two players together, whether it's the coaching staff and the players. I just think it's almost a sacred environment and that trust in that area is unbreakable.

I tell the players all the time: 'There is no magic play.' Players make the plays.

Every single year since they invented sound recording it gets better and better. We've always improved it. With MP3, which just sounds awful, it's the first time in the history of recorded music that it sounds worse. It's really - and it's everywhere, it's ubiquitous.

There are good players, there are great players, and there are those few at the pinnacle - the Peles, Cruyffs and Maradonas.

The players do their thing on the pitch, and there's a lot of young women or former players that want to coach.

Top players or experienced players make mistakes because we are human beings, we are people.

When you're from a boring town, you have to find things to do. It's funny: I always knew I wanted to make music, so I was always kind of ahead of my peers. I had an MP3 player by the time I was in the fourth grade.

Frankly, I didn't know how I would react to Apple's over-hyped MP3 player until I used one. Now I would have a hard time parting with it: Consider me converted.

I look back to the 1980s and 1990s, when Italian teams dominated Europe. They had maybe three players from abroad, but they were the best players in the world. That was perfect, because there was always the possibility for young Italian players to get in the team.

There is a common mistake people make. They say, 'We need to play the young English boys.' Of course, but only if they are good. How can you measure that? If they are playing with good players and if they can fit into the level of the good players. That's why, because of the level of the Premier League, England has so many talented players.

I think what we've tried to preach to our players is we're going to let the best players play.

If the spectators demand from the players that they do their utmost and score goals, the players shouldn't question this.

I strapped an MP3 player to one of those floor-cleaning robots. Call him DJ Roomba - little guy cruises around and plays music. What's hot, DJ Roomba!

£25million or £30m or £20m - whether you are expensive or not, players are just players.

It would be very difficult to find a more complete player than Milner. There are players who are better technically. There are quicker players. There are players who head the ball better. But show me a player who does all the things that Milner does well, and there isn't one.

I don't think there has been enough communication between the players and the tournaments. In one sense it's just as much the players' fault. Players talk between each other and in the locker room about things that can be improved and then when the time comes to talk and really do something about it they stop.

I always liked to be fairly simple because you could get more players ready to play quickly. If you lose players to free agency, injuries, etc., it is easier to get young players ready to play in a less complex system.

Some players are bought by other clubs with an eye to them developing into something special in a few years' time. Whereas there's a bit more pressure on some of the other clubs to bring in players who are going to be hitting the ground running and top players verging on world class almost immediately.

I think that if people realize that with an mp3, you're only getting five percent of the sound that's there. But when you hear the entire thing... I think it would save the music business. It's such a drastic change.

You can bluff the good players, but not the bad players. Against the bad players, you have to have a hand.

As tennis players, you are never satisfied. We are greedy as players, always want better results.

The A's were a team with very few resources. We didn't have access to players who were obviously great, who could do it all and were always in the headlines. We couldn't afford those types of players. So we had to figure out a way of cobbling together players into a team that might be competitive.

Such a positive move by Uruguay - bringing 2 players off and putting 2 players on.