There are many that I will not post. I'm not trying to show a blatant death. I'm trying to show something funny that, every now and then, pushes the envelope a little bit.
When you watch CNN, you see the custom graphics - 'War in the Desert,' or 'Showdown: Iraq,' and it's being presented like a TV show, like 'The Cosby Show' or 'Roseanne.'
You don't realize what fine fighting material there is in age. ... You show me any one who's lived to over seventy and you show me a fighter - some one who's got the will to live.
When I started 'This American Life', one of the reactions I got was, 'When is the adult going to show up who will host the show?' At some point, people just got used to it.
Like any show, I think some episodes are going to be stronger than others, but I think it's a good show that people enjoy and I hear the reactions too.
I have been fortunate in my career to play a lot of lead roles. The downside to that is I don't have a life outside of the show. I go on lockdown even with my wife if the show is really difficult and I am having vocal problems.
But there's a huge blessing that comes from being a part of a show like 'The Cosby Show' that sets such a high standard of quality - it touched so many people on so many different levels.
Nowadays, all the people who are major are just DJs. The lighting and all that makes the show - without all of that stuff, it's just a person behind a laptop. With me, though, it's an actual show.
It is very different hosting and judging a show like 'Love School'; it was unlike acting in a movie or series or being part of a reality show. But I keep telling myself that I have just one life, and I have to make the most of it.
Sitting around with funny people, banging out jokes and creating a television show. I have no hobbies, no outside interests. I'm fine with spending 14 hours a day putting a show together with tape and string.
[Exorcist ] is given all of us a great opportunity to show something new on network TV, in terms of the quality of it. It feels much bigger than a network show.
There are writers who can show you the excellence of their brains and writers who show you the depths of their souls: I don't know any writer who does both at the same time as brilliantly as Roxane Gay.
Awards are very important for a show like 'Rectify.' We're a small show; we're on a more obscure, harder-to-find channel that is very supportive of creative and singular vision.
I think one of the great strengths of 'The Flash' is just how close everyone is on the show. They tend not to have these raging conflicts, like what we keep giving everybody on 'Arrow.' That show is more of a soap opera, and I don't say that derogatorily.
I kept thinking, 'Somebody has to make a food show that is actually educational and entertaining at the same time... a show that got down to the 'why things happen.' Plus, I hated my job - I didn't think it was very worthwhile.
I think when you host a radio show, just like Jon Stewart hosts a show, I think sometimes I bring up stuff... that makes people cringe.
You know, I think we Indians are afraid to show and celebrate our happiness, lest things change around. But I feel that it's okay to be sad and okay to show when you are happy.
I got involved through the director of the show [Top Chef], he's a director of films in Mexico; I worked with him before. I watched the show in English -many times for many years - and I always loved it. As soon as I heard about having an opportunity to showcase Mexico in a different way, to show a different side of Mexico, that is not violent, that has beautiful colors and delicious food... I didn't think about it twice.
I will talk to anybody about 'Survivor's Remorse' because I'm proud of the show and the actors and directors and the entire crew. I just like doing the work, and I want people watching the show so we can make more.
When I hear people say that Fox News is right wing, I know that's not true, because I'm the one doing the news. It's my show, and there's no place for opinion on my show. It's uninteresting to me.
Not many people know that I was one of the first few Indian actors to do a television show. I did the dance show 'Kya Masti Kya Dhoom' when I was at the peak of my career.
When I started my show, it was a public access show in Canada, and I was a broadcasting student in the early '90s, years before I was on MTV. We were kids sort of experimenting and trying to take on the system - you know, the media machine.
Show me a Scorsese film, and I'll show you a movie where he's taken risks. It's just his nature. He's an artist, and artists take risks. He always does what he believes in.
'Legion' is meant to be a show that is a state of mind. But the problem with TV is that there are commercials. There's a hypnotic quality to the way we put it together. I need to get you out of your life in the first seven minutes of that show.
'Baskets' isn't a CBS show. Nothing against that, but this is an off-kilter show on cable that the channel lets you do interesting things. Look, if it works, it works. And if it doesn't, it's just a miniseries.
I'm at a point in my career, I've been around a long time now, over 35 years in broadcasting. I don't worry about much. I respect what America's Got Talent is. It is a family show. It is a show that I love.
I think that if an audience is truly appreciative of a performance, they will show it. Sometimes though, there are little differences, and there are audiences that are very reserved even though they are enjoying the show.
But theres a huge blessing that comes from being a part of a show like The Cosby Show that sets such a high standard of quality - it touched so many people on so many different levels.
There are a lot of Korean films that will show marital strife, but I'm not sure I've seen so many that will show it in the interest of showing a real marriage - one that ultimately succeeds.
'Blithe Spirit' is played almost all over Britain somewhere at all times because it is such a unique and ridiculously funny show. But it's also, in fact, under those layers of humor, a very serious show. It's quite misogynistic.
I am eagerly waiting to play the lead role in a romantic show! I have such a strong role in 'Balika Vadhu,' but none of the guys in the show romance me on screen.
Playing a show before thousands of people is a highly unnatural state, and when I get on the mat to do an hour of yoga before the show, I come out physically relaxed.
You know what I think the guy who reviewed the live show for Pitchfork suffers from? Shy/asshole confusion. I'm not an asshole. I don't think I have to prove that to anyone, but I'm just putting that out there. I just think people should know that I'm not trying too hard. I think some people are just bitter that they ended up reviewing the show rather than playing the show, perhaps.
I'm proud of everything I achieved with 'Idol,' and away from 'Idol' also. It's just such a different show now to what it was when I was on it. I didn't even know it was a TV show until the third audition.
It was reported today that U.S. military bases will not show 'Brokeback Mountain.' However, during interrogations, U.S. troops will continue to show 'Deuce Bigalow: European Gigolo.'
What's the hardest thing about making a show like 'Vinyl' or 'Handmaid's Tale' is they are expecting movie-level cinematic quality in every way - from the performances to the visuals and the shots - especially on a show where you are doing Scorsese style.
My comedy has no color, it's for everybody, black, white, Latino, Asian. It's not a pro-black show, not a def jam show; it's just straight, wholesome type of humor.
'The Walking Dead' was my favorite show before I even auditioned for it. That's every actor's dream, to be on a show that they're a fan of. It's just dark, and as a comedian, I'm drawn to dark things.
I got booed off the stage one time. This was in a University in Florida. The students didn't know that I had to come back out 6 more times, because I was hosting the show. They just thought that I was a comedian opening the show.
I literally get up and get to do the one thing I dreamed about doing every day. And that is being a part of a television show and a radio show that is based in Hollywood.
Saturday Night Live was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
I'm kind of naturally thin, so if I were to completely crash diet, I'd almost be too skinny, and for the VS show, you want to look strong and muscular and fit. Leading up to the show, I eat everything that I normally do, but I moderate it.
That's the great part about television: It's alive, and it changes and evolves with the way the characters evolve. Stuff that happens to you in your life when you're shooting a TV show, you have to be careful, because it might end up in the show.
CBS garners a predominately older white audience, and by having a show like 'Superior Donuts' on their weekly programming, it distorts what people are used to seeing in a positive way. It's a show I think was necessary.
We can't have a show where we only show the good parts and when things turn ugly, as life often does, we stop pack up our stuff, apologize to the millions watching, and just go home.
To love those that love you is easy. To love those that love you not is not so simple. If you want to change anyone, set a better example. Show more kindness, more understanding, more love. That has a
sure effect. To those who are not kind, show kindness. To those who are mean, show bigness of heart.
I have the philosophy that I'm different. I have the body, the well-being and the experience. Now the teacher gets to show the student that he's worthy of the lesson. Let me show him through experience.
So in terms of a large part of the job on our show specifically, what makes the show complex and interesting and funnier are the conversations about "Where's the camera?" and "How aware are the characters of the camera? Are the cameras hidden for this shot? Is it a spy shot from far away? Or is it really close and in their face, and they sort of have to play to it in an embarrassing situation?" There's a whole other level of questions and choices that come into play on our show that are not even a factor in anything else.
'Saturday Night Live' was actually started with a show that Lorne Michaels and I did at a summer camp called Timberlane in Ontario when we were 14 and 15. We would do an improvisational show with music, comedy and acting.
Because I'm pretty, everybody thinks I'm stupid. But it is like a mask, and you have to break the mask to show that there is something else behind it. You have to show who you are to make the others come to discover you.
I kept thinking, 'Somebody has to make a food show that is actually educational and entertaining at the same time... a show that got down to the 'why things happen.' Plus, I hated my job - I didn't think it was very worthwhile
Playing a show before thousands of people is a highly unnatural state and when I get on the mat to do an hour of yoga before the show, I come out physically relaxed.
Perhaps 'Big Bang' fans feel so protective of the show because it is, despite being a hit show on a big network, something of a word-of-mouth phenomenon.
On the show [the Voice] I obviously wasn't allowed [singing my own original music], because it's not that type of show. I think it's really cool that I get to do my own thing now.
I got out of school in 2000, and I always wanted to be on 'This American Life,' since I first started telling stories. And that, I mean, that show is a little bit of a fortress. It's really hard to get stuff on that show.
I love the community of theater. There is something about the camaraderie: People who show up eight times a week to do a show. It's unlike any other business. It's just lovely. You feel like you're in a family.
The first season of a show's always a rollercoaster because nobody knows what they're doing. You gotta rush through the season trying to figure out: What is this show? And who are these characters?
Being as versatile as I am, I take offense to the notion that no serious musician would not be doing a late night talk show gig. One has to be open enough in other areas to be able to contribute to a show like this.
Our goal was to show people a vision of food they hadn't seen before. So, I had this idea of... let's cut all these things in half, and show a picture of the food in the pan, in the oven.
I feel like not only are 'Parenthood' fans passionate, but that passion has grown over the run of the show and people got more invested as the show has gone on. That really does help keep shows on the air.
This site uses cookies to ensure you get the best experience.
More info...