Top 1200 Muppet Show Quotes & Sayings - Page 18

Some people would say my paintings show a future world and maybe they do, but I paint from reality. I put several things and ideas together, and perhaps, when I have finished, it could show the future.

I think every New York actor's dream is to do Shakespeare in the Park. Each show is so special and unique and diverse because of the elements that we're performing in. Every live show is truly a one-of-a-kind.

I was selling a piece of my art on eBay from The Escapist, which was an adaptation of The Adventures of Kavalier and Clay, and the person who bought it was Alan Heinberg, one of the executive producers of the show and was a huge fan of my work and asked if I'd be interested in maybe being the ghost artist for Seth. It clicked and I could relate to Seth's plight on the show. It became really easy to fill in his shoes, and people really grabbed onto it; they really dug that sort of very minor sub-plot in the show.

Friends are hard to come by in L.A., especially in the entertainment industry. I've known a lot of people who hang out with someone because they're working on a show, and as soon as that show gets canceled, they find someone new.

To get an Emmy nomination for a show that was the first-ever science talk show on television to us was an affirmation that there is an appetite for this content in the mainstream public, not just the erudite public. So we're all completely thrilled by it.

When I sign on to a television show, I have to love that show and character so much, but this [Mistresses] was in and out, for seven episodes. And it was nice to be able to make some money again because I hadn't work in a year and a half. There were a lot of pluses.

We gave the show away and in return, we received a certain number of minutes per hour for the three-hour show that we could sell to Madison Avenue. One of the first sponsors was MGM Records.

I've been on my share of network dramas and comedies, and the problem sometimes in a network is they have a single-minded focus on making the show true to whatever genre it is. If you're on a drama, it better be procedural, it better fulfill all the demands of a procedural show, and you better keep those episodes independent, so if I'm watching the show in seven years as its syndicated on some other cable network, I don't have to know what happened before or after the episode. If you're on a comedy, everything has to be funny and wacky and zany.

'Looking' was always a niche show for a niche within a niche. It's a gay-themed show, so you're not going to get millions of straight people watching it - that's the inevitability of it.

I never thought of myself as being that good looking, I was an actor, people saw me on television, and then they start to think you're good looking because of that presentation. I was no better looking before the show, than after - and before the TV show I couldn't get a date to save my life. So what changed? Did I suddenly become more good looking? No. I got lucky, I got a TV show. That's what happened.

You pull anyone from an alien planet down to Earth, and you want to show them great work, show them Tywin Lannister on 'Game of Thrones.' I mean, it's just as good as it gets.

We need additional funding for more U.S. combat brigades in Europe. NATO needs to continue to modernize. It is starting to show with the Russians but these exercises are central to show that the alliance is firm, especially as the E.U. starts to have some weakness on the economic front.

I've done the best I can with the morning show. I made it a morning show. We have the coffee cup, you have the morning papers, you know, it's got that feel to it, that's what I wanted.

My years on 'Family Matters' were precious to me. During the run of the show, I saw many births, deaths, weddings... The actual family on the show became my family.

We had all week to rehearse. An audience would come in at the end of the week and we'd our little show. Most of the ad- libbing happened during the week on the show.

You know, the funny thing about Lorne and that show is that, you can go over one million things, but in a business of bean counters, he still likes to laugh at small things and creates a show around it.

I work full-time, whether it's on 'All In,' my own show, whether it's Ring of Honor, whether it's New Japan - I make every show.

Show me a man or woman who cannot stand mysteries and I will show you a fool, a clever fool - perhaps - but a fool just the same.

As a lonely teenager growing up in Virginia, I fed off any pop culture that could show me different ways of being from what I saw on 'The Cosby Show' reruns or read about in an Ann M. Martin book.

Of course you have a duty to show the disfigurations of society as well as its more agreeable aspects. But if TV in the western world uses its freedom continually to show all that is worst in our society, while the centrally controlled television of the Communist world and the dictatorships show only what is judged advantageous to them and suppress everything else, how are the uncommitted to judge between us? How can they fail to misjudge if they view matters only through a distorted mirror?

Though the concept of the show revolves around a love layer, 'Ek Duje Ke Vaaste' has a very unique storyline. It is not a typical love story, and I am glad to be a part of this show.

I drink during every show. I can't remember the last show I did completely sober. It works for me. I use it as a tool. It's like steroids are for athletes. I'm looser and more self-confident. If I drank less, I wouldn't have been on stage this long.

I travel around and hear from so many kids. Their parents say they were always very picky but they watch the show and they want to try stuff. The show is entertainment, but I think it has done so much for the public perception of what food can be.

My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except, 'FX makes the show that I see on my computer.' So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.

Those who show pity and are always ready to help during times of trouble are seldom the same ones who rejoice in our joy: when others are happy they have nothing to do, they become superfluous and lose their feeling of superiority, and so they easily show their displeasure.

I think, with any topical show, it's very easy to find yourself caught up in the news cycle, and working at 'The Daily Show,' I definitely found myself in that, where we would be talking about the last 24 hours.

On telly, if it's not the right kind of show, I revert back to my 'Girlie Show' persona, become this daft, bawdy caricature of myself and I'm not actually like that, I'm actually quite - not clever, but smart with my words.

The popularity of '2 Dope Queens' just showed there was like a hunger for new stories because we have alternative comics on our show that wouldn't normally be featured on, like, a white guy's comedy show.

I wanted to show that even if you fail, you have the ability to pick yourself up off the floor and try again. I wanted to show a different side of what a disability looks like to highlight all the invisible ones.

As a kid, I used to take the sheet off of my mother's bed, make a tent and put on a show for the neighborhood kids and charge them two packs of matches. Then, the show got so good I started charging a penny.

Some people say I appeared on the Phil Donahue show to tell "my" sex change story but I've never appeared on his show for any reason... not even as a member of the studio audience.

Some people say I appeared on the Phil Donahue show to tell 'my' sex change story but I've never appeared on his show for any reason... not even as a member of the studio audience.

I got to host a radio show. I got a clothing range. I was the face of fashion week. I got to do a whole television show with kids.

I ain't scared to do another dating show, but I ain't really trying to. I want to do a talk show or something. I've done enough dating on television. I'm ready to spread my wings, and go down other avenues.

Well, we don't take money from people and then show the product. It has to be a product that we like anyway, and that's true for all five of us, which is one of the really nice things about the way we make the show.

The last TV show I binged on was 'Hannibal' because it stars two of my friends, Mads Mikkelsen and Hugh Dancy, who I first met filming 'King Arthur' back in 2003, and I just lapped this show up; loved it.

Show me an actor who doesn't want to be famous, and I'll show you a liar. Later, you realise that there's more to it than just the acquisition of fame, and money and girls. But that is what drives them and was what drove me, initially.

As a footballer, you're stuck in a uniform - either in team kit or a team suit. I don't really get to show my personality in my job, so style is a chance to show people part of me they don't often see.

When I was a kid, going to Universal Studios, which was all I wanted to do, all the time, there was a show that was all the monsters, and I loved that show. I was obsessed with Dracula. I was obsessed with Frankenstein. I was obsessed with the Wolfman.

From a branding standpoint, the show represents only a fraction of our business, and the impact you actually have on the consumer is super, super tiny. I mean, what about the pre-collection? That is just as important as the show.

I left 'Saturday Night Live' without a film to go to, and I'd filmed 'Old School' while I was in my last season of the show, and that hadn't come out yet. I was a free agent, in a way, but I knew it was time to leave the show and test the water.

When I go to a web video meeting and look around, at least half the show runners are women. And a lot are actors-cum-writers who are frustrated with the situation of being a woman actor in Hollywood and have decided to create their own show.

I almost did a show called 'Celebrity Splash.' It was a high diving competition show that only ran one season because of all the injuries. I can't even enter the water without holding my nose, but I was between jobs and the money was tempting.

My kids watch everything downloaded; they have no idea what the numbers or the names of the channels mean, except "FX makes the show that I see on my computer." So it's harder to get a show on the air, but at the same time, there are a lot of terrific shows.

I approach every show from the same fundamental perspective: this is a conversation, and my job is to make people leave the show feeling like they've seen something singular. It's not about smashing someone over the head from the jump-off.

I am the most proud of is the show called Cracker and I think it only lasted a season or two. It was with a gentleman named Robert Pastorelli who has since passed away, but it was based on an English television show that was really popular.

And what classical music does best and must always do more, is to show this kind of transformation of moods, to show a very wide psychological voyage. And I think that's something that we as classical musicians have underestimated.

I do not say with words. I do not say it with images either.… I do not say, I show. I show people who move and speak. That is all I know how to do, but that is my true subject.

I was on 'That '70s Show' as the sexy nurse. I like that show, but I hated my character. I was like, 'I will never do anything like this again in my life. I feel crazy.'

I started in local news in South Carolina, so viewers there supported me. We had a morning show that we put to No. 1, and then I moved to San Antonio, Texas, and we became the No. 1 morning show there, too.

I loved working on that show [Defiance]. I mean, that show was brutal. We worked long, brutal hours in really brutal weather.

If I do a reality show, it'll have to be a real reality show. I can't do a scripted reality show.

My mom would be leaving the house and she'd say, 'Don't you pull out all of the old dresses in the attic and put on a show again!' And the door would close, and that's exactly what I'd do. The show was calling me!

I think initially it's terrifying because going into a show where, you know, "Oh, I'm going to be on stage for two hours, I have no lines to memorize, I have nothing really prepared," and actually I say that, the show is not all improvising.

One of our rules for the show, I guess the filter we try to pass everything through, is it's a safe place for women to be. It's not a show for women, because we're basically 50/50 men/women in our audience, but it's a safe place where women win. Women never lose on our show. I think that's very important. It's very unusual.

Standups have all the talk shows, but you never see a sketch group on a talk show. Even on so-called variety shows, if you do see a sketch group or character, it's written specifically for that variety show and usually written around the host of the show or a celebrity.

I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.

It's a whole series of accidents that makes a show into a hit. A show can be fantastic and still not be a hit. You just have to hit the Zeitgeist at the right moment, and there are so many factors that you're not in control of.

When it's show time, no matter what, differences are put to the side, and we come together to put on the best show possible because we are all professionals. Our love and passion for what we do always override any issues.

You want good ratings, you want people to like the show, you want to be appreciated for the hard work you put in. You don't always get it. Every show is not beloved.