Top 1200 Music And Lyrics Quotes & Sayings

I'd always tended to regard song lyrics as sort of a bastard medium because they're subjugated under the music. If you were to regard them as poetry, it would be bad, embarrassing, confessional poetry - a lot of the lyrics I love.

I don't fake my music. If I want to be known for anything it's for creating honest music. Noting is fake or will ever be fake about the lyrics and pain in my music. My music I live it.

I have to decide whether I'm just laying down a groove, kind of a bed and canvas for the lyrics and music to live on, or trying to illustrate something in the lyrics.

When you listen to the music in this film [Despicable Me], it's working on the level of melody, but the other key element is lyrics. There are a number of songs in the film where the lyrics themselves are very much speaking to the essence of what Ted Geisel was setting out to do.

I've stolen music before, I don't know anyone who hasn't. But if you're gonna do that, I want you to be able to have an opportunity to know the real lyrics because I really hate it when people put up wrong lyrics online.

I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.

Usually, the music inspires the lyrics. The lyrics just sort of fall off like a bunch of crumbs from the melody. That's all I want them to be - crumbs. I don't want to work any kind of fabricated message.

One of the hardest things about writing lyrics is to make the lyrics sit on the music in such a way that you're not aware there was a writer there.

I don't really know what inspires me to write the music I do, but usually, the music will set the tone for the lyrics.

I probably listen to more instrumental music than music with lyrics, but at the same time I do love both.

I'm particularly attuned to lyrics, and very often a bad set of lyrics will ruin a song for me, while my friends will be just grooving on the music. I don't mean that it has to be about anything in particular, but there has to be some art applied to it, simple or otherwise.

If you take the duality of things - like sunny-sounding music with weird lyrics on it - it makes this dichotomy. I've never had that because when I make music, I make major chords, happy-sounding stuff, and my lyrics are positive.

We're thinking about printing the lyrics with the next record so that people can find their own meaning in them. But then they would start having a life of their own, and I think the Portishead music should stay a whole in which the lyrics come second, actually.

We worked very hard to make the lyrics suit the music. I can't, like Elton John, for example, compose by lyrics. Elton has a great talent for that. Whatever you give him, including your questions, he composes in half an hour and makes a great song out of it.

I try to pick music for a diner that doesnt involve a lot of lyrics, so you're not paying attention to that. As long as it doesnt dominate the party, it should be more atmosphere music. When I'm by myself, I never play music.

I dabbled a little bit in the whole music thing but I've always thought about Bernie Taupin, who is Elton John's lyricist; Elton John is the great melody and song writer but Bernie Taupin is the one who writes all the lyrics. I don't write lyrics, and I never wanted to be in the music business if I was just going to be a puppet in it.

Doors music is not a simple kind of music. It's like the Bauhaus. It's clean and pure. Morrison's lyrics are psychologically deep. So for people to understand Doors music is certainly a testament to their intellects.

Usually I will hear a sample, think of a theme and then it will take me a couple of days to write down some lyrics. Then I will decide that I hate those lyrics and rewrite. Then I will change all the music around. Then I will rewrite all the lyrics again. I am a bit of a perfectionist although you would never know it because all my songs are like chopped up and @#$%& up, but you see that's on purpose.

Music doesn't have to have lyrics; it doesn't have to be a particular type of music - it has the ability to bring out really strong and hopefully good emotional reactions in people.

I never write a tune before the lyrics. I get the lyrics and then I write around them. Some people write music and the lyrics come along and they say, 'Oh yeah, I've got something to fit that.' If that's the way people write songs, I feel like you might as well just go to the supermarket.

I set myself a rule before I actually write a tune to the lyrics, and the rule is that I've got to take the lyrics on to a level of understanding before I can actually write music to them. What I'm doing is interpretation. If I don't write the lyrics, therefore I must interpret them to the best of my ability. So my rule is that I must understand it, but I don't necessarily have to accept.

Obviously, the music and lyrics are in me, but if I let myself get in my own way, I do. I empty out and let it come, and then the music spirits take over.

The challenges change depending on the song. There are some songs where the lyrics are really a challenge and then there are other songs where the lyrics are there and the music is a challenge. And then you've got rock songs where the challenge is the tightness of the arrangement with the band. The music and the lyrics are there, but it's a challenge to get the arrangement correct. So I wouldn't be able to point to one thing. What the challenge is changes all of the time.

There's no difference between lyrics and poetry. Words are words. The only difference is the people who are in academic positions and call themselves poets and have an academic stance. They've got something to lose if they say it's all poetry; if there's not music to it, and you have to wear a certain kind of checkered shirt or something like that. It's all the same. Lyrics are lyrics, poetry is poetry, lyrics are poetry, and poetry is lyrics. They are interchangeable to me.

I write the music because I can't really write lyrics. But I can write chords like Robin's never heard of. So I provide the music for them to add the lyrics to.

A right balance between music and lyrics is important. Music complements lyrics.

We treat the lyrics like the woman any man wants to impress the most. We give the lyrics all the attention we can. I'm not sure other formats are remembering that the lyrics are what it's all about.

Rap music is amazing, it's beautiful. But the problem is the lyrics. The person who writes the lyrics - that's the problem.

I always say the wrestlers provide the music and the announcers write the lyrics. You have to feel what you're seeing and experiencing to write the best lyrics.

Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.

And just as you can find hip-hop lyrics beating up on all these groups, including young Black men themselves, the primary producers of the music, you can also find lyrics celebrating them.

In India we are creating mainstream hip hop music, than what real rap music is. The lyrics aren't that personal, since most of the music is catering to Bollywood. It's just trivial. It's a fashion here.

It's no longer necessary to slave over the vocals. I don't sing the lyrics until I write them, and singing is the very last thing I do. I record the entire track, and then I worry about lyrics and vocals. The music will suggest where the words are going to a certain extent.

When I create lyrics, I just go off of energy. Sometimes I write down my lyrics on my phone and most times I remember the lyrics in my head.

The one good thing about a movie and music and stuff like that: Sometimes it's a counterpoint between the movie and the music itself, the difference and the tension they build together. I think that could be something that helped with me, because when I write songs now, I write lyrics a bit like that. I try to make the music be an interesting twist on the lyrics and help tell the story in a - I don't tell crazy stories, you know? So a lot of times, the twist is in the subtleties. The twist is in the way the story's told.

I like clever lyrics, funny lyrics, dumb lyrics. I can never put my finger on what I like about them.

In most of my films I write the music into the script. I'm listening to songs and lyrics that empower the themes of the film. There's a lot of Indigenous music that has not been heard widely and I love the idea of giving that music to the rest of the world.

Sometimes I get ideas for lyrics in anyplace, but I work a lot in the studio. So I collect little bits of lyrics. I go through the box of lyrics I have and see if something fits.

I have a structured songwriting process. I start with the music and try to come up with musical ideas, then the melody, then the hook, and the lyrics come last. Some people start with the lyrics first because they know what they want to talk about and they just write a whole bunch of lyrical ideas, but for me the music tells me what to talk about.

Poetry is music though, unfortunately, not all music is poetry. Because music has other carriers to take its message - beats, lyrics, singers, bass players - anyone in music can rise to make a major statement but in poetry there are only words to do the work. And they do sometimes have to sweat.

I don't even know if I always entirely get what I'm trying to say right away with lyrics. I like a lot of things that are more subtext. I grew up mishearing lyrics my whole life, but somehow there's so much more, too, that's implied in vocal delivery and the music itself and the gestural quality of it.

I tried to give the world a bit of creativity, lyrics. And for me, I will always represent music from Puerto Rico, reggaeton, Latin music.

Folk music usually has an emphasis on the lyrics and melody. And those lyrics are usually relevant in some way. And it's populist in scope, which is also true of Bad Religion. So it's more meant to draw some parallels between the two. And I think even my voice and my delivery can be thought of as a little bit folky.

I don't know why, but there's a certain element of panic in writing lyrics that I'm not sure I enjoy. I don't write lyrics first, ever. I've never done that. So, in a sense, the lyrics are a bit of an afterthought - it's music first.

Music is for making people happy, lyrics tell them who they are. Everybody is free to interpret the music, as they want. The lyrics of my songs are about different things, but it's all about my issues.

I listen to a variety of music. The only common point is strong lyrics; I'm more obsessed with lyrics than music. I need to hear a form of truth, and if it's a hard truth, even better.

My songs are all about celebrating poignant music. While some of them focus on fun and revelry, they are fortunately backed by powerful lyrics. Put together, the lyrics, tune and my voice strive to take the songs to the next level.

Writing music - particularly music without lyrics - calls almost exclusively on the subconscious.

I do believe that when I'm writing music, I get addicted to the music of the concept of what the outcome of the song is, or the passion behind the lyrics.

One difference between poetry and lyrics is that lyrics sort of fade into the background. They fade on the page and live on the stage when set to music.

We start a lot with melodies and instrumentation and trying to figure out good melodies for verses and choruses. We get to lyrics sometimes second, so we'll start humming a melody, finding something, and see where the music takes you as far as lyrics are and what you want to say and go from there.

First we start with the lyrics. Most of the lyrics are done by Stefan Kaufmann and me. When we have enough lyrics and enough stories we have the lines to make titles. Then we collect all the ideas of everybody in the band and see which ideas fit together the best with the lyrics to get the right atmosphere. That's the way we compose.

When I write songs, I like to write lyrics first, and I think that's different from a lot of singer-songwriters. But I heard Sammy Cahn was asked what comes first, the lyrics or the music, and he said, 'The paycheck.'

I would say the songs that have different lyrics. I always write the music first, and there's a couple of songs on this box set that have different lyrics from what ended up on the final recording.

The music, I think, is just as important as the lyrics; it portrays the emotion of the song. I play the kind of music that I want to listen to.

At first, I was using my sister Susan's lyrics, as I could not write myself, only the music. And then one day, she and I had a fight, and she threatened to take away the lyrics from all the songs that I put the lyrics to, so it was that day that I began writing my first lyric to the music.

I do always the music before the lyrics. The story or an idea for the lyrics appears during the composing process normally, but some other times I already have a strong idea of the story I would like to sing before any music comes to my mind.

Music straightjackets a poem and prevents it from breathing on its own, whereas it liberates a lyric. Poetry doesn't need music; lyrics do.

With lyrics for me, it's usually musically-based. It's not really poetry- or writer-based. It's rock-based. It doesn't mean that I'm aping rock lyrics, but I'm writing from a music standpoint. I'm thinking more of music heroes, if they're in my mind. Not William Blake or John Ashbury. Sometimes maybe I thought of him a little bit. Or Wallace Stevens. I don't even really fully understand either of them.

I try to write lyrics that will be able to function on their own if they get separated from the music. But I wouldn't want to take anything away from poets, who work without the frames songwriters get from melody, and I think lyrics should be considered as their own thing.