Top 1200 Music Career Quotes & Sayings - Page 18

I'm glad people think I'm a badass. I'm a rock and roller, and I'm an R&B and a blueswoman. I don't do fairy music, although I love Celtic music and sensitive music. There's a balance between ballads and kick-ass songs.

That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.

The Peruvian flute music is . . . cool. In this music, they have not yet invented the industrial revolution that leads to excessive punctuality or the failed experiment they call the nuclear family. This is the music of elements, untarnished, unrehearsed.

Big band music, to me, it really has three key elements. First is the lyrics are really sweet, and they're just really family-friendly. The second thing is the music is jazz music, so the music is complicated enough to hold your attention for 5 or 6 million plays. That makes the songs interesting. The last part is the fact that it's danceable.

I was asked by a student what my most significant accomplishment was at National Geographic, after thirty years, and I said that my career came to an appropriate close, and I still loved photography. Not everybody who spends their career at anything ends up fascinated and involved with it.

I'm a very optimistic person. I have the chance to listen to so much phenomenal music. Connecting with social networking to create music is a progression of what electronic music does anyway - it connects people.

I love being in a room in front of an audience who cares about the music, who knows the music, and who has lived with the music. It's kind of like an experience you share. I'm on stage performing it, but they're singing the words, too.

There is something about performing my own music, and other people's music, that gives me pleasure. I think I learn more by doing that than I ever did studying music.

There are two kinds of music; German music and bad music.

Everyone in my family, they do music, and they love music; it's all about the music.

You don't make this kind of music expecting to have to do TV press and stuff like that. I don't mind doing it, but it's a fairly underground type of music. You do it for the love of the music more than being a star or anything.

I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.

I basically taught myself how to DJ, but I've been inspired by DJs throughout my whole career. I have some good friends that would hook us up with music. You learn some little things here and there from each DJ and you just take it and put your own style into to it.

I think rap music has made more money on dance music than dance music has made on dance music. Just a thought.

There are two genres of music: there's good music and there's bad music.

I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.

Everyone wants to be an arena act, and it's making country music evolve. People are cutting things more for that arena environment. But who's to say that that is a sign of any more of a successful career than what James Taylor has been able to do, when he still comes and plays the Ryman every two years?

When someone is themselves through their music, it's soul music. James Taylor is soul music to me 'cause it's just him talking about him. It doesn't have anything to do with black or growing up in the church; it's where it comes from. It's just soul music.

I play music - I write my own music, but I play music, just background music really, and just let it happen.

I'd always thought that if I could get sober and stay sober, I would be able to have a career making music. My drug and alcohol addiction was the one thing holding me back. I had finally gotten the tools to stay sober, and it was just a matter of writing the songs.

It's funny how the music industry is enraged about the Internet and the way things are copied without being paid for. But you know why people steal the music? Because they can't afford the music.

In 1969, at the age of 19, I was lucky enough to work with George C. Scott in the definitive portrayal of his career over a period of many months and several countries on the definitive film version of Patton's WWII career.

In India we are creating mainstream hip hop music, than what real rap music is. The lyrics aren't that personal, since most of the music is catering to Bollywood. It's just trivial. It's a fashion here.

There's no way that music could ever go down the tubes. I can't imagine a civilization without music. When you realize today that music is such a part of people's lives. And will always be, really.

I don't just do music for the clubs, I do music for the struggle. I do music for everyday niggas, the kids who ain't got no sense of direction. I'm trying to restore some of the morals back into the game, as far as the street.

I'm into indie music. I think indie is going to bring back the spirit in music. There was a time when it was all about accommodating the music business, the music was getting tasteless, but the spirit is back.

I have to listen to music while I'm working. Music is essential. It's at the top of the pyramid for me. I've always felt disappointed in what I've made when I held it up to the music I love. I try not to compare them now.

We were big Clash fans, you know, big Who fans and I think we would listen to this music and talk about music and do nothing but music night and day, and when it came time to actually making our own music, you feel compelled to sort of tuck all those influences away, not show them.

My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.

So what's happening with the audio/visuality, for the first time we are doing the music - the people who would come to the concert love the music - they loved him and loved his music - for the first time in concert it's not only the music. Now it's time to know the man. We know the music, but what was the man like?

I do know that there is a difference between artists who are career-driven and artists who have a calling and are just compelled to make music, compelled to perform live, and the business isn't the reason they're doing it. In fact, there isn't really a reason. You just do it.

It's something that can get overwhelming and frustrating, the sexism I experience in my career. It's just obviously a big issue in women's sport, like salaries, media coverage, just general things that you have to cope with in your career.

I'd rather call it "instrumental creative music," especially the music that I've been doing. If a person would hear that music, they would undoubtedly call it "jazz." There is this whole generation of musicians that are playing and thinking critically for themselves and making music that's relevant to today. I hope that's the objective of a lot of musicians.

Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul.

I am going to spend my time today just thanking the people that played a role in my career, because I truly do believe that I was blessed by a lot of people that paths crossed mine as I went down the road in my career.

I think that cheap music often does make you dream more than more serious music, whether that's serious music by Beethoven or Miles Davis or Pink Floyd... if the Floyd ever did serious music, which I seriously doubt.

When I travel too much, it affects the music, and that is the most important thing. As long as I make good music, I can play shows, but if the music starts getting bad, the show offers won't come.

The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.

Music was our food... When we can play, it can't be so terrible. The music, the music!

'Wii Music' elevates the scope of music video games by moving beyond commentary on what music is - as 'Rock Band' and 'Guitar Hero' do - to suggesting what it could be. Yet I'm still left wondering: Couldn't it be more?

I was never successful in a noteworthy way, no one wrote about me, and I didn't have recognition. I've met a lot of musicians along the way who thought I was good, and they knew that was important to me. Having a simple career as a musician who liked music was good enough for me.

I think there's a difference between the type of folk music that people put into the box of "folk music" and then there's the kind of folk music that I aspire to and am in awe of, and that is the kind of folk music where it's very limited tools - in most cases a guitar, in a self-taught style that is idiosyncratic and particular to that musician.

Miami awarded me with the teams Pitcher of the year as well as Rookie of the year. My career at Miami only got better from there, I went on the Cape Cod baseball league for 2 consecutive summers where I did well and also to help lead our Miami team to both MAC regular season and tournament champions in 2005. I finished my career at Miami holding a few conference records including career innings pitched and by getting drafted by the Florida Marlins in the 10th round.

The very best thing for music would be to live next door to a person who listens to loud music so you could mishear music everyday and mutate it to your own means.

It makes no sense to me at all to give away music for free. The very fact that we have to do that cheapens the music. And there's a huge effect to that of music not playing such a big part in peoples' lives anymore.

Music can make a difference. There is a global nature to music, which has the potential to bring all people together. Music is truly an international language, and I hope to contribute by widening communication as much as I can.

there are two kinds of music - good music and bad music. Good music is music that I want to hear. Bad music is music that I don't want to hear.

One of the greatest pleasures I get from my measly professional career is confusing people. "Wait - he beats women and seems like a Nazi, but he has impeccable grammar and keen reasoning skills and sings country music and can, from time to time, say or do something really funny?" It absolutely doesn't compute for them. I enjoy that immensely.

Without music you are all dead; with music you are alive. There is nothing music can't do.

I've been working to define my individual style and vision and I believe it is reflected in the music. I feel better mentally, physically and spiritually so I've brought that to the music. I still make love songs so there are some messages in the music about men appreciating their women. I'm also still bringing party and club hits but with more substance in the music.

As writers, you spend so long trying to build your cred as a writer, and then everything comes together at the same time: your artist career happens when your songwriter career is, too.

Composers don't just sit in a room and write things that are in their heads, they actually listen to a lot of music, pop music, jazz, rock and roll, any combination of music that catches their ear.

I've never personally criticized anyone else's music, but I know that the public's real problem is not the music I make but the perception that I play simple music for money only and for the notoriety and to increase my popularity.

I worked with Jackie Chan for a long time, and seeing how much pain he's in, I realized that that might not be a sustainable career for me. So I started to develop my career as a dramatic actor rather than as an action actor.

I think music is just a wonderful ingredient that helps us understand a scene better. And certainly you can overuse music, and you can use the wrong music. I probably have been guilty of these things over time. But if you use music correctly as a friend of the theme, a friend of the narrative, ou can lend some terrific connective tissue to a film.

It's like, 'Oh, great, drag queens can excel!' - but then the ceiling is so low. You're only allowed on the first floor; you're not allowed to go play with the big boys upstairs. Even RuPaul, who's a massive success, has been limited to where her music career can take her.

I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.

Music, when combined with a pleasurable idea, is poetry; music, without the idea, is simply music; the idea, without the music, is prose, from its very definitiveness.

Politics is terrifying, very masculine, and not particularly encouraging to young blonde women - as a career, that is - and it was only when I was working in parliament that I thought to myself, 'Well, this is a tough industry; can an acting career be any more intimidating?' and I applied to drama school.

My influences are with Irish music, church music and classical music.