Top 1200 Music City Quotes & Sayings - Page 20

When my hoe tinkled against the stones, that music echoed to the woods and the sky, and was an accompaniment to my labor which yielded an instant and immeasurable crop. It was no longer beans that I hoed, nor I that hoed beans; and I remembered with as much pity as pride, if I remembered at all, my acquaintances who had gone to the city to attend the oratorios.

Winter in Peking is insurpassable, unless indeed it is surpassed by the other seasons in that blessed city. For Peking is a city clearly marked by the seasons, each perfect in its own way and each different from the others.

I've never had a treehouse because I live in New York City. It would be a little bit hard to fit a treehouse in a New York City apartment.

I lived in New York City for a while and miss it like it's a person. Although I grew up in the Pacific Northwest, I'm a New Yorker at heart. A stroll through Central Park, a visit to the MET, a show on Broadway. There is no other city like it in the world!

I feel like all Londoners relate more to New York - L.A. doesn't feel like a 'city' city. It's like a sleepy town.

The main difference between listening to music on a computer and listening to music on vinyl or disc is not sound quality or even portability; it's that when you listen to music on a computer, you listen to music on the same instrument you use to acquire it.

I was in Nauvoo on the 26th of May, 1846, for the last time, and left the city of the Saints feeling that most likely I was taking a final farewell of Nauvoo for this life. I looked upon the temple and city as they receded from view and asked the Lord to remember the sacrifices of His Saints.

I've lived in other cities - Rome, Dublin, Mexico City - but I was born in New York City, and I always lived in those other places as a New Yorker.

I always honestly dreamed of coming to Second City in Chicago, although I've never even been there to see a show. But I did a ton of sketch comedy at the Second City in LA, which (at the time, in a different location) wasn't really a theater, it was just a space where you took some classes.

When I'm out and about or walking my dogs, United fans are coming up to me saying, 'We'd rather City win the league than Liverpool.' It's strange to hear, but I can assure you the United players aren't going to leave a red carpet and say, 'Go on, City, score past us.'

New York has always been a city of change and a city about change, and it is a back-leading development. Nobody's going to want to come to New York if it looks like another strip mall.

And we did it because it's time for City Hall to stop looking out for City Hall and start looking out for the people like you and me who are footing the bill.

The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.

In many cases, the decision to study music has robbed them of the ability to play music. They have lost respect for music that comes from within because they have been programmed to feel "unworthy".

I was born in the city's general hospital on November 15, 1930, and we lived at 31 Amherst Avenue in the western suburbs. It was a magical place. There were receptions at the French Club, race meetings at the Shanghai Racecourse, and various patriotic gatherings at the British Embassy on the Bund, the city's glamorous waterfront area.

When you're animating a music video, you have to animate to some set music. You're somewhat restricted by that, but you're also inspired by that. The animation becomes secondary if you're animating to a music video. Either way, it's important. Music has really helped my animation, that's for sure.

I still make music. I still write music and I record music, I just don't trust music promotion [and] distribution right now enough to record a new set of diligently worked-upon compositions. I do trust the audience and the audiences very much.

Creation destroys as it goes, throws down one tree for the rise of another. But ideal mankind would abolish death, multiply itself million upon million, rear up city upon city, save every parasite alive, until the accumulation of mere existence is swollen to a horror.

My music is homegrown from the garden of New Orleans. Music is everything to me short of breathing. Music also has a role to lift you up - not to be escapist but to take you out of misery.

As a mayor, I don't make my decisions based upon whether it is a "Democrat" issue. You make your decisions based upon the people you represent as a city to move our city forward.

So he [Sigmund Freud] called this "the uncanny" and he also referred to cities as well, like the idea of walking through the city and the way the urban landscape could lead you to a sense of disorientation and to a kind of, you know, sense of repetition. And the way a city can unfold as you walk.

Very early on, when I started doing these plays and live shows, I would travel from city to city, and there were a million shows out there... so I wanted to step out among it, and I started putting my name above the title.

I've traveled around the country and I read local newspapers and all of that, and it's a sad, sad thing to go from city to city and see the small newspapers and they're tiny. They're tiny not only in size but also in scope.

You have city centre pubs where men go to meet girls, not realising that all girls in city centre pubs have thighs like tug boats and morals that would surprise a zoo animal.

I was born and raised in New York. My family has been in New York City since the Civil War. I have a ton of N.Y.C. in my DNA, from both sides of my family. I had a wonderful childhood in the city.

I always listen to music, my passion and vice is music, I will be denied access to heaven because of the number of CDs I own, and I have gluttony for all types and colours of music.

The sensitive ear of the musician detects a certain musical note in every city which is different from that of another city. He hears in each little brook a new melody, and to him the sound of wind in the treetops of different forests give a varying sound.

I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the final characters in the film.

It's amazing, it's pumping, it's furious, it's anxious, it's happy and it's far more real than anything you'll ever experience in a Western city. Morocco is a living, pulsating entity which is rapidly changing all the time but there are parts of Marrakesh that carry on as they have done for a thousands years. The music is a reflection of that, of all times and all religions and of all the natural expectations and conditions of the people who live there.

Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.

To build a city where it is impossible to build a city is madness in itself, but to build there one of the most elegant and grandest of cities is the madness of genius.

I'm not sure what's going on in Britain. I don't know what's going on in London. Because London is no longer an English city, and that's how they got the Olympics. I mean, they said, "We're the most cosmopolitan city on Earth," but it doesn't feel English.

Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.

A lot of church music really inspired me. A lot of ancient music that's made for God. If you get really into the history of music, inevitably you're going to have to get into sacred religious music.

Second City Las Vegas is very different from Second City in Chicago on the main stage, where they do improv sets. That's how they kind of hone material, kind of work up to new material.

I also combined the R&B feel with the pop music of Taiwan... I wanted to bring the R&B flavor and other Westernized sounds to my music, because that's the type of music I grew up listening to.

Rigondeaux was Cuba's answer to Bobby Fischer who transformed into a kind of Lee Harvey Oswald traitorous creature in that society. He escaped on a smuggler's boat and toppled one of the best fighters in the world in 2013 with his obliteration of Nonito Donaire at Radio City Music Hall. He made it look so easy, his career has never recovered.

At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.

There are a lot of people who wonder why Japan is a pretty consistent influence in my music, and I think it's because the reason I started writing - my intro to electronic music was Japanese music.

New York is a fascinating city. I think it's a very inspiring city, but it's overpowering when you get older. It tires me now. But it's wonderful for young people - very inspiring and full of surprises and full of ideas.

I came up at a time in the late '60s, early '70s where music was without boundaries. You'd go into a music store, and the music was in alphabetical order. I hadn't heard of that word 'genre.'

In city after city, newspaper after newspaper has diminished its staff of critics, sometimes to zero. Film and T.V. critics have been dropped and not replaced. Maybe they're deemed unnecessary because nobody cares if anything's good or not.

Even though I grew up playing folk music - and surf music, originally - I was listening to Motown and Stax on the radio as well. That music always resonated with me.

Sometimes I am questioned why I play better for the national squad than at Manchester City. I am the same at both places, but City is one team, and the Brazil national squad is another.

I like being New Orleans. Different aspects. You have the lake house. You have a huge, almost plantation-style house, so I like the different elements of the city and what the city has to offer and putting it on the screen.

It is true that the king has made a truce with the duke of Burgundy for fifteen days and that the duke is to turn over the city of Paris at the end of fifteen days. Yet you should not marvel if I do not enter that city so quickly.

I've always loved independent music stores because the staff is usually there because of a genuine love and appreciation for music. They're more in-tune with the customers and I'm willing to pay the extra dollar or two for the service they provide. Some of my greatest music discoveries have come from picking up an album at an indy store and the cat behind the register saying "You like this man? Have you heard of so-and-so?" I prefer to shop where people understand me and the music- the music i like.

I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.

I've got this diverse education, growing up in classical music and existing between that and music that is more visceral, so for sure, I've always been interested in music from other cultures.

Why do we marry, why take friends and lovers? Why give ourselves to music, painting, chemistry or cooking? Out of simple delight in the resident goodness of creation, of course; but out of more than that, too. Half earth's gorgeousness lies hidden in the glimpsed city it longs to become.

'Music Is Worth Living For' is an exaltation of my love for music itself. It's also me pleading with myself to recognize music's eternal power and glory, in the face of hardship and pain.

When you go to Detroit you see a town that is resilient, that's just fighting to win again, and there's an energy to that. Just watching a city really fighting to get back on its feet and watching the inner strength of a city is tremendous.

Neighborhood is a word that has come to sound like a Valentine. As a sentimental concept, 'neighborhood' is harmful to city planning. It leads to attempts at warping city life into imitations of town or suburban life. Sentimentality plays with sweet intentions in place of good sense.

Music is my passion so I feel like I'll be doing this for a long time and God forbid if anything happens I'll still write music. So, I could write music for other people. I see myself making music for a very long time.

The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.

My music library has about every genre of music possible. I've really gotten into Ray LaMontagne, He makes amazing music, so I listen to him, and he's a great artist.

When I started 'City of Bones,' I knew exactly what was going to happen in 'City of Glass.' When I first started the six-book series, I thought of it as a three-book series.

My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.

Like every other place, I guess, Kansas City was quite a different city when I was a youngster there. They had quite a few clubs, and we had what we used to call jam sessions every night.

My memories of mealtimes are a real bleed of music and food. Music never really stopped in the music room, because everyone would move out to the table with their sitars.