Top 1200 Music Man Quotes & Sayings - Page 19

Kierkegaard was once asked, 'What is a poet?' He answered that a poet was an unhappy man whose moans and cries of anguish were transformed into ravishing music.

You need to make the music strong, and the philosophy behind the music has to be solid. What the music exudes, what it emits, has to be very strong. It's your thinking that brings you things in life. Part of my philosophy to exceed starts right there.

All my life, I had loved music and been in choir, and I have a degree in music, but I never planned on doing it as a job. I had a realistic perspective on that. I thought maybe work at a church or be a teacher if you wanted to work in music.

I'm not old school, like, "Aw, man, I gotta do my music like I did in '98." I just go with the flow. I don't try to change anything.

Folks out in the country couldn't afford to pay for anybody else to make music. They had to make their own. So the peasantry had their music, and it was about a hundred years ago given the name "Folk music".

I don't sing country music because I'm not capable of singing other kinds of music; I sing it because I think it's the most beautiful kind of music there is.

Real understanding does not come from what we learn in books; it comes from what we learn from love of nature, of music, of man. For only what is learned in that way is truly understood.

When real music comes to me - the music of the spheres, the music that surpasses understanding - that has nothing to do with me, cause I'm just the channel. The only joy for me is for it to be given to me, and to transcribe it like a medium... those moments are what I live for.

What happens when I'm making a new album is I try not to listen to music that's coming out at the time. I turn off the radio and don't read any music blogs, because I tend to get really distracted by new music. When I hear it, I think, "Should I be doing that?"

My dad is a huge folk music fan, so growing up, there were always records playing in my house. Carole King, James Taylor, Simon and Garfunkel, the Beatles - I grew up with this music, and I was aware of how special this music was to a lot of people.

Music should be healing, music should uplift the soul, music should inspire; then there is no better way of getting closer to God, of rising higher towards the spirit, of attaining spiritual perfection, only if it is rightly understood.

And I hope that five years and 10 years from now, I'll be a better man, a more mature man, a wiser man, a more humble man and a more spirited man to serve the good of my people and the good of humanity.

Music's been around a long time, and there's going to be music long after Ray Charles is dead. I just want to make my mark, leave something musically good behind. If it's a big record, that's the frosting on the cake, but music's the main meal.

And whether you're drawn to gospel music or church music or honky-tonk music, it informs your character and it informs your talent.

I was listening to Ministry and Garth Brooks and Charlie Pride and Wynton Marsalis, and then I would listen to Juvenile or Lil Wayne. It's just that I'm a big fan of music. I'm a student of music. And I just want to learn and keep enhancing my education about the music.

I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls.

Trying to be really dark and alienating just felt exhausting to me, so I started going back to the music that I grew up with, whether it was African music or pop music. It took me away from being overly self-conscious about what I was doing.

Music, I find, gets you out of a trap [when screenwriting], because it speaks to your emotions directly, it's an abstract thing, it's not concerned with plot or story. And so music really helps - often I'll listen to the music and just write anything, just to get through.

Now among the other things proper to recreate man and give him pleasure, music is either the first or one of the principal;and we must think that it is a gift of God deputed for that purpose'.

Popularity gets up people's noses. But I understand the importance and the function of popular music. There is an artistic purpose. Popular music helps people to develop a curiosity and leads them towards classical music.

Well, I want to do The Music Man. I think it's an amazing opportunity, but I think that they are probably looking at major movie stars right now, and I don't blame them.

The man-worshipers, in my sense of the term, are those who see man's highest potential and strive to actualize it. The man-haters are those who regard man as a helpless, depraved, contemptible creature-and struggle never to let him discover otherwise.

I hope that five years and ten years from now, I'll be a better man, a more mature man, a wiser man, a more humble man and a more spirited man to serve the good of my people and the good of humanity.

Before I'd even started doing music or having opportunities with my own music, I was studying production and business and stuff anyway. I knew there were so many jobs within the music industry - songwriting or session playing or working at a label - and I was really interested in how it all works.

By a lie a man throws away and, as it were, annihilates his dignity as a man. A man who himself does not believe what he tells another ... has even less worth than if he were a mere thing. ... makes himself a mere deceptive appearance of man, not man himself.

It's too easy now to find music, and it's therefore too easy to dismiss music, particularly music that doesn't hit you the first time you hear it.

There is nothing more notable in Socrates than that he found time, when he was an old man, to learn music and dancing, and thought it time well spent.

Especially in repetitive music, to make a long piece of music you have to be extremely skilled in your sleight of hand. Just to make long form music it's very difficult and you really have to consider what you're putting someone through.

This has not changed: always like the first time, very, very nervous. But when the music begins, you are in the music, it's a sort of transformation. Your feeling for the music is greater and has nothing to do with your nerves. You go out of yourself.

I was introduced to classical music by my grandparents - my parents were mostly into folk and jazz. Even as a young man, I was literally unaware of the distinctions between any of that, and I still think it's pointless.

I don't think the music that I do is nostalgic in any way; I don't think about going back to nice, old-fashioned music. I'm certainly influenced by old music, but I want to bring it slap-bang up to today.

When I became a 'rock musician,' I assumed pop music was easy to write and that interesting rock music, or alternative music, was hard. It was only later I realised that writing a pop song is the hardest thing musically.

I don't hate on the whole EDM thing happening in America because, although the music is not of my taste - a little bit brash for me - I think it's also introducing a lot of young people to dance music, and then they're discovering better dance music through it.

There is no feeling, perhaps, except the extremes of fear and grief, that does not find relief in music,--that does not make a man sing or play the better.

Music can be a distraction and an escape. Sometimes a welcome escape. You need it. But music can also serve a very important social function because music can do things that mere prose, mere ordinary political agitation can't do.

People are rejecting the power of the elite, but individuals such as Snowden are doing so in a positive way, trying to change things for the better. He is a very intelligent man and obviously interested in electronic music.

In Utopia, where every man has a right to everything, they all know that if care is taken to keep the public stores full, no private man can want anything; for among them there is no unequal distribution, so that no man is poor, none in necessity; and though no man has anything, yet they are all rich; for what can make a man so rich as to lead a serene and cheerful life, free from anxieties.

When I hear music as a fan, I see fields. I see landscapes. I close my eyes and see an entire universe that that music and the voice, or the narrative, create. A music video-and any other kind of visual reference-is created by someone else.

I used to download a lot of music, and I understand it in this economy, but personally I buy my music. It feels good to be able to support a band you like. Plus, it'd be really hypocritical if I were still doing that, since I really hope people are buying and experiencing my music.

…You see, my dear friend, I am made up of contradictions, and I have reached a very mature age without resting upon anything positive, without having calmed my restless spirit either by religion or philosophy. Undoubtedly I should have gone mad but for music. Music is indeed the most beautiful of all Heaven's gifts to humanity wandering in the darkness. Alone it calms, enlightens, and stills our souls. It is not the straw to which the drowning man clings; but a true friend, refuge, and comforter, for whose sake life is worth living

You don't pigeonhole yourself, people pigeonhole you. If the world is not at a place yet where it can just be like, "This music is gay and it's music," then it's not my fault that it gets pigeonholed, it's not the people in the band's fault, it's because people won't just let music be music, people who need to put a name on something or to critique something.

Blue jean baby, LA lady, seamstress for the band. Pretty eyed, pirate smile, you'll marry a music man. Ballerina, you must have seen her dancing in the sand.

I hope, too, that my book will illuminate my belief that love of art - be it poetry, storytelling, painting, sculpture, or music - enables people to transcend any barrier man has yet devised.

I really liked punk music and experimental music that my brother was taking me to go see in the city, when I was probably, like, 13 years old. I was seeing a lot of teenagers making 'weird' music, and I think that was probably a big part of the reason that I actually started to play myself.

Because music wasn't free yet, they wouldn't really offer MP3s so you had to buy things to see if you liked it or not. Which is crazy if you think about how much music you bought and then didn't even like the stuff. It was a different world where bands made money off their music.

I am convinced that any photographic attempt to show the complete man is nonsense. We can only show, as best we can, what the outer man reveals. The inner man is seldom revealed to anyone, sometimes not even the man himself.

I always say, no matter what happens to me as a black man in country music, I can handle it if Charley Pride could handle all the stuff he went through.

This is show business, and there's room for the shows and the personalities. But I think there's also room for music, for people to play music, and there seems to be an audience developing that's willing to go listen to music again, rather than just be blown away by drum machines and choreography.

In the 1960s when the recording studio suddenly really took off as a tool, it was the kids from art school who knew how to use it, not the kids from music school. Music students were all stuck in the notion of music as performance, ephemeral. Whereas for art students, music as painting? They knew how to do that.

The sense of waking up in the morning and knowing that there is music ahead of me in the day is such an incredible feeling. The more I engage with music the more days I wake up and know that that's what's going to be there, and the things that come with music.

It's always the music first for me. But if the music isn't selling, there isn't gonna be no business. So you gotta make sure music is always the first priority.

When we talk about music, we tend to place our experiences into one of two categories: making the music and listening to it. Delineating the two seems practical and obvious. In reality, though, there are a lot of opportunities for overlap, and it doesn't matter how you get into the music as long as you connect with it.

The Goth character was a difficult thing to get my head round. I'm not really a fan of Goth music. I'm more a piano and guitar man - that's what I love.

For me, music is about expressing the inexpressible, and as I get older, man, what I feel the need to express becomes less and less poignant to others.

I naturally make commercial music: it's never been a calculated decision to make pop music. I'm a genuine pop music fan.

When it comes to the music, the traits you got to have in order to make lit music, club music, to have the swag with it, to have the lingo - I got those traits, you know what I mean?

I have very diverse tastes in music, and I don't, like, make distinctions between what I can't and can't listen to. In fact, I could never understand why anybody would do that in the first place. My attitude is, 'I can't make music if I don't like music.'

Where I've been hasn't influenced my music. It's more what I listen to. You can find music everywhere, so moving hasn't really influenced my music, more me as a person.

When I was between seven and 13, I hated music. I wasn't interested in music at all. I'd tried to listen to it just because all my friends were getting into pop music and everything, and I remember I just wasn't interested at all. I liked drawing and science.

Now there’s us, staking out our piece of cinematic turf (might be small but it’s ours). And the music has to fit the vision as specifically as it did for [Star Wars and The Matrix.] OUR music comes from THEIR music, this scrappled bunch. It is spare, intimate, mournful and indefatigable.