Top 1200 Music Practice Quotes & Sayings - Page 14

Explore popular Music Practice quotes.
Last updated on April 21, 2025.
Hip hop music and soul music have been the two main motivators for me musically. The music I make is hip hop soul, but I do make r&b music as well. I don't think I make r&b music to the point where I'm accurately categorized. There's more to what I have to offer and offer in the future. People could choose to respect it or not, but I pray that you do. As long as you get it, support it, and pay for it, it doesn't really matter.
Knowledge without practice is useless. Practice without knowledge is dangerous.
There are a lot of people who wonder why Japan is a pretty consistent influence in my music, and I think it's because the reason I started writing - my intro to electronic music was Japanese music.
We are trying our best to spread the culture of Punjabi music all over the world. With the traditional rigid Punjabi music, people always had a myth that the music is very conventional, but nowadays, we are really thrilled to see how people are loving the tunes and beats of Punjabi music.
My teachings are easy to understand and easy to put into practice. Yet your intellect will never grasp them, and if you try to practice them, you'll fail. My teachings are older than the world. How can you grasp their meaning? If you want to know me, look inside your heart.
The music business for me was never about buses and billboards you know, that was never the reason I got into the music business. The reason I wanted to get into the music business was because I genuinely, wholeheartedly love to sing. I love singing songs and telling stories and playing music, so that's why I got into the music business.
Just as full sunlight completely dispels all darkness but even a few rays provide a measure of light, so, if we complete the practice of training the mind, we will totally dispel the darkness of our ignorance, but if we engage in only some parts of the practice, this will still help to reduce our ignorance and self-cherishing .
I also combined the R&B feel with the pop music of Taiwan... I wanted to bring the R&B flavor and other Westernized sounds to my music, because that's the type of music I grew up listening to.
I'm a very optimistic person. I have the chance to listen to so much phenomenal music. Connecting with social networking to create music is a progression of what electronic music does anyway - it connects people.
Music can make a difference. There is a global nature to music, which has the potential to bring all people together. Music is truly an international language, and I hope to contribute by widening communication as much as I can.
I've never been passionate about just music, I've never seen myself going into music in that sense. My love for music has always been connected to the stories told through music, which is why I was drawn to theater and why I think 'Glee' is so powerful.
The blues. It runs through all American music. Somebody bending the note. The other is the two-beat groove. It's in New Orleans music, it's in jazz, it's in country music, it's in gospel.
In India we are creating mainstream hip hop music, than what real rap music is. The lyrics aren't that personal, since most of the music is catering to Bollywood. It's just trivial. It's a fashion here.
It's not about the number of hours you practice, it's about the number of hours your mind is present during the practice — © Kobe Bryant
It's not about the number of hours you practice, it's about the number of hours your mind is present during the practice
There's no way that music could ever go down the tubes. I can't imagine a civilization without music. When you realize today that music is such a part of people's lives. And will always be, really.
In many cases, the decision to study music has robbed them of the ability to play music. They have lost respect for music that comes from within because they have been programmed to feel "unworthy".
I remember always looking forward to listening to country music in the car with my mother, and it wasn't even something I enjoyed in the sense of music, but just being around music itself was enough.
I don't just do music for the clubs, I do music for the struggle. I do music for everyday niggas, the kids who ain't got no sense of direction. I'm trying to restore some of the morals back into the game, as far as the street.
One way to develop faith and confidence is simply to practice using it. If I were to ask you whether you're confident that you can tie your own shoes, I'm sure you could tell me with perfect confidence that you can. Why? Only because you've done it thousands of times! So practice confidence by using it consistently, and you'll be amazed at the dividends it reaps in every area of your life.
My parents met in music school and my father was a music professor and conductor. Growing up, we always had classical and contemporary music playing. There was a lot of Mozart and the Beatles.
Non-violence is the essence of the entire Buddha's teaching, and the practice of non-violence is the entire essence of the practice of Buddha dharma, Buddhist spirituality, in one's life.
Do not use thought to ground a political practice in Truth; nor political action to discredit, as mere speculation, a line of thought. Use political practice as an intensifier of thought, and analysis as a multiplier of the forms and domains for the intervention of political action.
'Music Is Worth Living For' is an exaltation of my love for music itself. It's also me pleading with myself to recognize music's eternal power and glory, in the face of hardship and pain.
I have always loved David Bowie. When he began to experiment with pop music in the 80's, I really thought there was a really fascinating reverence for it. A lot of people looked at pop music as just idiot music, or dance music, and with this he was giving it a lot of respect.
Well, of course there’s my own experience of being mutilated as a little child. Having gone through this cruel practice and all the long-term consequences that come with it, I just cannot sit back and watch it being done to thousands of little girls every year. I believe that it is my responsibility to use the attention I get to fight against the continuing practice of FGM.
Even now, at 82 years old, if I don't learn something every day, you know what I think? It's a day lost. Now, I don't practice every day. I just take the guitar, swear at it. But I should be swearing at myself. But I fool with music. I'm doing something musically all the time. And my ears are wide open for anything I can hear.
Nobody is made anything by hearing of rules, or laying them up in his memory; practice must settle the habit of doing, without reflecting on the rule; and you may as well hope to make a good painter, or musician, extempore, by a lecture and instruction in the arts of music and painting, as a coherent thinker, or a strict reasoner, by a set of rules, showing him wherein right reasoning consists.
Even though I grew up playing folk music - and surf music, originally - I was listening to Motown and Stax on the radio as well. That music always resonated with me. — © Timothy B. Schmit
Even though I grew up playing folk music - and surf music, originally - I was listening to Motown and Stax on the radio as well. That music always resonated with me.
My music is homegrown from the garden of New Orleans. Music is everything to me short of breathing. Music also has a role to lift you up - not to be escapist but to take you out of misery.
Nobody - but nobody - has ever become really proficient at golf without practice, without doing a lot of thinking and then hitting a lot of shots. It isn't so much a lack of talent; it's a lack of being able to repeat good shots consistently that frustrates most players. And the only answer to that is practice.
I've got this diverse education, growing up in classical music and existing between that and music that is more visceral, so for sure, I've always been interested in music from other cultures.
I look forward to batting practice. I look forward to practice work.
It makes no sense to me at all to give away music for free. The very fact that we have to do that cheapens the music. And there's a huge effect to that of music not playing such a big part in peoples' lives anymore.
The fact that scientists do not consciously practice a formal methodology is very poor evidence that no such methodology exists. It could be said-has been said-that there is a distinctive methodology of science which scientists practice unwittingly, like the chap in Moliere who found that all his life, unknowingly, he had been speaking prose.
The practice of yoga certainly is a fantastic practice. I only wish I would do it more. I find I can do it alone but it is much better if I have some guidance. Although I can do it alone it is a little bit sloppy. Ultimately, all of those techniques try to bring more oxygen to the brain. We can think and love better if we have more oxygen.
I think of the important things: how to prepare, how to practice, how to prepare to practice. — © Jimmy Garoppolo
I think of the important things: how to prepare, how to practice, how to prepare to practice.
I enjoy music that is commercial. I think that in order for music to be heard in a lot of different situations, you have to always consider that. Commercial music, for the most part, is popular music, and you always have to keep that in mind. It's not so much financial as making sure it gets the shot and is heard on the radio.
I'm into indie music. I think indie is going to bring back the spirit in music. There was a time when it was all about accommodating the music business, the music was getting tasteless, but the spirit is back.
I've been working to define my individual style and vision and I believe it is reflected in the music. I feel better mentally, physically and spiritually so I've brought that to the music. I still make love songs so there are some messages in the music about men appreciating their women. I'm also still bringing party and club hits but with more substance in the music.
The Peruvian flute music is . . . cool. In this music, they have not yet invented the industrial revolution that leads to excessive punctuality or the failed experiment they call the nuclear family. This is the music of elements, untarnished, unrehearsed.
We were big Clash fans, you know, big Who fans and I think we would listen to this music and talk about music and do nothing but music night and day, and when it came time to actually making our own music, you feel compelled to sort of tuck all those influences away, not show them.
In theory, theory and practice are the same. In practice, they are not.
I think in the old music, everything was so competitive. It was all about - very selfish in a lot of ways. The label sort of capitalized on that desperation and that competition. In the new music landscape, with is the democratization of the internet and music in general, I think it can be a lot more collaborative. People, instead of competing, they can actually support each other, in music.
Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.
I still make music. I still write music and I record music, I just don't trust music promotion [and] distribution right now enough to record a new set of diligently worked-upon compositions. I do trust the audience and the audiences very much.
For there are two kinds of forgiveness in the world: the one you practice because everything really is all right, and what went before is mended. The other kind of forgiveness you practice because someone needs desperately to be forgiven, or because you need just as badly to forgive them, for a heart can grab hold of old wounds and go sour as milk over them.
Obviously, it's had a huge effect on repetitive music or dance music or house music. Ambient in the last ten years has infiltrated into all those repetitive musics. I don't know what part it plays in pop necessarily but I'm sure there's some connection. But in all the music that deals with experimental repetition, drum and bass, dub, various kinds of house music, there's always been a quality of atmosphere and ambience. I think it's infiltrated that pretty heavily.
I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.
If you know the music the moment the violin string begins to vibrate, then you know how to navigate through the forest of brambles and entanglements with freedom and ease. If, on the other hand, you think that with practice the forest of brambles and entanglements will altogether disappear, then right from the beginning you are hopelessly entangled and won't find your way.
I came up at a time in the late '60s, early '70s where music was without boundaries. You'd go into a music store, and the music was in alphabetical order. I hadn't heard of that word 'genre.'
Hunter High School was a real turning point for me. I found out about its existence through the music school. Nobody I knew had gone to one of these special high schools, and my teachers didn't think it was possible to get in. But Hunter sent me a practice exam, and I studied what I needed to know to pass the exam.
The very best thing for music would be to live next door to a person who listens to loud music so you could mishear music everyday and mutate it to your own means. — © Dar Williams
The very best thing for music would be to live next door to a person who listens to loud music so you could mishear music everyday and mutate it to your own means.
There's no such thing as cheating when you're 18. That's just true. I'm very endeared by this notion of the way adolescents practice being grown ups and practice for adult morality. I remember when I was 15 and people were starting to date and someone cheated on someone. They'd say, 'He cheated on her. You know what they say, once a cheater always a cheater.'
My eighth-grade year, I was home-schooled. I'd basically wake up, go to the gym in the morning, do a little bit of school, go to practice, do a little more school, then go back to practice. My mom had a crockpot and a mini traveling oven, so we'd be cooking and eating dinners at the gym.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
I practice the martial arts. I don't practice MMA. MMA is my job, MMA is a new sport. Martial arts is the knowledge from the ages.
My memories of mealtimes are a real bleed of music and food. Music never really stopped in the music room, because everyone would move out to the table with their sitars.
Some people who make music are instantly very savvy about how they can get their music to communicate in a larger way. For me, the music was always first, and I put a lot of time and effort and thought into making the recordings. But everything else around it, all the things that were necessary to have a career in pop music, I was completely ill equipped to handle.
Theory without practice is just as incomplete as practice without theory.
There is something about performing my own music, and other people's music, that gives me pleasure. I think I learn more by doing that than I ever did studying music.
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