Top 1200 Music Teacher Quotes & Sayings - Page 16

I don't listen to Bollywood music much. But yes I listen to Indian music quite often and other non- film music.

I feel I have to play a role in the transformation of my thoughts. Music is the most powerful way for me to do that, through my own music, through listening to other people's music.

I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music and I love uplifting people through my music. That's my real goal.

It is against the spirit of our non-discriminating times to openly prefer one sort of music to another, so let's just say that hearing grand orchestral music in a public place is exhilarating in a way that hearing popular music never can be, if only because, in a popular music age, a full orchestra is less familiar to our ears.

The biggest lesson to me is that I got the music from somewhere else - the notes, the music my parents listened to, and the stuff I listened to at every age. All of that inspired the music that I made.

I want to remind people that black music is amazing. And there are all forms of it that we've forgotten, you know? Rock music is black music! Don't forget that's what it is.

I grew up with the Blind Boys' music. My family owns a music store in Claremont, California, called The Claremont Folk Music Center. I grew up with a heavy diet of gospel, folk, and blues because those are kind of the cornerstones of traditional American music.

I hope people half my age and twice my age will listen to my music - I want it to live forever and for my audience to feel like they have a friend in my music. Music is a spirit. It heals. It's an amazing thing to be loved and appreciated, and sometimes, music has not just been my best friend, it's been my only friend.

I'm overly excited to finally announce this amazing global partnership deal back home with EMI Music. I know I have mentioned doing music in the past but for legal reasons I was not in a position to release any new music.

I used to practice piano for hours, and now, with a synthesizer, you can input the music and the machine perfects the song. That's why we have so many people in the music business who should be plumbers. They don't really understand music because they haven't been trained.

I don't listen to Bollywood music much. But yes, I listen to Indian music quite often, and other non- film music.

I just love Cape Breton fiddling! I think it's very close. They derive their music from Scottish music. Well, in Donegal we're very influenced by Scottish music as well. Independently the two areas became very alike, because they kind of changed the music a bit from Scotland and we did the same.

Before I begin to write, I listen to music that inspires me. I listen to folk Punjabi music, sufi music.

If you're true to yourself, it doesn't matter where you record your music or where you say you're from. I am an artist from Texas, proud to be from Texas, but I play my own kind of music, my brand of country music.

The MTC is known for singing music by great master composers, hymns, American music, Broadway numbers, popular songs, and inspirational music. If the audience doesn't like one genre, they need only wait for the next number.

I don't compose songs to showcase my proficiency in music or to please hard-core music lovers. The basic criterion is that my work should reach all sections of music lovers.

I think that if you hear music young, whatever music you hear influences you. I'm white, but I've been influenced by black music.

Before I play matches I'm always switching myself on. That's why I have that walk-on music - Two Steps From Hell - they produce really good motivational gladiator-style music. As soon as that music comes on I'm switched on and I'm ready for a brawl!

An ear for music is very different from a taste for music. I have no ear whatever; I could not sing an air to save my life; but I have the intensest delight in music, and can detect good from bad.

A lot of people make music to sell music. I don't just sell music. I am essentially, I guess the word I want to use is, it's like an energetic transaction.

The criminal misuse of time was pointing out the mistakes. Catching them?noticing them?that was essential. If you did not in your own mind distinguish between useful and erroneous information, then you were not learning at all, you were merely replacing ignorance with false belief, which was no improvement. The part of the man's statement that was true, however, was about the uselessness of speaking up. If I know that the teacher is wrong, and say nothing, then I remain the only one who knows, and that gives me an advantage over those who believe the teacher.

I'm very conscious that I want the dance audience to respond and respect what I'm doing, so I'm always very true to the music and I honour the music in the way I see it - I don't mess around with the music.

Your teacher cannot bridge the gap between what you know and what you want to know. For his words to ‘educate' you, you must welcome them, think about them, find somewhere for your mind to organize them, and remember them. Your learning is your job, not your teacher's job. And all you need to start with is desire. You don't need a schoolteacher to get knowledge - you can get it from looking at the world, from watching films, from conversations, from reading, from asking questions, from experience.

I'm trying to fuse popular and commercial music and just make very creative music. It's popular music: it's everything for everybody.

My goal is really to continue to make music. I really don't make music to have platinum records and all that kind of stuff. I've been there. I do it because I love music, and I love uplifting people through my music. That's my real goal.

I make music that I know that people will enjoy, and balance the ideas and philosophy that we put in music with music that when we play it live, people can move to it and groove to it.

I live my daydreams in music I see my life in terms of music. I get most joy in life out of music.

I do have a big problem with the idea of music as a form of communication unless it's political - and that's where it's tricky because a lot of music is political, even if it's not overtly so. But my music isn't that; it's about a feeling.

The thing about Nashville is, it's not just country music...There's rock & roll, there's every kind of music. It's just a music town...There's so much fun stuff to get in to.

Dance has always just been an extension of music for me. It's about putting my music into motion. It's just another dimension that I tap into with my music that not many artists do anymore.

I just wanna make more music, legit music as opposed to keeping the same constant thing. I wanna show growth in the music, pretty much.

I listened to the rock music of that time, but as you know and can easily hear: my music of that era had nothing to do with the common music of this era. I was experimenting, I was searching for something new.

A dissection of music perception and creation that starts slowly and inexorably builds to a grand finish. I loved reading that listening to music coordinates more disparate parts of the brain than almost anything else--and playing music uses even more! Despite illuminating a lot of what goes on this book doesn't "spoil" enjoyment- it only deepens the beautiful mystery that is music.

My music comes from country music. Merle Haggard is God, and I do believe that. I'm not too tuned in to country music. I don't know who Brooks and Dunn are. I like Shania Twain, though!

I gave up that idea of trying to make music that I thought other people would want. I just made music for myself and music for people that I knew.

I listen to lots of music, especially Bach, opera (all periods), German lieder, chamber music, and rock, old and new. I can't listen to music while I write. It's too absorbing.

My sister loved country music. My mother loved Spanish music. And my dad was into big band music and jazz.

The best music films are not about music... Music is just the language we're speaking to tell a story about culture.

I'm not conditioned to be an entertainer. An entertainer pleases others while an artist only has to please himself. The problem with that is artists are misunderstood by all. I'm not interested in the clarinet but in music. we speak our emotions into music. An artist should write for himself and not for an audience. If the audience likes it, great. If not, they can keep away. My situation is the same. Let them concentrate on my music and not on me. I like the music. I love it and live it, in fact. But for me, the business part of music just plain stinks.

Classical music is a genre of music. It's no more complex or less complex than pop music or R&B. The elitism is weird.

Even if I don't think in visuals about the music while I'm doing it, after the music is finished, it could be great to incorporate that in the live show or doing my own music videos.

I came up during that time when music, to me, was really music. It wasn't about talking about a woman and calling them a derogatory name or something like that. It was real music.

All music is based on country music. And that's why so many different kinds of people relate to it. There are more country music fans in New Jersey than there are down South.

It's no secret that anybody who knows the music business knows that the numbers are substantially different in Christian music than they are in country music.

My family was into music. My dad was into music down south. My mom and grandmother were into gospel music so there were all types. That was my inspiration.

Music is life. Music defines peoples' experience on this planet. Name one time in your life that wasn't punctuated by the music you listened to at the time. When people are down, they listen to music that commiserates that emotion. When people are amped up, they listen to more upbeat, loud songs.

I find a difference between what gets called world music - a fusion of western music and music from different cultures in more of a modernized version - and Explorer Series stuff, which is completely undiluted indigenous folk music. That's a lot more powerful than a lot of the super-processed stuff that comes out now.

I started piano lessons at age six but didn't take music seriously until I was a teenager, when I thought about a career in music. I studied classical music, and my instruments were guitar and piano. I played keyboards in bands, and after high school I went to Vienna to study at the Academy of Music. I also became a session player, which culminated in my work with Tangerine Dream.

Yeah, I always listen to both classic and newer folk-influenced music. Singer-songwriter, alternative music. I also listen to more experimental dance music.

You don't ever want to devalue music. Music is important; it's necessary product. I always try to make sure that there's a value - that people appreciate music and realize that there's a value to it.

Super casual music listeners. That's most of the people in the world. And you have to understand, that's why Top 40 radio exists. It's not there for people who seek out music and who love music.

I feel like I can see the music and can see how the character of the music actually flows. For me, that's music to my eyes.

The dilemma of the eighth-grade dance is that boys and girls use music in different ways. Girls enjoy music they can dance to, music with strong vocals and catchy melodies. Boys, on the other hand, enjoy music they can improve by making up filthy new lyrics.

As an artist, I feel that my father's biggest influence is me realizing that music has a purpose and it's not just for business and that music is spiritual. I get that from him that music is a spiritual thing.

I think all kinds of music are being made. No one hears them. There's so much emphasis on a certain kind of music. It's difficult to find music nowadays. You have to make the effort to find it.

As the voices beneath the music are talking, you find that the music is just as important as what they're saying. The traditional thing is to lower the music so you can hear the dialogue. We just couldn't do that for that song.

I was criticized by some people for my first album because they said I was taking sacred music. They knew nothing about what I was doing. That was no sacred music; that's music I wrote.

Music has given me peace. I can remember occasions when music instantly tranquillized my mind, when I was greatly agitated over something. Music has helped me to overcome anger.

I always say this about my music, and music in general: Music is like a time capsule. Each album reflects what I'm going through or what's going on in my life at that moment.

It is difficult for a student to pick a good teacher, but it is more difficult for a teacher to pick a good student.