Top 1200 Music Theory Quotes & Sayings - Page 9

Constraint theory asks: What is the price for doing this? Now one way around constraint theory is declaring your enemy crazy. Crazy and stupid are not concepts used in forecasting. When people say they're really stupid or they're crazy, that's laziness. That means I don't want to think through their position or about what they're really going to do.

It is not the poet's business to save man's soul but to make it worth saving . . . However, few poets have written with a clear theory of art for art's sake, it is by that theory alone that their work has been, or can be, judged; -and rightly so if we remember that art embraces all life and all humanity, and sees in the temporary and fleeting doctrines of conservative or revolutionary only the human grandeur or passion that inspires them.

In music, what is very important is temporality of space and length, based on the breathing space the director gives the music within the film, by separating the music from various elements of reality, like noises, dialogues... That's how you treat music properly, but it doesn't always happen this way. Music is often blamed, but it's not its fault.

Theory without practice is just as incomplete as practice without theory.

I saw lots of music devices. I loved playing with music devices. And like most of the world, I thought of a music device as a music device. Steve Jobs tends to look beyond that, and he doesn't see a music device as having any importance at all - how fast it is, how many songs it can hold, and all that - he sees music itself to a person as a being the important thing.

England is so surrounded by the boredom of conventionalities, that it is all one to them whether music is good or bad, since they have to hear it from morning till night. For here they have flower-shows with music, dinners with music, sales with music.

Theory without data is myth: data without theory is madness.

The mathematical framework of quantum theory has passed countless successful tests and is now universally accepted as a consistent and accurate description of all atomic phenomena. The verbal interpretation, on the other hand - i.e., the metaphysics of quantum theory - is on far less solid ground. In fact, in more than forty years physicists have not been able to provide a clear metaphysical model.

We can teach about hip-hop history, we can teach about legends, hip-hop theory. It's been around so long that text books can be written about it. This is a perfect time to capitalize on and get kids excited about music education.

When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.

Of course, intersectionality theory is a confused muddle. It fights racism and sexism by classifying everyone according to race and sex. It views race and gender privilege as the root of all evil, while ignoring the role played by dogmatic ideologies held by all genders. And it is unfalsifiable - to its adherents, criticism and rejection of the theory actually demonstrate its truth, by showing how deeply we all have internalized our oppression.

I play bass. I play a bit of guitar. I've never been to a lesson, so my theory of music is non-existent in any instrument, but we always had guitars around. My dad taught me to play drums for 'Love Actually,' and I still play drums now. But I'm not a 'drummer.' I'm not a 'guitarist.' I'm trying to be a bassist.

Classical physics has been superseded by quantum theory: quantum theory is verified by experiments. Experiments must be described in terms of classical physics.

If someone points out to you that your pet theory of the universe is in disagreement with Maxwell's equations - then so much the worse for Maxwell's equations. If it is found to be contradicted by observation - well, these experimentalists do bungle things sometimes. But if your theory is found to be against the second law of thermodynamics I can give you no hope; there is nothing for it but to collapse in deepest humiliation.

A priori one should expect a chaotic world which cannot be grasped by the mind in any way... The kind of order created by Newton's theory of gravitation...is wholly different. Even if the axioms of the theory are proposed by man, the success of such a project presupposes a high degree of ordering of the objective world.... That is the "miracle" which is being constantly reinforced as our knowledge expands.

I think for me, the only depressing music is music that doesn't give credence to those kinds of feelings, music that's just written for money or commercial reasons. Sad music can be the most uplifting thing in the world.

The Darwinian theory is in principle capable of explaining life. No other theory that has ever been suggested is in principle capable of explaining life.

Theory said one thing and the experiment said something different, so that was the stimulus that started me going, that there was something there to be explained, which wasn't understood and to try to see why that experiment gave the answer it did, so it was a big opportunity for a young student starting to have actually an experiment which contradicted the theory, so that's was my chance to understand that.

I think blues music is music of the soul. Of course, there are other forms. You could call some classical music blues music in that way.

I would describe myself as a writer and a student of media. If there's a central idea in media theory, it's to take media as form. It might grow out of philosophical aesthetics or the study of literature and visual art, but the various strands of media theory converge in treating all of those as subsets of the study of media as form.

We love all kinds of music: We love pop music, we love rock music, we love R & B and country, and we just pull from all our influences. So I don't really take offense as long as people are coming out to the shows and buying the records and becoming fans of the music. At the end of the day, the music is what's gonna speak to you.

In theory, theory and practice are the same. In practice, they are not.

One problem of the String Theory is that it's kind of a theory which can explain what the problems are, but the problems are such that you can't even pin it down and say this is exactly what it predicts, so lets go out and test it. So, it's not even capable of being wrong, or being falsified, or being showed to be wrong.

I'd been making music that was intended to be like painting, in the sense that it's environmental, without the customary narrative and episodic quality that music normally has. I called this 'ambient music.' But at the same time I was trying to make visual art become more like music, in that it changed the way that music changes.

I have a counter-theory...I believe men built most things because women were shut out of political power, job opportunities, and education for most of history, and instead forced into servitude towards men in the home. I believe my theory has a lot of evidence for it, in the form of all of history.

Electronic music lends itself to an abstract way of storytelling, so it keeps evolving. Theres a whole movement truly driving music further and there is no other music innovating as much as film music

When I was a young student, I only listened to foreign music, mainly rock music and hard rock. Then I surprised myself by discovering ethnic music. Now I like to listen to music from different places, and in many situations. Even when you work, some ethnic music calms the nerves.

I think there's this essential human desire to have a unified field theory. Everyone is like, 'I want to unlock the single secret to 'Lost.' There isn't any one secret. There is not a unified field theory for 'Lost,' nor do we think there should be, because philosophically, we don't buy into that as a conceit.

I did not like that name "world music" in the beginning. I think that African music must get more respect than to be put in a ghetto like that. We have something to give to others. When you look to how African music is built, when you understand this kind of music, you can understand that a lot of all this modern music that you are hearing in the world has similarities to African music. It's like the origin of a lot of kinds of music.

Oh my God, does art engender humanity? It awakens your humanity. But humanity has nothing to do with political theory. Political theory is in the interests of one group of humanity, or one ideal for humanity. But humanity-my heavens, that's what proper art renders. We have a paradox. Going into the deepest aspects of inner space connects you with something that is the most vital for the outer realm.

I don't do black music. I don't do white music. I do fight music, unified in Christ music.

One absolutely crucial change is that feminist film theory is today an academic subject to be studied and taught. "Visual Pleasure and Narrative Cinema" was a political intervention, primarily influenced by the Women's Liberation Movement and, in my specific case, a Women's Liberation study group, in which we read Freud and realised the usefulness of psychoanalytic theory for a feminist project.

I was lucky enough to build on the work of a number of people who had already run laps around this theory-building track. The original classification scheme, years ago, distinguished radical from incremental change. The theory said that established firms managed incremental change well, but would be expected to founder when their industry encountered a radical change.

If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.

It is naïve to suppose that the acceptance of evolution theory depends upon the evidence of a number of so-called "proofs"; it depends rather upon the fact that the evolutionary theory permeates and supports every branch of biological science, much as the notion of the roundness of the earth underlies all geodesy and all cosmological theories on which the shape of the earth has a bearing. Thus antievolutionism is of the same stature as flat-earthism.

There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.

Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'

On the theory of the soul's mortality, the inferiority of women's capacity is easily accounted for: Their domestic life requires no higher faculties either of mind or body. This circumstance vanishes and becomes absolutely insignificant, on the religious theory: The one sex has an equal task to perform as the other: Their powers of reason and resolution ought also to have been equal, and both of them infinitely greater than at present.

Those experienced in work must take up the study of theory and must read seriously; only then will they be able to systematize and synthesize their experience and raise it to the level of theory, only then will they not mistake their partial experience for universal truth and not commit empiricist errors.

Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'

I got so much love for classical music and I hear so much incredible music.You should know a bunch of music and have respect for all sorts of genres and styles of music.

Nature first, then theory. Or, better, Nature and theory closely intertwined while you throw all your intellectual capital at the subject. Love the organisms for themselves first, then strain for general explanations, and, with good fortune, discoveries will follow. If they don't, the love and the pleasure will have been enough.

I'm definitely influenced by the music. We dance to music, and you have to listen to it and phrase your dancing and movement in a certain way to compliment the music. We have to work hand in hand, the dancer and the music.

I was raised a musician and I played classic music, violin, in orchestras and music comedy theaters, I have music running around in my head all the time, and if I hear music that's too interesting, I have to pay attention to it.

It's like soul music, isn't it all soul music? Otherwise what is it, non-soul music? I-have-no-soul music? Soulless music? People need to put a name on something to identify it, and I understand it.

MY THEORY: the trouble is in the mind, for the body is only the house for the mind to dwell in . . . If your mind has been deceived by some invisible enemy into a belief, you have put it into the form of a disease, with or without your knowledge. By my theory or truth I come in contact with your enemy and restore you to health and happiness.

I love the music of Lauryn Hill and Erykah Badu and more recently the music of Laura Marling. All these women share a strength and a wisdom in their voices and music that really makes me want to make music and sing.

Freud was a hero. He descended to the "Underworld" and met there stark terrors. He carried with him his theory as a Medusa's head which turned these terrors to stone. We who follow Freud have the benefit of the knowledge he brought back with him and conveyed to us. He survived. We must see of we now can survive without using a theory that is in some measure an instrument of defence.

There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.

An old French mathematician said: "A mathematical theory is not to be considered complete until you have made it so clear that you can explain it to the first man whom you meet on the street." This clearness and ease of comprehension, here insisted on for a mathematical theory, I should still more demand for a mathematical problem if it is to be perfect; for what is clear and easily comprehended attracts, the complicated repels us.

I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.

Entrepreneurship rests on a theory of economy and society. The theory sees change as normal and indeed as healthy. And it sees the major task in society – and especially in the economy – as doing something different rather than doing better what is already being done. This is basically what Say, two hundred years ago, meant when he coined the term entrepreneur.

We must alter theory to adapt it to nature, but not nature to adapt it to theory.?

Were I to deduce any system from my feelings on leaving Eton, it might be called The Theory of Permanent Adolescence. It is the theory that the experiences undergone by boys at the great public schools, their glories and disappointments, are so intense as to dominate their lives and to arrest their development. From these it results that the greater part of the ruling class remains adolescent, school-minded, self-conscious, cowardly, sentimental, and in the last analysis homosexual.

I like Celtic folk music, Native American music, and any kind of early music. There isn't a lot of music that I don't like... except for Show Tunes.

I'm a fan of the simulation theory. I tend to think that most of our existence, if not all of it, is part of a hologram created by some type of other life form, or some type of other artificial intelligence. Now, it may be impossible for us to ever know that, but a bunch of recent studies in string theory physics have proved that.

It often seems to me that's all detective work is, wiping out your false starts and beginning again." Yes, it is very true, that. And it is just what some people will not do. They conceive a certain theory, and everything has to fit into that theory. If one little fact will not fit it, they throw it aside. But it is always the facts that will not fit in that are significant.

You can't say that people don't love music anymore because they do. If we say that all the music stopped, if music stops now, the world can't handle that. We need our music.

If theory is the role of the architect, then such beautiful proofs are the role of the craftsman. Of course, as with the great renaissance artists, such roles are not mutually exclusive. A great cathedral has both structural impressiveness and delicate detail. A great mathematical theory should similarly be beautiful on both large and small scales.

There is no theory. You have only to listen. Pleasure is the law. I love music passionately. And because l love it, I try to free it from barren traditions that stifle it. It is a free art gushing forth, an open-air art boundless as the elements, the wind, the sky, the sea. It must never be shut in and become an academic art.