Top 1200 Musical Experience Quotes & Sayings

There is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical... All instruments, musical or not, become instruments.

You don't go see Primus to see what kind of new clothing I'm wearing or what my new hairdo is. You come to see Primus for the musical experience and the visual experience. I think, anyways. Maybe I'm wrong!

The extras are a nice bonus feature, but the main incentive is the musical experience.

I've always loved musical theatre. I've always been a big kind of closeted musical theatre nerd. I really have always dreamed about being able to do musical theatre.

The most consistent musical experience I had growing up was church music.

One has to draw upon one's own musical thoughts and one's own musical acumen, and not to be afraid to let that come into one's work. Perhaps that comes with more experience, but perhaps it also comes with daring, and believing that you should.

I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.

Looking back, I think I was always musical. My dad was very musical, and I think my mom was musical.

I would love to do a musical. Put that in the universe! A rom-com musical!

In the theater, it's about taking time in a musical segment, a pause in a musical way and then moving on.

Jazz is a very democratic musical form. It comes out of a communal experience. We take our respective instruments and collectively create a thing of beauty.

Digital music boils down the actual musical experience.

When I'm writing instrumental music, I try to find musical and non-musical inspirations.

Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much, you approach the songs in pretty much the same way.

I went through my adolescence having this revelatory experience - I can have any music I want, and I can get it immediately. For me and for a lot of people I know, there's this musical eclecticism that happened.

With every musical project, I ended up feeling more enriched by the experience.

If I were to do a musical, I think I would rather make a film musical.

At the end of the day, I always maintain you can substitute 'The Book of Mormon' for 'The Bible: The Musical' or 'The Quran: The Musical.'

We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.

Louie Bellson represents the epitome of musical talent. His ability to cover the whole musical spectrum from an elite percussionist to a very gifted composer and arranger never ceases to amaze me. I consider him one of the musical giants of our age.

I have mixed feelings about 'Car 54, Where Are You?' Because we shot it as a musical and whoever the studio head was at Orion, or whoever the powers that be were, cut all but, like, two musical numbers out of it. That is the same as cutting the musical numbers out of 'The Wizard Of Oz'; it wouldn't be that interesting.

So far as musical pedagogy is concerned - And by extension of musical creation - Nadia Boulanger is the most influential person who ever lived

Our live shows are a visual as well as a musical experience.

I do think musical-theater actors can get a bad rap, and I see why. There is a certain slickness - there's nothing better than an amazing musical, but an okay musical can be one of the worst times you've ever had.

Architecture produces a musical mood in our inner being, and we notice that even though the elements of architecture and music appear to be so alien in the outer world, through this musical mood engendered in us, our experience of architecture brings about a reconciliation, a balance between these two elements.

It was a huge deal, a huge musical discovery that became life lessons learned. You can't return from having an experience like that. The Blind Boys are truly the deepest well of American musical heritage you can discover.

Music is one of the closest link-ups with God that we can probably experience. I think it's a common vibrating tone of the musical notes that holds all life together.

I don't understand how other producers who have no experience making a musical jump in and produce one.

The experience awakened 'my tremendous musical ambition, which has never subsided to this day.

If the composer withholds more than we anticipate, we experience a delicious falling sensation; we feel we have been torn from a stable point on the musical ladder and thrust into the void.

The majority of people mistakenly feel like they don't need a live musical experience.

Going through this musical experience really helped us to understand the core of the film.

'Supafunkrock' is a musical gumbo. We throw all those musical influences into the pot and put it out there.

Piano playing is a dying art. I love the fact that I can be one guy with one instrument evoking an emotional and musical experience.

I love plays that have musical moments. I'm not a big fan of musicals per se, but I love straight plays that have musical edges to them. I don't know if I will ever be able to structure a musical, but 'Finer Noble Gases' is as close as I've gotten.

I don't just come from a musical family, but from a musical community.

Seskin has the gift of song...his voice has a natural lilt that can’t be learned. The combination of musicianship and repertoire make for a rich and satisfying musical experience.

Opera is a musical scenery, a musical atmosphere in which the characters move and talk.

I'm doing a play, a musical. The musical follows the Mamma Mia concept. It's my first LA theater project.

The Midwest is a musical melting pot and the source and birthplace of several musical genres.

It's been in my musical DNA since I was a little kid. I think musical theatre has really influenced everything I've done.

I've got quite a low voice, so it's not your typical musical theater voice, but I do love musicals; they're a very different experience.

Shakespeare is rhythmic; he is musical in the sense that he likes poetry, and he's musical because he constantly refers to settings where there's singing and dancing.

I've always felt a great affinity with music. I've felt myself to be more of a musician than anything else, though I'm not proficient in any one instrument. But I think I have a musical sense of things... and writing seems to me to be a musical experience - rhythmically and in many other ways.

The Ultimate Rule ought to be: 'If it sounds GOOD to you, it's bitchin'; if it sounds BAD to YOU, it's shitty. The more your musical experience, the easier it is to define for yourself what you like and what you don't like. American radio listeners, raised on a diet of _____ (fill in the blank), have experienced a musical universe so small they cannot begin to know what they like.

Every disease is a musical problem. Its cure a musical solution. The more rapid and complete the solution, the greater the musical talent of the doctor.

It's the opposite of that. Engineers in lab coats have created a musical experience that is so crisp and clean, it can literally improve your hearing.

I used to watch a lot of musicals as a kid. Musical movies, not so much musical theater.

I auditioned for a musical, and I can't sing. It was a kid's film musical, not a stage show, so I thought I could get away with it.

We've had musical stuff in the show [South Park] forever. That's mostly because Trey's a big musical fan, and he's a great songwriter. He's been writing songs his whole life. So since the beginning, we've always put a lot of musical moments.

I come from a musical family, and Carnatic music made up so much of my childhood, my upbringing, and my musical transition.

Improvising musicians are musical travelers, voyagers. There is a freedom to wander the musical landscape.

I think one's musical life should be free and open to new experience in order to keep expanding your mind and horizons.

Musical theater is an American genre. It started really, in America, as a combination of jazz and operetta; most of the great musical theater writers in the golden era are American. I think that to do a musical is a very American thing to me.

By the time I got to building synthesizers, I had perhaps 20 years' experience building electronic musical instruments.

If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.

Of course, when you see [ musical numbers] in the movie [Out To Sea ], it's cut into a lot with other scenes, but we shot the number straight through, so here I am doing it, and sitting right in front of me in the audience was Donald O'Connor. And I was, like, "Oh, my God, I can't believe I'm performing a musical number in front of Donald O'Connor," who's one of the greats of the silver screen. But it was a thrilling experience, it really was.

By the time I got to building synthesizers, I had perhaps 20 years experience building electronic musical instruments.

Whatever is original in my writing comes from my musical apprenticeship. I look for rhythm in words. I imagine words as if they were musical chords. Often I'll write something, read it, and find it musically unsatisfactory. There is a musical imperative in my choice of words.

Coldplay frontman Chris Martin has found his niche in making the sound of solitude a triumphant experience, like Good Will Hunting: The Musical.