Top 1200 Musical Quotes & Sayings - Page 2

Explore popular Musical quotes.
Last updated on September 19, 2024.
Nowadays, all students have access to and indeed most own computers and are comfortable with the software used to compose music. There are probably too many musical options for them now and the trick is to limit the number of musical ideas so as to develop structure and continuity in their work.
There's been lots of theater that uses hip-hop in it, but more often than not, it's used as a joke - isn't it hilarious that these characters are rapping. I treat it as a musical form, and a musical form that allows you to pack in a ton of lyric.
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater. — © Grant Gustin
In college, I actually majored in Musical Theater. I was pursuing a BFA in Musical Theater.
Fred Sturm has proven to be a great asset to the musical world as a teacher, composer and author. His gifts have enriched the musical life of all the people who have been fortunate enough to share his wisdom and musicality.
Probably my two biggest musical influences were the Everly Brothers and the Beatles, in chronological order. Both of them have had a very simple-sounding musical style that's actually quite complex as far as popular songs are concerned.
I really think that the Jersey Boys musical - and this is just my opinion - lends itself to being cinematic in some way, because its a jukebox musical; the characters break into song only for the scene transitions.
My mother insisted that I pursue music. I rented out my father's musical equipment and earned some money. As a child, I wasn't sure about a career goal, but I was always fascinated by electronic gadgets, specially musical equipment.
I was so busy with my studies that I didn't have a musical idol as a teenager. Later, around my 20s, I suddenly discovered the Beatles and the Rolling Stones but I guess my musical idol has always been Strauss.
I certainly have a fascination with pop music as a musical form, not necessarily as a lifelong commitment. I guess you could say I'm like a Casanova of music. I can't seem to settle down with one musical form.
I came from a really musical family. I studied classical piano because my grandparents were piano teachers, but started doing musical theater at age nine in Fresno, California, and went to a performing arts high school. That was my life.
Making a musical television show was always the ultimate dream. But I really didn't think it would ever happen. Because who's going to make a musical television show?
For the score of 'Black Panther,' the heart and soul came from immersing myself in the rich musical history of the griots in West Africa. I was following these brilliant musicians all over rural Senegal, learning their musical language.
I think you've gotta be smart enough to be competent, but you've gotta be crazy enough to go out there and just let it all happen. I mean, you can rehearse and still not be musical, be tight and not be musical; we all hated that.
To him the stars seemed like so many musical notes affixed to the sky, just waiting for somebody to unfasten them. Someday the sky would be emptied, but by then the earth would be a constellation of musical scores
Irish music in the local pubs was my first exposure to musical expression, and I feel like Irish music is very close to musical theater because it is always telling a story.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway. — © Will Chase
'Story of My Life' was essentially a two-man musical play. In hindsight, I don't know if there was room for a two-man musical on Broadway.
The producers and I first talked about the Big Fish musical, right before we did the first test screening of the movie. I said, "I think there's a Broadway musical here." And really, from that day, we started figuring out how we would do it.
At one point when I was very young, when I was first starting out, I thought, 'Well, one day I'll be able to put all the music away and become a real comedian.' But then I realized there are amazing musical comedians out there, that musical comedy is probably something I'll always want to pursue.
We incorporate various electronic devices - the echo plugs and things like that. Actually, all we're trying to do is make that sound musical. As opposed to just making sounds, we do musical things with them.
How do I put this? 'Glee' is like 'High School Musical' if 'High School Musical' had its stomach punched and its lunch money stolen.
When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
Adam Berenson knows how to compose, organize an ensemble, do musical research, play solo and trio piano, write for musical journals, and enlist others to his cause. A very fine musician.
I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.
I never imagined that Hamilton would be turned into a musical, much less a hip-hop musical. I think I can safely say that that's the last thing I would have expected.
The reality is that people need to be coaxed toward a musical. They need to understand why it's a musical.
I got into musical comedy because of Shakespeare, not because of singing. They needed someone to understudy Richard Burton. I was also going to musical auditions because the agent I had insisted I go to them.
Certainly one of the more common experiences in the jazz field is discovering someone new. Improvising musicians are capable of being musical travelers, voyagers. We want to join in on whatever we hear. There is a freedom to wander the musical landscape.
The virtuosos look to the students of the world to do their share in the education of the great musical public. Do not waste your time with music that is trite or ignoble. Life is too short to spend it wandering in the barren Saharas of musical trash.
I always wanted to make an album, but I knew that I didn't want it to be a musical theater album. It's not that I don't love them - I own every musical theater album ever made - but it just didn't seem right for me.
The artist must yield himself to his own inspiration... I should compose with utter confidence a subject that set my musical blood going, even though it were condemned by all other artists as anti-musical.
'Evita' was four pieces of slick paper and a record album. It's the most scary, to sit down and dictate a musical scene by scene. It was a musical unlike anything I'd ever seen before myself.
I do think that it's better for a musical to live its life first because if you see it on the screen, would you like to go to the theater after that? Probably not. You've seen it. And that's the mystery of a musical that hasn't been filmed. You're bloody meant to go there and buy your ticket.
If there is a good musical reason, I think it might draw more attention and sell, though it is not guaranteed. To make a record without a musical reason, you have to either be a pop star who sells automatically or just be lucky.
I am very musical. Am I a great singer? No. But I'm extremely musical.
I did a 20-minute selection of scenes from the play 'Spring Awakening' in college, well before the musical came around, so when the musical was becoming a hot thing, and I was reading interviews with Duncan Sheik about how he came to do the music, I think it's interesting.
Whether it's animated, whether it's live-action, whether it's Broadway, whether it's television, a musical is a musical is a musical. So, pretty much you approach the songs in pretty much the same way. The difference might be that in a film you have a close up. On stage you don't. So there are more songs on the stage because the songs are kind of the close up.
One has to draw upon one's own musical thoughts and one's own musical acumen, and not to be afraid to let that come into one's work. Perhaps that comes with more experience, but perhaps it also comes with daring, and believing that you should.
I got the job [in Moana], and the next day I was on a plane to New Zealand, where the rest of the team was already doing research, and meeting with different choirs, and sort of really soaking up the music, the musical world of, the musical heritage of this part of the world.
We shot 'High School Musical' in eight weeks. I spent longer rehearsing for 'Hairspray' than filming 'High School Musical'. — © Zac Efron
We shot 'High School Musical' in eight weeks. I spent longer rehearsing for 'Hairspray' than filming 'High School Musical'.
People fall into patterns at fast speeds, when really, to have a clear musical thought - the kind of musical thought that makes a melody work - our brains just can't think that fast. At a certain point, you're going on automatic.
I've never done a musical before. I've sung, off and on, all of my life. But I have never, ever done a musical.
It seems like pop singing has sort of influenced musical theatre in so many ways - you could argue good or bad, really - and musical theatre is written for that style so often, which is a completely different style.
In 1969, I wrote a musical called 'Mother Earth.' It was a rock musical with an ecology theme. We did it at the South Coast Repertory Theatre in Southern California where I was a member. It was a smash hit in this small theater.
I really think that the 'Jersey Boys' musical - and this is just my opinion - lends itself to being cinematic in some way, because it's a jukebox musical; the characters break into song only for the scene transitions.
If you develop an ear for sounds that are musical it is like developing an ego. You begin to refuse sounds that are not musical and that way cut yourself off from a good deal of experience.
Any musical form that has been around long enough to have cultural resonance beyond just being a cutting edge kind of communication - but, especially, when it begins to reflect on a time and reflect on a culture - is effective in a musical.
If you go to any fight, whether MMA or boxing, there's a whole musical soundscape to these events. There's pre-event pump up/psych-up music, there's fighter introductions, there's between rounds, so my musical needs are really diverse.
I've never had a musical career. So I think it's been unaffected. I play the accordion. In terms of thinking of it as a musical career, I think it's sort of like calling yourself an astronaut because you have a shiny suit.
I'm not a poet. I'm not up onstage to get something off my chest. I'm making musical statements, or, most of the time, musical questions for people to figure out, and I'm not going to get in the way of that.
Musical 'fusion' projects have earned themselves a bad name, but that's mainly because they often involve pop artists conscripting orchestras to play unimaginative backdrops to their acts. What's really exciting is when you spark off a dialogue between very different musical forces.
I've had offers for Broadway and Hollywood musicals, but I do not want to take just any musical. I want the musical that's right for me when I'm right for it. — © Anita Bryant
I've had offers for Broadway and Hollywood musicals, but I do not want to take just any musical. I want the musical that's right for me when I'm right for it.
You know, they were returning to the language of the people and trying to use musical language, particularly as Copland did to create a musical language in which all Americans would feel that they had a stake.
Every disease is a musical problem; every cure is a musical solution.
There is nothing wrong with loving musical theatre, but I think that it's naive to hold it superior any other musical classification, especially since these other genres have been influencing Broadway more and more in recent decades.
I want to do a musical so bad. I don't care what it is. I'm not picky. I just want to do a musical. I'm shameless, but it's true.
I was Danny Zuko in 'Grease,' and I was in the musical 'Sweet Charity' and then in the musical 'On the Twentieth Century.' They were great. I mean, singing isn't really my strong suit, but I just really enjoyed it.
I grew up doing musical theater. I went to a school for musical theater, so that was always what I wanted to do growing up.
It was a huge deal, a huge musical discovery that became life lessons learned. You can't return from having an experience like that. The Blind Boys are truly the deepest well of American musical heritage you can discover.
They had a contest where they would - for some reason, someone in the past loved musical theater, and so if you wrote a musical, they would fully fund it and put it on the main stage with full costumes and a set and everything, and my roommate said we should totally do that.
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