Top 586 Musically Quotes & Sayings - Page 9

Musicians don't respect a lot of the stuff that is on TRL and a lot of musicians think that stuff on the radio is not good musically so when musicians say that they like us it obviously feels good.

Balanchine is the number one influence for me. His work was really musically driven. He and Jerome Robbins were the ones who really showed me that dance could be about the inner relation between movement and music. When I was a student first seeing their work, I was like, 'Oh, this is a thing?'

'Love Letter' is a concept album, and whenever I do a concept album - and I love doing concept albums more than any other kind of album - it allows me to get dressed, in a way, musically.

I think it's probably, musically, probably the most sophisticated. ("The Woman in White") There's a lot more daring harmony in it than in some of my pieces... If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask, isn't it?... Sondheim is absolutely wonderful and Alan Jay Lerner was wonderful.

One of the most distinctive things about our band is Jordan's voice. It stands out - in a good way for some people and in a bad way for others. But there's no mistaking it. That gives us a lot of room to do what we want musically. With Jordan singing, it'll always sound like New Found Glory.

I'm fortunate in that I've grown up in a worshipping tradition which is quite rich musically (and music is very important to me) and has a wonderful resource of hymns from all sorts of different parts of the Church... and to go to church and be able to sing that stuff and listen to a Bach motet or indeed some charismatic choruses.

Oh, yeah. I know Dizzy. For years he's been my buddy way, way, way back. Dizzy is one of the most astute guys and one of the most learned guys in the world and knows exactly what he's doing musically.

The only time I ever really got into rap was back in the early '90s, and bands like A Tribe Called Quest, De La Soul, Gang Starr. Musically, they were really interesting. But when hip-hop acts start sampling Sting or Phil Collins, then I just don't get it at all.

Everybody's slow right now, there's nothing happening musically, everybody's all on cable television and being manipulated by all the television right now, what's on cable telling people what to listen to and stuff.

I've been musically inclined since I picked up an instrument in the fourth grade. I just really appreciate music. I love to listen to it; I love to sing. I wouldn't consider myself, like, a natural singer. I just developed it over time, honestly, just listening. I'm a great listener to music.

I'm a real big Marilyn Manson fan. I get a lot of my styles from him. Not even musically - living-wise, too. Marilyn Manson definitely shows me you shouldn't care what nobody say. I watched a bunch of his interviews, and he's not just an artist; he's one of the most intelligent people I ever saw in my life.

I liked the idea of having a record that's reggae-influenced but not musically, just lyrically. I think there's so much about Rasta culture that's interesting. Just the idea of preaching one-ness, that we're all in this together. Which I suppose is at the root of most any religion. You're gonna find it, if taken in the right context.

When people come up to me expecting me to be just like what they thought a Beatle would be, they're disappointed. I never was a Beatle, except musically. I don't think any of us was. What is a Beatle anyway? I'm not a Beatle or an ex-Beatle or even the George Harrison. I'm just a man. Very ordinary.

Sadly, I wish I had been able to play ["Miner's Prayer"] for [grandfather]. Yeah, I'll never escape the influence of him in my life. And my - his wife, my grandmother, Earlene Tibbs - those experiences with them shaped me musically probably more profoundly than anything else in my life and shaped me as a writer.

I've been hearing what a lot of people been doing and what a lot of people been putting out musically, I've been listening.

I started playing drums at about seven or eight. My mom used to let me play with the pots and pans, and instead of telling me to stop like most moms would, she just let me do it. So the noise kind of turned into music. From that point on, musically, that's what I want to do: start creating beats.

I was always drawn to the roots music, bluegrass, blues, early rock - Sun Records, Elvis [Presley]. And I still love that music to this day. Memphis never gets the credit. It's much more musically rich than Nashville ever will be. Nashville manufactured that hokey-hillbilly image way back.

There was a long time in my life where I made music that I thought my friends would like, or that I thought would get me a record deal, or what I thought I was supposed to make because that's what I was seeing in mainstream. I didn't know myself; I didn't find myself musically or, in real life.

Irish folk is probably the biggest influence musically that I've ever had. My mother's Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.

It was always a plan that we were going to have a retail side with what were doing musically, like an Apple store or Nike Town. I wanted something where you can come get everything - 'Marathon' or 'All Money' or 'Crenshaw' - and make it like an experience. Especially with what Crenshaw and Slauson meant to my story.

For better or worse, I've always been curious musically. Whether it's opera or Judy Garland or pop, I've deliberately sought those things out. I've never wanted to do the same things over and over. Some think I've accomplished what I set out to do, and others consider me a dilettante.

My intentions have been, and are always, to just really get behind what my ideas are musically and to just ride this thing out, cause it feels good, and I think for the most part it's good music. Even when it's not, I'd like to still search for something that could be even like a little bit mind-blowing or shocking to me.

I grew up surrounded by all types of cultures - French, Indian, Arabic - a melting pot of cultures, sounds, foods, people, and religions. It opened my eyes early, and I'm grateful for that. It's not about success in one area; it's about exploring the world musically and spending time in those places whenever you can.

I'm a man that's unique to the world. That's kind of the star I was born under - on the cusp of Capricorn and Aquarius. My mother is Irish-American, and my father is Afro-Panamanian, so it's kind of been the story of my life to be a bridge between different cultures and different styles, and musically, that's between jazz and R&B.

In any situation that we find in our lives, when there is something that we feel should be better, we must exert effort to try and make it better. So it's the same socially, musically, politically in any department of our lives.

Every demo I do has a mandolin or resonator on it - some element of the bluegrass or classic country world that I grew up listening to and that first drew me in. And then I always try to find somewhere for a bluesy guitar sound, because that's also what I love. Musically, I'm always finding my way home.

Musically, swing pretty much dominated in the '30s. And into the late '30s, swing is beginning to change over to bebop in the early '40s, which is exactly when this new science of theoretical physics, particularly theoretical atomic physics, was really coming to the fore.

The early Stones were adolescent rockers. They were self-conscious in an obvious and unpretentious way. And they were committed to a musical style that needed no justification because it came so naturally to them. As they grew musically the mere repetition of old rock and blues tunes became increasingly less satisfying.

I just find it really shitty that someone who never really produced anything, musically speaking, can just say, "I don't really like it." It just sucks because you put so much work into a record and someone disapproves."

Wintertime for me is a time when I do a lot of my writing in the studio. It's a time I enjoy. And it's very reflective and a very calming time of the year. Throughout the year I gather a lot of musical inspirations, and this is where I bring them to the studio and see what will evolve musically.

When I stay focused and honest about who I am and the image that I hope to portray, then I won't find myself stranded in unfamiliar territory chasing money or popularity. If the work that you do is quality, then you'll be rewarded. It's also good to stretch musically within the realm of your ability, but not if it compromises your integrity.

No, we'll never get back together. We'll remain friends, but I see her going in a completely different direction than me musically. But she'll end up doing really well if she continues on the path she's on. Because she's doing something very original.

I was truly thrilled when Alex-Zsolt played for my tribute concert titled, 'A Tribute to Richard M. Sherman.' This special concert event was held at Disney's Historic El Capitan Theatre in Hollywood, CA. Alex was great and he played my songs very musically and in supercalifragilisticexpialidocious style!

I was always pretty decent at fast stick work or doing stuff that seems impressive that's not really; I was pretty tasteful and had good ideas musically. But I had a terrible sense of tempo, which is like being a blind painter. The conductor would just rip into me, and it lasted for years.

I have a constant kind of soundtrack going on at all times. I almost always have a song in my head. I'm very musically inclined. It feeds my soul. It definitely helps me get into a mood or get out of a mood. Or inspires a mood. Honestly, it is one of my therapists - cheaper and always available.

I'll tell you what's crazy: Nobody in my family is musically inclined, no form, fashion, anything. I always had some type of connection to music though. This was long before I ever knew that I could sing, or I ever even tried to start singing. It was something different, man, it made me feel some type of way.

To get 300 songs to fit together on an album, it's not like I choose 300 songs and say these are the ones I wanted to pick. To get those 300 songs I sampled 1000's of songs and narrowed down the ones I felt worked the best musically.

It's how I learned to play guitar - sitting with Led Zeppelin and Cheap Trick records, backing the needle up and learning how to play along. When the band started, by doing something that was very obvious to us and sort of traditional, it set us apart at the time from what was happening musically.

Musically, there's a movement called the flatted fifth that's really evil-sounding. It was outlawed by the Catholic Church during the Middle Ages. That movement is what gives you a real evil sound that conjures up dark, fantastic images. It's like an audio horror movie. It personifies what a horror movie is about.

In the morning I'd write these essays, anything that I'd feel like writing, and in the afternoon, I'd spend time with my guitar. I had decided after listening to my last four or five albums that my biggest weakness musically was melody. the reason I had been singing in a monotone over the chord patterns in my songs was that I never practiced doing melodies.

It is a function of creative men to perceive the relations between thoughts, or things, or forms of expression that may seem utterly different, and to be able to combine them into some new form. Britten's Nocturne, for example, which unifies musically a group of poems by different hands, is a notable example of his power to connect the seemingly unconnected.

It’s like a language. You learn the alphabet, which are the scales. You learn sentences, which are the chords. And then you talk extemporaneously with the horn. It’s a wonderful thing to speak extemporaneously, which is something I’ve never gotten the hang of. But musically I love to talk just off the top of my head. And that’s what jazz music is all about.

I wasn't fully aware of the things that Madlib did musically, but my manager put me up on game. I'm not gonna act like I was a Madlib head when I wasn't. I didn't understand a lot of it at first. But it opened my mind to some things, and it's me bringing that gangster element to things that he does. It's like a perfect marriage.

If my life were a song it'd be called 'Here I Am' because here I am - I mean, I'm Thia and I'm here to me me, I'm here to express myself musically which I find is the best way to express myself.

Having a band was part of my heart's desire, musically. Within myself, I was saying that, 'Not until you have a band for yourself can you maintain the standard of your songs,' and the sound become a foundation. You don't have to feel around for two or three weeks for the sound because the foundation is already built.

I hate to be general, but I rely on Andrew Keenan-Bolger for all things music. Every season, he releases a mixtape on his blog of the most incredible and current music. I download it instantly, and it gets me through the season and keeps me educated musically.

The more people who come from musical backgrounds and go into promotion, production, songwriting, A&R, plus get their business head together, the better. They'll not only understand the business aspect, they'll also have a true passion and ear for how quality is represented musically. Plus consumers will always have a hunger for R&B music.

Once you get everything out of your head about what everybody else is going to think, will radio play it - and I hope they do, I really do - once you shed all of that and just be who you are, that's who I am. That's taken a lot of growing up. I've come into myself musically and as a woman, and I hope to keep growing. If you don't grow, you die.

Rarely do I finish a song lyrically before I have a musical idea there, but then again, rarely ever would I finish a song musically before starting the lyrical ideas. So a lot of the time, they come in tandem, or they just come at a glance.

To me, the most important tool is not a physical or a technical one. It's more of a cerebral one. It's your brain. It's about having an interest in experimenting musically, perhaps touching on several different genres of music. No doubt, the most important tool is the mind. It's the willingness to experiment freely.

In terms of political things, I think it's important to be more direct in terms of political statements. I think in terms of philosophical and things that you plant things and see them grow lyrically or musically, it's okay to be subtle.

If you're talking about musically, I think I understand just a little bit more about things that were mostly intuited back then - how certain timings and tones work, so I can be a little more analytical about things now.

The virtuoso element in jazz playing, all those very fast runs in the upper extremes, simply doesn't appeal to me. That's why I don't want to make my concerto "virtuosic" in the sense of a technical show-off. I want a beautiful sound and a melodic and lyrical line. I am more interested in the way someone can play musically.

I like somebody I can consider edgy, because, I also find that when people see me; the first thing they might think about me, musically, is that I rap or make beats, in the sense of trap or hip-hop or whatever, and when they hear what I actually create, they'll often be like, 'Wait a minute, I wasn't expecting this'.

Musically, what happened was this: I retired twice. I retired after The Black Crowes, and I retired after Brand New Immortals. Then, we started buying real estate, which really took up my time. I was busy. I was still teaching yoga, but I was mostly busy running business, and I was fine. I was happy.

Musically, I actually grew up listening to country music as a kid, like George Strait, Alan Jackson... all those guys. So it was kind of weird crossing over from that to pop and R&B, but you know, I love Michael Jackson, Ne-Yo, Usher, R. Kelly, Drake, Boyz II Men.

My brother (Bruno Mars) is as smart as he is because a lot of things he's doing, creativity wise, our Dad used to do. Things my father used to do visually and musically. I see a lot of my father's influence in both of us.

Most of the time, particularly with this record, 'The Light of the Sun,' I really just been standing in front of a microphone and blacking out musically, you know. I'd come back a couple hours later and there's six songs from beginning to end, you know? I don't know what I'm going to say. I don't know how I'm going to say it.

I'm a huge Cure fan. I love the Cure. The scales being tipped to when they weren't on a major label compared to when they were seems pretty meaningless. I had the good fortune of having them go before me and seeing their careers, musically at least, lose something. Like a novel written by a dead hand.

Yeah, letting go - even just musically, aside from emotionally - I find that quite challenging. Knowing the right time for letting go of my album, for instance, was a really big challenge. Knowing when to put the red flags up and say, "It's done..." And also, emotionally, with relationships.