Top 560 Musicals Quotes & Sayings - Page 6
Explore popular Musicals quotes.
Last updated on December 22, 2024.
I was a huge theater nerd when I was younger, so I was in a bunch of school musicals - Working,' South Pacific,' Fiddler on the Roof,' a very weird little operetta called Charlotte Sweet,' Nine,' The Wiz.'
Our world was Northern, black and white, so it was a great thing for my sisters and me to sit down at Christmastime and watch these fabulous MGM musicals. All that color, all those beautiful costumes.
The musicals had a good, happy feeling, saying that the world is a better place. They say it's not reality, but who cares? There's too much reality these days.
When I opened my mouth to sing as a kid, I kind of randomly had a really good singing voice. And so that put me on the actor track and the musicals track.
I had done quite a bit of stage when I was younger, local stuff, musicals. Then I started professionally, I suppose, when I was 11, in London, in the West End, which was already huge for me.
Musicals allow a depth of emotion that you don't get in another form of acting, the chord changes, the lyrics really affect people, so that in two hours, you've forgotten about things.
It's exciting to share an art form that I would never have imagined sharing with the deaf community. Doing musicals, it's not like, 'Oh, I'll do a musical with a deaf person.'
I viewed black musicals before 'Jelly' as a form of cultural strip mining. The exterior remained, but all the culture that signified where the people had come from and their connection to the earth was absent.
I grew up loving movie musicals and Idolizing Fred Astalre. I never worked with Fred but I met him once at a pool hall in Van Nuys.
Musicals are made of several climaxes that keep growing and growing; when you think it's over, it still continues growing up in plateaus.
There have been several television movies, 'Carrie 2,' two musicals! I remember thinking, the first time there was a musical on Broadway, 'Oh my gosh! The people who ordinarily go to the theaters, that's not really the audience.'
I grew up on musicals, and I know they are quite the thing now, but I'm actually a little indignant, because I started taking singing lessons years ago - I put the time in!
I started off when I was seven years old doing musicals. I was in 'Les Miserables' and 'The Sound of Music,' and my mum's an actress. My parents divorced when I was young, and when she couldn't find a babysitter, I was in the wings, sleeping.
My original perception of wrestling was not a very positive one. I didn't understand it at all, and I thought it was kind of silly and ridiculous. But as I got to know it, it was sort of like how people used to talk about musicals, to me, when I was younger.
I write plays, and I have a musical that's starting to get produced now. That's what I would love to do, but it's so hard. The only reason people are reading my plays and musicals is because I'm in movies.
It's nice to establish yourself as an actor first and a singer second. Proof is such a tremendous piece of work, and I'm incredibly lucky to be a part of it. I'm sure that the musicals will happen in the future, though.
I am under no illusion that I will ever be the greatest opera composer in the world, with Wagner and Verdi and Strauss before me. I think my work could fit very nicely into musicals, though.
We all sing about the things we're thinking; musicals are about expressing those emotions that you can't talk about. It works a real treat.
Broadway purists may deplore the influx of movie-spinoff musicals in recent years, wishing someone would turn off the popcorn machine and let more imaginative brainstorms blow through.
No, I've been singing forever. I started out doing musicals. I think that was part of the reason why they gave me the part, because I sang.
Musicals are, by nature, theatrical, meaning poetic, meaning having to move the audience's imagination and create a suspension of disbelief, by which I mean there's no fourth wall.
Organized religion and musicals present tenets to live by that don't entirely make sense but, on the whole, make people who believe them secure, thus giving an appearance of inclusiveness.
I really spent most of my childhood in my bedroom watching Barbra Streisand movies and musicals and making videos. That was kind of where it all started for me. I would go to the beach occasionally.
I was very influenced by the musicals and romantic comedies of the 1930s. I admired Gene Harlow and such, which probably explains why, since the end of my marriage, I've dated nothing but a succession of blondes.
Movies, there are moments when you're writing a song or demoing, a moment in the recording studio. Musicals much more just eat up your life for a certain period of time.
Both of my mom's parents were music teachers, so I got a lot of knowledge about everything from classical music to jazz to musicals.
I'm a pretty big dork. It's crazy. I'm one of those people who grew up with all kinds of musicals, but I was right at that age where 'Rent' was a big deal for me and for my friends.
I think with musicals, it's much more part of the script. They don't want songs that would stop the show; they need songs that keep the plot moving.
Growing up, I was always in my high school musicals and everything, but I kind of stopped doing all that when I finished school and acting became my main priority.
You know, sound was still a fairly new thing when I came into movies. And the reason musicals happened is because of sound. They could put music in the picture! That's how it all began.
Dad would always play Ray Charles in the car on the way to swimming, then we'd sing musicals. Now my heroes are Janis Joplin and Bonnie Raitt and Max Richter.
Most successful musicals need to attach themselves to something bigger than themselves, a concept that will make people feel immediately connected to it.
When I first started working at Disney animation, I can't tell you how many people said to me, 'Oh, man, take a powder.' Nobody takes animated musicals seriously. I swear.
A lot of times I'll be playing roles for which I'm too long in the tooth, but people who go see musicals don't seem to worry too much about that.
I loved musicals because I felt like breaking out in song makes so much sense to me because it's the stakes of how you feel inside!
In high school, I did some musicals, but I never took acting until college. I was studying opera, classical voice, and a speech teacher asked me to audition for this play, and I got the lead.
Kids talk to me and say they want to do musicals again because they've studied the tapes of the old films. We didn't have that. We thought once we had made it, even on film, it was gone except for the archives.
I listened to John Denver and Simon & Garfunkel. Edith Piaf was a huge favourite. Then I discovered musicals - I loved 'Les Miserables' - and, at about 14, I started listening to David Gray.
I like musicals a lot. I think probably 'Jesus Christ Superstar' is my favorite. I love Andrew Lloyd Webber for the most part. It's rare that I'll find a musical that I don't like.
I started off when I was seven years old doing musicals. I was in ‘Les Miserables’ and ‘The Sound of Music,’ and my mum’s an actress. My parents divorced when I was young, and when she couldn’t find a babysitter, I was in the wings, sleeping.
There's something to be said for any boy growing up among lots of other boys who like to play basketball and football, while all I wanted to do was put on musicals. Mentally, I was always in my own world.
There's something about some of my favorite musicals that they put me in a sort of heightened state where I feel like I'm floating out of the theater rather than walking out.
I would love to do musicals, sitcoms and even television talk shows. I think I have the potential. But most importantly, my ultimate goal as an artist is to create a new music genre like Elvis Presley.
I grew up in a community of theatre, and I always loved musicals. From a young age, the first present I ever wanted was a video camera. For me it was a great outlet to be creative.
I grew up loving music and being super involved in church choir and school musicals and such, but when I started writing is when I fell in love with the idea of doing it for the rest of my life.
Some of my favorite films are musicals, like 'Walk the Line,' 'The Rose' and 'Lady Sings the Blues.' I just love the way the music and the story fuel each other.
As far as being locked into one certain thing, that's not what I want to do. I just want the opportunity to go off and do something else, whether it's plays or musicals or whatever.
Rodgers & Hammerstein shows have a purity of unironic emotion that imprints itself upon people's hearts. They seem to touch our feelings so effortlessly. They have a scope and ambition that's missing from many musicals now.
I went to Elon University and studied musical theater. I usually did two musicals a year, but I also did a couple of plays. That was sort of always where I felt the most relaxation.
I'd been out of the movies for years, I had had a wonderful stage career, yes, in musicals and so on, but you don't really make any money in the theater.
You have to understand the medium you're writing for. People jump into writing musicals without realizing how complicated they are. Knowing one form doesn't necessarily mean you know the other. You have to be comfortable with it.
I would love to be in musical theater and be on Broadway. If someone were to offer me a position to do something like that, I wouldnt pass it down. Im a huge fan of musicals and I really want to do that.
I am a passionate, committed composer, and the guy I used to write musicals with, once he was able to ditch me and get a better composer, actually won the Tony.
I'd always done musicals, and so living in the world of straight plays and working with off-Broadway actors and living in that community was a completely life-changing experience.
I did start out as an actor. I went to Northwestern; I did musicals. I did plays.
I did musicals. It's funny, because I can hide behind a character and a voice, but when I have to bring myself and my own voice to it, it's very nerve-wracking.
I was involved with sports and student government, the regular stuff. I liked movies and all, but I did love the singing and putting on musicals, and I was always comfortable with that. I liked it.
When my daughter was younger we showed her all the great musicals. And the great dramas and great comedies, and the one that she took to the most was Some Like It Hot.
I got picked on a lot, even by teachers too. I liked to listen to musicals and bake, and my homeroom teacher found out and mocked me in front of the whole class for baking.
Broadway musicals like 'Ain't Misbehavin',' 'Eubie' and 'Bubblin' Brown Sugar' depict blacks having a light, wonderful time and that was just not so for blacks in the '20s and '30s.
