Top 560 Musicals Quotes & Sayings - Page 8

Musicals are written in English, and then we import them to Japan. When we translate them into Japanese, the sounds of the language are completely different. The Japanese language is not the best for singing, in terms of sound.

When they're watching musicals, I've heard people say, 'That's not realistic! Why would they just start singing?' But, I think they can believe it if they try! I mean, science fiction requires a suspension of disbelief, but people allow themselves to sit back and enjoy it anyway.

It's just about being an entertainer; it's about having all those tools over the years to do all sorts: films, musicals, playing a bit of piano, running a quiz show - it just becomes part of the job.

I really, really love new work, and that's why, you know, I produced a concert series supporting new musicals and stuff like that. I hope to do more things like that.

I was born in a suburb outside of Philadelphia called Lower Merion. After taking many leaves of absence, I just received my BA from NYU in Art History. I initially gravitated towards singing. Acting sort of sprang out of that as a means to participate in musicals.

I don't see that many plays, and for me, musicals are rarely pleasing. I feel the actors are being put through a kind of nightmarish labor. They're like animals being forced to pull heavy carts of vegetables at incredible speeds.

I would love to go into musicals. I got a chance to sing in 'Big Momma's House,' and that's something I would love to do more. But only in Broadway or in the movies. I don't think I would ever seek a career as a singer.

There is a strange sort of reasoning in Hollywood that musicals are less worthy of Academy consideration than dramas. It's a form of snobbism, the same sort that perpetuates the idea that drama is more deserving of Awards than comedy.

I was always into classical music and opera because I played the piano as I went through school and was very interested in Andrew Lloyd Webber musicals and stuff like that. That changed into heavy metal at around the age of 14 or 13, and I dropped the piano and started to play the guitar.

I grew up in New York till I was 5, and I remember going to see 'Annie' and some musicals as a kid, and I remember my parents being somewhat okay with us watching 'Rocky Horror Picture Show,' which, it boggles my mind that they allowed me to watch it.

In high school, the drama program shifted to musicals, and that's not a skill set I possess, so I let sports be my outlet, and I agreed to play football in college. I was invited to play at the University of Missouri, and I played there for a year, but when all of the talented people are plucked and put in one place, it's scary; it's tough.

So way back, Jonathan and I were - we were entertainers as kids. We were actors; we did theater, musicals; we ended up getting into commercials and some TV spots. Actually, one of our jobs, we were clowns.

I love musicals, but I find it's just so deadening. You know, 30 takes, you do a little piece here and a little piece there. There's hours and hours of waiting. And to me, that's as far away from real performance as you can get.

When I was about 6, my cousin was very active in a Filipino repertory company, doing musicals and plays. Her aunt was one of the founders of the company, and she told my mom that there were these auditions for 'The King and I,' and that they needed kids. I auditioned, got in and the love affair started from there and just kept going.

When I switched to screenplays - 'cause I had done musicals and plays - the first assignment in film school was, you have to write a silent film. And it's tremendously helpful to learn how to do that because dialogue can be a crutch. If you can master a silent film, you're golden.

I'm not a fan of musicals at all, but I do think 'The Nightmare Before Christmas' is a very good. I always thought 'Walk the Line' was very good, too. I was in 'Nowhere Boy.' I played Paul McCartney. That was kind of musical - we did songs in that.

I played piano growing up. I played classical piano since I was 5, and I sang in choirs, and I sang in plays and musicals.

I did all the musicals in high school, and I loved it. And then I got to theater school at college, and was like, "No, I'm a serious actor. I want to do Shakespeare. I want to do classical theater." I took myself very seriously.

I think 'West Side Story' is one of the greatest, if not the greatest, musicals ever put onscreen - or stage, for that matter. I, frankly, like Zeffirelli's 'Romeo and Juliet' very much, too. I grew up with that... I loved it. I loved the score; I loved the acting.

I didn't really start going to see a lot of musicals and live theater probably until I was in seventh or eighth grade, maybe my first year of high school, and by that time I'd probably seen 'Grease' twice a year every year of my life.

I loved musicals, and I loved Barbra Streisand, and I loved Louis Malle. My tastes were very bizarre, but the thing they all had in common is that they took me out of my life and made me feel something.

I love film scores and opera, and I wanted to work in those forms. But theater was more accessible. And no one was doing this in the late 1970s, when I began working in the theater. So, I have written scores for thirteen plays, which are not musicals, but straight plays.

That was my intention, was to have it be from the perspective of my high-school-aged self, and to try and emulate the music that I listened to at that time. So to write essentially like a pop-punk song about musicals. I wanted the dichotomy of the tone of the music with the lyrics and my singing voice.

The TV schedule is fantastic. It allows you to have a life. Theater actors are so disciplined - especially if you're doing musicals, you have to be in shape physically, mentally, and have to be on your game all the time. That's exhausting. On TV, especially a sitcom, you have a lot of free time to play.

While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.

I always had an eye toward the stage for the story of Hamilton's life, but I began with the idea of a concept album, the way Andrew Lloyd Webber's 'Evita' and 'Jesus Christ Superstar' were albums before they were musicals.

I know, it's weird that I've never done a musical. I turned down two of them. 'The Lion King' and 'The Producers.' I turned two of the biggest Broadway musicals down, am I a mess?

Other than a few years of piano as a kid, I don't have all that much musical training. I played piano for all the musicals in high school and was in a few bands, but never really considered music as a viable career until I was in college.

I feel like a lot of my past career was going to film school, making a lot of different kinds of movies. I made a bunch of comedies, I made one drama and I made a couple musicals.

I think we sublimated our Broadway desires by doing theater in Hollywood - not on stage but by doing the movies of 'Chicago' and 'Hairspray' and also musicals on TV. We did Rodgers and Hammerstein's 'Cinderella' and 'Gypsy' and 'Annie.' Even 'Smash' was like doing theater.

I think there's a perception of me that I'm the dark lord of all that is scary and gory, but that's completely false. I love musicals. My house is very bright and lit. It's not what people would really expect from a Saw director, but I think that's what allows me to do the things that I do.

I don't want to denounce musicals because they certainly have a message they want to communicate. But with straight plays, there is a focus on what's going on between people and relationships. I think so much is happening in the world at the moment, so many changes politically and culturally, writers are writing about that.

The biggest myth I'd like to bust isn't about me - it's about musicals. So many people dismiss the entire art form through highbrow snobbery, but I think a lot of those people would be suprised if they actually saw some.

I grew up in musicals, and if you looked like me and sounded like me, you were the character; you were never at the center of the story.

Although the civil-rights movement did a lot to change how black life was dramatized on the American stage in the fifties and sixties, white composers and lyricists often still rely on familiar tropes when it comes to representing black women in musicals.

When musicals don't work, they really don't work. But when they work, and someone is singing because they can't speak anymore, or they're dancing because they can't move anymore, moving is not enough to express - it's this beautiful thing.

I always wanted to be an actor. It sort of prevented that whole - I never had any of that kind of angsty period old and doing musicals at camp and community theater and plays at school; it was just always what I most enjoyed and always what I intended to pursue.

I used to audition for musicals when I was in New York before I moved to L.A., but I couldn't quite hit a certain note, so I saw a teacher in L. A. who helped me get better at it. She showed me how to use a different part of my voice. You are never too old.

My acting started with musicals in elementary school, so singing is something I've always done, never done professionally - so you're not going to find me on "The Voice" or anything - but it is something that I have a lot of fun doing, and can do well enough to keep up with people in shows.

No, writing musicals is the hardest thing in the world. And it was really funny, because I remember when the South Park movie came out, there were some critics that said, 'Well it's obvious that in order to get it to be 90 minutes they filled some time with music.'

But the truth of the matter is, that was fairly, fairly early on in Goebbels' 800 movies that he made in Germany. The majority of them, especially once the war got going, you hardly saw Nazi officers in it at all. They were mostly musicals and comedies and melodramas and stories of great German men from the past.

The musicals that I loved, growing up - many, many. 'Singing in the Rain,' of course, is a classic, I love 'Meet Me in St. Louis.' I love 'Funny Face,' Stanley Donen's beautiful movie. It's really countless for me.

I had been making films for almost ten years, and the head men at RKO thought of me only in terms of musicals. I found no fault with that, except I just couldn't stand being typed or pigeonholed as only a singing and dancing girl. I wanted to extend my range.

I think that kids need to grow up watching what I grew up watching - great entertainment; you know, Judy Garland and all these musicals that bring song and dance and acting all together in a polished way.

It wasn't until high school that I actually started writing. I was in a lot of the school plays and musicals, and there was a lot of down time during rehearsals. I would go into the orchestra pit and mess around on the grand piano.

I always enjoyed participating in artistic endeavors, and I remember in high school participating in chorus, drama and singing madrigals, mainly because they were an easy A. I loved being in plays and musicals too, but you didn't really get credit for those.

I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.

I definitely knew I wanted to be an actor in high school. I was doing plays and musicals, and I loved 'Saturday Night Live' and thought that was what I wanted to do - funny sketches and comedies. So I knew then, but I didn't know how to go about it, but I found my way.

I always loved soul music. My dad was a very religious guy, and we would listen to a lot of gospel and soul music. My college girlfriend introduced me to musicals. She listened to them, so that was the first time I heard 'Dream Girls.'

I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.

From musicals to plays, I was part of all things theatrical all through my school life in Chandigarh, and this helped me develop a strong love for theatre and acting. Even during college, I was active in the theatre scene and even founded two theatre groups.

Acting is fun. I enjoy it, but there is just not many opportunities to do it on a serious level. It is kind of either bad community musicals, or if you are lucky enough to be cast in something serious. I feel like you really have to be going after it, and for me I am a little bit distracted.

I'm not going to be labeled a black filmmaker. I am not here to just tell black stories. I'm here to tell all kinds of stories, musicals and dramas.

I've had offers for Broadway and Hollywood musicals, but I do not want to take just any musical. I want the musical that's right for me when I'm right for it.

We did a lot of high school productions. My first was 'Twelfth Night.' I played Viola. We did 'Much Ado About Nothing' and 'Taming of the Shrew,' and a lot of musicals: 'The Wiz,' 'Bye Bye Birdie,' 'Oliver.'

I'd love if between 'La La Land' and 'The Greatest Showman' we generate a new wave of movie musicals because, as an art form, musical narrative is so engaging and has produced some of the most iconic moments in cinema history.

If you know what you want to do, as I always loved musicals, and then to have been lucky enough to be successful with them, I think that's all you can ask isn't it? I think I don't really think too much about it. I am a bit shy socially, yeah, I admit that.

I sung from an early age and I was always given nice parts in school musicals, but I definitely wasn't the golden girl. I didn't have the guts. You've got to have a real confidence in yourself to be like: "I'm gonna be a singer and write songs." I never thought it would go anywhere because it's so unattainable to be a singer.

If you're a good actor, you should be able to do soap, comedy, Shakespeare, musicals, pantomime, and something like 'Frozen.' Of course, you will be better at some things, but who says you can't do them all? The intent should always be to stretch yourself and broaden your horizons.

I was obsessed with X-Men as a kid, and I would have to go and play every last one of them. My sister was obsessed with Barbies. So we would create these X-Men-Barbie combos and perform weird musicals where they interacted with each other.