Top 1200 My Own Style Quotes & Sayings - Page 17

I have been training under Melvin Louis and Dimple Kotecha. They're very different people and their styles and training procedures are also different. Melvin is more into the improvised version, he mixes hip-hop, street style, Bollywood etc. He is more into the madness and gives me the freedom to try my own thing.

Everyone his own cinematographer. His own stream-of-consciousness e-mail poet. His own nightclub DJ. His own political columnist. His own biographer of his top-10 friends!

I'd like to see the comics' style expanded. I'd like to see artists synthesize traditional comics arts style with fine-arts styles or whatever. I like to see innovation. I don't like it when an art form becomes stagnant.

I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.

The dancing style in Bollywood has changed a lot after 2000, mainly because of the dance-based reality TV shows. Everyone knows about the varied dance styles nowadays. The actors are also quick to pick up dance forms such as locking, popping, breaking and hip-hop. So, this factor has changed the industry's dancing style as a whole.

I would say that the most complex style of singing comes from India. Real, classical Indian music produces probably the best technical and natural singers in the world, just because the patterns and the inflection are so complex in how the style moves and what it requires vocally. I think the best classical singers come from India.

There's a certain kind of wrestling fan that will only like a certain style. They think that's the right way, and that's okay, but I'm not trying to impress those people. Those people are already kind of set in their ways. I'm trying to open the world to a different style, what pro-wrestling has the potential to be.

Anybody who loves country music loves gospel. Even they are competing with the same type of problem that I'm competing with. We older artists are competing with the new style of country, with their new modern style of gospel, with the young people.

Johnny Ramone's autobiography is a no holds barred, straight-forward book written in a no-nonsense style that is Johnny personified. His story is written in his own actual words, so the reader gets an insight into what made him the unique, charismatic and exciting individual that he was. It also gives a great view of The Ramones from Johnny's perspective.

Like MCs, each chess player has his own style: how he likes to open, when he likes to attack. Just like we face off with each other lyrically, we challenge each other's minds on the chessboard. Sharpen each other's swords.

I just want a man -a real, two-balled masculine guy -and there aren't many of them around, believe me. But I do want somebody my own age, and somebody who has brains enough to keep me interested and to earn enough money to support me in the style to which I've become accustomed.

The essence of a sound style is that it cannot be reduced to rules-that it is a living and breathing thing with something of the devilish in it-that it fits its proprietor tightly yet ever so loosely, as his skin fits him. It is, in fact, quite as seriously an integral part of him as that skin is. . . . In brief, a style is always the outward and visible symbol of a man, and cannot be anything else.

I'm my own boss, my own editor, my own shooter, my own writer, everything. This is all stuff I learned through trial and error... failing at a lot of things has taught me how to succeed at them eventually... you roll with the punches.

I don't know that we're beating anyone at their own game. I just think that we tried to include a lot of Nashville entities from the very beginning, just to see if that would work. We were trying to take my music to a different level and some people wanted me to change my style and my image, obviously that's not going to happen so we simply thanked those people for their time.

The same people own the media that own the White House that own the Congress that own the oil fields. They all work together to give a false view of the world to the American people.

The big clubs will always talk about the same names such as Ancelotti, Mourinho, and Wenger. Louis Van Gaal is always in there as well. He has his own style and is a very determined man. He knows exactly what he wants. He's got direction, the ability and experience at big clubs such as Barcelona and Bayern Munich.

To regret one’s own experiences is to arrest one’s own development. To deny one’s own experiences is to put a lie into the lips of one’s own life. It is no less than a denial of the soul.

I support the constitutional right of American women to consult their own conscious, their own support of partner, their own minister, but then make their own decision about pregnancy.

The photographer Ruth Bernhard used to tell me that this is like asking somebody how they evolved their signature. It is not something I've ever worked on consciously. I think style is just the end result of personal experience. It would be problematic for me to photograph in another style. I'm drawn to places and subject matter that have personal connections for me and I photograph in a way that seems right. Where does it all come from, who knows?

I have always challenged myself and it's also important to learn from the rivals. Every rider has his own style, and you have to count on some elements that cannot be changed. On the contrary, the bike or the tires can change and it's important to adapt yourself. It's up to the rider to understand what he can change and how much he can adapt.

Chet Atkins, I love his singer style and the country thing that he did. He really had a huge impact in my life, just his style - western swing and the country thing he did - it really changed my life.

As a teenager, I read a lot of H.P. Lovecraft, so I wrote like H.P. Lovecraft. And in my 20s, I read a lot of Ross Macdonald and Raymond Chandler, so I wrote like those guys. But, little by little, you develop your own style.

I wear things that aren't in fashion. I wear colors that aren't in fashion. And as a result of that, I kind of bring it back. I feel like nothing really ever goes out of style. It's just what the media and what people tell people to wear. I think having your own sense of fashion is important.

A race of people is like and individual man; until it uses its own talent, takes pride in its own history, expresses its own culture, affirms its own selfhood, it can never fulfill itself.

I thought that Wu-Tang was the best sword style - the best sword-style of martial arts. And the tongue is like a sword. And so I say that we have the best lyrics, so, therefore, we are the Wu-Tang Clan.

Look at someone like Steve Jobs. His look wasn't very special - black turtleneck and jeans - but he had style. He looked the same, and you knew it was him when you saw him. Plus, he was a very smart person, which is also very attractive. His style was simple, not distracting, and very strong.

Every genuinely literary style, from the high authorial voice to Foster Wallace and his footnotes-within-footnotes, requires the reader to see the world from somewhere in particular, or from many places. So every novelist's literary style is nothing less than an ethical strategy - it's always an attempt to get the reader to care about people who are not the same as he or she is.

I don't think about how many times how many heroines have said 'I love you' to how many heroes on screen and that I am also doing the same. It is how differently I can say the same thing in my own style or how I can bring a new element into it.

I was a young age, 16 years old, in Mexico. I traveled to these different countries, and I have the new style from Mexico and TNA. I wrestled two years in Florida, then back in Japan, and everything combined for a new style. It's different. I was looking for old school wrestling that looked new.

[Hollywood] studios are handing out money to make independent films now, but they all want the same thing. They want the style and the deadpan delivery of RESERVOIR DOGS or FARGO and so they imitate those movies. They want PULP FICTION, but they get it all wrong! They get the detachment, but that's it. And then it's all about style, and in the end what do you learn about the characters? Nothing. You learn you wasted two hours.

I just have to come clean and admit I am an extremely, painfully slow writer. I have this unfortunate - or fortunate, I'm not sure which is correct - habit of editing while I'm writing which everyone tells me that I shouldn't do that. But that's just the way I write and I think it's important to stay true to your own writing style and momentum.

I have never learned to read or write music so I am not a virtuoso musician like the others you mentioned. I am completely unable to play like them because I never learned classical music, I just developed my own crazy style!

Drug misuse is not a disease, it is a decision, like the decision to step out in front of a moving car. You would call that not a disease but an error in judgment. When a bunch of people begin to do it, it is a social error, a life-style. In this particular life-style the motto is "Be happy now because tomorrow you are dying," but the dying begins almost at once, and the happiness is a memory.

My mum taught me a lot about fashion in terms of knowing what looks good on you and developing my own sense of style. Even when we were shooting the Sunglass Hut campaign, we went through racks of clothing together, and ultimately I decided on a short, more fitted peplum dress, while Mum opted for a sexy blazer and black leggings.

I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.

To me, a lot people really get wrapped up in the technical side of metal and what's metal and what's not and more double-kick and more blast beats and more technicality, but for me, I'm a song person. So I think you can write good songs in any type of style of rock and any type of style of metal, and that's kind of what I'm a fan of.

If people are not sharing their faith in your church, if they're not having a quiet time, if they're not living godly lives, then you need to change your style of preaching. You are obviously not seeing lives changed through the Word of God. So what is the problem? The problem isn't the Word. The problem is your preaching style.

I really, really like Nicole Richie, and the only reason why I always bring her up is because I'm impressed with her style evolution. This is someone that came onto the scene that people didn't necessarily view as a style icon, and she completely switched up the game. And I like how she takes risks with fashion.

Football is a great love because I was born into a family of players and therefore born into football. I'm fortunate to have a style of play that a lot of people like. It's a privilege to be able to do what I like best and in my own way, but I'm fortunate that people like it, and that motivates me even more.

I'd say the player whose style most resembles mine would be Neymar. That's because I played with a sense of joy and you can see that he feels the same and really enjoys his own play. He doesn't play for himself or just to entertain the fans - he plays for his team. He uses his quality and skill for the good of the team.

There was, I think, a feeling that the best science was that done in the simplest way. In experimental work, as in mathematics, there was "style" and a result obtained with simple equipment was more elegant than one obtained with complicated apparatus, just as a mathematical proof derived neatly was better than one involving laborious calculations. Rutherford's first disintegration experiment, and Chadwick's discovery of the neutron had a "style" that is different from that of experiments made with giant accelerators.

I think when people have the freedom to tell their own story rather than trying to be specific to a certain design or style, there's more freedom, and it ends up feeling more like home. Those spaces we see in magazines and on the Internet are beautiful, but if there's not that story there, then it's going to lack that feeling of home.

It's akin to style, what I'm talking about, but it isn't style alone. It is the writer's particular and unmistakable signature on everything he writes. It is his world and no other. This is one of the things that distinguishes one writer from another. Not talent. There's plenty of that around. But a writer who has some special way of looking at things and who gives artistic expression to that way of looking: that writer may be around for a time.

I started when Chris Rock did 'Bigger & Blacker.' I used to watch that before I went onstage as inspiration to get hype, but I noticed I started taking on his cadence and talking like him. I was also doing the New York-style comedy thing, which was angry and annoyed. I was creating a persona instead of trying to embrace my own.

I am a bird of God's garden and I do not belong to this dusty world For a day or two they have put me here in this cage of my own body I did not come here of my own I will not return of my own to my own country.

With my fight style - speed and volume punching - it would be an amazing fight. Golovkin is a come-forward fighter. It would be fireworks, a fight that the fans would enjoy. Because of my style, I would stop him due to the pure amount of punches. Whether it's a cut or he gets tired, stopping him would definitely be on the cards.

If properly dried and trimmed, New York-style pizza could be used to make a box for Chicago-style pizza. I love a slice when I'm in NYC, but it's like eating a Slim Jim compared with a filet mignon. One slice of Gino's East stuffed sausage pizza is a bigger meal than an entire New York pie.

The difference between working on Asian and American films is in the producer and director; everyone has their own style. But, Hollywood has a lot more money; they can spend a lot on films, and time. In Europe, there's a small budget and thinking about commercial. Only budget and taste is different between there and Hollywood.

Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.

When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.

My style of play won't ever change, because I enjoy that aggressive style of golf. It allows me to play my best. When I attack pins, I stay more focused. I get more into the shot and, consequently, I get more out of the shot and out of my game by playing aggressive.

I know this sounds weird, but I was into storyboarding when I was younger. I loved coming up with my own style through fashion blogs and magazines. But I've never liked trying things on. I don't know why. It was more about making mood boards. I've loved fashion my whole life, but more the imagery of it than actually wearing it.

Think about what you like and then think about why - was it the shape? The hem length? And then repeat over and over until you find your signature style. And if you ever get sick of your signature style... change it! That's the beauty of fashion.

I never modeled myself after anyone. The person who had most influence on me was my mother, but it was really for her strength and courage more than her style, even though she had a lot of style. In a weird way, looking at pictures of me when I was 17 or 18, I was dressing the same way. I haven't changed very much.

I never make films thinking 'This is my film. This right here is undoubtedly Kim Jee-Woon style.' I am not even sure what 'Kim Jee-Woon style' is. When I make films, I never allow myself to make hard-set decisions ahead of time.

I do care about style. I do care, but I only care about style that serves the subject.

There wasn't any particular player I modeled my game after. I tried to learn from everyone and create my own style. I studied past players... Truth be told I never had a favorite player. It's just not my nature to go around idolizing people. I just go try to learn.

Just make sure you find your own style rather than going with what everyone else is wearing. If you feel comfortable, it's going to get you noticed in the right way. That's better than worrying about what everyone else is wearing and feeling awkward. That's the most important thing.

Style begins with the people passing through one’s life, the harbingers we push against and the stylemakers we want to clone. Some are famous, some not. Style grows from admiration, from longing, from discrimination—and, yes, from love. It’s all the places you’ve been to and the people and the moments you’ve known: the parts you’ve adopted, to keep forever, and transformed. We wear our history in our hearts and on our backs.

Work is style, and there is style without thought; not in theory, only in fact. When I take a sentence in my hand, raise it to the light, rub my hand across it, disjoin it, put it back together again with a comma added, raising the pitch in the front part; when I rub the grain of it, comb the fur of it, re-assemble the bones of it, I am making something that carries with it the sound of a voice, the firmness of a hand. Maybe little more.