Top 1200 Mystery Novels Quotes & Sayings - Page 5

Truth never envelops itself in mystery, and the mystery in which it is at any time enveloped is the work of its antagonist, and never of itself.

When something out of the ordinary happens, it is ridiculous to say that it is a mystery or a portent of something to come... the mystery is created in (their) minds, and by waiting for disaster, it is from their very minds that it occurs.

To me, Alan Turing was a mystery - it was sort of like something I needed to unravel. And he was also obsessed with puzzles. So I wanted to make the movie like a mystery, like a puzzle that you're piecing together.

If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.

Rae Chorze Fwaz was a mystery school. A mystery school is an occult order comprised of people who study meditation, enlightenment and psychic and occult arts.

As far as benefits to reading historical novels, there are several! For one thing, you learn about life in another era. Secondly, these novels help us to develop a deeper understanding of the legacy of women who came before us and the strides made by our ancestors.

From a large planet of overwhelming magnitude, unlimited resources and endless mystery, the Earth has suddenly become a small planet, thoroughly explored, limited in resources, and reduced in mystery.

Days pass when I forget the mystery. Problems insoluble and problems offering their own ignored solutions jostle for my attention, they crowd its antechamber along with a host of diversions, my courtiers, wearing their colored clothes; caps and bells. And then once more the quiet mystery is present to me, the throng's clamor recedes: the mystery that there is anything, anything at all, let alone cosmos, joy, memory, everything, rather than void: and that, 0 Lord, Creator, Hallowed one, You still, hour by hour sustain it.

People who attack biography choose as their models vulgar and offensive biography. You could equally attack novels or poems by choosing bad poems or novels.

In all my novels, a sense of place - not just geographic but social - is a critical element. I have always been drawn to the novels of Edith Wharton, among others, where social dynamics are crucial. Wharton's class consciousness fascinates me, and some of the tension in my books stems from that.

We live on a minute island of known things. Our undiminished wonder at the mystery which surrounds us is what makes us human. In science fiction we can approach that mystery, not in small, everyday symbols, but in bigger ones of space and time.

Crime seems to change character when it crosses a bridge or a tunnel. In the city, crime is taken as emblematic of class and race. In the suburbs though, it's intimate and psychological, a mystery resist to generalization, a mystery of the individual soul.

I walked out of a restaurant with my sister Sana and the next day it was all over the media, 'Sooraj seen with a mystery girl'. That mystery girl was my sister. It's not fair. They should have some protocol.

Poetry can only be made out of other poems; novels out of other novels.

Good novels are not written by orthodoxy-sniffers, nor by people who are conscience-stricken about their own unorthodoxy. Good novels are written by people who are not frightened.

The ocean of solutions is within, enliven that. It's a world of clues, a world of mystery but the mystery can get solved, you can find a lot of answers for these things within.

They become the keepers of the mystery. They place themselves between the communicants of the religion, and the immediate experience. And then they dictate the terms on which you can have contact with this wonderful mystery. We don't dictate those terms.

I often say to my students in workshops that if they are trying to find literary inspiration, they should not go and read novels, because novels are more appropriate for series. Where as they should read short stories - that's the right format for you to be able to actually display the narrative in a film.

I guess in my own life, privacy, anonymity, and the mystery of being lost are important. I also feel that people are mysterious and complex no matter what they do, and no matter how hard they try to reveal their own mystery.

I like taking genres and subverting them. I did that with 'In the Valley of Elah.' I said, 'Okay, this is just a murder mystery. Relax.' And then, two thirds of the way through, I broke every convention of a murder mystery.

The difference between graphic novels and web comics is even greater than graphic novels and story boarding. Web comics really is a legitimately separate genre.

Mahmoud Darwish wrote that "extreme clarity is a mystery." That sounds right to me. I don't want anyone hunting for anything ancillary to the true mystery. If that means risking being thought of as glib or dull or banal or stupid or whatever, I guess that will just have to be the way it is.

Novels are usually built on conflict, sometimes very, very difficult conflict. It's why men write war novels - because there you go, there's the conflict writ large.

The light is no mystery, the mystery is that there is something to keep the light from passing through.

For my part, it is not the mystery of the incarnation which I discover in religion, but the mystery of social order, which associates with heaven that idea of equality which prevents the rich from destroying the poor

One of the things that I love about writing novels is that it really doesn't matter what next step you take as long as you're pursuing some intuition or instinct. Of course, then, intuitions or instincts don't make for great novels, but they often make for good first drafts.

People think of science as rolling back the mystery of God. I look at science as slowly creeping toward the mystery of God.

I like taking genres and subverting them. I did that with In the Valley of Elah. I said, "Okay, this is just a murder mystery. Relax." And then, two thirds of the way through, I broke every convention of a murder mystery.

The greatest mystery a man ever learned, is to know how to control the human mind, and bring every faculty and power of the same in subjection to Jesus Christ; this is the greatest mystery we have to learn while in these tabernacles of clay.

People lose it when I say this, but I'm a novelist who doesn't read novels. There are lots of good reasons for not reading novels! I'm also a game writer who doesn't play games - I keep everything very separate. The only crossover with me is comics. I write them, and I read them passionately.

Every man is half God, half man; he is both spirit and flesh. That is why the mystery of Christ is not simply a mystery for a particular creed: It is universal.

A good parson once said that where mystery begins religion ends. Cannot I say, as truly at least, of human laws, that where mystery begins justice ends?

I think a director can make a play happen before your eyes so that you are part of it and it is part of you. If you can get it right, there's no mystery. It's not about mystery. It's not even mysterious. It's about our lives.

It's very important to reveal the mystery of the pyramid. Science in archaeology is very important. People all over the world are waiting to solve this mystery.

The seed of mystery lies in muddy water. How can I perceive this mystery? Water becomes clear through stillness. How can I become still? By flowing with the stream.

One of my basic feelings is that the mind, and the heart alike, of the photographer must be dedicated to the glory, the magic, and the mystery of light. The mystery of time, the magic of light, the enigma of reality - and their interrelationships - are my constant themes and preoccupations.

In 'Lost,' they really believed in the mystery box and not looking too much inside the mystery box. It was some kind of idea generator that you didn't need to dissect and open up. And that's absolutely fascinating and an engaging way to tell a story.

When I was young, there was no such thing as YA. You simply went from reading children's novels to reading adult novels. So one year, I was reading Tove Jansson, and the next year, I was reading Stephen King.

Life holds one great but quite commonplace mystery. Though shared by each of us and known to all, seldom rates a second thought. That mystery, which most of us take for granted and never think twice about, is time.

Now this is a mystery to a carnal heart. They can see no such thing; perhaps they think God loves them when he prospers them and makes them rich, but they think God loves them not when he afflicts them. That is a mystery, but grace instructs men in that mystery, grace enables men to see love in the very frown of God's face, and so come to receive contentment.

I love written books and novels, but I really love graphic novels and comic books!

Where mathematics and spirit join, where proof of the existence of mystery-salvific mystery-shimmers just below the surfaces of human perception, experience and the linguistic veil itself, Killarney Clary's new book-her best to date-dwells, plumbs, persuades and thrills.

The mystery at the center of 'Burial Rites' is not who killed whom on the night of March 13, 1828. It is the mystery each of us encounters: Can we every truly know another? Can we ever truly know ourselves?

Maybe there are times when mystery is more important than knowledge. I realized that the white page is a magic box. Ultimately, the mistery box is all of us. Ubiquitous technologies. What comes next ? Mystery as catalyst for imagination.

I didn't particularly change my name to Fonda because I knew who Fondas were. It's still going to remain a mystery. I keep it as a mystery. So, maybe one day I'll tell the story of how I changed my last name.

Our practice is not to clear up the mystery. It is to make the mystery clear.

my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.

I like the freedom of novels. With the memoirs, I always had to keep to the facts. I like that with novels, if I want to go off and write something quite dramatic or outrageous or something completely different, I can do it if I want to.

The full meaning of life, the collective meaning of all human desires, is fundamentally a mystery beyond our grasp. As a young man, I chafed at this state of affairs. But by now I have made peace with it. I even feel a certain honor to be associated with such a mystery.

I think you can safely say that the mystery in 'Twin Peaks' as we started to explore more is very large, there are many aspects to it and the hope is that people will find things that they are interested in in all sorts of things related to the larger mystery.

I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.

For me the Anita series is built like a mystery series, which means that as much as possible each book stands alone, so you have a mystery to solve from the beginning to the end of the book.

We keep thinking of deity as a kind of fact, somewhere; God as a fact. God is simply our own notion of something that is symbolic of transcendence and mystery. The mystery is what’s important.

The first thing we see about a short story is its mystery. And in the best short stories, we return at the last to see mystery again

The mystery lies in the here and now. The mystery is: What is one to do with oneself? As you get older you begin to realize the trick time is playing, and that unless you do something about it, the passage of time is nothing but the encroachment of the horrible banality of the past on the pure future. The past devours the future like a tape recorder, converting pure possibility into banality. The present is the tape head, the mouth of time. Then where is the mystery and why bother kicking through the ashes? Because there is a clue in the past.

I entered a poem in a poetry contest around 1987, and the poem won and I received $1,000 for it. That made me realize that maybe what I was writing was worth reading to people. After that, for some reason, I turned to novels and I've written mainly novels ever since.

See what's inside a drop of water. The whole seed of the universe. Come, come. See what's inside a drop of blood. The composition of life. It's all there. Hate as well. We approach the mystery of life, but it's impossible to understand the mystery of hate. The kind of hate that causes people not only to kill, but to want to erase you from the census of births. I have to concentrate on that mystery. Read everything there is. It has to be in a drop of blood. It has to have its chemistry.

The easiest way to solve a mystery is to decide that there is no mystery to solve.

Apart from the underlying mystery of all things, there is also another possible specific mystery in this situation: Why did I become so interested in Buddhism, Zen and so on? I seem to have a Buddhist voice in my head, and someone asked me about this recently, saying he was intrigued.

The structure of my novels has nothing to do with the narrative mode of cinema. My novels would be very difficult to film without ruining them completely. I think this is the area where writers need to place ourselves: from a position of absolute modernity and contemporaneity, creating a culture of objects which cinema cannot.