Top 617 Mythology Quotes & Sayings - Page 9

Love, love, love – all the wretched cant of it, masking egotism, lust, masochism, fantasy under a mythology of sentimental postures, a welter of self-induced miseries and joys, blinding and masking the essential personalities in the frozen gestures of courtship, in the kissing and the dating and the desire, the compliments and the quarrels which vivify its barrenness.

Every country has a founding mythology. For Americans, it starts with our first president's youthful encounter with a cherry tree and refusal to tell a lie. Mr. Trump would do well to find inspiration in that story, which goes to the heart of what makes America different - and our foreign policy effective - around the world.

The thing about playing gods, whether you're playing Thor and Loki or Greco Roman gods or Indian gods or characters in any mythology, the reason that gods were invented was because they were basically larger versions of ourselves.

Steve Jobs was rare: a C.E.O. who actually had a huge impact on his company's fortunes. Contrary to corporate mythology, most C.E.O.s could be easily replaced, if not by your average Joe, then by your average executive vice-president. But Jobs genuinely earned the label of superstar.

Medical training taught me the art of breaking down the complex maze of stories, symbols and rituals into clear systems. You could say that it helped me figure out the anatomy and physiology of mythology and its relevance in a society more incisively. How is it that no society can, or does, exist without them?

I think airports are places of huge human drama. The more I see of it, the more I am convinced that Heathrow is a secret city, with its own history, folklore and mythology. But what has surprised me is the love the people who work there feel for the place. Everyone seems to think they are plugged into something majestic.

It seems obvious to me that the notion of God has never been anything but a kind of ideal projection, a reflection upward of the human personality, and that theology never has been and never can be anything but a more and more purified mythology.

Because of ignorance, I wasn't a big fan of Marvel. I hadn't read the magazines. They were not as big in Europe as they are in the United States. They're more a part of modern American mythology. I know more about the original Thor than the Marvel Thor.

Tolkien was such a brilliant writer in so many ways. He was truly an inspiration. Many people don't realize just how much he researched and how much he based his stories and characters on mythology of various types. He was very deep and in many ways a genius.

I would never call myself a cancer survivor because I think it devalues those who do not survive. There's this whole mythology that people bravely battle their cancer and then they become survivors. Well, the ones who don't survive may be just as brave, you know, just as courageous, wonderful people.

It's like our go-to notion of innocent and secure mythology of American life. I was always amazed when people would come up to me and say that 'Far from Heaven' was exactly what it was like back then. [laughs] I was so disinterested in what it was 'really like' in the 1950s when I was putting the film together, I was only interested in what it was like in movies.

Do you know what a skin walker is? It's a thing in Indian mythology. There are certain people born with this gift, and they're able to actually get inside you and mess with your feelings and with your mind. And if a skin walker chooses to get a hold of you, there's not much you can do.

In mythology and palmistry, the left hand is called the dreamer because the ring finger on the left hand leads directly to the heart. I find it a very poetic idea. And that's why I only wear nail polish on my left ring finger.

Israel is too attached to America, too influenced by America. It should be connected to Europe. America is based on mythology - the free man, the individual, the open frontier. Europe is more conscious of history. Take Britain and Shakespeare. You shape your identity through history.

When the Prince of Piedmont [later Charles Emmanuel IV, King of Sardinia] was seven years old, his preceptor instructing him in mythology told him all the vices were enclosed in Pandora's box. "What! all!" said the Prince. "Yes, all." "No," said the Prince; "curiosity must have been without.

The more that you travel the more you get the sense of the word as a larger place and the more you get a sense of the variety of history and mythology. And when you know about these things you can incorporate them into what I feel is a more rich and more large tapestry of fantasy.

In mythology and palmistry, the left hand is called the dreamer because the ring finger on the left hand leads directly to the heart. I find it a very poetic idea. And thats why I only wear nail polish on my left ring finger.

For decades now, Republicans and Democrats have shared the same mythology around the great American meritocracy. The only real difference was that republicans thought the American meritocracy was already perfect and Democrats believed it could be perfected if we just dealt with racism and sexism and other forms of bigotry.

My own view is that violence is a part of classical Haida literature - and of every mythology everywhere, so far as I can tell - because it's part of life itself. In the world of the hamburger stand and the supermarket, or the vegan café and the ashram, you might try to tell yourself it's possible to be nonviolent. In a hunting and gathering society, violence is more difficult to hide.

I think - since I was about 7 years old - that was when I was first introduced to the comics called 'Amar Chitra Katha' that are published in India. They're not about a superhero, but they encompass all the stories of India, the folklore, the mythology, everything. But most of these stories are about Indian historical figures.

I just love rolling up my sleeves and doing research, and I especially love doing research on the origins of folklore and the origins of mythology.

In this age of vampires, what I love about 'True Blood' the most is that it's a post-modern take on it. 'Sookie Stackhouse' series author Charlaine Harris and 'True Blood' creator Alan Ball turned that whole mythology upside-down... It's not just about vampires. It's about a lot of different things.

The Met is such a powerful place for me because it's a natural connection between the ancient world and the modern world. And when you're dealing with ancient mythology, trying to put a modern spin on it, you really can't do much better than to call on the Met.

Shakespeare said that art is a mirror held up to nature. And that’s what it is. The nature is your nature, and all of these wonderful poetic images of mythology are referring to something in you. When your mind is trapped by the image out there so that you never make the reference to yourself, you have misread the image.

According to Greek mythology, humans were originally created with four arms, four legs and a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.

I was nurtured on Greek Mythology and the classical epics. I lived and breathed Homer. Other mythologies - the Russian, the Norse, the Persian, the Indian, Egyptian, etc. - all came later. First and foremost were the Greeks, and they were all living in my head as though I were Zeus and they were a clamoring Chorus of Athenas.

I love to read about music and about art, but I don't try and take things about mythology or guidelines as to how I'm to behave as an artist. It's the realm of intellectual debate. Actually, more and more my direction is trying to get further away from being self-conscious of what the parameters are of the mainstream, where it intersects with the underground.

I still really love the world and the universe and the mythology of 'Halo.' If I was given control, I would really like to do that film. But that's the problem. When something pre-exists, there's this idea of my own interpretation versus 150 other people involved with the film's interpretation of the same intellectual property.

The importance of the End of time is as ... a psychological event ... When you have seen the radiance of eternity through all the forms of time ... and it is the function of art to make that visible to you ... then you have really have ended life in the world as it is lived by those who only think only in the historical, concretizing terms. This is the function of mythology.

Music, feelings of happiness, mythology, faces worn by time, certain twilights and certain places, want to tell us something, or they told us something that we should not have missed, or they are about to tell us something; this imminence of a revelation that is not produced is, perhaps, the esthetic event.

Not the wretchedest man or woman but has a deep secretive mythology with which to wrestle with the material world and to overcome it and pass beyond it. Not the wretchedest human being but has his share in the creative energy that builds the world. We are all creators. We all create a mythological world of our own out of certain shapeless materials.

You're basing your laws and your whole outlook on natural life on mythology. It won't work. That's why you have all these problems in the world. Name them: India, Pakistan, Ireland. Name them-all these problems. They're all religious problems.

I go back and research, say, every reference to the Gorgons, and I find what the classical writers said about them and it's so much richer than you might get in an average Greek mythology text. I feel like an archaeologist - I'm dusting off these things that people have not seen for thousands of years and bringing them into the modern world.

The United States is a society in which people not only can get by without knowing much about the wider world but are systematically encouraged not to think independently or critically, and instead to accept the mythology of the United States as a benevolent, misunderstood giant as it lumbers around the world trying to do good.

In how few words, for instance, the Greeks would have told the story of Abelard and Heloise, making but a sentence of our classical dictionary.... We moderns, on the other hand, collect only the raw materials of biography and history, "memoirs to serve for a history," which is but materials to serve for a mythology.

As every past generation has had to disenthrall itself from an inheritance of truisms and stereotypes, so in our own time we must move on from the reassuring repetition of stale phrases to a new, difficult, but essential confrontation with reality. For the great enemy of truth is very often not the lie-deliberate, contrived and dishonest-but the myth-persistent, persuasive and unrealistic. Mythology distracts us everywhere.

I walk out into a nature such as the old prophets and poets Menu, Moses, Homer, Chaucer, walked in. You may name it America, but it is not America. Neither Americus Vespucius, nor Columbus, nor the rest were the discoverers of it. There is a truer account of it in Mythology than in any history of America so called that I have seen.

I'm really proud of being part of that whole geek/chic, girl nerds, glasses are sexy and all of that because I think it's true. In America, I don't know about in other places, but there is this mythology about the way a woman is supposed to be and look and act and that's what makes them sexy. And I love being the alternative to that.

What's most remarkable about the conservative activists who promote a small, hysterical group of conspiracy theorists claiming a Muslim theocracy is the greatest threat facing America today is that they are also promoters of the mythology that America was founded and should be governed as a Christian nation - or, when they're feeling magnanimously ecumenical, a "Judeo-Christian" nation.

One of the things I'm trying to do over and over again in my books is create new mythologies, create new ways to understand the complexity of the world. I think what mythology does is impress upon chaotic experience the patterns, hierarchies and shapes which allow us to interpret the chaos and make fresh sense of it.

The wedding is the chief ceremony of the middle-class mythology, and it functions as the official entrée of the spouses to their middle-class status. This is the real meaning of saving up to get married. The young couple struggles to set up an image of comfortable life which they will be forced to live up to in the years that follow.

The mythology about the UN is absolutely breathtaking. People believe it costs a great deal of money to the United States. Completely untrue: it doesn't. The United States makes a net gain. People believe it's a world government, although the UN is a pathetically weak organization which improvises in emergencies to try to prevent the worst from happening.

Brazil obviously connotes something in my mind to do with desire, sexuality and freedom. In fantasy, in mythology, Rio is the iconography of the imagination. In essence, we're all sex tourists. I've never been to Rio and I've never been to a psychoanalytic convention, but in a sense, Rio is symbolic of desire, some sort of ultimate ecstasy.

I always point out to my Passover guests that the Hebrews were not living in isolation. They were at the crossroads of several great, elaborate cultures with their own mythology and religion and art and architecture and cultural belief. In fact, so many of the mythologies of the world describe the same events, just from different points of view.

Mythology is a set of primitive lies that people rarely believe. This is rather different from history, which is a set of lies that people actually believe.

Photography is there to construct the idea of us as a great family and we go on vacations and take these pictures and then we look at them later and we say, 'Isn't this a great family?' So photography is instrumental in creating family not only as a memento, a souvenir, but also a kind of mythology.

Literature is conscious mythology: as society develops, its mythical stories become structural principles of story-telling, its mythical concepts, sun-gods and the like, become habits of metaphoric thought. In a fully mature literary tradition the writerenters intoa structure of traditional stories and images.

Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics.

Although it is tempting to imagine an ancient era innocent of biochemical weaponry, in fact this Pandora's box of horrors was opened thousands of years ago. The history of making war with biological weapons begins in mythology, in ancient oral traditions that preserved records of actual events and ideas of the era before the invention of written histories.

If you read folklore and mythology, any kind of myths, any kind of tall tales, running is always associated with freedom and vitality and youthfulness and eternal vigor. It's only in our lifetime that running has become associated with fear and pain.

The cool thing about being a writer is: you get to make stuff up. When I started wring about Vampires, I realized, I can take everything i did like about that mythology and anything I didn't like, I didn't have to; because until a real Vampire stands up and says, 'you've got it wrong,' it's anyone's game.

The Victorian language of flowers began with the publication of 'Le Language des Fleurs,' written by Charlotte de Latour and printed in Paris in 1819. To create the book - which was a list of flowers and their meanings - de Latour gathered references to flower symbolism throughout poetry, ancient mythology, and even medicine.

'Trolls' was a blank slate - there was no world, no mythology. We talked a lot about the Grinch and we liked how they showed his heart growing, but how do you show a photographable device like that for the Bergens? We ended up using color for a lot of that: desaturating and then pulling the saturation up.

I see all mythology as one tradition, a way of disseminating knowledge that must come to us in code so that we can live sanely with it, since some forms of knowledge are too dark, or too complex, to be plainly spoken. And so we have these weird (and also sometimes entertaining and surprising and heartening) tales that belong to all of us.

When reviewing my novel Dreams of the Compass Rose for the Magazine of F&SF, master fantasist Charles de Lint called it "engaging and resonant, creating a new mythology that feels so right one might be forgiven for thinking that it's the cultural heritage of some forgotten country or people that have been lost to history." This of course I take as the highest compliment, since it was indeed my sincere intent.

I've come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.

After chiding the theologian for his reliance on myth and miracle, science found itself in the unenviable position of having to create mythology of its own: namely, the assumption that what, after long effort, could not be proved to take place today had, in truth, taken place in the primeval past.

It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. Each new historical era mirrors itself in the picture and active mythology of its past or of a past borrowed from other cultures. It tests its sense of identity, of regress or new achievement against that past.

The mythology in rock n' roll is that I'm a bit of a loose cannon. Yet I've produced more music than anybody in my generation. So how much of a loose cannon am I? But the general public believes that I'm a loose cannon, so let them believe it. I'm not going to correct them.

Clearly, mythology is no toy for children. Nor is it a matter of archaic, merely scholarly concern, of no moment to modern men of action. For its symbols (whether in the tangible form of images or in the abstract form of ideas) touch and release the deepest centers of motivation, moving literate and illiterate alike, moving mobs, moving civilizations.