Top 645 Myths Quotes & Sayings

Europe is so much the home of Horror, with its myths of vampires, werewolves, witchcraft and the undead, yet it's like those myths were exported to Hollywood, leaving Europe the room to develop a new tradition as a way of processing its traumas, particularly the two world wars.

Sick in my soul I tried to face the ordeal of seeking forgiveness. From whom? What God, what Christ? They were myths I once believed and now they were beliefs I felt were myths.

Science must begin with myths, and with the criticism of myths.

I wish, to be honest, that there were more myths about me. I wish I was more of a mythical person, and that then I'd have myths to dispel.

Songs are like myths. Myths are useful because they allow you to cast yourself and your life and your own experience. And for some people, 'Fire and Rain' speaks to them in that way.

Thus science must begin with myths, and with the criticism of myths; neither with the collection of observations, nor with the invention of experiments, but with the critical discussion of myths, and of magical techniques and practices.

What is becoming more interesting than the myths themselves has been the study of how the myths were constructed from sparse or unpromising facts indeed, sometimes from no facts in a kind of mute conspiracy of longing, very rarely under anybody's conscious control.

I'm always interested in debunking myths if they are untrue. But it's also important to identify myths and how they function, what value they may have.

I have discovered that if you take all the places of Greek myths, those specific locales turn out to be abundant fossil sites, but there is also a lot of natural knowledge embedded in those myths, showing that Greek perceptions about fossils were pretty amazing for prescientific people.

Fables should be taught as fables, myths as myths, and miracles as poetic fantasies. To teach superstitions as truths is a most terrible thing. The child mind accepts and believes them, and only through great pain and perhaps tragedy can he be in after years relieved of them.

One can discern a few very general myths that facilitate the birth of further myths: that everything is possible; that whatever we have failed to explain in normal and earthly terms must have paranormal or supernatural explanations; and that science, being rational, cannot explain the irrational, such as taste and love.

All my stories are like the Greek and Roman myths, and the Egyptian myths, and the Old and New Testament.

Myths are public dreams, dreams are private myths. We must be willing to get rid of the life we planned, so as to have the life that is waiting for us. I have bought this wonderful machine — a computer ... it seems to me to be an Old Testament god, with a lot of rules and no mercy.

Now the myths represent the Gods themselves and the goodness of the Gods subject always to the distinction of the speakable and the unspeakable, the revealed and the unrevealed, that which is clear and that which is hidden: since, just as the Gods have made the goods of sense common to all, but those of intellect only to the wise, so the myths state the existence of Gods to all, but who and what they are only to those who can understand.

Collective guilt is borne by what is conventionally called the scapegoat. Now the scapegoat for white society - which is based on myths of progress, civilization, liberalism, education, enlightenment, refinement - will be precisely the force that opposes the expansion and the triumph of these myths. This brutal opposing force is supplied by the Negro.

I stick closely to the structure of the myths. I may have some fun with the mythology by changing the environment to modern-day, but the structure of the myths, the monsters, the relationships of the gods - none of that is made up.

Myths are public dreams; dreams are private myths. By finding your own dream and following it through, it will lead you to the myth-world in which you live. But just as in dream, the subject and object, though they seem to be separate, are really the same.

Myths are public dreams, dreams are private myths.

We still like to make up stories, just as our ancestors did, which use personification to explain the great forces of our existence. Such stories, which explain how the world began or where the sun goes when it sets, we call myths. Mythology is a natural product of the symbolizing mind; poets, when not making up myths of their own, are still commanding ancient ones.

Myths of the heroes are cosmic creation myths in microcosm. They depict, in no matter how subtle variation, the eternal battle we wage to release the creative energies within ourselves and in the world.

I was always interested in myths growing up. So, first I got into some Roman myths, then I was interested in Norse, then Celtic, then I started spreading to all the other mythologies.

Religion is not about accepting twenty impossible propositions before breakfast, but about doing things that change you. It is a moral aesthetic, an ethical alchemy. If you behave in a certain way, you will be transformed. The myths and laws of religion are not true because they they conform to some metaphysical, scientific or historical reality but because they are life enhancing. They tell you how human nature functions, but you will not discover their truth unless you apply these myths and doctrines to your own life and put them into practice.

Perhaps the greatest myth being purveyed, is that myths are just myths.

It's only recently that I've come to understand that writers are not marginal to our society, that they, in fact, do all our thinking for us, that we are writing myths and our myths are believed, and that old myths are believed until someone writes a new one.

If the equality of individuals and the dignity of man be myths, they are myths to which the republic is committed.

Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.

I think we're always in the process of writing and rewriting the story of our lives, forming our experiences into a narrative that makes sense. Much of that work involves demythologizing family myths and cultural myths - getting free of what we have been told about ourselves.

For what are myths if not the imposing of order on phenomena that do not possess order in themselves? And all myths, however they differ from philosophical systems and scientific theories, share this with them, that they negate the principle of randomness in the world.

The pro-gun propaganda peddled by the National Rifle Association feeds myths about gun ownership, and these myths arguably perpetuate the suffering of thousands of Americans each year.

A myth is a way of making sense in a senseless world. Myths are narrative patterns that give significance to our existence. Whether the meaning of existence is only what we put into life by our own individual fortitude, as Sartre would hold, or whether there is a meaning we need to discover, as Kierkegaard would state, the result is the same: myths are our way of finding this meaning and significance.

In different places you run into myths around vaccination or around family planning. In the United States, one of the myths that existed for a long time, that has been completely debunked, was that autism was linked to a vaccine.

Through dreams a door is opened to mythology, since myths are of the nature of dreams, and that, as dreams arise from an inward world unknown to waking consciousness, so do myths: so, indeed, does life.

It may be said that myths give to the transcendent reality an immanent, this-worldly objectivity. Myths speak about gods and demons as powers on which man knows himself to be dependent, powers whose favors he needs, powers whose wrath he fears. Myths express the knowledge that man is not master of the world and his life, that the world within which he lives is full of riddles and mysteries and that human life also is full of riddles and mysteries.

Men do not invent Myths. They only invent fables, and tell lies. True Myths create themselves, and find their expression in the men who serve their purpose.

I therefore claim to show, not how men think in myths, but how myths operate in men's minds without their being aware of the fact.

Myths, whether in written or visual form, serve a vital role of asking unanswerable questions and providing unquestionable answers. Most of us, most of the time, have a low tolerance for ambiguity and uncertainty. We want to reduce the cognitive dissonance of not knowing by filling the gaps with answers. Traditionally, religious myths have served that role, but today — the age of science — science fiction is our mythology.

I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture.

It's not about superheroes. This is the method of universal storytelling that all people have... To me, they're the same as the Greek myths or the Roman myths or religious figures of every religion. These are common characters that we use to express stories about being a better person or what you would do when faced with various things.

... the job [at the Manhattan Institute] gives me a platform where I can focus on the themes that I explored in both Gusher of Lies and Power Hungry: that the myths about "green" energy are largely just that, myths; that hydrocarbons are here to stay; and that if we are going to pursue the best "no regrets" policy with regard to energy, then we should be avidly promoting natural gas and nuclear energy.

Myths are the world's dreams. They are archetypal dreams and deal with great human problems. Myths and dreams come from the same place. They come from realizations of some kind that then have to find expression in symbolic form.

Dialectic, which is the parent of logic, came itself from rhetoric. Rhetoric is in turn the child of the myths and poetry of ancient Greece. That is so historically, and that is so by any application of common sense. The poetry and myths are the response of a prehistoric people to the Universe around them made on the basis of Quality. It is Quality, not dialectic, which is the generator of everything we know.

Read myths. They teach you that you can turn inward, and you begin to get the message of the symbols. Read other people's myths, not those of your own religion, because you tend to interpret your own religion in terms of facts -- but if you read the other ones, you begin to get the message.

As we were developing 'Umbral', and I was delving into the mythology and legends, I had a sudden realisation. 'Wasteland' is about people who fervently believe new myths and legends, but they turn out to be false; whereas 'Umbral' is about people who reject ancient myths and legends, but they turn out to be true!

Myths are the prototype for all stories. When we write a story on our own it can't help but link up with all sorts of myths. Myths are like a reservoir containing every story there is.

The more real things get, the more like myths they become. There have always been myths, but the myths of earlier times were, Im convinced, bad ones, because they made people sick. So certainly, if we can tell evil stories to make people sick, we can also tell good myths that make them well.

I don't believe in myths of decline or myths of progress, even as regards the literary scene.

"The myths," says Horace in his Ars Poetica, "have been invented by wise men to strengthen the laws and teach moral truths." While Horace endeavored to make clear the very spirit and essence of the ancient myths, Euhemerus pretended, on the contrary, that "myths were the legendary history of kings and heroes, transformed into gods by the admiration of the nations." It is the latter method which was inferentially followed by Christians when they agreed upon the acceptation of euhemerized patriarchs, and mistook them for men who had really lived.

It helps to regard soul as an active intelligence, forming and plotting each person's fate. Translators use "plot" to render the ancient Greek word mythos in English. The plots that entangle our souls and draw forth our characters are the great myths. That is why we need a sense of myth and knowledge of different myths to gain insight into our epic struggles, our misalliances, and our tragedies. Myths show the imaginative structures inside our messes, and our human characters can locate themselves against the background of the characters of myth.

There is something feeble, and a little contemptible, about a man who cannot face the perils of life without the help of comfortable myths. Almost inevitably some part of him is aware that they are myths and that he believes them only because they are comforting. But he dare not face this thought, and he therefore cannot carry his own reflection to any logical conclusion.

Everything I write now might have roots in myths, often disguised,often dissolved into new multi-ethnic myths of my own making.

Your quest is for darkness only. This sea is not your sea. The myths of men are not your myths. Men's treasures are not yours.

The flood will lift the ghosts from the Hollywood lawn cemetery and they will disappear like ether in the now dead air. All the names will be erased from the billboards and the theatres and the piers and the magazines and the monuments. You live by myths of immortality, and your myths are not safe.

Myths are about the human struggle to deal with the great passages of time and life--birth, death, marriage, the transitions from childhood to adulthood to old age. They meet a need in the psychological or spiritual nature of humans that has absolutely nothing to do with science. To try to turn a myth into a science, or a science into a myth, is an insult to myths, an insult to religion, and an insult to science. In attempting to do this, creationists have missed the significance, meaning, and sublime nature of myths. They took a beautiful story of creation and re-creation and ruined it.

Unfortunately, too many executives believe the myths about trust. Myths like how trust is soft and is merely a social virtue. The reality is that trust is hard-edged and is an economic driver.

to change our realities, we also have to change our myths. As history amply demonstrates, myths and realities go hand in hand.

I think of evolution as a myth, like the Norse myths, the Greek myths - anybody's myths. But it was created for a rational age.

writers are makers, not just transmitters, of myths. Literature offers not only myths but counter-myths, just as life offers counter-experiences - experiences that confound what you thought you thought, or felt, or believed.

Beware of self-indulgence. The romance surrounding the writing profession carries several myths: that one must suffer in order to be creative; that one must be cantankerous and objectionable in order to be bright; that ego is paramount over skill; that one can rise to a level from which one can tell the reader to go to hell. These myths, if believed, can ruin you. If you believe you can make a living as a writer, you already have enough ego.

What the Greeks and Romans considered myths, we consider fairy tales. We can see how very clearly the myths, which emanated from all cultures, had a huge influence on the development of the modern fairy tale.

We make up any excuse to preserve myths about people we love, but the reverse is also true; if we dislike an individual we adamantly resist changing our opinion, even when somebody offers proof of his decency, because it's vital to have myths about both the gods and devils in our lives.