Top 1035 Nancy Drew Quotes & Sayings - Page 18

Nico strode forward. The enemy army fell back before him like he radiated death, which of course he did. Through the face guard of his skull-shaped helmet, he smiled. "Got your message. Is it too late to join the party?" "Son of Hades." Kronos spit on the ground. "Do you love death so much you wish to experience it?" "Your death," Nico said, "would be great for me." "I'm immortal, you fool! I have escaped Tartarus. You have no business here, and no chance to live." Nico drew his sword-three feet of wicked sharp Stygian iron, black as a nightmare. "I don't agree.

On a cold, fretful afternoon in early October, 1872, a hansom cab drew up outside the offices of Lockhart and Selby, Shipping Agents, in the financial heart of London, and a young girl got out and paid the driver. She was a person of sixteen or so--alone, and uncommonly pretty. She was slender and pale, and dressed in mourning, with a black bonnet under which she tucked back a straying twist of blond hair that the wind had teased loose. She had unusually dark brown eyes for one so fair. Her name was Sally Lockhart; and within fifteen minutes, she was going to kill a man.

I shall never forget how I was roused one night by the groans of a fellow prisoner, who threw himself about in his sleep, obviously having a horrible nightmare. Since I had always been especially sorry for people who suffered from fearful dreams or deliria, I wanted to wake the poor man. Suddenly I drew back the hand which was ready to shake him, frightened at the thing I was about to do. At that moment I became intensely conscious of the fact that no dream, no matter how horrible, could be as bad as the reality of the camp which surrounded us, and to which I was about to recall him.

Unoka went into an inner room and soon returned with a small wooden disc containing a kola nut, some alligator pepper and a lump of white chalk. "I have kola," he announced when he sat down, and passed the disc over to his guest. "Thank you. He who brings kola brings life. But I think you ought to break it," replied Okoye passing back the disc. "No, it is for you, I think," and they argued like this for a few moments before Unoka accepted the honor of breaking the kola. Okoye, meanwhile, took the lump of chalk, drew some lines on the floor, and then painted his big toe.

So erst the Sage [Pythagoras] with scientific truth In Grecian temples taught the attentive youth; With ceaseless change how restless atoms pass From life to life, a transmigrating mass; How the same organs, which to-day compose The poisonous henbane, or the fragrant rose, May with to-morrow's sun new forms compile, Frown in the Hero, in the Beauty smile. Whence drew the enlighten'd Sage the moral plan, That man should ever be the friend of man; Should eye with tenderness all living forms, His brother-emmets, and his sister-worms.

Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-sa What I said: “Political thriller? International thriller? Financial thriller? Whatever you call it, The Ascendant is smart, edgy, fast-paced storytelling at its best. Its unlikely hero, Garrett Reilly, reminded me of a young Jack Reacher as a tech-savvy bond analyst. Drew Chapman is a debut novelist to watch.

I had been hungry all the years- My noon had come, to dine- I, trembling, drew the table near And touched the curious wine. 'Twas this on tables I had seen When turning, hungry, lone, I looked in windows, for the wealth I could not hope to own. I did not know the ample bread, 'Twas so unlike the crumb The birds and I had often shared In Nature's diningroom. The plenty hurt me, 'twas so new,-- Myself felt ill and odd, As berry of a mountain bush Transplanted to the road. Nor was I hungry; so I found That hunger was a way Of persons outside windows, The entering takes away.

I will love you like God, because of God, mighted by the power of God. I will stop expecting your love, demanding your love, trading for your love, gaming for your love. I will simply love. I am giving myself to you, and tomorrow I will do it again. I suppose the clock itself will wear thin its time before I am ended at this altar of dying and dying again. God risked Himself on me. I will risk myself on you. And together, we will learn to love, and perhaps then, and only then, understand this gravity that drew Him, unto us.

Marriage I think For women Is the best of opiates. It kills the thoughts That think about the thoughts, It is the best of opiates. So said Maria. But too long in solitude she'd dwelt, And too long her thoughts had felt Their strength. So when the man drew near, Out popped her thoughts and covered him with fear. Poor Maria! Better that she had kept her thoughts on a chain, For now she's alone again and all in pain; She sighs for the man that went and the thoughts that stay To trouble her dreams by night and her dreams by day.

One Time, One Day between Davie and Roberta , I asked my mom why she persisted, kept on having baby after baby, She looked at me, at a spot between my eyes, blinking like I had suddenly fallen crazy. She paused before answering as if to confide would legitimize my fears. She drew a deep breath, leaned against the chair. I touched her hand and I thought she might cry. Instead she put baby Davie in my arms Pattyn, she said, it's a woman's role. I decided if it was my role, I'd rather disappear.

Once a little boy sent me a charming card with a little drawing on it. I loved it. I answer all my children’s letters — sometimes very hastily — but this one I lingered over. I sent him a card and I drew a picture of a Wild Thing on it. I wrote, “Dear Jim: I loved your card.” Then I got a letter back from his mother and she said, “Jim loved your card so much he ate it.” That to me was one of the highest compliments I’ve ever received. He didn’t care that it was an original Maurice Sendak drawing or anything. He saw it, he loved it, he ate it.

Instead of replying, Alec reached down and took Magnus's hands. Magnus let Alec pull him to his feet, a questioning look in his eyes. Before he could say anything, Alec drew him closer and kissed him. Magnus made a soft, pleased sound, and gripped the back of Alec's shirt, rucking it up, his fingers cool on Alec's spine. Alec leaned into him, pinning Magnus between the table and his own body. Not that Magnus seemed to mind. 'Come on,' Alec said against Magnus's ear. 'It's late. Let's go to bed.

It's different now but I enjoy it more than I did then. I think I appreciate it more now and I love playing acoustically. This is the way I started. Herb and I met each other forty years ago when we were both eighteen years old, playing bluegrass, and that's what drew me into music, and I enjoyed every particular part of my career. But now I enjoy it because it's the twilight of my career, where I can play what I want and I can play when I want and where I want. And that's the greatest part it all. So it's sort of a right that I've earned. I can record records the way I want to.

But she did not take her eyes from the wheels of the second car. And exactly at the moment when the midpoint between the wheels drew level with her, she threw away the red bag, and drawing her head back into her shoulders, fell on her hands under the car, and with a light movement, as though she would rise immediately, dropped on her knees. And at the instant she was terror-stricken at what she was doing. 'Where am I? What am I doing? What for?' She tried to get up, to throw herself back; but something huge and merciless struck her on the head and dragged her down on her back.

The main reason for the break was a combination of travel and going back to university, which drew me into theatre more than music. I did stuff on acoustic guitar when I was traveling, filed it away and made notes, without it being musical notation. Just taped the odd thing, did a sketch, stuck it on a cassette. I thought at some point, I'll go back to it. Some of it I did use in '84-'85 when I started working in the Free Theatre in Christchurch. So it might seem like I had given up after the Pin Group, but I just went into a different avenue.