Top 1200 Narrative Voice Quotes & Sayings - Page 16

Data coming out our ears but we lack narrative.

I don't want my readers slowed down by long passages of narrative.

The power of narrative sort of defines something forever and ever.

A lack of narrative structure, as you know, will cause anxiety.

I would have had the same narrative, regardless of the atmosphere and the restrictions.

I have 2 million Twitter followers. Some of those people are also yogis and activists and people who really go out and make a difference. I do as much as I can with my voice. It's effortless in some cases. I try to remind everybody that they have that kind of voice.

I let my narrative embroidering impulses take over in prose poems.

The best way to truly understand narrative art is to experience it.

I could have hidden in Boston and lived at home for three years, gone through my transition, taken voice lessons to make my voice more feminine, gotten gender reassignment surgery, and spent time to complete my transition, but I didn't want to wait. I wanted to be in the world.

My voice is not angel voice.

Fashion is this obsessive narrative that people don't understand but they can't stop looking at.

To have frequent recourse to narrative betrays great want of imagination.

We find our voice, we lose our voice, we retrieve it, honor it, and hopefully, learn how to share it with others and stand in the center of our power. Translation is a theme. Fear and courage are a theme.

At home, a man is entitled to raise his voice maybe once a year, if something really gets under his skin. At work, it's different. I raise my voice all the time. Not out of malice, but to get things right. It's never personal.

I never got lessons. I took influence from Chet Baker, Ian Dury, and Joe Strummer. I don't hear my voice and think, 'Yeah, that's a banging voice!' It's more about putting the right emotions into the right words and the lyrics than anything else to me.

To create a collection, you need a narrative - an explanation to tell the team.

You have the power to think differently about who you are. You have the ability to turn off the critical voice inside of you. That's not you. That's coming from the culture. That's coming from the outside of you. You've internalized the voice of your parents, your teachers, your friends.

My voice gets recognized before anything else. It's always gotten attention. In choruses at church and school, I started as a tenor, moved to a baritone and finally became a bass. I knew then that my voice would be my instrument. Now if I want to hide, I just keep my mouth shut.

Actually, I think the average voice is like 70 percent tone and 30 percent noise. My voice is 95 percent noise.

Women often get ignored from main narrative, especially in films.

Word, image, and sound all must have primacy in the development of the narrative.

I'm a piano player. I never thought of myself as a singer, at all. I was always trying to sound like somebody else. I don't like my own voice, I like Ray Charles, Robert Plant, I like Joe Cocker, Rod Stewart, people that have an edge in their voice.

I love narrative and sometimes I feel frustrated with stand-up.

Like my writing, my voice has been something I've worked at. I knew I had a good voice but it was a matter of time before it was what I've got now. I've had to build my vocal muscles up until they were like Arnold Schwarzenegger.

There's this pet phrase about writing that is bandied around particularly in workshops about "finding your own voice as a poet", which I suppose means that you come out from under the direct influence of other poets and have perhaps found a way to combine those influences so that it appears to be your own voice. But I think you could also put it a different way. You, quote, find your voice, unquote, when you are able to invent this one character who resembles you, obviously, and probably is more like you than anyone else on earth, but is not the equivalent to you.

Her eyes were distant, and she seemed to be listening to that voice that first told her the story, a mother, sister, or aunt. Then her voice, like her singing, cut through the crickets and crackling fire.

Any question about narrative storytelling is answered by Dickens.

There is no longer any such thing as fiction or nonfiction; there's only narrative.

Documentaries can provoke much more than narrative movies.

Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

My priority is my books, at least at this point. What I have to do is write the narrative of this time.

I want to be in a good movie, and so the narrative is way more important.

Mine is an actor's voice, not a singer's voice, but the part was written for an actor (Richard Burton), not a singer.

I'm not a new-agey person, but narrative is ancient and wise and generous.

When you take charge of your own narrative, it gives you a handle on it.

His own voice was older than he was. Ancient, unearthed from some mystical subterranean place...The voice seemed to make his whole body ache. Maybe it made him bleed inside. I wondered if it hurt, if it burned in his throat.

Sooner or later the Narrative will come for each of us.

At Julliard we had some voice classes. It was really just so you could carry a tune. It always just helps with your speaking voice also, when you connect your diaphragm and your breath.

In the silences I make in the midst of the turmoil of life I have appointments with God. From these silences I come forth with spirit refreshed, and with a renewed sense of power. I hear a voice in the silences, and become increasingly aware that it is the voice of God.

The Google Voice service is a lifesaver for me. My actual phone number changes a lot, so having a canonical Google Voice number that doesn't change - it's actually my same number from high school - is indispensable.

You could say that too much time has passed for us to take up new styles so it's entirely up to us to improve. I personally wanted to produce a voice that's different from when I did "V.V.I.P" so I put a lot of effort into finding my voice.

'Phantom' was for me an interesting technique of telling the story. You have one voice that it is in the present telling what is happening, and then there's one voice from the past that's also driving the story forward. And you know that the two story lines will meet eventually.

I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.

I used to get very angry as I was getting older, because my voice was breaking. So I've trained my voice so religiously through my teenage years, because I wanted to be able to hit the notes that those females hit. And I can, which is great.

There is a voice inside of my head that is trying to convince me that I'm not good enough and that I don't deserve to be here in Hollywood. So courage is required. The courage to decide that I have a voice and need to do what I love. To believe that this opportunity is not wasted on me. To own the fact that I am worthy.

Nina Simone had such an androgynous voice; the first time I listened to her I thought it was a man, and I'm sure a lot of people listening to me think I'm a woman. Her voice is kinda like the poster child for me.

That's what culture is based on, the passing down of a certain narrative by imitation.

It’s not about finding your voice, it’s about giving yourself permission to use your voice.

I always think of a voice as an instrument, whether a voice is a trumpet, or violin, or bass. You know what I mean? A horn or wind instrument versus a string instrument. Horn instruments are definitely more toward jazz.

The novel is a prose narrative of some length that has something wrong with it.

People communicate anger of course through facial expressions, but in voice, there's a wider spectrum, like cold anger and hot anger and frustration and annoyance, and that entire spectrum is a lot clearer in the voice channel.

You can live a life of either trusting your inner voice or distrusting your inner voice. You can cling to familiar expectations, conventions, and "reasonable" responses or you can listen to the sweet madness in your bones.

I think sometimes a narrative can come out of a single word.

There is a stigma attached to community colleges, and we do need to change the narrative.

I know it was a gift from God. My father was a preacher and my mother worked in churches all her life. My father had a very deep bass sounding voice and my mother had an in-between soprano voice. Not great singers, but they had great tones to their voices. I think that had a lot to do with it. Also, I really believe my voice was a gift from God. I believe if you take care of it, He will help you take care of it.

Pop music has progressed. The singing voice has changed dramatically in pop music, and people now just sing the way they want to, in their speaking voice, instead of putting on some great transatlantic rock and roll sneer.

I'm interested in the possibility of fiction which straddles narrative and essay.

The resistance is the voice in your head telling you to use bullets in your PowerPoint slides...It’s the voice that tells you to leave controversial ideas out of the paper you’re writing, because the teacher won’t like them. The resistance pushes relentlessly for you to fit in.

Photos have no narrative content. They only describe light on surface.

Voice acting is very different from live-action. You only have one tool to convey emotion. You can't sell a line with a look. It's all about your vocal instrument. Doing voice work is also great because you don't have to get your hair done, which I despise.