Top 1200 Narrative Voice Quotes & Sayings - Page 5

I think everyone has a story to tell. Part of what I do is help artists find their voice, not only their vocal voice, but their writing voice. Every artist that I worked with who has those records that everyone talks about, they are also writers. I like to say I helped support whatever their writing was so people heard the song clearly.

When you're researching things that have happened, the clear narrative arc is not there already. This is the problem of writing nonfiction for me - writing nonfiction which is about serious subjects and has serious political and social points to make, yet which is meant to be popular to a degree - what happens when the facts don't fit a convenient narrative arc? I guess that for a lot of nonfiction writers that is a central challenge.

Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.

If we hear, in our inner ear, a voice saying we are failures, we are losers, we will never amount to anything, this is the voice of Satan trying to convince the bride that the groom does not love her. This is not the voice of God. God woos us with kindness. He changes out of character with the passion of his love.

Maybe, generations ago, young people rebelled out of some clear motive, but now, we know we're rebelling. Between teen movies and sex-ed textbooks we're so ready for our rebellious phase we can't help but feel it's safe, contained. It will turn out all right, despite the risk, snug in the shell of rebellion narrative. Rebellion narrative, does that make sense? It was appropriate to do, so we did it.

I'm trying to make sure that the visual connections between the disparate elements are strong enough for the viewer to keep moving through the work. It's in paying attention to those hundreds of details that the flow of the line will guide an audience through the narrative in a way that will make them enter it enough to engage with it, and perhaps construct their own narrative.

Let the painter composing narrative pictures take pleasure in wealth and variety, and avoid repeating any part that occurs in it, so that the uniqueness and abundance attract people to it and delight the eye of the observer. I say that a narrative painting requires (depending on the scene), wherever the eye falls, a mixture of men of diverse appearances, of diverse ages and dress, combined together with women, children, dogs, horses, buildings, fields, and hills.

Our voice resonates with life. Because this is so, it can touch the lives of others. The caring and compassion imbued in your voice finds passage to the listener's soul, striking his or her heart and causing it to sing out; the human voice summons something profound from deep within, and can even compel a person into action.

I tried singing in a deeper voice by lowering my voice that used to be more delicate.

Love is enough: though the world be a-waning, And the woods have no voice but the voice of complaining.

In 1990 I did a story with Helena Christensen about a woman who lives in a trailer in the middle of the desert and finds a little crushed UFO with a martian who has survived the crash. She takes him home, and they fall in love. Later he has to meet with his fellow martians who have arrived to rescue him. It's a sad ending. This was my first truly narrative story and apparently the first narrative story in fashion photography.

My reality is that God speaks to you every day. There's an inner voice, and when you hear it, you get a little tingle in your medulla oblongata at the back of your neck, a little shiver, and at two o'clock in the morning, everything's really quiet and you meditate and you got the candles, you got the incense and you've been chanting, and all of a sudden you hear this voice: Write this down. It is just an inner voice, and you trust it. That voice will never take you to the desert.

People say Malala's voice is being sold to the world. But I see it as Malala's voice reaching the world and resonating globally. You should think about what is behind Malala's voice. What is she saying? I am only talking about education, women's rights, and peace.

It's funny - it's called 'The Voice,' but I sure as hell didn't have the best voice on the show. I'll admit it.

I know I have a voice, and I want to use that voice as much as I can to bring things forward.

The dumber half of the audience - whether they're male or female, and a lot of them are male - for some reason responds very quickly to the feminine voice. How can I put it? They kind of instantly react to the female voice in a positive way quicker than they would the male voice.

When you do a voice in an animated film, you don't see the finished product at all. You're not animating. You're not doing the voice on the finished product. You're doing the voice long before.

I cannot switch my voice. My voice is not like an elevator going up and down.

A loud voice cannot compete with a clear voice, even if it's a whisper.

What joins the Americans one to another is not a common ancestry, language or race, but a shared work of the imagination that looks forward to the making of a future, not backward to the insignia of the past. Their enterprise is underwritten by a Constitution that allows for the widest horizons of sight and the broadest range of expression, supports the liberties of the people as opposed to the ambitions of the state, and stands as premise for a narrative rather than plan for an invasion or a monument. The narrative was always plural; not one story, many stories.

Real courage is holding on to a still voice in your head that says, 'I must keep going.' It's that voice that says nothing is a failure if it is not final. That voice that says to you, 'Get out of bed. Keep going. I will not quit.'

The voice of a kid can be so much more touching than an adult voice.

It is however, difficult to make your narratives relative by yourself. A novelists' work is to provide models to make your narratives relative. If you read my novels then you may feel, "I have the same experience as this narrative", or "I have the same idea as this novel". It means that your narrative and mine sympathize, concord and resonate together.

For books I want to keep reading, it's definitely the voice. It must be a voice I've never heard before, and it must have its own particular intelligence. By 'voice,' I don't mean vernacular. It has to have its own particular history and world that it inhabits.

More and more, I realise I have a distinct voice, which I didn't realise! You know, it's just my voice. I had no idea. A lot of times, people will say now, 'I recognised you from your voice,' which is interesting to me.

As a cultural form, database represents the world as a list of items and it refuses to order this list. In contrast, a narrative creates a cause-and-effect trajectory of seemingly unordered items (events). Therefore, database and narrative are natural enemies. Competing for the same territory of human culture, each claims an exclusive right to make meaning out of the world.

I walked around my apartment with food in my mouth asking myself: "How do I come up with this voice?" Then I found the voice. I called the director and said on the phone: "Guess who you're talking to Chris? Sid, that's right Sid!" And that's how I came up with the voice. That's a true story.

Who can assure us that we will be alive tomorrow? Let us listen to the voice of our conscience, to the voice of the royal prophet: "Today, if you hear God's voice, harden not your heart." Let us not put off from one moment to another (what we should do) because the (next moment) is not yet ours.

The real voice is stiller and smaller and seems to know, without confusion, the difference between right and wrong and the subtle delineation between the beautiful and profane. It's not an agitated voice, but ever patient as though it approves a million false starts. The voice I am talking about is a deep water of calming wisdom.

I mean it's - it is hard to find a voice on talk radio that is not a conservative voice.

The one radio voice that I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.

I have taught the long poem off and on for years. The more book-length poems I read and studied and taught the more interested I was in the possibilities in writing a poetry that applied formal and substantive options of narrative and non-narrative, lyric and non-lyric. I found many pleasures in this kind of writing. The long poem is as old as the art form.

It's always fun when somebody who you admire and respect is the voice - is your voice, as a viewer.

Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.

In narrative cinema, a certain terminology has already been established: 'film noir,' 'Western,' even 'Spaghetti Western.' When we say 'film noir' we know what we are talking about. But in non-narrative cinema, we are a little bit lost. So sometimes, the only way to make us understand what we are talking about is to use the term 'avant-garde.'

If you want to find your voice, you need to hear the voice of God.

Home is the center of my being where I can hear the voice that says: 'You are my Beloved, on you my favor rests' - the same voice that gave life to the first Adam and spoke to Jesus, the second Adam; the same voice that speaks to all the children of God and sets them free to live in the midst of a dark world while remaining in the light.

All great questions must be raised by great voices, and the greatest voice is the voice of the people - speaking out - in prose, or painting or poetry or music; speaking out - in homes and halls, streets and farms, courts and cafes - let that voice speak and the stillness you hear will be the gratitude of mankind.

I don't like my voice, and I don't enjoy my singing voice; I do what I do to bring pleasure and diversion to the fans.

I've done a lot of shows over a long time, and I've lost my voice on plays before, and it's because I've been thinking closely about what I'm doing with my voice. Babies can scream all day and never lose their voice because they just mean it. As long as you mean it, then it carries you through. It's do it or don't.

The paparazzi and the press have given me a voice. No matter how I got the voice, it's there.

Your own voice is the voice that carries you through life the best.

Man, you don't know how I felt that afternoon when I heard that voice and it was my own voice.

When Dylann Roof walked into a black church, he wanted to start a race war. We didn't let him do that because we didn't cast him as a representative of the white race. We didn't give into his narrative. We did the exact opposite. And I think that we have to be careful not to give into the apocalyptic narrative of ISIS that wants to start a war between Muslims and everybody else.

I'll never feel as comfortable singing as I do playing. The mandolin is my real voice. My actual voice is sort of my secondary voice, but I love to do it and I love giving people relief from playing with a little bit of singing.

Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul.

We create through our voice, through the power of our voice. So, when a person frees up their voice energies, from a yogic standpoint, they're increasing their potency as creators, to create in their life whatever it is they choose to create.

We all have that inner voice that is wise, even if we don't always follow it. It's that voice I'm trying to listen to.

It's about being a voice in the community. There's so many ways to be a voice, and that's what I'm figuring out.

My voice is the only material thing in which I can still reveal myself. Go ahead and cut off the hand or the testicles of a voice. Try to find the head of a voice, the orifice through which it passes, or even the breasts to which you can attach the clips of your electrodes. Nothing. Resonant tooth.

I hate 'The Voice.' I think everyone thought 'The Voice U.K.' would be like the U.S. version, and it's not.

I love singing and I think I have a really nice voice, but I don't think I have an unbelievable singing voice. I think I have a great character voice.

My commodity as a writer, whatever I'm writing about, is me. And your commodity is you. Don't alter your voice to fit the subject. Develop one voice that readers will recognize when they hear it on the page, a voice that's enjoyable not only in its musical line but in its avoidance of sounds that would cheapen its tone: breeziness and condescension and clichés.

I always wanted voice over to be part of my career. Even as a child, I'd watch cartoons and know that someone was doing the voices. When I moved to L.A., my hope was that I'd do on-camera work and voice over. I've ended up doing both, but the voice over side took off in a way that I didn't expect!!

You have the greatest chance of being happy when the voice you respond to is your own voice.

There are a whole other range of sciences that must deal with the narrative reconstruction of the inordinately complex events of history that can occur but once in their detailed glory. And for those kinds of sciences, be it cosmology, or evolutionary biology, or geology, or palaeontology, the experimental methods, simplification, quantification, prediction and repetition of the experimental sciences don't always work. You have to go with the narrative, the descriptive methods of what? Of historians.

What I like about narrative in general is when there is some incongruity between the form and content. Let's say, mixing up the gothic with a coming-of-age narrative. Telling a love story that's also a monster story. Mixing up superhero tropes with your monster tropes. I like category confusion.

I was short and I had a really high voice, and now my voice is low and I'm tall.

With voice acting it just matters what your voice can do. There are some things that I won't get over other people because my register isn't as deep as other people. So if someone wants a deep, dark, brooding villain voice then they are probably not going to pick me.

I consider my voice to be a centrist moderate voice among the nine Democratic candidates.