Top 1200 Narrative Quotes & Sayings - Page 20

Voice is one of the most elusive qualities in any story. We recognize it when we hear it, but it's hard consciously to create an authentic voice. Somehow voice seems to be the natural manifestation of all the narrative decisions we've made so far. We discover it more than we fabricate it.

For each of my novels, I've had something of a eureka moment of deciding what world I want to set it in - Wall Street, the pop-music industry, Harvard - and what the very vague contours of the narrative might be (which typically get changed a lot through the writing process).

What we have seen with Islamist extremism, whether it is in Mali or Somalia or Afghanistan, is that the disease is not necessarily the individual country. The disease is the Islamist extremism, and that's what we have to fight; that's the narrative that we have to beat.

We've become used to processing images that are part of the non-linear narrative theory. I think there's a thinner line between fantasy and normality. People spend much more time in their own heads now. There's so much to conform to, so many influences coming at you.

Since 9/11 we have somehow come to accept the 'radicalization' narrative, which basically holds that people become terrorists through a series of consecutive, traceable steps laid out for them by large international Islamic organizations. Reality is messier, and also smaller.

The film industry is driven by male narrative. Heads of studios are often men, teeming with male executives everywhere you look, and so the narratives we have the screenwriters usually for male leads. Women tend to be second string: the girlfriend of, the secretary who becomes.

As writers and readers, we're drawn to conflict. It's that ancient theory of plot that's written on the whiteboard during every fiction workshop, characters who want something overcoming obstacles as a way to create narrative momentum and suspense. So there's that, that trauma gives us more plot.

The gender is irrelevant; the identity is the one you should try and create for yourself by yourself, and the narrative of your own life becomes your own book.

I think people don't really actually talk about what their real issue is, which is that white, cis men - not straight men, but cis men - have had their hands on the narrative ever since filmmaking has begun.

Once we truly grasp the message of the 'New Testament', it is impossible to read the 'Old Testament' again without seeing Christ on every page, in every story, foreshadowed or anticipated in every event and narrative.

We all have our own narrative of what human trafficking is supposed to be, but if you do a little research, human trafficking happens, in many different forms and shapes, right in our backyard.

I always wanted to be a scientist, I always thought I'd be a scientist, that was the narrative I was carrying around. I worked in a neuroscience lab as an undergraduate and then after, almost five years in total, but I realized I just wasn't good at science. I didn't have the discipline for it.

You have to like everything that you're painting. Maybe on a narrative level it seems harsh... but I like everything in all my paintings. It's as if you need to be less intelligent at that level.

I think our everyday coded language around 'good neighborhoods' and 'bad neighborhoods' is what allows for tremendous violence to happen... When you label a neighborhood 'bad' and avoid it, then you don't know and don't see what goes on there. And there's no human face to interrupt that narrative.

The main reason why I'm a documentary filmmaker is the power of the medium. The most powerful films I've seen have been documentaries. Of course, there are some narrative films that I could never forget, but there are more documentaries that have had that impact on me.

The narrative for girls is that you just hang around and wait to be "chosen" and then you belong to somebody and you live happily ever after. There isn't room for more nuanced concerns about the creepy proprietary nature of that relationship model, or the breadth of what fulfillment really means for women.

Sometimes the art pieces I gravitate toward speak to me in terms of narrative, at other times they speak to me in terms of mood.

The greatest evil of American slavery was not involuntary servitude but rather the narrative of racial differences we created to legitimate slavery. Because we never dealt with that evil, I don't think slavery ended in 1865, it just evolved.

Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'

Brands' products should be the manifestation of a company's values. Those values should be the subject of all sorts of wonderful stories that comprise your company's narrative.

I have loved football as an almost mythic game since I was in the fourth grade. To me, the game wasn't even grounded in reality. The uniform turned you into a warrior. Being on a team, the mythology of physical combat, the struggle against the elements, the narrative of the game.

A specter is haunting the cinema: the specter of narrative. If that apparition is an Angel, we must embrace it; and if it is a Devil, then we must cast it out. But we cannot know what it is until we have met it face to face.

Tapping into a more masculine, macho culture, I got in touch with my femininity, but differently. Macho culture is also pride of the body and showing it off - a relationship to theatricality, to construction. It's about owning your narrative again.

I started moving into online work, and that exposed me to design and the impact it has on the flow, shape, and narrative of the story. This got me thinking that maybe this is a way of doing journalism, a way of telling stories and revealing patterns.

Get out of the office. Roam the frontline. Be observant. Hold your people accountable for creating the new narrative, a new story, in which your customers are the most important "characters". Because, you know, they really are.

The narrative that each person tells herself and others is a big part of how we construct our self-identities. It's one of the most important ways that we make sense of our past and present and understand our hopes for the future.

Let me be clear: I unequivocally support a two-state solution as the path to resolution of the Israel and Palestinian conflict, with Israel as the national homeland for the Jewish people. Moreover, I reject the demonization and de-legitimization of Israel represented by the BDS narrative and campaign.

The true history of Vietnamese civilian suffering does not fit comfortably into America's preferred postwar narrative - the tale of a conflict nobly fought by responsible commanders and good American boys, who should not be tainted by the occasional mistakes of a few 'bad apples' in their midst.

Fantasy is, at its best, the purest access to storytelling that we have. It universalizes a tale, it evokes wonder and timeless narrative power, it touches upon inner journeys, it illuminates our collective and individual pasts, throws a focus beam on the present day, and presages the dangers and promises of the future.

Cognitive psychology has shown that the mind best understands facts when they are woven into a conceptual fabric, such as a narrative, mental map, or intuitive theory. Disconnected facts in the mind are like unlinked pages on the Web: They might as well not exist.

In the Tea Party narrative, victory at the polls means a new American revolution, one that will 'take our country back' from everyone they disapprove of. But what they don't realize is, there's a catch: This is America, and we have an entrenched oligarchical system in place that insulates us all from any meaningful political change.

I write narrative nonfiction, creating lively scenes through action and the use of quotes from firsthand accounts, all based on rigorous research. If I say a character leaned against a fence on a windy day, than I have at least two sources to back up these details.

The great evil of American slavery was involuntary servitude or forced labor. I really believe that the true evil of American slavery was the narrative of racial difference that we created to justify it.

When you start a novel, it is always like pushing a boulder uphill. Then, after a while, to mangle the metaphor, the boulder fills with helium and becomes a balloon that carries you the rest of the way to the top. You just have to hold your nerve and trust to narrative.

...what I enjoy in a narrative is not directly its content or even its structure, but rather the abrasions I impose upon the fine surface: I read on, I skip, I look up, I dip in again. Which has nothing to do with the deep laceration the text of bliss inflicts upon language itself, and not upon the simple temporality of its reading.

As the cinema is changing, on-screen kissing, love-making scenes are becoming part of the narrative. I am not saying it is wrong, because it is the reflection of how our society has changed and become comfortable with it. But I am uncomfortable performing it on screen.

He managed to do this 'tour de force' of styles without ever breaking the narrative structure of the chapter he was writing. It is the most brilliant parody of writing styles that I have ever read.

Escaping into the fantasy of intellectual investigation or narrative story telling makes me feel hopeful. That too is a fiction, but one that makes me feel good sometimes.

Once you realize there's less logic in human institutions than you once thought, you see the narrative potential in just about everything around you. Sometimes, in fact, it seems as if the human world runs on inefficiency and erratic behavior.

Directing music videos, especially ones that are concept/narrative driven is challenging in itself, but Directing a music video within a digital video environment is even more difficult.

Mr. Rogers would not make a good protagonist of a narrative film. He's without conflict, he's too far along on his journey toward enlightenment to be a good protagonist. Our protagonists have to be struggling with demons in a certain way.

Just like Hillary Clinton is against the miners, she is against the police, believe me. Those peddling, the narrative of cops as a racist force in our society have fostered the dangerous anti-police atmosphere in America.

I'm looking for a charismatic character - somebody who you just want to look at and listen to and whom the camera likes. I'm also looking for a narrative arc: Something is going to happen, and there will be a question that will make you wonder what happens at the end.

We have to understand ourselves as a part of the narrative of evolution. And evolution never stops. The notion that human evolution at some point stopped and "history" took over is absurd, though it is widespread among various social scientists and humanists.

What we do is service a story first, and then you figure out how to pay for it later. If the narrative isn't your primary focus, then the movie is going to become diluted, and you don't have a movie that is as good as it could be, so it probably won't make as much money.

I have to say in premise 'Winter Journal' is really not a memoir. And I don't even think of it as an autobiography. I think of it as a literary composition - similar to music - composed of autobiographical fragments. I'm really not telling the story of my life in a coherent narrative form.

Write out the story - rapidly, fluently, and not too critically - following the second or narrative-order synopsis. Change incidents and plot whenever the developing process seems to suggest such change, never being bound by any previous design.

I would say that ISIS wants us to think so. And I think that's the real danger here. It's that what ISIS wants the narrative to be is that they are the true Muslims.

I think what music can offer is the feeling of forward motion, also the feeling of accumulation of information, of sensations, of feelings, like we're going somewhere. When I say 'feel like,' I don't mean to suggest that it's not real, but that it's the work of the imagination, which is what narrative is.

I found that while it was interesting to travel around and take the photographs, I would find that I was more interested in the stories behind the photographs. I was more interested in narrative.

The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc.

For long, history was mainly political history, and historical narrative was confined to an account of the most important crises in political life, or to an account of wars and great generals.

Like all mystics (and many novelists, not least the present one) he is baffled, a child, before the real now; far happier out of it, in a narrative past or a prophetic future, locked inside that weird tence grammar does not allow, the imaginary present.

80-percent of 'Enter the Void' is a traditional narrative movie. I suppose it's more similar to 'Jacob's Ladder' or 'Videodrome' than it is to 'Inauguration of the Pleasure Dome' by Kenneth Anger, which is very experimental. It's the other 10% of 20% that reminds you of the language and glamour of dreams.

I'm not standing above the audience trying to manipulate them as a puppet master or a trickster; I'm inside the story I'm writing and making and thinking about things very seriously and feeling very deeply at times, and trying to translate that into a narrative.

I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project.

Understanding is better than ignorance. Ignorance, unlike life, unlike narrative, is static. Understanding implies a forward motion, thus the possibility of change.

I want the camerawork to fit the narrative and tell the story from the point of view of the character, but sometimes, to be interacting with the sensations of the story, you almost become like a ghost, you know? Like, someone that is floating, observing, not really judging what's going on.

The narrative of 'man the hunter' presupposes that men provided the nutrition, invented the tools, and established social organization and communication through the hunt, and that women were just sitting by the fire waiting for evolution to drag them out by the hair in the 1960s in order to participate.

I am not given to making sense out of life - or coming up with some grand narrative on it - other than to measure it by what you think you want to do in life. As for me, I have done what I had wanted to, to the best of my ability. I am satisfied.