Top 1200 Natural Materials Quotes & Sayings - Page 2

Explore popular Natural Materials quotes.
Last updated on November 18, 2024.
Reason is natural revelation, whereby the eternal father of light, and fountain of all knowledge, communicates to mankind that portion of truth which he has laid within the reach of their natural faculties: revelation is natural reason enlarged by a new set of discoveries communicated by God. . . .
A real challenge that I've had with my company, Bayou With Love, is getting people to understand that using post-consumer materials does not mean that you are getting a "less than" product than one made with virgin materials. I use a lot of post-consumer plastic in Bayou's clothing. I use it in our bags, which are made from recycled plastics from the ocean.
I'm not a natural storyteller at all. If anything, I'm a natural interviewer, a natural listener, but I'm not a natural storyteller. — © Ira Glass
I'm not a natural storyteller at all. If anything, I'm a natural interviewer, a natural listener, but I'm not a natural storyteller.
And when comfort is what we want, one of the most powerful tonics alternative medicine offers is the word 'natural.' This word implies a medicine untroubled by human limitations, contrived wholly by nature or God or perhaps intelligent design. What 'natural' has come to mean to us in the context of medicine is 'pure' and 'safe' and 'benign'. But the use of 'natural' as a synonym for 'good' is almost certainly a product of our profound alienation from the natural world.
Necessity is not the mother of invention. Knowledge and experiment are its parents. It sometimes happens that successful search is made for unknown materials to fill well-recognized and predetermined requirements. It more often happens that the acquirement of knowledge of the previously unknown properties of a material suggests its trial for some new use. These facts strongly indicate the value of knowledge of properties of materials and indicate a way for research.
To live fully your well-read life -at any age- it is essential to take your selection of books seriously. When you drift from book to book, you're lulled into thinking that this lack of focus is right and natural - but it's as wrong as can be. Some serendipity in your reading is delightful, but if you wanted to build a house, would you wait for the materials to assemble themselves? - Steve Leveen
I may make light of being a domestic terrorist, but if they can brand me a domestic terrorist and confiscate all my materials, and then expand into confiscating other people's materials, and then go after Gibson Guitars and so many other different people... they can go after you, they can go after everybody, we could all be "terrorists." That's really the big concern.
I’m honored that PBteen has seen me as someone who can help a broader audience understand the need to use recycled, repurposed and organic materials. Global conservation is a focal point of the capsule collection and it falls right in line with the change and direction I’m working towards, on a professional and personal basis. In collaborating with PBteen, we are creating a subtle and natural feel with this collection - something that has an authentic appeal for teens and their parents alike.
To be worthy of the name, an experimenter must be at once theorist and practitioner. While he must completely master the art of establishing experimental facts, which are the materials of science, he must also clearly understand the scientific principles which guide his reasoning through the varied experimental study of natural phenomena. We cannot separate these two things: head and hand. An able hand, without a head to direct it, is a blind tool; the head is powerless without its executive hand.
My natural state is one that's affected by the shortage of dopamine production in my brain. So my natural state is to be halting and at times tremulous and kind of just physically disturbed. I mean, that's my natural state, given the situation in my brain. But I'm always as happy either way. And so when it comes to me, body language lies.
If I was a carpenter, and I was trying to maintain my father's musical legacy, then I guess it would be a burden because it wouldn't be natural to me to be dealing in music when my natural ability is in woodwork or whatever. But because my natural talent is also music, it kind of makes it much easier.
We've had a century in which we've allowed some industries to basically pollute the air, pollute the water, pollute the ground, pollute the rivers, and we've been trying sporadically to clean air acts and ways of regulating them. But we now are sitting in a world that's filled with all sorts of materials that we don't really know the impact of. It's not like they're necessarily all poisonous but it's odd to put all these materials into our environment and watch.
Making clothing is not just about the application of style and technique. At some stage, you want to experiment with new materials, or experiment in making materials. When you have a material to yourself, you get to make something totally new based on how that material acts. The access afforded by this tannery pushes you beyond your comfort or knowledge zone of hue and texture, forcing you - the designer - to think about how that flat plane will act when it enters the third dimension.
India has a natural brownness to it, a natural yellowness, a sepia tone to it, with the dust in the air.
Belief is the natural state of things. It is the default option. We just believe. We believe all sorts of things. Belief is natural; disbelief, skepticism, science, is not natural.
Formerly it was the fashion to preach the natural; now it is the ideal. People too often forget that these things are profoundly compatible; that in a beautiful work of imagination the natural should be ideal, and the ideal natural.
How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.
Celebration is without any cause. Celebration is simply because we are. We are made out of the stuff called celebration.That's our natural state - to celebrate - as natural as it is for the trees to bloom, for birds to sing, for rivers to flow to the ocean. Celebration is a natural state.
For a man who has done his natural duty, death is as natural as sleep. — © George Santayana
For a man who has done his natural duty, death is as natural as sleep.
Men's souls are crooked and unsound things, not good materials out of which to build friendships, families, households, cities, civilizations. But good or no, these things must be built, and we must craft them with the materials at hand, and make as strong and stubborn redoubt as we can make, lest the horrors of the Night should triumph over us, not in some distant age to come, but now.
Natural knowledge, seeking to satisfy natural wants, has found the ideas which can alone still spiritual cravings. I say that natural knowledge, in desiring to ascertain the laws of comfort, has been driven to discover those of conduct, and to lay the foundations of a new morality.
Things don't ever stay the same. Natural beginnings come to natural or unnatural ends.
Young children learn in a different manner from that of older children and adults, yet we can teach them many things if we adapt our materials and mode of instruction to their level of ability. But we miseducate young children when we assume that their learning abilities are comparable to those of older children and that they can be taught with materials and with the same instructional procedures appropriate to school-age children.
Gird up your loins for the task that now lies ahead. I had asked you for men, money and materials. I have got them in generous measure. Now I demand more of you. Men, money and materials cannot by themselves bring victory or freedom. We must have the motive-power that will inspire us to brave deeds and heroic exploits.
Natural Magick is taken to be nothing else, but the chief power of all the natural Sciences; which therefore they call the top and perfection of Natural Philosophy, and which is indeed the active part of the same; which by the assistance of natural forces and faculties, through their mutual & opportune application, performs those things that are above Human Reason.
So our building of the visible Church becomes much like any natural business function, using natural means and natural motives.
The dynamic ideal we call democracy, gradually growing up in the human heart for two-thousand five hundred years, at least, has now every opportunity to found the natural democratic state in these United States of America by way of natural economic order and a natural, or organic, architecture.
Unless people can become natural people, there can be neither natural farming nor natural food.
State ownership and control is not necessarily Socialism - if it were, then the Army, the Navy, the Police, the Judges, the Gaolers, the Informers, and the Hangmen, all would all be Socialist functionaries, as they are State officials - but the ownership by the State of all the land and materials for labour, combined with the co-operative control by the workers of such land and materials, would be Socialism.
All natural capacities of a creature are destined to evolve completely to their natural end.
Natural selection is a blind and undirected consequence of the interaction between variation and the environment. Natural selection exists only in the continuous present of the natural world: it has no memory of its previous actions, no plans for the future, or underlying purpose.
Paper money is like dram-drinking, it relieves for a moment by deceitful sensation, but gradually diminishes the natural heat, and leaves the body worse than it found it. Were not this the case, and could money be made of paper at pleasure, every sovereign in Europe would be as rich as he pleased. But the truth is, that it is a bubble and the attempt vanity. Nature has provided the proper materials for money: gold and silver, and any attempt of ours to rival her is ridiculous.
Natural Selection is not Evolution. Yet, ever since the two words have been in common use, the theory of Natural Selection has been employed as a convenient abbreviation for the theory of Evolution by means of Natural Selection, put forward by Darwin and Wallace. This has had the unfortunate consequence that the theory of Natural Selection itself has scarcely ever, if ever, received separate consideration.
An hour and a half before games, I always eat fruit - a banana, an apple, and an orange - because I'm trying to get natural energy. You get natural sugars and natural energy from that.
If the evolutionary mechanism of natural selection depends on death, destruction, and violence of the strong against the weak, then these things are perfectly natural. On what basis, then, does the atheist judge the natural world to be horribly wrong, unfair, and unjust?
I think I have a natural, if I can say that, got a kind of natural ability in comedy.
I think if terrorists had nuclear materials and found people to put a bomb together - both of which are possible - we would already have seen a nuclear explosion. But we have literally thousands of people around the world working their tails off and making a lot of sacrifices to contain nuclear materials. I particularly would like to compliment the Russians on this. In times of great economic distress, many of them could have made an awful lot of money if they had sold their expertise.
The way to improve productivity is not to bring in experts to talk about inputs - seed, equipment and materials, pesticides or water supply. The way to start is to provide an assured market, a fair price, and a system through which rural producers can market their produce which is reasonably efficient and can transfer to them the maximum share of the consumers' money. If such a structure is erected, the producers will then seek the inputs and materials they need to increase their production and productivity.
Natural childbirth scares me. I think before you have natural childbirth you should find out how big the baby is. Three pounds -- natural childbirth. Anything over three pounds -- heroin.
I have a fairly unwieldy set of concerns that go into determining what I do in the paintings, such as the history of the decorative, patterns of cultural migration, Islamic art and design, Byzantine architecture, the annals of natural history, as well as contemporary painting. All of these things are filtered through my own sense of cultural urgency. How I proceed with the work has to do with how I respond to this instinctively chosen mass of materials. I'm weighing many things and making many decisions before I even get started on a painting.
Home life is no more natural to us than a cage is natural to a cockatoo. — © George Bernard Shaw
Home life is no more natural to us than a cage is natural to a cockatoo.
Natural abilities are like natural plants; they need pruning by study.
As natural and easy as it has been to be proud, it must become natural for us to be humble.
It is much more accurate to identify the factors of production as know-how (that is genetic information structure), energy, and materials, for, as we have seen, all processes of production involve the direction of energy by some know-how structure toward the selection, transportation, and transformation of materials into the product
What's natural and right is to go with the energy of how it all has to work together. What's natural and right is interconnectedness, not individualism. What is natural and right is respect for the system, not killing the system. What's natural and right is love.
In some conditions, the architecture of textile is more relevant than in other conditions or the opacity of the material form. Pattern in the world of scarce materiality and a hybridity becomes a way of creating a new authenticity. Sometimes there is a certain kind of nobility of a group of materials literally of the earth, which had a certain nobility of presence, but is very different from the materials we have now.
I'd like to get to a point where I am not considered natural by myself. When I say that I mean that I don't want to fit within the guidelines of what other people feel it is to be natural. If people feel that natural bodybuilders usually are the ones who lack legs or have poor body parts or don't train very hard or aren't very strong or aren't very intense, if that's your perception of what a natural bodybuilder is, then that's not what I want to be.
Cities are natural, that's why they're everywhere. It's not like there's only one city, and everybody's like 'What the f**k is this?' No, cities are all over the place. They're natural. You know what's not natural? You, in the middle of the mountains, in the middle of the winter.
What you need to know about the next piece is contained in the last piece. The place to learn about your materials is in the last use of your materials. The place to learn about your execution is in your execution. Put simply, your work is your guide: a complete, comprehensive, limitless reference book on your work.
You could say that my aim is ‘to recover the place’. The place is a result of nature and time; this is the most important aspect. I think my architecture is some kind of frame of nature. With it, we can experience nature more deeply and more intimately. Transparency is a characteristic of Japanese architecture; I try to use light and natural materials to get a new kind of transparency.
Tools arm the man. One can well say that man is capable of bringing forth a world; he lacks only the necessary apparatus, the corresponding armature of his sensory tools. The beginning is there. Thus the principle of a warship lies in the idea of the shipbuilder, who is able to incorporate this thought by making himself into a gigantic machine, as it were, through a mass of men and appropriate tools and materials. Thus the idea of a moment often required monstrous organs, monstrous masses of materials, and man is therefore a potential, if not an actual creator.
I often notice how students can gain the capacity to use certain critical methodologies through engaging with very different texts - how a graphic novel about gentrification and an anthology about Hurricane Katrina and a journalistic account of war profiteering might all lead to very similar classroom conversations and critical engagement. I'm particularly interested in this when teaching law students who often resist reading interdisciplinary materials or materials they interpret as too theoretical.
I crave and seek a natural explanation of all phenomena upon this earth, but the word 'natural' to me implies more than mere chemistry and physics. The birth of a baby and the blooming of a flower are natural events, but the laboratory methods forever fail to give us the key to the secret of either.
I hate the idea of natural. For example, I prefer gardens to wild nature. I like to see the human touch. High heels are a complete invention - an extravagance. They're far from natural, but it's the impracticality that I adore. I prefer the useless to the useful, the sophisticated to the natural.
When you study natural science and the miracles of creation, if you don't turn into a mystic you are not a natural scientist. — © Albert Hofmann
When you study natural science and the miracles of creation, if you don't turn into a mystic you are not a natural scientist.
Perhaps the simplest example is a synthetic plastic, which unlike natural materials, is not degraded by biological decay. It therefore persists as rubbish or is burned-in both cases causing pollution. In the same way, a substance such as DDT or lead, which plays no role in the chemistry of life and interferes with the actions of substances that do, is bound to cause ecological damage if sufficiently concentrated.
Innumerable entirely new compounds have been produced in the last century. The artificial dye-stuffs, prepared from materials occurring in coal-tar, make the natural colours blush. Saccharin, which is hundreds of times sweeter than sugar, is a purely artificial substance. New explosives, drugs, alloys, photographic substances, essences, scents, solvents, and detergents are being poured out in a continuous stream.
My natural way is when I'm live; I'm like that in natural conversation as well, a bit filthy.
Relative to oil, however, natural gas is very cheap and very attractive. And I think that natural gas in emerging markets is very attractive. There is very little natural gas infrastructure in places such as China, where there is tremendous demand for natural gas.
We are often told we are materialistic. It seems to me, we are not materialistic enough. We have a disrespect for materials. We use it quickly and carelessly. If were genuinely materialistic people, we would understand where materials come from and where they go to. But, at the moment, the entire global economy seems to be built on the model of digging things up from one hole in the ground on one side of the earth, transporting them around the world, using them for a few days, and sticking them in a hole in the ground on the other side of the world.
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